Bibliographies thématiques / Bugonia

Littérature scientifique sur le sujet « Bugonia »

Auteur : Grafiati
Publié le 27 juillet 2024
Mis à jour le 29 juillet 2024

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Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Bugonia ».

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Articles de revues sur le sujet "Bugonia"

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Muniz, Liebert de Abreu. « Cenas de restauração - a grotesca imagem da bugonia nas Geórgicas 4. 281-314 ». Rónai – Revista de Estudos Clássicos e Tradutórios 7, no 2 (11 décembre 2019) : 17–28. http://dx.doi.org/10.34019/2318-3446.2019.v7.28173.

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Os versos 281-314 do livro 4 das Geórgicas de Virgílio descrevem um método para a restauração de um enxame de abelhas perdido, a saber, a bugonia: a carcaça putrefata de um animal serviria para dar origem a um novo enxame. Um método grotesco que explora os limites do corpo enquanto elemento universal para potencializar possíveis ambivalências (BAKHTIN, 1987, p. 265-322). Além de grotesca, a bugonia é problemática quanto à aplicação, o que parece sugerir que a descrição do método grotesco desvela uma cena de restauração social e política da Roma do séc. I a.C.
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Bosak-Schroeder, Clara. « Queer Reproductions in Vergil’s Georgics and Brian Britigan’s Golden ». interconnections : journal of posthumanism 1, no 1 (26 juin 2021) : 26. http://dx.doi.org/10.26522/posthumanismjournal.v1i1.2537.

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Pairing Vergil’s Latin poem, the Georgics, with Golden, a 2012 painting by Brian Britigan, I explore the sexualities and ecologies of animal bodies. First, I argue that Golden responds to the “bugonias” of the Georgics, scenes in which a dead ox spontaneously generates bees. Through the image of one species emerging from another Vergil and Britigan queer straight ideas of reproduction in different ways. Vergil’s queering is processual, describing bugonia as a collision of human and nonhuman bodies and practices. In Britigan’s paintings, which omit human figures, queerness is stylistic. Britigan pays homage to the foundational work of Thomas Hart Benton while reworking Benton’s beliefs about sex/gender and sexuality. Painted just a few years after CCD devastated the world’s honeybees, Golden poignantly represents the hope of life even after extinction. While earlier criticizing Britigan’s human-less nature, I conclude by considering that the regeneration of life may require our absence.
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Osorio, Peter. « Vergil’s Physics of Bugonia in Georgics 4 ». Classical Philology 115, no 1 (janvier 2020) : 27–46. http://dx.doi.org/10.1086/706565.

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Muniz, Liebert Abreu. « A bugonia nas Geopônicas 15.2 e o tratamento do material técnico latino ». Phaos : Revista de Estudos Clássicos 23, no 00 (25 septembre 2023) : e023004. http://dx.doi.org/10.20396/phaos.v23i00.18267.

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O tratado bizantino composto em 20 livros, as Geopônicas, oferece um conjunto de informações detalhadas sobre o procedimento conhecido no mundo clássico e tardio como bugonia, noutras palavras, uma espécie de folclore popular para o fenômeno de restauração de uma colmeia a partir de um boi morto. Dois textos antigos tratam da bugonia em mais detalhes: as Geórgicas de Virgílio, no Livro 4.284-318, e as Geopônicas, atribuídas a Cassiano Basso, no Livro 15.2; outros textos trazem menções pontuais, os mais conhecidos são os tratados de Varrão e Columela. O presente artigo pretende explorar os traços da bugonia no texto bizantino, analisando seus aspectos constitutivos, seus recursos composicionais, vocabulares, e o tratamento dado ao material da literatura técnica latina do período clássico, representados na tradição varroniana e virgiliana. As Geopônicas, a despeito das dúvidas quanto à sua autenticidade, são um importante testemunho de um interesse crescente, em meados dos séculos 9º e 10º, em uma nova abordagem histórica da Antiguidade, a saber, de fazer compilações de saberes de autores diversos do mundo antigo. Nesse sentido, o tratado bizantino, escrito em grego, demonstra a ainda marcante associação– ainda que em processo de adaptação escolástica – entre formas e temas técnicos, científicos, com formas e temas literários, marcas da herança do mundo clássico no mundo tardio. Essa associação, estranha para os modernos, influenciados pelo Romantismo do séc. 18º, como observaram Perutelli (2010) e Trevizam (2014), constitui-se a intercomunicação entre as formas de pensar e de escrever natural dos textos antigos que versaram sobre alguma matéria técnica.
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Glauthier, Patrick. « BUGONIA AND THE AETIOLOGY OF DIDACTIC POETRY IN VIRGIL, GEORGICS 4 ». Classical Quarterly 69, no 2 (décembre 2019) : 745–63. http://dx.doi.org/10.1017/s0009838820000038.

