Bibliographies thématiques / Camaldolesi

Littérature scientifique sur le sujet « Camaldolesi »

Auteur : Grafiati
Publié le 10 mars 2023

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Articles de revues sur le sujet "Camaldolesi"

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Korten, Christopher. « Pope Gregory XVI's Chocolate Enterprise : How Some Italian Clerics Survived Financially During the Napoleonic Era ». Church History 86, no 1 (mars 2017) : 63–85. http://dx.doi.org/10.1017/s0009640717000476.

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Chocolate has early associations in the West with Spanish Catholic missionaries to America. From the middle of the sixteenth century, chocolate was employed in many useful ways, including economic capacities. However, till now, there have been no associations with the liquid drink and financial survival during and after periods of war or revolution. Yet during the Napoleonic years (1798–1814), chocolate was employed to support certain impoverished Italian clerics during the leanest years of the period. Leading one of these initiatives was Mauro Cappellari, the future Pope Gregory XVI (r. 1831–1846), who, along with others in his Camaldolese order, produced and retailed the chocolate throughout Italian lands. This article draws on Italian archival materials in Rome and Camaldoli in order to piece together this hitherto overlooked food enterprise. In addition, this article will also reveal much about the chocolate trade and production in Italian lands in general.
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Cardarelli, Francesco M. « The ‘tamed’ mountains : from terrifying and uninhabited environments to places of the soul and religious spaces ». Resourceedings 2, no 3 (12 novembre 2019) : 58. http://dx.doi.org/10.21625/resourceedings.v2i3.626.

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The survey, by using the methods of historical research, focuses on the transformation of mountains, which, from terrifying and uninhabited environments, gradually became among the most significant places of the soul and religious spaces. Resorting to historical, literary and archival sources, the study, of an interdisciplinary nature, aims to reconstruct a little-known aspect of Italian history, in particular of history of culture and ideas.Mountains, which constitute a significant portion of Italy, were considered by the Ancients antithetical to human civilization. With Christianity a new image of mountains made its way, where, according to the Scriptures, some decisive episodes of the history of salvation had taken place. The hermits who wanted to dedicate themselves only to God began to take refuge in the mountains, but the ideological prejudice transmitted by classical authors remained fixed in the collective imagination and upland areas continued for centuries to be misunderstood and rarely visited.An important turning point came with two religious orders, the Camaldolese and the Franciscans, who gave a fundamental contribution to the ‘taming’ of mountains. Thanks to Saint Romuald, in Camaldoli, on the Tuscan-Romagnolo Apennines, an experience was born that combined evangelization, forest management and interventions on the mountain territory. In their settlements the Camaldolese, while cultivating the fields, regulating the waters and taking care of the woods, at the same time promoted education, culture and work for the people who lived nearby. From Assisi and the mountains of Umbria began the revolution of Saint Francis, which involved men and women, animals, fields, fruits, flowers, forests, rocks: all like God’s creatures. Thus the Apennine mountains, the true backbone of the Italian peninsula, became increasingly popular open spaces, places of meeting and of spiritual and material life, based on a balanced and exemplary relationship between man and nature.
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Caby, Cécile. « Camaldoli (1012-2012) : chronique des célébrations du millénaire de la fondation de Camaldoli ». Revue Mabillon 23 (janvier 2012) : 271–74. http://dx.doi.org/10.1484/j.rm.5.101015.

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Short, William. « Recovering Lost Traditions in Spirituality : Franciscans, Camaldolese and the Hermitage ». Spiritus : A Journal of Christian Spirituality 3, no 2 (2003) : 209–18. http://dx.doi.org/10.1353/scs.2003.0042.

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Paknys, Mindaugas. « The Frescoes of Saint Bruno of Querfurt in the Monastery of the Camaldolese Order at Pažaislis ». Lithuanian Historical Studies 14, no 1 (28 décembre 2009) : 11–26. http://dx.doi.org/10.30965/25386565-01401002.

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This article investigates the story of St Bruno of Querfurt featured in the fresco cycle in the monastery church of Pažaislis at Kaunas, Lithuania. The frescoes were executed by the Italian artist Michelangelo Palloni in the latter half of the seventeenth century. They are to be found in a corridor linking the church with the monastery: eight of them present the story of the saint and three celebrate his apotheosis. The article examines the causes of the circumstances of the appearance of this cycle in the Camaldolese hermitage, the tradition of the veneration of St Bruno in contemporary Poland-Lithuania as well as a detailed iconography of the frescoes.
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Bowd, Stephen D. « Camaldolese Extraordinary : The Life, Doctrine, and Rule of Blessed Paul Giustiniani (review) ». Catholic Historical Review 90, no 3 (2004) : 543–44. http://dx.doi.org/10.1353/cat.2004.0115.

