Littérature scientifique sur le sujet « Capitu (Motion picture) »
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Thèses sur le sujet "Capitu (Motion picture)"
Cazdyn, Eric M. « Problem cinema : culture, capital and form in Japan / ». Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9908497.
Texte intégralJacoby, Alexander. « The old capital on film : the representation of Kyoto in Japanese cinema, 1945-1964 ». Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/55848/.
Texte intégralde, Feo-Giet Danielle Karanjeet J. « Fantasies of authenticity, anxieties of culture : global capital, entertainment and cultural nationalism in the contemporary popular cinemas of India and China since 1990 ». Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:39cbae3c-354c-4ebc-be09-386af42f78d0.
Texte intégralBrown, James, et katsuben@internode on net. « South Korean Film Since 1986 : The Domestic and Regional Formulation of East Asias Most Recent Commercial Entertainment Cinema ». Flinders University. School of Humanities (Screen Studies), 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20071122.143238.
Texte intégral« Localization of the foreign media capital in the Chinese film industry : a case study of Crazy Stone ». 2007. http://library.cuhk.edu.hk/record=b5893448.
Texte intégralThesis (M.Phil.)--Chinese University of Hong Kong, 2007.
Includes bibliographical references (leaves 104-112).
Abstracts in English and Chinese.
Abstract (English version) --- p.i
Abstract (Chinese version) --- p.iii
Acknowledgement --- p.v
Table of Contents --- p.vii
List of Tables --- p.ix
List of Figures --- p.x
Chapter Chapter 1. --- Local Media Industry in the Global Context --- p.1
Chapter 1.1 --- Introduction --- p.1
Chapter 1.2 --- The Issues of Globalization --- p.5
Chapter 1.3 --- Cultural Industries: Political Economy in Practice --- p.12
Chapter 1.4 --- Hollywood Reacquainted --- p.14
Chapter Chapter 2. --- Industrial Reforms and the Current Development of the Chinese Film Industry --- p.18
Chapter 2.1 --- Trajectory of the Chinese Film Industrial Reforms --- p.18
Chapter 2.11 --- The Internal Industrial Reform --- p.20
Chapter 2.12 --- The Reforms on External Policy --- p.22
Chapter 2.13 --- Closer Economic Partnership Agreement (CEPA) --- p.26
Chapter 2.14 --- Consequences of and Implications for the Chinese Film Industrial Reforms --- p.29
Chapter 2.2 --- A Glance at the Current Development and Dilemma in the Chinese Film Industry --- p.31
Chapter Chapter 3. --- Research Questions and Methodology --- p.39
Chapter 3.1 --- Analytical Framework --- p.39
Chapter 3.2 --- Research Questions --- p.42
Chapter 3.3 --- Methodology --- p.43
Chapter Chapter 4. --- The Analysis of Localization of the Foreign Media Capital in Crazy Stone --- p.48
Chapter 4.1 --- Trajectory of Warner Bros. Entering Mainland China Market --- p.49
Chapter 4.2 --- Investment Mode of Crazy Stone --- p.53
Chapter 4.3 --- Successful Strategies Contributing to the Success of Crazy Stone --- p.60
Chapter 4.3.1 --- Localization of the Creative --- p.60
Chapter 4.3.2 --- Localization of the Content --- p.65
Chapter 4.33 --- Localization of the Economic --- p.74
Chapter 4.34 --- Localization of Marketing Strategies --- p.80
Chapter 4.35 --- Success of Crazy Stone --- p.87
Chapter Chapter 5. --- Conclusion and Discussion --- p.89
Chapter 5.1 --- Localization as Prerequisites --- p.89
Chapter 5.2 --- "Localization, Regionalization and Globalization一A Chinese-specific Possible Film Development Model" --- p.92
Chapter 5.3 --- Implications for the Chinese Film Industry --- p.96
Chapter 5.4 --- Limitation and Discussion --- p.100
Notes --- p.104
References --- p.108
Appendices --- p.114
Appendix 1 --- p.114
Appendix 2 --- p.115
Appendix 3 --- p.116
Lasaygues, Victor José. « A comparative investment analysis : Is it better to invest in venture capital or in the motion picture industry ? » Master's thesis, 2016. http://hdl.handle.net/10071/13449.
Texte intégralThis paper analyses and compares the profitability and risks of the movie industry against venture capital investment. For the movie industry, by studying the data of 524 movies made by 13 studios from 2011 to 2014. For venture capital investments by collecting insight on the profitability of venture capital investment from seven academicals articles. The study suggests that both industry exhibit similar pattern in term of dispersion, but that movie industry is more profitable than venture capital investment. At the same time the higher profit of the movie industry result also in higher risks for the investors, making this industry only desirable for investors looking for an aggressive investment strategy.
