Thèses sur le sujet « Belgium – History – 16th century »
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Henderiks, Valentine. « Catalogue critique de l'oeuvre d'Albrecht Bouts et les pratiques de son atelier ». Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210361.
Texte intégralLa thèse se compose de cinq chapitres. Le premier établit une biographie complète, sélective et chronologique, se basant sur les sources livrées par les archives de la ville de Louvain. Leur interprétation critique renouvelée et enrichie livre ainsi de nombreux arguments pour mieux définir l’individualité d’Albrecht Bouts et justifier le développement de sa carrière.
Le second chapitre concerne l’étude de l’œuvre d’Albrecht Bouts et débute par un examen approfondi de la seule peinture au caractère autographe reconnu, le Triptyque de l’Assomption de la Vierge. L’examen combiné du style et de la technique d’exécution de cette œuvre de maturité du maître permet de mettre en exergue les influences de Dirk Bouts et d’Hugo van der Goes et de définir la personnalité artistique singulière d’Albrecht Bouts. Suite à cette analyse, le catalogue de son œuvre est reconstitué de façon linéaire, depuis sa genèse jusqu’à son terme. Chacune des peintures qui lui sont attribuées est ensuite étudiée de façon chronologique et détaillée, précédée d’une notice technique préliminaire reprenant les données matérielles et bibliographiques, dans le cinquième chapitre consacré au catalogue raisonné.
La révision du corpus de l’œuvre d’Albrecht Bouts est fondée sur un travail d’attribution reposant à la fois sur l’approche stylistique traditionnelle et sur les résultats fournis par les documents de laboratoire. Une importante documentation photographique et technologique des œuvres, dont certaines inédites, a ainsi été rassemblée et sa confrontation constitue un support essentiel à la démonstration.
Le troisième chapitre propose, à partir des hypothèses émises à propos de la biographie et du catalogue des œuvres d’Albrecht Bouts, une analyse de la production de son atelier, particulièrement intense à partir de la première décennie du XVIe siècle. Dans cette partie, l’objectif n’est pas d’établir un exposé circonstancié et complet de chaque peinture abordée, mais plutôt de rassembler des groupes cohérents d’œuvres, également fondés sur une approche combinée du style et de la technique d’exécution. Un même principe de renvoi aux notices dans le catalogue raisonné est adopté.
Enfin, le quatrième chapitre est consacré à la réalisation en série d’œuvres de dévotion privée dans l’atelier du maître. De nombreuses généralités et quelques études ponctuelles ont préparé le terrain, annonçant l’importance de ce phénomène sans, toutefois, en mesurer l’ampleur. C’est pourquoi, nous lui accorderons une investigation la plus exhaustive tant sur les pratiques en vigueur dans l’atelier, que sur l’iconographique et le contexte socio-économique de la création de prototypes par Albrecht, dans la foulée de l’héritage des modèles paternels.
Ainsi, ce travail permettra de mieux cerner la personnalité d’Albrecht Bouts, de retracer son individualité artistique, mais aussi de réévaluer la participation de son atelier, afin de rétablir chacun de ces éléments à leur juste place au sein de la peinture flamande de la fin du XVe siècle et du début du XVIe siècle
The subject of the thesis is to establish a critical catalogue of Albrecht Bouts’ (1451-55/1549) work. Son of Dirk Bouts (1410-1420/1475), official painter to the city of Leuven, Albrecht and his elder brother, Dirk the Younger (1448-1491), inherited their father’s workshop after his death. The work of the elder son, Dirk the Younger, is still a discussed topic since no painting could be attributed to him with certainty. It is quite different for Albrecht who is the likely author of the Tryptich of the Assumption of the Virgin from the Musées royaux des Beaux-Arts of Belgium. The corpus of his work, established in 1925 by Max J. Friedländer and in 1938 by Wolfgang Schöne based on this autograph altarpiece, includes an important number of paintings. This catalogue has however never been revised by art historians since then. Only some paintings have occasionally been published.
Considering the high number of paintings attributed to the master, there was a need to undertake a deeper study in order to distinguish Albrecht Bouts’ own creations from those of his workshop.
The thesis is divided into five chapters. The first one includes a complete, selective and chronological biography of the master, based on the data found in the archives of the city of Leuven. A newly enriched critical interpretation of these documents has allowed a better definition of Albrecht Bouts’s personality and a clearer understanding of the development of his career.