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Licciardello, Pierluigi. « Il corpo nella tradizione camaldolese medievale : dalla mortificazione ascetica al superamento mistico ». Revue Bénédictine 123, no 2 (décembre 2013) : 291–318. http://dx.doi.org/10.1484/j.rb.1.103603.

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Jovaiša, Liudas. « The Cult of st Bruno in Lithuania : Liturgical and Hagiographical Aspects ». Lithuanian Historical Studies 14, no 1 (28 décembre 2009) : 27–40. http://dx.doi.org/10.30965/25386565-01401003.

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The veneration of St Bruno of Querfurt has never been particularly prominent in Lithuania. Until the very beginning of the twenty-first century Lithuania had no church, chapel or altar dedicated to the saint. Neither were the images of this martyr saint known except those in the seventeenth-century cycle of fresco scenes in the Camaldolese monastery in Pažaislis. Nevertheless, St Bruno, generally known as St Boniface, the apostle of Rus’, has been mentioned in the liturgical calendars of Lithuanian dioceses and religious orders and also in various Polish and Lithuanian lives of saints since the late seventeenth century. The present paper deals with the liturgical and hagiographical aspects of the saint’s veneration.
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Di Renzo, Valeria, Carlo Pelullo, Ilenia Arienzo, Lucia Civetta, Paola Petrosino et Massimo D’Antonio. « Geochemical and Sr-Isotopic Study of Clinopyroxenes from Somma-Vesuvius Lavas : Inferences for Magmatic Processes and Eruptive Behavior ». Minerals 12, no 9 (31 août 2022) : 1114. http://dx.doi.org/10.3390/min12091114.

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Somma-Vesuvius is one of the most dangerous active Italian volcanoes, due to the explosive character of its activity and because it is surrounded by an intensely urbanized area. For mitigating the volcanic risks, it is important to define how the Somma-Vesuvius magmatic system worked during the past activity and what processes took place. A continuous coring borehole drilled at Camaldoli della Torre, along the southern slopes of Somma-Vesuvius, allowed reconstructing its volcanic and magmatic history in a previous study. In this work, the wide range of chemical (Mg# = 92–69) and isotopic (87Sr/86Sr = 0.70781–0.70681) compositions, collected on single clinopyroxene crystals separated from selected lava flow units of the Camaldoli della Torre sequence, have been integrated with the already available bulk geochemical and Sr-isotopic data. The detected chemical and isotopic signatures and their variation through time allow us to better constrain the behavior of the volcano magmatic feeding system, highlighting that mixing and/or assimilation processes occurred before a significant change in the eruptive dynamics at Somma-Vesuvius during a period of polycyclic caldera formation, starting with the Pomici di Base Plinian eruption (ca. 22 ka).
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Culliford, Larry. « Thomas Merton and the noonday demon : the Camaldoli correspondence ». Journal for the Study of Spirituality 7, no 1 (2 janvier 2017) : 83–86. http://dx.doi.org/10.1080/20440243.2017.1290173.

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Thèses sur le sujet "Camaldolesi"

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Lackner, Dennis Finn. « Humanism and administration in the Camaldolese Order (1480-1513) ». Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670209.

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Fornaciari, Roberto. « Eremitismo e cenobitismo in conflitto nell'ordine camaldolese : la soppressione ecclesiastica dei monaci cenobiti nel 1935 e l'abate Emanuele Caronti / ». Camaldoli : Ed. Camaldoli, 2007. http://catalogue.bnf.fr/ark:/12148/cb41171566s.

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Ricci, Chiara. « Un monastero dimenticato : il cenobio camaldolese di Santa Maria degli Angeli a Firenze dagli anni dell’abbazia (1585) fino alla sua disgregazione ». Doctoral thesis, 2019. http://hdl.handle.net/2158/1236023.

