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Thèses sur le sujet « Boston Society of Architects »

Auteur : Grafiati
Publié le 25 juillet 2024

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Consultez les 15 meilleures thèses pour votre recherche sur le sujet « Boston Society of Architects ».

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1

Berman, Richard Andrew. "The architects of eighteenth century English freemasonry, 1720-1740." Thesis, University of Exeter, 2010. http://hdl.handle.net/10036/2999.

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Following the appointment of its first aristocratic Grand Masters in the 1720s and in the wake of its connections to the scientific Enlightenment, ‘Free and Accepted’ Masonry rapidly became part of Britain’s national profile and the largest and arguably the most influential of Britain’s extensive clubs and societies. The new organisation did not evolve naturally from the mediaeval guilds and religious orders that pre-dated it, but was reconfigured radically by a largely self-appointed inner core. Freemasonry became a vehicle for the expression and transmission of the political and religious vi
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2

O'Har, George Michael. "Shipbuilding, markets, and technological change in East Boston." Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/11763.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Program in Science, Technology, and Society, 1995.<br>Includes bibliographical references (leaves 222-241).<br>by George Michael O'Har.<br>Ph.D.
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3

Robinson, H. C. (Hilary C. ). "Making a digital working class : Uber drivers in Boston, 2016-2017." Thesis, Massachusetts Institute of Technology, 2017. http://hdl.handle.net/1721.1/113946.

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Thesis: Ph. D. in History, Anthropology, and Science, Technology and Society (HASTS), Massachusetts Institute of Technology, Program in Science, Technology and Society, 2017.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 216-226).<br>Pocket computers, called "smartphones," have become a part of everyday life over the past decade. Most people now routinely carry around with them millions of times more computing power than generated the Apollo mission to the Moon. They use it to access, process, and share information quickly and cheaply, in furtherance of
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4

Jones, Todd R. "The Relationship Between Lowell Mason and the Boston Handel and Haydn Society, 1815-1827." UKnowledge, 2017. http://uknowledge.uky.edu/music_etds/83.

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The relationship between Lowell Mason (1792–1872) and the Boston Handel and Haydn Society (est. 1815) has long been recognized as a crucial development in the history of American music. In 1821, Mason and the HHS contracted to publish a collection of church music that Mason had edited. While living in Savannah, GA, Mason had imported several recent British collections that adapted for church tunes works by Franz Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, and Ignaz Pleyel. His study with German émigré Frederick L. Abel allowed him to harmonize older tunes in standard counterpo
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Harriss, Karen Elizabeth. "A design approach for Atlanta's urban core : the new urbanism between Farlie-Poplar and the Olympic Park." Thesis, Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/23935.

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6

McCowin, David J. ""For Faith and for Freedom": American Catholic Manhood and the Holy Name Society in Boston, 1870-1960." Thesis, Boston College, 2011. http://hdl.handle.net/2345/3347.

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Thesis advisor: James M. O'Toole<br>This dissertation investigates the Holy Name Society, a Catholic men's confraternity that thrived in early-to-mid twentieth-century America, aimed at addressing perceived problems of modernity by curbing blasphemous speech and bringing men back to the regular attendance to the sacraments of the faith. A dual focus on the local Holy Name movement in Boston and the national campaign uncovers the linkages within the organization as its numbers and purposes expanded. Blending the perspective of lived religion with the methods of social and cultural history, the
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7

LABARILE, MISA. "Il ruolo sociale delle Università il caso della partnership Boston University-Chelsea." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/306.

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La mia tesi in questo lavoro di ricerca è che le università possono costituire attori di sviluppo grazie ad un'azione immediata e diretta su un'area problematica locale condotta attraverso partnership e reti con altri attori pubblici e privati. L'obiettivo è di creare due fattori di sviluppo: capitale sociale e capitale umano. Ho contestualizzato questa idea nella letteratura dell'istruzione superiore, relativamente ai termini del dibattito intorno a un ruolo innovativo e attivo dell'università contemporanea nel contesto sociale. Di questo mi occupo nel capitolo 1. Nel capitolo 2 analizzo il p
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8

LABARILE, MISA. "Il ruolo sociale delle Università il caso della partnership Boston University-Chelsea." Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/306.