The second chapter is devoted to the study of the master’s work and starts with an in-depth examination of the Tryptich of the Assumption of the Virgin, the only painting recognized as an autograph work. The combined examination of the style and the technical execution of this altarpiece, painted during the mature period of his career, underlines both the influences of Dirk Bouts and Hugo van der Goes and helps to display his original artistic personality.
From there, the catalogue of his work is re-established, in the last chapter, from the very beginning to the end of his working life. In the last chapter devoted to the catalogue, each painting attributed to the master is carefully studied, on a chronological basis and in details, with an introductive technical note giving material as well as bibliographical information.
The review of the corpus of Albrecht Bouts’ work is based on a traditional stylistic approach and on the results given by laboratory documents. An important photographical and technological documentation of his works – some of them unpublished until now- has been gathered. Their comparison brought forward essential arguments on which our demonstration is based.
The third chapter, which builds on the two first ones, consists of an analysis of Albrecht Bouts’ workshop production, which was particularly active at the beginning of the XVIth century. The purpose was not to study thoroughly each painting but to extract coherent groups of works thanks to the same combined examination of style and technique. Like the master’s autograph work, each painting is subject to a careful study in the critical catalogue.
Finally, the fourth chapter is dedicated to the serial production of private devotional works carried out in the master’s workshop. There were already many general writings and some occasional studies on the subject, but none of them really measured the importance of the mass production. We therefore undertook a deep and thorough research on the workshop practices ,on the iconography and on the social-economical context of the realisation of works by Albrecht following the prototypes created by his father.
The thesis contributes to a better knowledge and understanding of the life, the personality and the work of Albrecht Bouts and re-evaluates the participation of his workshop. This will give to each of these elements its proper place in the Flemish Masters Painting of the end of the XVth and the beginning of the XVIth centuries.
Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished
Anthony, Danielle Tina. « Intimate Invasion : Andeans and Europeans in 16th Century Peru ». The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1515105243237725.
Texte intégralRoberts, Dunstan Clement David. « Readers' annotations in sixteenth-century religious books ». Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610579.
Texte intégralDavis, Lydia. « British travellers and the rediscovery of Sicily, 16th-19th century ». Thesis, Southampton Solent University, 2006. http://ssudl.solent.ac.uk/579/.
Texte intégralMartínez, Martínez Franklin de Jesús. « Cowlonialism : Colonialism, cattle and landscapes in 16th century New Spain ». Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-418884.
Texte intégralMonette, Barbara. « The Anabaptist Contributions to the Idea of Religious Liberty ». PDXScholar, 1994. https://pdxscholar.library.pdx.edu/open_access_etds/5060.
Texte intégralBishop, Jennifer Jane. « Precious metals, coinage, and 'commonwealth' in mid-Tudor England ». Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708796.
Texte intégralTrue, Thomas-Leo Richard. « Power and place : the Marchigian Cardinals of Sixtus V ». Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648270.
Texte intégralGlowark, Erik. « The Christianization of Japan During the First Thirty Years of the Jesuit Apostolate ». Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11510.
Texte intégralThe Jesuit mission to Japan (1549-1639) has long attracted the attention of historians because it coincided with a number of developments in Japanese history: increasing contact with Western powers, political reunification, and the transition to early modernity. However, few historians have placed the Jesuit mission in the wider context of Christianization, a process that many different peoples and cultures globally experienced during the premodern and early modern periods. This study examines Japan's participation in the world-historical process of Christianization during the first thirty years of the Jesuit apostolate. Making extensive use of Jesuit documents written between 1548 and 1561, this study demonstrates how the Japanese of the sixteenth century experienced Christianization and how that experience connected them to other missionized peoples and cultures across time and space.
Committee in charge: Jeffrey Hanes, Chairperson; Andrew Goble, Member; Robert Haskett, Member
10000-01-01
LaCerva, Daniel Anthony. « Purepècha y Pescado : Food, Status, and Conquest in 16th Century Michoacán ». University of Toledo / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1503004991079327.
Texte intégralBlakeway, Amy Louise. « Regency in sixteenth-century Scotland ». Thesis, University of Cambridge, 2010. https://www.repository.cam.ac.uk/handle/1810/252207.
Texte intégralHall, Matthew. « Lyon publishing in the age of Catholic revival, 1565-1600 ». Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/16276.
Texte intégralCrawford, David John. « Courts of conscience : English Archdeacons' courts at the time of the Reformation, c.1515-1558 ». Phd thesis, Faculty of Arts, 1987. http://hdl.handle.net/2123/9735.