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Il tema di questa tesi è il monastero camaldolese di Santa Maria degli Angeli, situato nel centro storico di Firenze, in un’area compresa tra via degli Alfani, via del Castellaccio e piazza Brunelleschi. Lo studio del complesso monastico, fondato nel 1295 e soppresso nel 1866, è stato affrontato con lo scopo di ricostruire le vicende storiche e le trasformazioni architettoniche degli ultimi quattro secoli, cercando di fornire una lettura d'insieme a operazioni apparentemente a sé stanti e riesaminando criticamente, alla luce di inediti documenti d’archivio, l’esatta cronologia degli interventi e l’attribuzione ai presunti progettisti. Un secondo obiettivo della ricerca è stato quello di individuare le cause che hanno provocato lo smembramento del complesso religioso dopo la sua soppressione e di mettere in luce le complesse e spesso ignote operazioni che hanno determinato il suo frazionamento in diverse proprietà. Le alterazioni delle funzioni d’uso degli ambienti originari che ne sono derivate hanno provocato la completa perdita di leggibilità architettonica del cenobio degli Angeli, una mancanza d’identità diventata oggi talmente profonda da rendere, come suggerisce il titolo della tesi, quasi “dimenticato” non solo dai cittadini, ma anche da gran parte della storiografia, uno dei centri religiosi e culturali più importanti del Tre-Quattrocento fiorentino. Fra le sue mura avevano vissuto monaci diventati celebri come miniaturisti e pittori (fra gli altri, Lorenzo Monaco) ed era stata inaugurata una prestigiosa scuola umanistica frequentata dalle famiglie fiorentine più importanti dell’epoca, compresi i Medici, amici personali del generale camaldolese Ambrogio Traversari, promotore dell’intervento di Filippo Brunelleschi che progettò per Santa Maria degli Angeli l’oratorio a pianta centrica, detto la Rotonda, rimasto incompiuto. Diventato abbazia nel 1585, il cenobio degli Angeli intraprese una serie di radicali interventi architettonici che interessarono, su un arco temporale di due secoli, i tre chiostri, il dormitorio, il noviziato, la biblioteca, la chiesa e altri ambienti, lavori a cui parteciparono Bartolomeo Ammannati, Gherardo Silvani e Matteo Nigetti. Fece seguito la parabola discendente del monastero, iniziata con la temporanea soppressione francese del 1808 cui seguì quella definitiva del 1866 da parte del Governo italiano. L’intero complesso monastico passò di proprietà al confinante Arcispedale di Santa Maria Nuova che adibì gli antichi spazi cenobitici a biblioteche, laboratori, corsie e cliniche per la Sezione Medica del Regio Istituto di Studi Superiori. Nei primi anni del Novecento l’ospedale cominciò a vendere alcune parti di Santa Maria degli Angeli per finanziare la costruzione delle nuove cliniche a Careggi; così sull’edificio del Noviziato, radicalmente restaurato, l’Associazione Nazionale Mutilati e Invalidi di Guerra edificò la sua nuova sede fiorentina (1937) collegandola con la Rotonda trasformata in sala per adunanze; altri compratori furono la Cassa di Risparmio di Firenze, il Comune – che sull’area dismessa dall’ospedale prevedeva l’apertura di nuove strade e piazze (mai costruite, tranne piazza Brunelleschi) – e il Consorzio Edilizio Universitario, nato nel 1933 con lo scopo di realizzare il Nuovo Centro Universitario fiorentino su progetto di Raffaelo Brizzi. Di questo ambizioso programma fu realizzata la sola Facoltà di Lettere e Filosofia (1964) che l’architetto Raffaello Fagnoni volle collegare all’ex monastero degli Angeli ponendo sotto il loggiato est del chiostro grande l’ingresso alla nuova Biblioteca Umanistica. Conseguenza diretta di questo frazionamento e di altri interventi successivi – i dormitori dei monaci adibiti ad aule universitarie o il refettorio convertito a sala conferenze, per esempio – è stata la totale perdita dell’unità architettonica del complesso monastico, inserito in un contesto urbano in cui la mancata conclusione di tanti interventi pianificati solo sulla carta e l’intromissione di costruzioni casuali nel paesaggio dell’isolato ha generato quel senso di mancanza d’identità e di non finito così percepibile da chiunque oggi passi per piazza Brunelleschi. La tesi, con certificazione di Doctor Europaeus, si articola in due volumi: il primo consiste in una relazione critica, il secondo è un’appendice documentaria con la trascrizione di quasi duecento documenti fra i più significativi sulla storia del monastero. L’approccio metodologico ha costantemente privilegiato la ricerca archivistica, base e presupposto per la formulazione di ipotesi ricostruttive nonché per l’accertamento di attribuzioni e interpretazioni tradizionalmente e spesso erroneamente consolidate, mai fino ad oggi verificate. Di grande aiuto si sono rivelati fondi, anche di soggetti privati, prima d’ora mai consultati sul tema del monastero degli Angeli il cui archivio venne disperso in occasione delle soppressioni degli ordini religiosi da parte dell’Amministrazione francese nei primi anni dell’Ottocento e successivamente del Governo italiano nel 1866. Dall’incrocio e dal raffronto dei documenti sono emerse inedite vicende di grande interesse e dagli esiti innovativi, originali ricostruzioni cronologiche di importanti fasi di trasformazione del complesso monastico ed è stato messo in evidenza il ruolo assunto da alcuni architetti, uno fra tutti Bartolomeo Ammannati.
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CATTANEO, Angelo. « La mappamundi di Fra Mauro Camaldolese : Venezia, 1450 ». Doctoral thesis, 2005. http://hdl.handle.net/1814/5799.

