Bibliographies thématiques / Britons – Kings and rulers – Drama

Littérature scientifique sur le sujet « Britons – Kings and rulers – Drama »

Auteur : Grafiati
Publié le 25 juillet 2024

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Articles de revues sur le sujet "Britons – Kings and rulers – Drama"

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Lephen, Purwanto. « Tinular Tutur : Audio Drama Media Counter Hegemony Ruler of The New Order (Analysis of Critical Discourse) ». Dance and Theatre Review 4, no 1 (13 juin 2021) : 10–20. http://dx.doi.org/10.24821/dtr.v4i1.4977.

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The heyday of the 1980-1990 audio drama created by the Sanggar Cerita and the Teater Sanggar Prativi, Jakarta, Indonesia, was an industrial production of drama initiatives synergize between drama creators, pharmaceutical companies and herbal medicine as sponsors, and private radio companies that broadcast them. The productivity of audio drama works in the New Order era reached dozens of titles; some audio drama works produced up to 720 series or 24 episodes for two years broadcast. The audio drama Tutur Tinular by S. Tidjab uses history in Java (Singasari, Kediri, Majapahit) as a source of creation. Critical Discourse Analysis used (Norman Fairclough) is used to reveal texts, practices of discourse. Between social practices were resulting in the finding that in the audio drama, Tutur Tinular contains the behaviour of kings (rulers), royal authorities (patih, warlords), warriors (good people), criminals (bad people), and persecuted people. In the power New Order era, audio drama, which was considered an entertainment media and educational history of nationalism, was a media of resistance of the New Order military rulers. It contained the rulers' behaviour and soldiers who oppressed their people, but it never received a reprimand and a ban on the authorities until the regime subsided.Keywords: drama audio, counter-hegemony, critical discourse
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Vélez-Sainz, Julio. « Silencio de reyes negros : La Comedia Trofea de Torres Naharro y la cartografía de la colonización africana ». Bulletin of the Comediantes 74, no 1 (2022) : 179–95. http://dx.doi.org/10.1353/boc.2022.a927754.

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Abstract: This article considers how Bartolomé de Torres Naharro's Comedia Trofea (1517) represents the process of global colonization of the African and Southeast Asian coasts initiated with the Portuguese imperial expansion of the mid- to late fifteenth century. This drama, in essence, maps an emerging empire, highlighting key protagonists and places. Analysis here concentrates on the drama's parade of African kings (Monicongo, Mandinga, Capa, Milindo, Aden), considering how the representation of these rulers on stage proffers a cartography that supersedes the longstanding European conception of Africa that had remained entrenched from the influential world map of Claudius Ptolemy dating from Antiquity to the mid-fifteenth century. New place names and ethnicities evoked within the Comedia Trofea align with European imperialist projects and colonization, both justified in the drama with reference to evangelization and a Eurocentric notion of a civilizing process . This study also ponders the implications of this play's composition and performance in the context of ostentatious courtly festivities, where the aim was to elicit orientalist wonder through the representation of African kings.
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Berlova, Maria S. « A theoretical look at the main characters in A. Strindberg’s historical drama ». ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, no 3 (2022) : 70–93. http://dx.doi.org/10.35852/2588-0144-2022-3-70-93.

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The article focuses on A. Strindberg’s six historical dramas about Swedish rulers: “Gustav Vasa” (1899), “Erik XIV” (1899), “Gustav Adolf” (1900), “Charles XII” (1901), “Queen Christina” (1901), and “Gustav III” (1902). Strindberg’s late historical plays reflect not so much the true historical events as the author’s world outlook, his personal perception of history and modernity. The influence of Shakespeare’s chronicles in these plays is obvious, however, Strindberg went further with the modernization of history than the English playwright. The Swedish kings appeared as complex individuals, they conversed in modern colloquial language and for the first time in Swedish theatre history became readily understandable by the contemporary audience. The realistic style of these plays is penetrated by the symbolical “higher” reality, which makes them close in style to Strindberg’s “A Dream Play” and “To Damascus”, which were both written in the same period. The action of these historical dramas revolves around the protagonist. His complex inner world is the playwright’s focus, which affects not only the development of the plot, but also the dramatic form. Through an analysis of the main characters, the article reveals the main themes and dramaturgical principles of Strindberg’s late historical drama, which influenced the further development of this genre, as well as the works of German playwrights of the expressionism movement.
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Thèses sur le sujet "Britons – Kings and rulers – Drama"

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Coffey, Alexandra. « Höllischer Ehrgeiz und himmlische Macht : Herrschafts- und Magiediskurse im Theater der englischen Renaissance / ». München : Utz, 2009. http://d-nb.info/988230267/04.

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Hanna, Elizabeth H. « Arthur and the Scots : narratives, nations, and sovereignty in the later Middle Ages ». Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/9750.

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Livres sur le sujet "Britons – Kings and rulers – Drama"

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Chambers, John. Tales of King Arthur : A play. London : S. French, 1996.

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D'Urfey, Thomas. The injured princess, 1682. Oxford : Pergamon Press, 1985.