Este trabalho analisa e compara a rentabilidade e riscos da indústria do cinema contra os investimentos em Venture Capital. Para a indústria do cinema, estudando os dados de 524 filmes feitos por 13 estúdios 2011-2014. Para o Venture Capital através da recolha de datos sobre a rentabilidade dos investimentos Venture Capital a partir de sete articulos academicos. O estudo sugere que as duas indústria apresentam padrão semelhante em termos de dispersão, mas que a indústria do filme é mais rentável do que o Venture Capital. Ao mesmo tempo, a indústria do cinema tem tambem mais riscos para os investidores que o Venture Capital. A Indústria do cinema esta só desejável para investidores que procurem uma estratégia de investimento agressivo.
Avery, Lisa Katherine 1968. « Vulnerable London : narratives of space and affect in a twentieth-century imperial capital ». Thesis, 2007. http://hdl.handle.net/2152/3232.
Texte intégraltext
« Image capital : a case study of the spatialization and semioticization processes at Hengdian World Studios ». 2012. http://library.cuhk.edu.hk/record=b5549512.
Texte intégral透過考察橫店影視城一個結合影視生產及遊的中國影城生產地域化及經濟符號化的過程,本文嘗試對「影像/形象資本」的概作深入的分析。沿著布爾迪卮的框架,影視城被視為一個由擁有同影像/形象資本的能動者構成的場域,而這些能動者自在地及跨境的生產及消費網絡。在橫店影視城生產、積與轉換的過程的探中,本文嘗試回答:一)影像/形象在文化場域中的功能及其轉換為經濟或其他資本的條件;二) 影像/形象資本在國際文化分工成員中的分佈以及其結構對影像資本的價值及轉換的影響。第一條問題旨在闡釋經濟符號化的過程,第二條問題則希望剖析影像/形象與資本主義結下的地域分工以及動政治。作為一個可以同時探究影像帶的可能性及限制的概,影像/形象資本把媒介影像的研究,從批判學派對影像呈現的控制及霸權形成,展至影像對同能動者、以至在符號經濟時代中冒升的社會機構所產生的建設性及壓迫性的權的多重探索。
This thesis develops the concept of image capital to investigate the relationship between image, capital and power. Image capital is built on Bourdieu's concept of cultural capital, but looks specifically into how visual and imagery resources becomes a power at stake in the cultural field at the juncture of the economies of signs and space featured by growing convergence of culture and the economy and subsequent blurring of the boundaries between base/superstructure and production/consumption.
The concept of image capital is examined through the case study of the spatialization and the semioticization processes of Hengdian World Studios, a China studio complex that serves domestic and international film and TV productions and operates film studio tourism. The studio, as a case, is theorized as a field which is constituted by different agents with various forms of image capital, including those embedded in local as well as transnational production and consumption networks. The processes of production, accumulation and conversion of image capital at the field of Hengdian World Studios are investigated to chart 1) how image functions as a form of capital at stake in the cultural field and how it can be converted into other forms of capital; 2) how the distribution of image capital is structured amongst agents in the field and how this structure influences the value and conversion rate image capital to other forms of capital. The first question aims at studying the semioticization process, whilst the second attempts to scrutinize the spatialization and the labor politics underpinning the alliance of image and capitalism. By theorizing image as Bourdieusean form of capital and examining both its enabling possibilities and constraints, this thesis sheds light on the study of media images by steering beyond ideological control to both the productive and repressive power of images onto different agents as well as the social intuitions of the up and rising economies of sign and space.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
Chow, Pui Ha.
Thesis (Ph.D.)--Chinese University of Hong Kong, 2012.
Includes bibliographical references (leaves [419-439]).
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstract also in Chinese.