Texte intégralStrickrodt, Silke. « Afro-European trade relations on the western slave coast, 16th to 19th centuries ». Thesis, University of Stirling, 2002. http://hdl.handle.net/1893/2616.
Texte intégralRobert-Nicoud, Vincent Corentin. « The world upside-down in sixteenth-century French literature and visual culture ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:1c0536cf-ffcf-4324-a626-19075e1acca8.
Texte intégralMcMillan, Catherine Elizabeth. « Aberdeen and the Reformation : Implementation and Interpretation of Reform ». PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/711.
Texte intégralKwok, Yiu-wah, et 郭耀華. « The role of Chinese in Mongolia in the develoipment of Ming-Mongol relationship during the Jiajing Reign (1522-1567) ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31950942.
Texte intégralTaylor, Katie. « Communicating mathematics through vernacular books in Elizabethan England ». Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607744.
Texte intégralNicholls, Sophie Eugenie Bay. « France and the Catholic League, 1576-1594 ». Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610419.
Texte intégralSobers-Khan, Nur Anna Helene. « Slaves without shackles : forced labour and manumission in the Galata court registers, 1560-1572 ». Thesis, University of Cambridge, 2013. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608134.
Texte intégralOwens, Travis J. « Beleaguered Muslim fortresses and Ethiopian imperial expansion from the 13th to the 16th century ». Thesis, Monterey, Calif. : Naval Postgraduate School, 2008. http://handle.dtic.mil/100.2/ADA483490.
Texte intégralThesis Advisor(s): Lawson, Letitia ; Kadhim, Abbas. "June 2008." Description based on title screen as viewed on August 26, 2008. Includes bibliographical references (p. 43-48). Also available in print.
Haar, Christoph Philipp. « Household, community and power in sixteenth- and seventeenth-century Jesuit thought ». Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709084.
Texte intégralSchneider, Leann G. « Capturing Otherness on Canvas : 16th - 18th century European Representation of Amerindians and Africans ». Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1437430892.
Texte intégralPark, Simon. « Diogo Bernardes and 'O Lima' (1596) : poetry, patronage, and print in early modern Portugal ». Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:cc5da494-8e61-4e94-abbc-2093396352ba.
Texte intégralTosh, William Patrick. « Testimonies of affection and dispatches of intelligence : the letters of Anthony Bacon, 1558-1601 ». Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/9075.
Texte intégralUnderwood, Lucy Agnes. « Childhood, youth and Catholicism in England, c.1558-1660 ». Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610368.
Texte intégralConway, Martin. « The Rexist movement in Belgium, 1940-1944 ». Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:c65f3221-b732-4789-b3fd-e8aa8045c52b.
Texte intégralCumber, Janey. « Tudor Abingdon : the experience of change and renewal in a sixteenth century town ». Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:3a40ab4c-6bd1-4a88-be9a-36185f7ef591.
Texte intégralMeshal, Reem A. « Straddling the sacred and the secular : the autonomy of Ottoman Egyptian courts during the 16th and 17th centuries ». Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21241.
Texte intégralParker, Shannon Kathleen. « The honourable estate : marital advice in England during the sixteenth and seventeenth centuries ». Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26895.
Texte intégralArts, Faculty of
History, Department of
Graduate
Chernoff, Graham Thomas. « Building the Reformed Kirk : the cultural use of ecclesiastical buildings in Scotland, 1560-1645 ». Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/8176.
Texte intégralSaunders, Austen Grant. « Marked books in early modern English society (c.1550-1700) ». Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648630.
Texte intégralSANCHEZ, CAMACHO Alberto. « 'Up and down' : Genoese financiers and their relational capital in the early reign of Philip II ». Doctoral thesis, European University Institute, 2021. https://hdl.handle.net/1814/69995.
Texte intégralExamining board: Professor Regina Grafe (European University Institute); Professor Luca Molà (University of Warwick); Professor Carmen Sanz Ayán (Universidad Complutense de Madrid); Professor Manuel Herrero Sánchez (Universidad Pablo de Olavide)
This doctoral thesis analyses the process of state construction in the early modern period from a joint perspective that amalgamates the agencies of state officials, lending communities, and local elites in the Hispanic Monarchy during the four initial years of Philip II’s reign. The project examines the convergence of private agendas inside and outside the royal administration, which were channelled by the Genoese lending community to overcome the consolidation of royal short-term debt in 1557 and its consequences. The application of an institutional approach, based on the works of Avner Greif, to the analysis of the social organisations that prevented a failure of coordination in the Hispanic Monarchy offers a fresh perspective on a topic normally assessed under predatory models. The specific study of two Genoese lenders who contributed to the establishment of a more viable and efficient financial system in the monarchy, Costantin Gentil and Nicolao de Grimaldo, provides details about how interregional transactions and local economies contributed to the consolidation of the early modern state.