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Defence date: 29 September 2005
Examining board: Prof. Diogo Ramada Curto, European University Institute (Supervisor) ; Prof. Patrick Gautier Dalché, École Pratique des hautes études - CNRS ; Prof. Marica Milanesi, Università di Pavia (External Supervisor) ; Prof. Anthony Molho, European University Institute
Fra Mauro's mappamundi, drawn around 1450 in the monastery of San Michele on Murano in the lagoon of Venice, is among the most relevant compendia of knowledge of the Earth and the Cosmos of the fifteenth century. By examining literary, visual, textual and archival evidences, some long considered lost, this book places the map within the larger context of Venetian culture in the fifteenth century. It provides a detailed analysis of both its main sources (auctores veteres such as Pliny, Solinus, Ptolemy, and novi, like Albert the Great, Thomas Aquinas, Marco Polo and Niccolo de' Conti) as well as of the composite networks of contemporary knowledge (scholasticism, humanism, monastic culture, as well as more technical skills such as marine cartography and mercantile practices), investigating the way they combine in the epistemological unity of the imago mundi. More a work on intellectual history than cartography, the book constructs a complex set of frameworks within which to situate Fra Mauro's monumental effort. These range from the cultural history of the reception of the world map from the fifteenth to the nineteenth centuries to the analysis of the material conditions under which map-makers such as Fra Mauro worked; from the history of ideas, especially of natural philosophy to the links between world representations and travel literature. It also addresses the Venetian reception of Ptolemy's Geography, the interactions between Venetian art, theology and cosmography and the complexities of the Venetian vernacular. The dissertation develops a multi-tiered approach, in which different elements of the rich cultural context in which this world map was created, interact with each other, each casting a new light on the encyclopaedic work being analyzed.
First made available online: 26 October 2016
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PAGANO, ANDREA. « Metodologie di rilievo per l’analisi dell’architettura storica a Camaldoli ». Doctoral thesis, 2013. http://hdl.handle.net/2158/871540.

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La ricerca tratta dei processi metodologici utilizzati per la documentazione e per l'individuazioni delle fasi costruttive principali dell'eremo e del monastero di Camaldoli (Poppi, Arezzo). Due casi studio piuttosto eterogenei nella loro composizione architettonica, ma estremamente correlati nel reciproco sviluppo funzionale
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Baumann, Ekaterina. « Ocena stanu zachowania starych druków na podstawie doświadczeń Polski i Rosji : model bibliotekoznawczy ». Praca doktorska, 2020. https://ruj.uj.edu.pl/xmlui/handle/item/277286.

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The subject of the doctoral thesis is the librarianship model of the evaluation of the state of preservation of old prints stored in various types of institutions (public libraries, monastic libraries, private collections). Research and considerations have been carried out from the perspective of librarianship, taking into account selected achievements of other disciplines: information science, history, conservation science, microbiology and psychology. In the scope of considerations on the assessment of the state of preservation, the extensive achievements of conservators and librarians of Poland and Russia concerning mainly the methods of assessing the state of preservation of library collections were analyzed. The main objective of the research was to identify the elements of the model that will ensure its effectiveness and universality: structural modules (stages of evaluation of the state of preservation), optimal assessment method (choice between descriptive and Stanford methods and scoring method according to the scale), list of book damage parameters to be evaluated, as well as a scheme for collecting, processing and interpreting data. After approving the scoring method according to the scale as the most suitable for the evaluation of the old prints preservation, it was necessary to determine its own list of damages for evaluation, as well as their weight to the final categorization of the item (good, medium or bad condition). Empirical research was carried out using mixed research methodologies. The method of analyzing and criticizing the literature (including the Russian-language one) was used to diagnose the state of research. In the research of three selected collections stored in the Jagiellonian Library in Cracow (by the Camaldolese of Bieniszew, the House of the Sanguszko princes, the Reformanti of Biecz), the method of assessing the state of preservation from autopsy was used by scoring according to the selected scale. In order to obtain answers to the research questions posed also a number of additional methods and techniques have been applied. As a result of the research, the structure of the model was determined, a set list of book damage parameters was determined for evaluation in two modes (extended and simplified), as well as the species weight for the whole list. An optimal scheme for data processing, interpretation and visualization has also been proposed. The use of a librarianship model to assess the state of preservation of old prints will serve to determine the priorities of maintenance works in libraries, to estimate expenditures and raise funds for conservation, and consequently - to preserve this cultural heritage for the future.
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Livres sur le sujet "Camaldolesi"

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Gargano, Innocenzo. Camaldolesi nella spiritualità italiana del Novecento. Bologna : EDB, 2000.

