Littérature scientifique sur le sujet « Beauvoir, Simone de (1908-1986) – Philosophie »
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Articles de revues sur le sujet "Beauvoir, Simone de (1908-1986) – Philosophie"
Das Neves, Angela. « “Num estiramento de libertação no papel” : O arquivo literário de Lygia Fagundes Telles e sua correspondência com Simone de Beauvoir / “In a Paper Release Stretch” : The Literary Archive of Lygia Fagundes Telles and Her Correspondence With Simone de Beauvoir ». O Eixo e a Roda : Revista de Literatura Brasileira 28, no 4 (5 décembre 2019) : 97. http://dx.doi.org/10.17851/2358-9787.28.4.97-120.
Texte intégralLloyd, Genevieve. « Simone de Beauvoir (1908–1986) ». Australian Feminist Studies 1, no 2 (mars 1986) : 6. http://dx.doi.org/10.1080/08164650.1986.10382917.
Texte intégralDuchen, Claire. « Simone de Beauvoir 1908 - 1986 ». Theory, Culture & ; Society 3, no 3 (novembre 1986) : 165–69. http://dx.doi.org/10.1177/026327686003003015.
Texte intégralCarof, Solenne. « Simone de Beauvoir (1908-1986) ». Sciences Humaines Les Essentiels, HS3 (1 avril 2018) : 90–91. http://dx.doi.org/10.3917/sh.hs3.0090.
Texte intégralCarof, Solenne. « Simone de Beauvoir (1908-1986). La force du sexe faible ». Sciences Humaines N° Hors-série, HS11 (6 janvier 2022) : 25. http://dx.doi.org/10.3917/sh.hs11.0025.
Texte intégralFournier, Martine. « Simone de Beauvoir, contre les déterminismes de sexe (1908-1986) ». Les Grands Dossiers des Sciences Humaines N° 71, no 6 (20 juin 2023) : 40. http://dx.doi.org/10.3917/gdsh.071.0040.
Texte intégralGrassi, Carolyn. « Tribute in Poetry : Simone de Beauvoir, January 9, 1908 - April 14, 1986 ». Simone de Beauvoir Studies 3, no 1 (30 novembre 1986) : 47–57. http://dx.doi.org/10.1163/25897616-00301006.
Texte intégralDa Motta, Lucas Joaquim. « NOÇÃO DE ATITUDE ESTÉTICA EM SIMONE DE BEAUVOIR ». PÓLEMOS – Revista de Estudantes de Filosofia da Universidade de Brasília 9, no 17 (10 février 2020) : 177–88. http://dx.doi.org/10.26512/pl.v9i17.26957.
Texte intégralCardinalli, Thainã Teixeira. « DE DEBATES HISTÓRICOS-POLITÍCOS À CONSTRUÇÕES DE SI : A NARRATIVA DO BRASIL NA AUTOBIOGRAFIA DE SIMONE DE BEAUVOIR * FROM HISTORICAL-POLITICAL DEBATES TO SELF-CONSTRUCTIONS : THE NARRATIVE OF BRAZIL IN SIMONE DE BEAUVOIR’S AUTOBIOGRAPHY ». História e Cultura 8, no 2 (7 décembre 2019) : 290. http://dx.doi.org/10.18223/hiscult.v8i2.3041.
Texte intégralSimonet-Tenant, Françoise. « Cartas e diários de mulheres : uma função memorialística ? » Revista do Instituto de Estudos Brasileiros, no 68 (13 décembre 2017) : 84. http://dx.doi.org/10.11606/issn.2316-901x.v0i68p84-100.
Texte intégralThèses sur le sujet "Beauvoir, Simone de (1908-1986) – Philosophie"
Rognlie, Dana. « The Love of Nike : On the Denials of Racialized Patriarchy and the Philosophy of Courageous Overcoming ». Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23778.
Texte intégralAdams, Sarah LaChance 1975. « The Ethics of Ambivalence : Maternity, Intersubjectivity and Ethics in Levinas, Merleau-Ponty and Beauvoir ». Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11532.
Texte intégralMy dissertation is an existential-phenomenological account of human relations and ethics in dialogue with feminist care ethics. Using the work of Emmanuel Levinas, Maurice Merleau-Ponty, and Simone de Beauvoir, I describe how the ambiguity of human relationships results in an ambivalent ethical orientation, contingent as it is on negotiating the interrelated yet separable interests of the self and the other. Central to my work is a phenomenological description of maternal ambivalence (mothers' simultaneous desires to nurture and reject their children), an empirical case study that demonstrates how the conflicted nature of human relationships operates. Ultimately, I argue that ethical ambivalence is morally productive insofar as it helps one to avoid moral absolutism, recognize the alterity of others, attend to the particularities of situation, and negotiate one's own needs and desires with those of other people. This dissertation includes previously published material.