Simpson, Andrew Robert Craig. « Early modern studies of the Scottish legal past : tradition and authority in sixteenth century Scots law ». Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609474.
Texte intégralMoore, Francis Arthur. « Gloucester Diocese and the advance of Protestantism, 1541-1580 ». Thesis, University of Wales Trinity Saint David, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683120.
Texte intégralPanofré, Charlotte Anne. « Printing Protestant texts under Mary I : the Marian exiles' publishing strategies in their European context, 1553-58 ». Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708245.
Texte intégral莊小屛 et Siu-ping Amy Chong. « The chansons of Claudin de Sermisy in Attaingnant's Chansons nouvellesand other early collections ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31225871.
Texte intégralRossi, Guido. « The development of insurance in the XVI century : the London Book of Orders ». Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608035.
Texte intégralWood, Sienna M. « Chansons, madrigales and motetz a 3 parties by Noe Faignient| A Composer's Debut in 16th-Century Antwerp ». Thesis, University of Colorado at Boulder, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3743677.
Texte intégralChansons, madrigales & motetz a 3 parties of 1568 is one of two volumes that constitute the debut of Antwerp composer Noe Faignient (c.1537-1578). This musical collection (henceforth CM&M a 3) survives only in manuscript in three partbooks held at the Stifts- och Landsbiblioteket in Linkoping, Sweden and has never before appeared as a complete modern edition. Like its sister volume for 4, 5, and 6 voices, Faignient?s 3-voice collection contains French chansons, Italian madrigals, Latin motets, and Dutch liedekens. A multi-genre debut was well chosen for the diverse city of Antwerp, the center of commerce and culture in the Low Countries in the 16th century, and for international distribution in pursuit of patronage or permanent employment abroad. The commercial value of chansons, madrigals, and motets had been well established in Western Europe by this time, but liedekens did not share the international marketability of the other genres. Liedekens are included in CM&M a 3 not for commercial reasons, but as vehicles of political propaganda and expressions of national identity corresponding with the outbreak of the Dutch Revolt against Spanish rule of the Low Countries. Faignient?s posture of religious nonalignment in CM&M a 3 parallels early rebel propaganda, but also reveals the composer to be a careerist; one of many composers of his generation to separate his professional and creative activities from religion in order to serve his professional ambitions and his political ideals amid the turbulence of the Reformation.
Milstein, Joanna M. « The Gondi family : strategy and survival in late sixteenth-century France ». Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2579.
Texte intégralGraheli, Shanti. « The circulation and collection of Italian printed books in sixteenth-century France ». Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7809.
Texte intégralDoney, Simon. « The lordship of Christ in the theology of the Elizabethan Separatists with particular reference to Henry Barrow ». Thesis, University of Wales Trinity Saint David, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683212.
Texte intégralCarpenter, Thomas. « Oxford University in the reign of Mary Tudor ». Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:d622ede8-4cdc-4bf7-acd8-471031eb28a7.
Texte intégralCarvalho, Guida Maria Gomes. « 16th century images of Japanese garden art : analysis of the jesuit's texts published in Portugal ». Master's thesis, ISA/UL, 2018. http://hdl.handle.net/10400.5/17814.
Texte intégralThe dissertation theme focus on how the Portuguese Jesuit manuscripts describe Japanese gardens for the first time in Europe. This research belongs to a larger project led by Cristina Castel-Branco since 2012 and applied to cities and landscapes that have been described during the 16th century by the Portuguese Jesuits. The first Missionary group arrived in Japan in 1549 led by Saint Francis Xavier (1506-1552). During their stay (1549-1643), they wrote numerous letters to the remaining members of the Company of Jesus and a few books reporting the progression of the Japanese Mission. In these documents they described the country they saw and gave their opinion on the local daily practices. The data obtained for the research project was supplied by paragraphs of texts containing information on Japanese garden, cities and landscapes, found within these texts, which are the most relevant 16th century documents published in Portugal on the subject. The findings of the present work confirms that the Jesuits writings contain significant information on Japanese garden art and make it possible the comparison between the images found and the images of the 16th century Japanese garden produced in Japan. Garden art and theory was analysed to provide a background of how the gardens observed by the Jesuits were and had evolved trough time. The selected passages describe the gardens of the powerful personalities and institutions of the time. Some of these places have survived until the present day, and were visited for the sake of this project. They suggest that the defined programs that label the Japanese gardens of the sixteen century nowadays were more vast and flexible than what is generally acknowledge and may be a contribution for Japanese Garden Art
N/A
Saint-Amour, Pascal. « Market integration : France's grain markets of the sixteenth and seventeenth centuries ». Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61806.
