Littérature scientifique sur le sujet « Buddhist Sculptures »
Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres
Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Buddhist Sculptures ».
À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.
Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.
Articles de revues sur le sujet "Buddhist Sculptures"
Jinsin, Kun. « Chinese Buddhist Sculpture of the Early Period. Iconographic Features ». Scientific and analytical journal Burganov House. The space of culture 16, no 2 (10 juin 2020) : 114–26. http://dx.doi.org/10.36340/2071-6818-2020-16-2-114-126.
Texte intégralSyrtypova, S. K. « Buddha Akshobhya in Mongolia ». Orientalistica 2, no 4 (16 janvier 2020) : 817–37. http://dx.doi.org/10.31696/2618-7043-2019-2-4-817-837.
Texte intégralDemenova, Victoria V. « Sino-Tibetan Style of Buddhist Sculpture : Articulation of the Attribution Problem ». Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, no 2 (2022) : 272–86. http://dx.doi.org/10.15826/izv2.2022.24.2.039.
Texte intégralXiao, Wei. « The Technique of Creating Buddhist Polychrome Sculpture ». Scientific and analytical journal Burganov House. The space of culture 15, no 3 (10 septembre 2019) : 55–74. http://dx.doi.org/10.36340/2071-6818-2019-15-3-55-74.
Texte intégralTiwari, Akanksha, et Alok Shrotriya. « Divine Expressions in Pala Art : Sculptures of Transcendence with special reference to Buddhist minor Deities ». RESEARCH REVIEW International Journal of Multidisciplinary 8, no 11 (14 novembre 2023) : 155–69. http://dx.doi.org/10.31305/rrijm.2023.v08.n11.024.
Texte intégralHe, Liqun. « On the development of Buddhist sculpture in Ye City and the “Ye City Style” reflected by the Bei Wuzhuang hoard ». Chinese Archaeology 16, no 1 (27 novembre 2016) : 189–200. http://dx.doi.org/10.1515/char-2016-0018.
Texte intégralStiller, Maya. « Precious Items Piling up Like Mountains : Buddhist Art Production via Fundraising Campaigns in Late Koryŏ Korea (918–1392) ». Religions 12, no 10 (15 octobre 2021) : 885. http://dx.doi.org/10.3390/rel12100885.
Texte intégralБардалеева, С. Б. « Collection of the Buddhist sculptures of Mongolia of the National Museum of the Republic of Buryatia ». Iskusstvo Evrazii [The Art of Eurasia], no 3(22) (30 septembre 2021) : 68–77. http://dx.doi.org/10.46748/arteuras.2021.03.006.
Texte intégralZhao, Jinchao. « Connecting the Sacred : Network Analysis of Buddhist Images on Early Medieval Chinese Pagodas from Nannieshui, Shanxi ». Religions 14, no 5 (6 mai 2023) : 625. http://dx.doi.org/10.3390/rel14050625.
Texte intégralElikhina, Yu I. « The artistic Heritage of Dzanabadzar and his School preserved in the Collections of the State Hermitage ». Orientalistica 3, no 3 (3 octobre 2020) : 662–80. http://dx.doi.org/10.31696/2618-7043-2020-3-3-662-680.
Texte intégralThèses sur le sujet "Buddhist Sculptures"
Leoshko, Janice. « The iconography of Buddhist sculptures of the P?la and Sena periods from Bodhgay ? / ». The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487327695623672.
Texte intégralLeoshko, Janice. « The Iconography of Buddhist Sculptures of the Pala and Sena Periods from Bodhgaya Volume I ». The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392309418.
Texte intégralPons, Jessie. « Inventaire et étude systématiques des sites et des sculptures bouddhiques du Gandhāra : ateliers, centres de production ». Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040086.
Texte intégralBuddhist statues and narrative relieves from Gandhāra share common characteristics thus justifying the designation of “Gandhāran art”. The homogeneity of Gandhāran art is certainly manifest in its material, its subject and its composite nature, yet it is possible to distinguish important iconographic and stylistic variations. This doctoral thesis aims to highlight these variations in order to provide the first identification and characterisation of the various stylistic languages of Gandhāran Buddhist art. The introductory reflections on the geographical, historical and religious contexts within which Gandhāran Buddhist art developed, are followed by prolegomena of the historiographical and theoretical frameworks of the research. These emphasise the need for an appropriate methodology and terminology and the necessity for a corpus of correctly documented pieces on which a stylistic study can be founded. The preliminary inventory of Gandhāran sculptures has identified approximately 5000 pieces of known provenance gathered in an electronic database. The last part focuses on the identification of Gandhāran schools, artistic zones, production centres and workshops and on their characterisation in terms of iconography and form. The review is geographically organised, thus revealing the existing correlation between the stylistic levels and Gandhāran geography and allowing the recognition of various interaction networks. The thesis concludes with an attempt to identify ancient routes, a reassessment of old stylistically based chronologies and a reflection on the geographical normalisation of Buddhist iconographies
Chiu, Angela Shih Chih. « The social and religious world of northern Thai Buddha images : art, lineage, power and place in Lan Na monastic chronicles (Tamnan) ». Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617604.