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La mia tesi in questo lavoro di ricerca è che le università possono costituire attori di sviluppo grazie ad un'azione immediata e diretta su un'area problematica locale condotta attraverso partnership e reti con altri attori pubblici e privati. L'obiettivo è di creare due fattori di sviluppo: capitale sociale e capitale umano. Ho contestualizzato questa idea nella letteratura dell'istruzione superiore, relativamente ai termini del dibattito intorno a un ruolo innovativo e attivo dell'università contemporanea nel contesto sociale. Di questo mi occupo nel capitolo 1. Nel capitolo 2 analizzo il p
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9

Ibbotson, Verity Rose. "Collaboration and the Arts and Crafts Movement : the Art Workers' Guild, the Arts and Crafts Exhibition Society, the Quarto Imperial Club, and related group endeavour in Boston and Chicago." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577638.

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10

White, Deborah. "Masculine constructions : gender in twentieth-century architectural discourse : 'Gods', 'Gospels' and 'tall tales' in architecture." Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phw5834.pdf.

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Includes 2 previously published journal articles by the author: Women in architecture: a personal reflection ; and, "Half the sky, but no room of her own", as appendices. Includes bibliographical references (p. 233-251) An examination of some texts influential in the discourse of Australian architecture in the twentieth century. Explores from a feminist standpoint the gendered nature of discourse in contemporary Western architecture from an Australian perspective. The starting point for the thesis was an examination of Australian architectual discourse in search of some explanation for the con
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McHale, Katherine Jean. "Ingenious Italians : immigrant artists in eighteenth-century Britain." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/13854.

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Italian artists working in eighteenth-century Britain played a significant role in the country's developing interest in the fine arts. The contributions of artists arriving before mid-century, including Pellegrini, Ricci, and Canaletto, have been noted, but the presence of a larger number of Italians from mid-century is seldom acknowledged. Increasing British wealth and attention to the arts meant more customers for immigrant Italian artists. Bringing with them the skills for which they were renowned throughout Europe, their talents were valued in Britain. Many stayed for prolonged periods, ra
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12

Davies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.

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While much has been written on the Australian film and television industry, little has been presented by actual producers, filmmakers and technicians of their time and experiences within that same industry. Similarly, with historical documentaries, it has been academics rather than filmmakers who have led the debate. This thesis addresses this shortcoming and bridges the gap between practitioner experience and intellectual discussion, synthesising the debate and providing an important contribution from a filmmaker-academic, in its own way unique and insi
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13

Crewe, Katherine. "Landscape architects and citizen participation: A study of the Boston Southwest Corridor (1976-1986)." 1997. https://scholarworks.umass.edu/dissertations/AAI9809322.

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This dissertation examines the responses of landscape architects to citizen participation while working on the Boston Southwest Corridor, a multi-purpose transportation project which involved landscape architects between 1976 and 1986. Conclusions were drawn from interviews with twenty-three landscape architects who were involved on the project, and interviews of an additional twenty consultants and residents. In addition, the source material relative to the project was researched. Findings reveal that landscape architects had responded in a variety of ways to citizen participation depending o
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14

CHI-TIEH-LANG and 紀鐵郎. "A Study of Landscape Architecture Research on the Grouping Principle of Gestalt Psychology -Using American Society of Landscape Architects Firm Award Cases." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/38738738204962978410.

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碩士<br>大葉大學<br>設計研究所碩士在職專班<br>95<br>The study was to explore a Gestalt psychology in the landscape aesthetic perception application of space research, and to try to direct most of the human visual perception associated with the theory of Gestalt psychology "grouping principle" explore the beauty of the landscape, and based on analysis and interpretation of a good space created by the main factor. In the overall study was an analysis of the United States Association of Landscape Architecture (ASLA) winner of the actual landscape designs, Grouping principles to meet the actual case for profession
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15

D'Antonio, Andrew A. "Erwin Bodky as Musicologist, Pedagogue, and Performer: A German Émigre in The United States." 2016. https://scholarworks.umass.edu/masters_theses_2/345.

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Before 1933, Erwin Bodky actively participated in musical life in Berlin. When he was a student, the Prussian Government had given him grants in 1920 and 1921 to study with the distinguished composers Richard Strauss and Ferruccio Busoni. His international performing career was launched when, at the last minute, Bodky was asked to replace a pianist for a performance with Wilhelm Furtwängler. When he became a professor at the Staatlich Akademie für Kirchen- und Schulmusik in Charlottenburg in 1926, he immersed himself in early music, performing on harpsichord and clavichord and founding his own
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