Texte intégralMüller, Horst. « The “Poor of Christ” and their significant impact on setting the scene for the 16th Century Reformation ». Thesis, University of Pretoria, 2020. http://hdl.handle.net/2263/74736.
Texte intégralThesis (PhD)--University of Pretoria, 2020.
Church History and Church Policy
PhD
Unrestricted
Wigley, Andrew Paul. « Marketing Cold War tourism in the Belgian Congo : a study in colonial propaganda 1945-1960 ». Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/95925.
Texte intégralENGLISH ABSTRACT: This study focuses on the nascent colonial tourist sector of the Belgian Congo from 1945 until independence in 1960. Empire in Africa was the last remaining vestige of might for the depleted European imperial powers following the Second World War. That might, however, was largely illusory, especially for Belgium, which had been both defeated and occupied by Germany. Post-war Belgium placed much value on its colonial role in the Belgian Congo, promoting and marketing its imperial mission to domestic and international audiences alike. Such efforts allowed Belgium to justify a system that was under fire from the new superpowers of the United States of America (USA) and the Soviet Union. This thesis makes the case that the Belgian authorities recognised the opportunity to harness the ‘new’ economic activity of tourism to help deliver pro-colonial propaganda, particularly to the USA which had a growing affluent class and where successive administrations were keen to encourage overseas travel. In building a tourism sector post the Second World War, efforts in diversifying the economy were secondary to the objective of using the marketing of tourism to actively position and promote Belgium’s long-term involvement in the Congo.
Bouchard, Mawy 1967. « Horizons d'émergence du romant au XVIe siècle ». Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38538.
Texte intégralChristianity establishes a permanent break with both idolatrous paganism and iconoclastic Judaism so as to impose a new 'iconophile' relation to art: icons and poetical figures will be valued insofar as they constitute an evocation of the divine otherness and transcendence. Christianity encourages, within parameters rigourously established (by Tertullian, Augustine and Alain de Lille, among others) the writing of new texts dedicated to the enlightenment of faithfuls and of new Christians, as well as to the defense of faith against heresy and to the formation of clergymen. This thesis argues that medieval and many Renaissance narratives were written in this Christian perspective.
In the beginning of the 16th century, the monarchy increasingly favoured the emancipation of a learned institution that would rival the ecclesiastical university, a learned institution that would also seek to redefine the foundations of Christian faith and, in so doing, provide the king with powerful ideological weapons. The narrative---be it historical or fabulous---was initially linked to the Christian tradition, which makes of all writing an evocation of divinity. But, progressively, the narrative started to take position against the temporal dominion of the Church in favour of a power at once monarchistic and Christian (such is for instance the perspective of Dante Alighieri).
The scope of this thesis is thus twofold. On one hand, it argues that the 16th-century narrative cannot be apprehended within the parameters of our modern literary institution. That is, a text is never conceived as an imitation of reality possessing an independent status and constituting an end in itself, as will be established by the analysis of French narratives and paratextual commentaries from the 16th century (including the Illustrations de Gaule et singularites de Troyes by Jean Lemaire de Belges, the narratives of Rabelais, Helisenne de Crenne and Herberay des Essarts, and the epic poems of Ronsard and d'Aubigne). On the other hand, it studies the 'other,' historically predominant, cultural institution. In other words, it studies the absence of a 'literary' outlook as such (and therefore the absence of labelled genres such as 'the Novel', 'the Epic'), and the predominance of Christian thought in the establishment of a new secular (that is non ecclesiastical) cultural institution.
Wilcox, Peter Jonathan. « Restoration, Reformation and the progress of the Kingdom of Christ : evangelisation in the thought and practice of John Calvin, 1555-1564 ». Thesis, University of Oxford, 1993. http://ora.ox.ac.uk/objects/uuid:d120d1f4-deaa-4447-9eb6-45f9e8fc3284.
Texte intégralReeves, Ryan Matthew. « The crisis of authority : foundations of evangelical political theology in England, c. 1530-1570 ». Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609216.
Texte intégral