Texte intégralLingley, Kate Alexandra. « Widows, monks, magistrates, and concubines social dimensions of sixth-century Buddhist art patronage / ». Click to view the dissertation via Digital dissertation consortium, 2004.
Trouver le texte intégralGalloway, Charlotte Kendrick. « Burmese Buddhist imagery of the early Bagan period (1044-1113) ». Connect to this title online, 2006. http://thesis.anu.edu.au/public/adt-ANU20071112.160557/index.html.
Texte intégralKarlsson, Klemens. « Face to face with the absent Buddha : The formation of Buddhist Aniconic art ». Doctoral thesis, Uppsala University, Department of Theology, 2000. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-421.
Texte intégralEarly art in Buddhist cultic sites was characterized by the absence of anthropomorphicimages of the Buddha. The Buddha was instead represented by different signs, like awheel, a tree, a seat and footprints. This study emphasizes the transformation this artunderwent from simple signs to carefully made aniconic compositions representing theBuddha in a narrative context.
Buddhist aniconic art has been explained by a prohibition against images of theBuddha or by a doctrine that made it inappropriate to depict the body of the Buddha.This study rejects such explanations. Likewise, the practice of different meditationalexercises cannot explain this transformation. Instead, it is important to understand thatearly art at Buddhist cultic sites consisted of simple signs belonging to a shared sacredIndian culture. This art reflected a notion of auspiciousness, fertility and abundance.The formation of Buddhist aniconic art was indicated by the connection of these auspi- cious signs with a narrative tradition about the life and teachings of the Buddha.
The study emphasizes the importance Sakyamuni Buddha played in the formation ofBuddhist art. The Buddha was interpreted as an expression of auspiciousness, but hewas also connected with a soteriological perspective. Attention is also focused on thefact that the development of Buddhist art and literature was a gradual and mutualprocess. Furthermore, Buddhist aniconic art presaged the making of anthropomorphicimages of the Buddha. It was not an innovation of motive for the Buddhists when theystarted to make anthropomorphic images of the Buddha. He was already there.
Le, Thua Tien Art College of Fine Arts UNSW. « Journey to inner peace installation and sculpture from a buddhist perspective ». Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/41874.
Texte intégralGalloway, Charlotte Kendrick, et charlotte galloway@anu edu au. « Burmese Buddhist Imagery of the Early Bagan Period (1044-1113) ». The Australian National University. Faculty of Arts, 2007. http://thesis.anu.edu.au./public/adt-ANU20071112.160557.
Texte intégralLok, Wai-ying, et 駱慧瑛. « The significance of Dunhuang iconography from the perspective of Buddhist philosophy : a study mainly based onCave 45 ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48199321.
Texte intégralpublished_or_final_version
Buddhist Studies
Doctoral
Doctor of Philosophy
Livres sur le sujet "Buddhist Sculptures"
India. Ministry of Information and Broadcasting., dir. Buddhist sculptures and monuments. New Delhi : Publication Division, Ministry of Information and Broadcasting, Govt. of India, 1994.
Trouver le texte intégralBuddhist sculptures in Tibet. Hong Kong : Visual Dharma, 2001.
Trouver le texte intégralLiao, Dongfan. Tibetan sculptures. Beijing : China Intercontinental Press, 2003.
Trouver le texte intégralLiao, Dongfan. Tibetan sculptures. Beijing : China Intercontinental Press, 2003.
Trouver le texte intégralC, Sharma R. Bharhut sculptures. New Delhi : Abhinav Publications, 1994.
Trouver le texte intégralMurthy, K. Krishna. Sculptures of Vajrayāna Buddhism. Delhi, India : Classics India Publications, 1989.
Trouver le texte intégralMullick, C. C. Nalanda sculptures : Their bearing on Indonesian sculptures. Delhi : Pratibha Prakashan, 1991.