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Bossi, Paolo. Eremi camaldolesi in Italia : Luoghi, architettura, spiritualità. Milano : Vita e pensiero, 1993.

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Guerrieri, Elisabetta. Clavis degli autori camaldolesi : Secoli XI-XVI. Firenze : SISMEL edizioni del Galluzzo, 2012.

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Lombardi, Enrico. I frati bianchi di Gussago : L'eremo di San Bernardo dei Camaldolesi di Monte Corona. Brescia : Fondazione Civilta bresciana, 2000.

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Italy) Camaldolesi nell'Appennino nel Medioevo (2012 Raggiolo. I camaldolesi nell'Appennino nel Medioevo : Atti della giornata di studio, Raggiolo, 22 settembre 2012. Spoleto : Fondazione Centro italiano di studi sull'alto Medioevo, 2015.

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Bargellini, Emanuele. Camaldoli ieri e oggi : L'identità camaldolese nel nuovo millennio. Camaldoli (Arezzo) : Camaldoli, 2000.

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Emanuele, Bargellini, dir. Camaldoli ieri e oggi : L'identità camaldolese nel nuovo millennio. Camaldoli (Arezzo) : Camaldoli, 2000.

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Fabbri, Antonella. Camaldolesi e vallombrosani nella Toscana medievale : Repertorio delle comunità monastiche sorte fra XI e XV secolo. Firenze, Italy : Firenze University Press, 2021.

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Semoli, Paola. Codici miniati camaldolesi : Nella Biblioteca comunale Rilliana di Poppi e nella Biblioteca della Città di Arezzo. Poppi : Edizioni della Biblioteca Comunale Rilliana, 1986.

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Brusegan, Marcello, Paolo Eleuteri et Gianfranco Fiaccadori. San Michele in Isola : Isola della conoscenza : ottocento anni di storia e cultura camaldolesi nella laguna di Venezia : mostra organizzata in occasione del millenario della Fondazione della congregazione camaldolese. Torino : UTET, 2012.

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Chapitres de livres sur le sujet "Camaldolesi"

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Sivo, Vito. « Il Registrum di Paolo Camaldolese : elementi contenutistici e stilistici ». Dans Medieval Letters, 131–51. Turnhout : Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.usml-eb.5.105118.

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Sivo, Vito. « La poesia nel dictamen. Prosa e versi nel Registrum di Paolo Camaldolese ». Dans Bibliothèque d'histoire culturelle du Moyen Âge, 123–44. Turnhout : Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.bhcma_eb.5.105477.

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« The Camaldoli Correspondence ». Dans Thomas Merton and the Noonday Demon, 55–169. The Lutterworth Press, 2015. http://dx.doi.org/10.2307/j.ctt1cgdwq1.11.

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« The End of the Dream of Camaldoli ». Dans Thomas Merton and the Noonday Demon, 218–35. The Lutterworth Press, 2015. http://dx.doi.org/10.2307/j.ctt1cgdwq1.14.

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Marcello Scalzo. « Il Monastero camaldolese degli Angeli e la Rotonda di Brunelleschi : possibili connessioni ». Dans CONNETTERE - UN DISEGNO PER ANNODARE E TESSERE · CONNECTING - DRAWING FOR WEAVING RELATIONSHIPS. FrancoAngeli srl, 2020. http://dx.doi.org/10.3280/oa-548.147.

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Parise, M., D. Calcaterra, F. de Luca et B. Palma. « Rockfall stability assessment at the western slope of the Camaldoli Hill (Naples, Italy) ». Dans Landslides : Evaluation and Stabilization/Glissement de Terrain : Evaluation et Stabilisation, Set of 2 Volumes, 257–63. CRC Press, 2004. http://dx.doi.org/10.1201/b16816-35.

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Actes de conférences sur le sujet "Camaldolesi"

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Fusco, Francesco, Benjamin B. Mirus, Pantaleone De Vita, Rita Tufano et Domenico Calcaterra. « HYDROLOGICAL MONITORING AND NUMERICAL MODELLING OF LANDSLIDE-PRONE PYROCLASTIC SOILS COVERING CAMALDOLI HILLSLOPES (NAPLES, ITALY) ». Dans GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-283098.

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