Committee in charge: Dr. Beata Stawarska, Co-Chair; Dr. Bonnie Mann, Co-Chair; Dr. Mark Johnson, Member; Dr. Sara Hodges, Outside Member
Garcia, Manon. « Consentir à sa soumission : un problème philosophique ». Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H207.
Texte intégralThis dissertation aims at resolving a central problem in moral and political philosophy, the problem of consenting to one' own submission, by building a philosophical concept of submission and resolving of the problem in the specific context of female submission. We argue that 1/ studying submission is crucial for a theory of power, that it implies a change of perspective in order to adopt the stand point of those on whom power is exerted and to describe their experience, but that such a study seems at odds with the natural freedom of individual; 2/ when one narrows the analysis to the problem of consent to submission in the context of male/female relations, it is impossible to hold together the concept of consent and the concept of submission. From a liberal perspective, the agent's consent prevails and dissolves submission in its specificity; conversely, when emphasizing the structural dimension of female submission, consent only appears as a demonstration of the false consciousness of the oppressed; 3/when one overcomes the agency/structure dichotomy through the methods and results of economic theory and Beauvoir's philosophy, consent to submission stops appearing as a contradiction, and is instead revealed as a rational choice of women, explained by their situation and the ambiguity of their existence. Submission is thus founded by a consent -a consent that is not the liberal legal consent and, as such, is not contradictory to the reality of the oppression at stake in this very consent
Zhao, Jing. « La mélancolie entre philosophie et littérature : lecture de l’oeuvre autobiographique de Simone de Beauvoir ». Thesis, Paris 5, 2014. http://www.theses.fr/2014PA05H022/document.
Texte intégralThis study outlines a dynamic network of melancholic experiences in Simone de Beauvoir, from the perspective of autobiography and philosophy of existence. Transforming into "desire to exist", the useless passion human towards the Being in Jean-Paul Sartre, Beauvoir's thought rests on the problem of morality, of the existence of the concrete and separate individual in the world, as well as the intersubjective relationship. However, Beauvoir aspires continually to the Absolute abstract which inevitably leads to the ontological frustration, which is an inherent structure to melancholy. This establishes an ongoing dialogue in her work and life, we have revealed her autobiographies, between desire for existence and non-desire which is expressed by apathy, fatigue and disgust. This helps us to determine the existence of melancholy at Beauvoir. However, the task is made difficult by its ambition to describe the totality of life and of the world. In addition, times and melancholy feelings are scattered throughout a lifetime, narrated by autobiographer who plays the game of shadow-clear. Although we risk losing what makes the specificity and complexity, melancholy seems unattainable without linking it to its metamorphoses. That's why we make a careful study of these autobiographies to follow the moments and feelings: solitude adolescent boredom, melancholy of love, the impotence of the political subject, mourning of loved ones, until the anxiety of time and aging. The first chapter discusses the philosophical infrastructure of melancholy, which is the tension between the desire to exist, and non-desire. The review of literary representation and the phenomenological ontology of Sartre melancholy, and new contributions of Simone de Beauvoir in the postwar, encourage us to discern a theory of feminine melancholy in The Second Sex. Given the similarity of experiences between her feminist project and autobiographical project, we seek to build an intertextual network between his self-writing and its existential anthropological theory of women, studying necessarily correlated novels. Considering the small number of pages, our choice is rather on his autobiographies, and his theory and novels about women which serve as key references. In the following chapters, we try to explore the experiences of / with Beauvoir, to the extent that they relate to melancholy. The second chapter focuses exclusively on the childhood story, to its autonomy on the later accounts, and focuses on loneliness and adolescent boredom. The third chapter tries to establish a relationship between the passion of love and melancholy. The fourth finds impotence of the subject in the experience of war. The fifth discover the relationship between mother and daughter in the essay of maternal grief, and from this, to look for his latest novel about the diversity of women's melancholy. The last chapter wants to gather the insurmountable moments of the human being around death and anguish of time, to clarify their relation about melancholy in our author
Nicolas, Delphine. « L’œuvre fictionnelle de Simone de Beauvoir : l’existence comme un roman ». Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040169/document.
