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Bibliographies thématiques / Byzantine heritage / Livres

Livres sur le sujet « Byzantine heritage »

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Auteur : Grafiati

Publié le 18 mai 2024

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1

Yıldız, Şule Kılıç. Byzantium between "East" and "West" : Perceptions and architectural historiography of the byzantine heritage. Istanbul : Libra, 2021.

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2

Katriĭ, I͡Ulii͡an I͡A. The Christian heritage of the Eastern Church. Detroit : Basilian Fathers Publications, 1991.

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3

Baert, Barbara. A heritage of holy wood : The legend of the true Cross in text and image. Leiden : Brill, 2004.

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4

Cavarnos, Constantine. The Hellenic heritage : Two lectures dealing with Greek culture : ancient, Byzantine, and modern. Belmont, Mass., U.S.A : Institute for Byzantine and Modern Greek studies, 1999.

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5

1937-, Børtnes Jostein, et Lunde Ingunn 1969-, dir. Cultural discontinuity and reconstruction : The Byzanto-Slav heritage and the creation of a Russian national literature in the nineteenth century. Oslo : Solum, 1997.

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6

Kakissis, Amalia G. Byzantium and British Heritage. London : Routledge, 2023. http://dx.doi.org/10.4324/9781351119825.

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7

Volodymyr, Didukh, dir. Zberez︠h︡enni︠a︡ ta vykorystanni︠a︡ kulʹturnoï spadshchyny Ukraïny : Problemy ta perspektyvy materialy miz︠h︡narodnoï i︠u︡vileĭnoï naukovoï konferent︠s︡iï Halych, 4-6 lystopada 2004 = Preserving and using of Ukrainian cultural heritage problems and prospects : materials of international anniversary scientific conference Halych, 4-6 November. Halych : Nat︠s︡ionalʹnyĭ zapovidnyk "Davniĭ Halych", 2004.

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8

Echevarria, Estela. Byzantine Art and Architecture (The World Heritage). Childrens Pr, 1995.

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9

Kakissis, Amalia G. Byzantium and British Heritage : Byzantine Influences on the Arts and Crafts Movement. Taylor & Francis Group, 2022.

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10

Kakissis, Amalia G. Byzantium and British Heritage : Byzantine Influences on the Arts and Crafts Movement. Routledge, 2022.

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11

Kakissis, Amalia G. Byzantium and British Heritage : Byzantine Influences on the Arts and Crafts Movement. Routledge, 2022.

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12

Kakissis, Amalia G. Byzantium and British Heritage : Byzantine Influences on the Arts and Crafts Movement. Taylor & Francis Group, 2022.

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13

Kakissis, Amalia G. Byzantium and British Heritage : Byzantine Influences on the Arts and Crafts Movement. Taylor & Francis Group, 2022.

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14

Kakissis, Amalia G. Byzantium and British Heritage : Byzantine Influences on the Arts and Crafts Movement. Taylor & Francis Group, 2022.

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15

Morton, James. Byzantine Religious Law in Medieval Italy. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198861140.001.0001.

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This book is a historical study of these manuscripts, exploring how and why the Greek Christians of medieval southern Italy persisted in using them so long after the end of Byzantine rule. Southern Italy was conquered by the Norman Hauteville dynasty in the late eleventh century after over 500 years of continuous Byzantine rule. At a stroke, the region’s Greek Christian inhabitants were cut off from their Orthodox compatriots in Byzantium and became subject to the spiritual and legal jurisdiction of the Roman Catholic popes. Nonetheless, they continued to follow the religious laws of the Byzantine church; out of thirty-six surviving manuscripts of Byzantine canon law produced between the tenth and fourteenth centuries, the majority date to the centuries after the Norman conquest. Part I provides an overview of the source material and the history of Italo-Greek Christianity. Part II examines the development of Italo-Greek canon law manuscripts from the last century of Byzantine rule to the late twelfth century, arguing that the Normans’ opposition to papal authority created a laissez faire atmosphere in which Greek Christians could continue to follow Byzantine religious law unchallenged. Finally, Part III analyses the papacy’s successful efforts to assert its jurisdiction over southern Italy in the later Middle Ages. While this brought about the end of Byzantine canon law as an effective legal system in the region, the Italo-Greeks still drew on their legal heritage to explain and justify their distinctive religious rites to their Latin neighbours.

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16

Cavarnos, Constantine. Hellenic Heritage : Two Lectures Dealing With Greek Culture-Ancient, Byzantine, and Modern. Inst for Byzantine & Modern Greek, 2000.

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17

Byzantium in Dialogue with the Mediterranean : History and Heritage. BRILL, 2019.

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18

Torrance, Alexis. Human Perfection in Byzantine Theology. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198845294.001.0001.