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Jordan, Pat. Adventures of King Arthur. Studio City, CA : Players Press, 2010.

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Shakespeare, William. Pericles, Prince of Tyre ; Cymbeline ; The two noble kinsmen (with John Fletcher). New York : New American Library, 1988.

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McCaslin, Nellie. The crowning of Arthur. Studio City, CA : Players Press, 1996.

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Edward, Bond. Lear. London : Methuen Drama, 1990.

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Shakespeare, William. Pericles, Prince of Tyre : Cymbeline ; edited by Richard Hosley ; The two noble kinsmen ; (with John Fletcher) ; edited by Clifford Leech. New York : New American Library, 1986.

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Tiffany, Stern, dir. King Leir. New York : Routledge, 2003.

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Neil, Heims, et Bloom Harold, dir. King Lear. New York : Bloom's Literary Criticism, 2008.

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Alexander, Robert, Pearce Joseph, Patricia DeMasi et Patrick S. J. Carmack. Study guide for King Lear. San Francisco : Ignatius Press, 2009.

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Chapitres de livres sur le sujet "Britons – Kings and rulers – Drama"

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Pryce, Huw. « Saints, Kings, and Princes ». Dans Writing Welsh History, 35–72. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198746034.003.0004.

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This chapter examines the increasing quantity and variety of Welsh history writing produced between the late eleventh and late thirteenth centuries. Much of this responded to political changes, both attempts by Welsh rulers to expand and consolidate their power, and foreign conquest and settlement that led to the creation of marcher lordships and to attempts by kings of England to assert their overlordship over Wales which culminated in the Edwardian conquest. It begins by focusing on accounts of the ancient and early medieval history of the Britons of Wales written between the late eleventh and mid-twelfth centuries: saints’ Lives and Geoffrey of Monmouth’s hugely popular Historia Regum Britanniae (‘History of the Kings of Britain’), a cornerstone of medieval Welsh historical writing. This section concludes by examining the reception of Geoffrey of Monmouth in the writings of Gerald of Wales and Welsh translations of Geoffrey’s History. The rest of the chapter turns to narrative works in which secular rulers occupy centre stage. It begins with the only surviving medieval biography of a medieval Welsh ruler, the Latin Life of Gruffudd ap Cynan (d. 1137), before discussing Latin chronicles, especially those underlying the Welsh-language chronicles known as Brut y Tywysogyon (‘The Chronicle of the Princes’). After addressing some of the textual problems these pose, the chapter assesses how the chroniclers portrayed Welsh rulers and the extent to which they promoted the idea of a united Wales.
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Hingley, Richard. « Julius Caesar in Britain ». Dans Conquering the Ocean, 17–42. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190937416.003.0002.

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This chapter is an exploration of the two campaigns led by the great Roman commander in 55 and 54 BCE. Caesar left a vitally important account of his invasions of south-eastern Britain which provides information about his campaigns and addresses the Iron Age peoples of Britain. Significant archaeological discoveries have supplemented, and often challenged, this narrative. These include the recent discovery of Caesar’s probable landing site from his second campaign (at Ebbsfleet, Kent) and the uncovering of a high-status Iron Age warrior burial at North Bersted (West Sussex). Caesar brought around 20,000 soldiers to Britain during his second campaign and forced the surrender of several of the kings of south-eastern Britain, including a great warrior named Cassivellaunus, who attempted to unite the opposition to Rome. Caesar described the martial valour of the Britons he fought, including their use of slingshots and chariots. Departing from Britain to return to Gaul, he took hostages and slaves, imposing a tribute on the kings of Britain. Commius was a Gallic ally of Caesar who assisted him during his invasions of Britain and eventually appears to have settled to rule over a people living to the south of the Thames. He was the first of a series of friendly kings established by Roman rulers in Britain. The North Bersted warrior may have been a member of a retinue of cavalry soldiers who accompanied Commius to Britain after Caesar had withdrawn.
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Wainwright, Geoffrey. « Praying for Kings : The Place of Human Rulers in the Divine Plan of Salvation ». Dans Worship with One Accord, 217–36. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195116106.003.0013.

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Abstract THE PLACE OF THE CIVIL RULER IN Goo’s PLAN OF SALVATION IS RAISED BY AT least four New Testament texts that are of liturgical interest: 1 Peter 2:11-17, 1 Timothy 2:1-8, Titus 3:1-2, and Revelation 13:1-10. Taken in themselves or in literary context, all four passages also raise broader questions concerning the content of salvation, its extension, and the nature of the church. The civil ruler has to be seen in relation to these other matters, all of which have been of ecumenical concern both historically and in our times. The first three texts envision a benign role for the civil ruler in the larger drama; the fourth text, with perhaps an anticipation in the penumbra of the third, presents an altogether darker picture. That the themes of worship and prayer are present or close to all these four passages concerning civil rule is not surprising if we hold, with the Westminster Catechism, the implicitly political belief that “man’s chief end is to glorify God and to enjoy him for ever.”
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