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Roughly half way through the fourth Georgic, Virgil confronts a sad reality: on occasion the entire population of a hive can perish without warning and leave the bee-keeping farmer bee-less. In response to such a devastating loss, the poet describes an Egyptian procedure, to which modern critics have given the name bugonia, whereby the farmer acquires a new swarm of bees from the putrefying carcass of a dead ox (4.281–314). After the account of bugonia, the poem takes a notoriously unexpected turn. Virgil asks the Muses about the origins of this practice and then recounts the exploits of Aristaeus, an inhabitant of the georgic world whose own bees once succumbed to famine and disease. In the narrative that follows, Aristaeus consults his mother Cyrene and the seer Proteus, who tells him about Orpheus’ descent to the underworld. The narrative ends when Aristaeus, thanks to the teaching of his mother, performs a series of activities that culminates in a new swarm of bees bursting forth from the putrefying carcass of a dead ox (4.315–558). The aetiological character of the Aristaeus narrative is clear—Virgil promises to trace the Egyptian procedure back to its first origo (4.286), and when he addresses the Muses, he specifically asks what god discovered the practice and whence it took its first beginnings (4.315–16). But for what activity does the story actually offer an aition?
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Guizzo, Antonio Rediver, Maíra Soalheiro Grade et Florencia Paez. « Literaturas del fin del mundo ». Letras de Hoje 58, no 1 (1 septembre 2023) : e44396. http://dx.doi.org/10.15448/1984-7726.2023.1.44396.

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En este artículo, analizamos cómo O Deus das avencas (2021), de Daniel Galera, participa de un grupo de narrativas que convencionamos llamar literaturas del fin del mundo – caracterizadas por la composición de enredos distópicos o post apocalípticos que figuran la asunción de regímenes totalitarios al poder, la reducción de grupos económicamente desfavorecidos a la “vida desnuda”, el ahondamiento de la explotación de los recursos naturales y de las desigualdades sociales, la precarización del trabajo, la transformación de las tecnologías de comunicación en tecnologías de vigilancia, control y represión, y otros temores surgidos de las crisis democráticas y resurgimiento del capitalismo liberal. La obra O Deus das avencas (2021) está compuesta por tres cuentos que, aunque dispares, parecen constituir una gradación de las relaciones sociales y políticas del país hacia la ruptura de las formas de sociabilidad. El primer cuento, “O Deus das avencas”, presenta la agonía de una pareja que espera el nacimiento de su hijo ante la incertidumbre del rumbo político del país; la segunda, “Tokio”, narra una sociedad distópica en la que la severa devastación ambiental y la drástica reducción de las interacciones humanas se suman a la creencia en la posibilidad de trasladar la conciencia a dispositivos tecnológicos; la tercera, “Bugonia”, presenta un futuro postapocalíptico en el que la humanidad, en ausencia de tecnologías y bajo la amenaza de una patología contagiosa y letal, vuelve a formas tribales de sociabilidad y, para sobrevivir, establece una relación de mutualismo con abejas. En el análisis propuesto, dialogamos con investigadores que observan el crecimiento de la producción distópica en diferentes países y contextos sociopolíticos, como María Laura Pérez Gras (2017), Eirik Vassenden (2022), Tom Moylan (2018), Jill Lepore ( 2017), Gregory Claeys (2017), entre otros.
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Tomić, Radoslav. « Tomaso Cassani Bugoni u Trstenom ». Radovi Instituta za povijest umjetnosti, no 45 (31 décembre 2021) : 119–26. http://dx.doi.org/10.31664/ripu.2021.45.09.

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Autor publicira dvije oltarne pale iz župne crkve sv. Vida i Modesta u Trstenom kraj Dubrovnika. Palu Poklonstvo pastira na glavnom oltaru potpisao je Tomaso Cassani Bugoni (Venecija, oko 1696./1700. – 1767.). Na temelju očigledne sličnosti slikaru se u istoj trstenskoj crkvi pripisuje i pala Bogorodica od Presvetog Ružarija sa sv. Dominikom, sv. Katarinom Sijenskom, sv. Vidom i sv. Modestom. Iznose se podatci o slikaru koji je djelovao sredinom 18. stoljeća, određuju se stilske osobine navedenih slika te prepoznaju mogući poticaji na kojima su nastajala njegova djela. Svjetlinom kolorita slikar pokazuje ovisnost o Giovanniju Battisti Tiepolu i majstorima koji su djelovali pod njegovim utjecajem. S obzirom na to da je njegov opus u Veneciji i Venetu slabo istražen te zbog oskudnih biografskih podataka teško je iznijeti pouzdane zaključke o njegovu školovanju i djelatnosti. Unatoč tome dvije oltarne pale u Trstenom proširuju znanja o likovnoj kulturi u Dubrovačkoj Republici sredinom 18. stoljeća te ukazuju da su mletački majstori zastupljeni većim brojem djela na tom području.
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Kusuro, Michael, Ochan Denis Odong et Taddeo Rusoke. « Loss of Forest Ecosystem due to Refugee Settlement : An Analysis of Underlying Causes at Bugoma Central Forest Reserve in Kyangwali Sub-Country, Kikuube District, Western Uganda ». Journal of Global Ecology and Environment 19, no 1 (20 octobre 2023) : 40–50. http://dx.doi.org/10.56557/jogee/2023/v19i18423.