Trouver le texte intégralVajrayana Buddhism in Khajuraho sculptures. Kolkata : Power Publishers, 2012.
Trouver le texte intégralTibetan sculptures. Beijing : China Intercontinental Press, 2003.
Trouver le texte intégralRao, Manjushri. Sanchi sculptures, an aesthetic and cultural study. New Delhi : Akay Book Corp., 1994.
Trouver le texte intégralChapitres de livres sur le sujet "Buddhist Sculptures"
Prasad, Birendra Nath. « The Socio-Religious Dimensions of Dedicatory Inscriptions on Sculptures Donated to a Buddhist Establishment in Early Medieval Magadha : Kurkihar, c. 800 CE-1200 CE* ». Dans Rethinking Bihar and Bengal, 41–84. London : Routledge, 2021. http://dx.doi.org/10.4324/9781003221227-2.
Texte intégralPeleggi, Maurizio. « CHAPTER FOUR. THE PLOT OF THAI ART HISTORY : BUDDHIST SCULPTURE AND THE MYTH OF NATIONAL ORIGINS ». Dans A Sarong for Clio, sous la direction de Maurizio Peleggi, 79–94. Ithaca, NY : Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501725937-006.
Texte intégralPrasad, Birendra Nath. « A Folk Tradition Integrated into Mahāyāna Buddhism : Some Observations on the Votive Inscriptions on the Sculptures of Puṇḍeśvarī/Pūrṇeśvarī/Puṇyeśvarī Discovered in the Kiul-Lakhisarai Area, Bihar ». Dans Rethinking Bihar and Bengal, 85–93. London : Routledge, 2021. http://dx.doi.org/10.4324/9781003221227-3.
Texte intégral« 2. Early Sculptures ». Dans The Hindu-Buddhist Sculpture of Ancient Kashmir and Its Influences, 31–75. BRILL, 2013. http://dx.doi.org/10.1163/9789004248328_004.
Texte intégralVaneian, Elizaveta S. « The “Spectrum of Corporeality” in Japanese Buddhist Sculpture ». Dans Artificial Body in the World Intellectual and Artistic Culture, 31–57. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0719-9-31-57.
Texte intégralNaz, Fozia. « Buddhist art of Gandhāra : a catalogue of newly documented sites in Malakand District ». Dans Gandhāran Art in Its Buddhist Context, 77–87. Archaeopress Archaeology, 2023. http://dx.doi.org/10.32028/9781803274737-06.
Texte intégralKhan, Zarawar, Fawad Khan et Ghayyur Shahab. « Gandhāran stucco sculptures from Sultan Khel (former Khyber Agency) in the collection of Peshawar Museum : a study in three parts ». Dans The Rediscovery and Reception of Gandhāran Art, 43–82. Archaeopress Archaeology, 2022. http://dx.doi.org/10.32028/9781803272337-3.
Texte intégralPrabha Ray, Himanshu. « Archaeology of Buddhism in post-partition Punjab : the disputed legacy of Gandhāra ». Dans The Rediscovery and Reception of Gandhāran Art, 124–35. Archaeopress Archaeology, 2022. http://dx.doi.org/10.32028/9781803272337-6.
Texte intégral« Buddhist clay sculptures in Central Asia : Conservation and restoration problems ». Dans Rammed Earth Conservation, 685–90. CRC Press, 2012. http://dx.doi.org/10.1201/b15164-116.
Texte intégralCharney, Maurice. « Shakespeare’s Villains1 ». Dans The Supervillain Reader, 106–13. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496826466.003.0010.
Texte intégralActes de conférences sur le sujet "Buddhist Sculptures"
Shao, Changzong. « Discussion on the Humanities and Artistry of Buddhist Sculptures in Wei, Jin, Southern and Northern Dynasties ». Dans 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Paris, France : Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.008.
Texte intégralKoc, Adem. « A Symbolic Taste of the City : Eskișehir Met Halva from Legend to Game ». Dans Conferința științifică internațională Patrimoniul cultural : cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.29.
Texte intégralHendradi, Rimuljo, Ikhsan Rosyid Mujahidul Anwari et Kinara Al Ghiffari. « Augmented reality application development on universitas airlangga Museum’s sculpture as Hindu-Buddhist history educational media ». Dans 4TH INTERNATIONAL SCIENTIFIC CONFERENCE OF ALKAFEEL UNIVERSITY (ISCKU 2022). AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0181221.
Texte intégral