ABSTRACT
摘要
ACKNOWLEDGMENTS
TABLE OF CONTENT
Chapter CHAPTER I --- Introduction --- p.1
Chapter CHAPTER II --- Image and Capitalism --- p.21
Marx's capital and critical media theories on image studies --- p.21
Political economies of signs and the media --- p.26
Implications of the political economy of signs on critical Marxist media theories --- p.31
Alternative frameworks for the study of image and capitalism: End of Production and Labor or NICL? Or Bridging capital and labor in image production and consumption? --- p.38
Chapter CHAPTER III --- Bourdieu's Capital, Field and Habitus --- p.51
Bourdieu's concept of Capital --- p.52
Field and Habitus --- p.63
Theoretical implications of habitus and field of Bouredieusean capital --- p.71
Chapter CHAPTER IV --- Field Theory of Cultural Production and the Political Economy of Signs --- p.76
The field of cultural production --- p.77
The field of cultural production and the political economies of signs and space --- p.91
Image Capital and the political economies of signs and space --- p.105
Chapter CHAPTER V --- Image Capital, Field and Film Studio --- p.112
Intercontextuality: Contextual knowledge, globalization and field --- p.113
Film Studio, image capital and field --- p.117
Research question, design and method --- p.124
Chapter CHAPTER VI --- The Development of Film Studio Complex --- p.135
The emergence of film studio complex in the global field --- p.135
Transformation of China's National Field of Cultural Production --- p.144
Conclusion: Studio complex, image capital, and field of cultural production --- p.170
Chapter CHAPTER VII --- Spatialization: Hengdian as a Field of Cultural Production --- p.176
Iron Road: co-production, image capital, and boundaries negotations --- p.179
Hengdian World Studios as Image Factory --- p.192
Conclusion: the image factory flying beyond the place --- p.219
Chapter CHAPTER VIII --- Semioticization: Capitalizing Image and the Mediation of Production and Consumption --- p.227
Image capital and film-induced tourism --- p.228
Capitalizing image at Hengdian World Studios --- p.237
Key Image Labors --- p.252
Chinese Hollywood: the negotiations and struggles in the capitalization of the global and the national imagination --- p.261
Conclusion --- p.271
Chapter CHAPTER IX --- Image Capital and Tourist Consumption: Gaze, Class and Prosumption --- p.275
Image capital and tourist consumption --- p.276
Tourist gaze at Hengdian World Studios --- p.284
Image Capital, class and prosumption --- p.314
Chapter CHAPTER X --- Image Capital and Place-Making --- p.339
Hardware make-up: physical infrastructure engineering --- p.341
Software make-up: lifestyle formation --- p.345
Place branding --- p.365
Chapter CHAPTER XI --- Conclusion: Image, Capital and Power --- p.372
Image as capital --- p.374
Forms of image capital --- p.376
Functions of image capital --- p.382
Image capital: semioticization and spatialization --- p.400
Livres sur le sujet "Capitu (Motion picture)"
Berti, F., et Silvia Fornari. Socio-movies : Capire la società con il cinema. Ospedaletto-Pisa : Pacini editore, 2013.
Trouver le texte intégralGoffredo, Fofi, dir. Dieci anni difficili : Capire con il cinema, parte seconda, 1975-1985. [Firenze] : Casa Usher, 1985.
Trouver le texte intégralRobbins, Tim. Dead man walking. London : Faber, 1996.
Trouver le texte intégralSimmons, Rudd, Tim Robbins et Jon Kilik. Dead man walking. Santa Monica, CA : MGM Home Entertainment, 1995.
Trouver le texte intégralRobbins, Tim. Dead man walking : The shooting script. New York : Newmarket Press, 1997.
Trouver le texte intégralNeubert, Ingo. The Chair (1962) : Eine Analyse. Trier : Wissenschaftlicher Verlag Trier, 1996.
Trouver le texte intégralMurray, Lisa. The Capitol Theatre restoration. Sydney : Council of the City of Sydney, 2003.
Trouver le texte intégralMorris, Sarah. Sarah Morris : Modern worlds. Oxford : Museum of Modern Art, 1999.
Trouver le texte intégralcontributor, Funcke Bettina, Avary Roger contributor et White Cube (Gallery), dir. Sarah Morris : Bye bye Brazil. London : White Cube, 2013.
Trouver le texte intégralMorris, Sarah. Sarah Morris : Lesser panda. London : White Cube, 2008.
Trouver le texte intégralChapitres de livres sur le sujet "Capitu (Motion picture)"
Lupack, Barbara Tepa. « Heading West ». Dans Silent Serial Sensations, 238–56. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501748189.003.0016.
Texte intégralGleeson-White, Sarah. « Starring the Author : Literary Celebrity and Popular Authorship ». Dans Silent Film and the Formations of U.S. Literary Culture, 18–66. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780197558058.003.0002.
Texte intégralRegev, Ronny. « Writing ». Dans Working in Hollywood, 45–75. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469636504.003.0003.
Texte intégralActes de conférences sur le sujet "Capitu (Motion picture)"
Neilan, James H., Charles D. Cross, Henry Fan, William L. Fehlman, Lucas Hempley, Mark A. Motter, Garry Qualls, Paul M. Rothhaar, Anna Trujillo et Bonnie D. Allen. « Using Multimodal Input for Autonomous Decision Making for Unmanned Systems - “What it needs in order to evolve, is a human quality. Our capacity to leap beyond logic.” - Capt. Kirk, Star Trek : The Motion Picture ». Dans 15th AIAA Aviation Technology, Integration, and Operations Conference. Reston, Virginia : American Institute of Aeronautics and Astronautics, 2015. http://dx.doi.org/10.2514/6.2015-3032.
Texte intégral