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Refugees who are settled around Bugoma Central Forest Reserve in Kyangwali Sub-County, Kikuube District have influenced the conservation and protection of the forest ecosystem. Adopting a cross-section research design, 265 respondents from Kyangwali Sub-County, Kikuube District were involved in the study using a questionnaire survey. Findings revealed an increase in charcoal burning by 26.4% and an increase in the cultivation of crops in Bugoma Central Forest Reserve by 19.6%. These activities are responsible for increasing vegetation cover within Bugoma CFR. There is increasing stone quarrying at 38.5% and agricultural intensification in some catchment areas (41.8%) within the Bugoma Central Forest Reserve. There is increasing forest degradation in Bugoma Central Forest Reserve by refugees. The Government of Uganda should enforce strict rules when resettling refugees to ensure that they don’t encroach on the forest reserves near their settlement.
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Sande, Eric, Sisiria Akoth, Ubaldo Rutazaana et William Olupot. « Status of Nahan’s Partridge Ptilopachus nahani (Dubois, 1905) (Aves : Galliformes : Odontophoridae) in Uganda ». Journal of Threatened Taxa 12, no 15 (26 novembre 2020) : 17063–76. http://dx.doi.org/10.11609/jott.5343.12.15.17063-17076.

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We carried out a survey of Nahan’s Partridge Ptilopachus nahani in the Ugandan forests of Mabira, Bugoma, and Budongo from December 2016 to December 2017, using a point count method employing a call playback technique. The aim was to establish the population status of this globally threatened species, which was last surveyed in 2003. Separate analyses of the number of groups per point and those involving use of the Distance Program yielded the same density estimates, indicating that either method reliably estimates the density of the species. The density estimates for the three reserves were 31.6, 25.2, and 13.3 groups per km2 for Bugoma, Budongo, and Mabira forest reserves, respectively. In the last 14 years, it appears that the density of the species for Uganda has increased from 16.3 to 23.4 groups per km2, which when extrapolated translates to 16,000 and 23,000 groups, respectively. This represents a 44% increase in density, or a group growth rate of 450 per year. The lowest density and population increment was registered in Mabira and we attribute this to the apparently high incidence of disturbance and degradation of this forest compared to the other two. Since Mabira, Bugoma, and Budongo are the only remaining large tropical rainforest reserves in Uganda, strengthening their conservation or upgrading their conservation status to national parks is required to save the species.
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Read, Tavis, et Errol Maguire. « Bugosa hernia : a hernia of the conjoint tendon ». ANZ Journal of Surgery 83, no 4 (avril 2013) : 296. http://dx.doi.org/10.1111/ans.12088.

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Livres sur le sujet "Bugonia"

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Kitereza, Aniceti. Mr. Myombekere and his wife Bugonoka, their son Ntulanalwo and daughter Bulihwali : The story of an ancient African community. Dar es Salaam : Mkuki na Nyota Publishers, 2002.

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Boj odbrana Bugojna 1993. Sarajevo : Autor, 2011.

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Die Kinder der Regenmacher : Herr Myombekere und Frau Bugonoka. 2e éd. Wuppertal : Peter Hammer Verlag, 1991.

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Kitereza, Aniceti. Mr. Myombekere and his Wife Bugonoka, Their Son Ntulanalwo and Daughter Bulihwali. Mkuki Na Nyota Publishers, 2000.

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Chapitres de livres sur le sujet "Bugonia"

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Jukes, Helen. « Bee ». Dans A Honeybee Heart Has Five Openings, 73–94. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501766534.003.0003.

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This chapter examines the category and type of beehive. It investigates how to approach the bees and begin relating to them. All together in the hive, the bees can seem quite full of chaos, the very opposite of reason. The chapter delves into what kind of looking—what kind of scrutiny, what quality of attention—should the author be aiming for—what kind of gaze is good. It then reviews how to learn something about the colony as a whole by separating it out, piece by piece. A hive is not a factory, and a bee is not a machine part. The author seeks to understand her bodily experience—how it feels to be a bee going about in the world, with hooked knees and curling tongue, eyes and sting and armor plating. The chapter chronicles old rituals and traditions employed to attract wild colonies. It particularly discusses the ancient Mediterranean belief in the practice of bugonia, the spontaneous generation of a swarm from an ox or bull carcass. The chapter lays out detailed instructions for this task.
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« 4. Die Bugonie und andere Zoogonien ». Dans Soziale Insekten in der Antike, 187–217. Göttingen : Vandenhoeck & Ruprecht, 2018. http://dx.doi.org/10.13109/9783666310539.187.

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Mbele, Joseph L. « Aniceti Kitereza, Mr. Myombekere & ; his Wife Bugonoka, their Son Ntulanalwo & ; Daughter Buliwhali : The Story of an Ancient African Community. » Dans ALT 26 War in African Literature Today, 137–39. Boydell and Brewer, 2008. http://dx.doi.org/10.1515/9781846156083-013.

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