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Christian theology has from its inception posited a powerful vision of humanity’s ultimate and eternal fulfilment through the person and work of Jesus Christ. That said, how precisely to understand and approach the human perfection to which the Christian is summoned is a question that has vexed the minds of many and diverse theologians. Orthodox Christian theology is notable for its consistent interest in this question, and over the last century has offered to the West a wealth of theological insight on the matter, drawn from both the resources of its Byzantine theological heritage as well as its living interaction with Western theological and philosophical currents. In this regard, the important themes of personhood, deification, epektasis, apophaticism, and divine energies have been elaborated with much success by Orthodox theologians; but not without controversy. This work addresses the question of human perfection in Orthodox theology via a retrieval of the sources, examining in turn the thought of leading representatives of the Byzantine theological tradition: St Maximus the Confessor, St Theodore the Studite, St Symeon the New Theologian, and St Gregory Palamas. The overarching argument of this study is that in order to present an Orthodox Christian understanding of human perfection which remains true to its Byzantine inheritance, supreme emphasis must be placed on the doctrine of Christ, especially on the significance and import of Christ’s humanity. The intention of this work is thus to keep the creative approach to human destiny in Orthodox theology firmly moored to its theological past.

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19

Epstein, Ann Wharton, et A. P. Kazhdan. Change in Byzantine Culture in the Eleventh and Twelfth Centuries (Transformation of the Classical Heritage). University of California Press, 1990.

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20

Rome, Ravenna, and Venice, 750-1000 : Byzantine Heritage, Imperial Present, and the Construction of City Identity. Oxford University Press, 2020.

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21

armement Dans la Region Balkanique a l'epoque Romaine Tardive et Proto-Byzantine : Heritage, Adaptation et Innovation. Brepols Publishers, 2015.

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22

Subtle Bodies : Representing Angels in Byzantium (The Transformation of the Classical Heritage). University of California Press, 2001.

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23

MacCoull, Leslie S. B. Dioscorus of Aphrodito : His Work and His World (Transformation of the Classical Heritage). University of California Press, 1989.

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24

Jasperse, Jitske. Power and Material Culture in the Twelfth Century : Matilda Plantagenet's Treasures. Arc Humanities Press, 2020.

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25

Jasperse, Jitske. Power and Material Culture in the Twelfth Century : Matilda Plantagenet's Treasures. Arc Humanities Press, 2020.

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26

Tucker, Jonathan. The Silk Road : China and the Karakorum Highway. Bloomsbury Publishing, 2015. http://dx.doi.org/10.5040/9780755652372.

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Stretching from the ancient Chinese capital of Xian across the expanses of Central Asia to Rome, the Silk Road was, for 1,500 years, a vibrant network of arteries that carried the lifeblood of nations across the world. Along a multitude of routes everything was exchanged: exotic goods, art, knowledge, religion, philosophy, disease and war. From the East came silk, precious stones, tea, jade, paper, porcelain, spices and cotton; from the West, horses, weapons, wool and linen, aromatics, entertainers and exotic animals. From its earliest beginnings in the days of Alexander the Great and the Han dynasty, the Silk Road expanded and evolved, reaching its peak during the Tang dynasty and the Byzantine Empire and gradually withering away with the decline of the Mongol Empire. In this beautifully illustrated book, which covers the China section of the Silk Road - from Xian through Loulan, Korla, Turfan and Khotan to Kashgar and onwards to India - Jonathan Tucker uses travellers' anecdotes and a wealth of literary and historical sources to celebrate the cultural heritage of the countries that lie along the Silk Road and illuminate the lives of those who once travelled through the very heart of the world.

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27

Tucker, Jonathan. The Silk Road : Central Asia, Afghanistan and Iran. Bloomsbury Publishing, 2015. http://dx.doi.org/10.5040/9780755652389.

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Stretching from the ancient Chinese capital of Xian across the expanses of Central Asia to Rome, the Silk Road was, for 1,500 years, a vibrant network of arteries that carried the lifeblood of nations across the world. Along a multitude of routes everything was exchanged: exotic goods, art, knowledge, religion, philosophy, disease and war. From the East came silk, precious stones, tea, jade, paper, porcelain, spices and cotton; from the West, horses, weapons, wool and linen, aromatics, entertainers and exotic animals. From its earliest beginnings in the days of Alexander the Great and the Han dynasty, the Silk Road expanded and evolved, reaching its peak during the Tang dynasty and the Byzantine Empire and gradually withering away with the decline of the Mongol Empire. In this beautifully illustrated book, which covers the Central Asian section of the Silk Road - from Lake Issyk-kul through Tashkent, Samarkand, Bukhara, the Kyzyl Kum Desert, Khiva and Merv to Herat, Kabul and Iran - Jonathan Tucker uses travellers' anecdotes and a wealth of literary and historical sources to celebrate the cultural heritage of the countries that lie along the Silk Road and illuminate the lives of those who once travelled through the very heart of the world.

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28

Nardini, Luisa. The Diffusion of Gregorian Chant in Southern Italy and the Masses for St. Michael. Sous la direction de Jonathan Dueck et Suzel Ana Reily. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199859993.013.32.

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This chapter examines the ways in which liturgical chants used for the rites of the Catholic church often bear a multiplicity of cultural influences by drawing on local religious and mythic symbols and placing them in a set of shared biblical, theological, and liturgical elements. It focuses on Gregorian chant in the Beneventan region of southern Italy, tracing the ways that chant repertoires adapted thematic elements from the cultural heritage of the different populations who came into the area, including Lombards, Byzantines, and Normans, along with local pre-Christian cultic elements associated with the Monte Gargano. The chapter concludes that this chants show local processes of remodeling and adaptation of liturgical chants—processes of localization that characterize the repertory of Gregorian chant in other times and places as well.

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