Texte intégralSimone de Beauvoir’s fictions are the center of gravity of a multifaceted body of work. Still relatively unknown and largely underestimated in comparison with her essays and memoirs, her fictional work is situated at the indistinct limits of the literary, the philosophical, the historical and the autobiographical. Beauvoir’s literary project has its roots in existence, which explains why I have chosen to study the genesis of her fictional work and the process of the invention of self from her youth up to her birth as a writer and the public recognition of this status in 1943. Her idea of writing a “metaphysical novel”, one that fixes specific writing requirements, was influenced and buttressed by an existentialist conception of the human being and the world that Beauvoir, one of the first, defined postwar. This basically ethical project, which assumes the idea of a literature of engagement, is not just collective in its stakes and the principles it underpins but is also singular : behind the permanence of a writer’s ethos, there is in Simone de Beauvoir a constant readjustment of the novel to History and to her own experience, elucidating the novel’s and her writing’s necessary mutations from She Came To Stay to The Woman Destroyed. Through the exploration of the imaginary and of a singular style, I wish to give Simone de Beauvoir her rightful place in the history of the 20th century French novel, between Gide, her predecessor, and the representatives of the “Nouveau roman”
Pinelli, Luca. « Reading Virginia Woolf with Simone de Beauvoir's Philosophy : theoretical Resonances, Intercorporeality, Fiction ». Electronic Thesis or Diss., Paris 3, 2024. http://www.theses.fr/2024PA030025.
Texte intégralThis thesis investigates Virginia Woolf’s literary production through the lens of Simone de Beauvoir’s philosophy. After situating the two authors within their own original contexts, their transnational trajectories and theoretical resonances will be examined in the light of subsequent critics’ renegotiations of their works. In particular, this thesis focuses on the phenomenological notion of intercorporeality, namely on the theory that subjects are embodied and relational, entangled in a process of constant material and ideological becoming. This notion is adapted to a study of Woolf’s fiction through a phenomenological and ecological approach to character. This feminist and philosophical lens sheds new light on Woolf’s essays, autobiographical sketches, and fiction, thereby showing the productivity of pluralistic perspectives in literary studies
Questa tesi indaga la produzione letteraria di Virginia Woolf attraverso la filosofia di Simone de Beauvoir. Dopo aver collocato le due autrici all'interno dei loro contesti originari, le loro traiettorie transnazionali e le loro risonanze teoriche saranno esaminate alla luce delle rinegoziazioni delle loro opere da parte della critica successiva. In particolare, questa tesi si concentra sulla nozione fenomenologica di intercorporeità, ovvero sulla teoria secondo cui i soggetti sono incarnati e relazionali, invischiati in un processo di costante divenire materiale e ideologico. Questa nozione viene adattata allo studio della narrativa di Woolf attraverso un approccio fenomenologico ed ecologico al personaggio. Questa lente femminista e filosofica getta nuova luce sui saggi, gli schizzi autobiografici e la narrativa di Woolf, mostrando così la produttività delle prospettive pluralistiche negli studi letterari
Sims, Chantelle. « Otherness matters : Beauvoir, Hegel and the ethics of recognition ». Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/1948.
Texte intégralENGLISH ABSTRACT: This study critically explores the meaning of difference in continental philosophy. Concomitantly, it reflects on the norm, with regard to, firstly, the authorities within the philosophical community who take it upon themselves to distinguish, on a “corporate” and/or intellectual level, between the normal and that which is different from the norm; secondly, the apparatus of limitation employed to constitute, legitimate and reinforce this distinction, alongside distinctions between the conventional and the peculiar, the traditional and the marginal, the philosophical and the non-philosophical, the essential and the secondary or supplementary, as well as, the same (or subject) and the other. The focus on these distinctions is narrowed to the field of phenomenology, more particularly, how the anthropologistic readings of Phenomenology of Spirit by the exponents of early French phenomenology not only add force to the canonical reception of Hegel as a follower of a philosophical tradition governed by solipsism and individualism, but also perpetuate two traditional concepts; to wit, otherness as something threatening that must be overcome and self-other relationships as inexorably violent. A reinterpretation of the dialectic of recognition reveals not only Hegel’s appreciation of the degree to which subjectivity is indebted to otherness, but also his notion of friendship as the reciprocal preservation of the other’s otherness. This notion of friendship is appropriated by Simone de Beauvoir, whose engagement with Hegel constitutes a radical departure from French phenomenology; by implication, normal practice. Beauvoir, both personally and in her work, confronts the philosophical community with the short-sighted, often destructive, ways in which it delimits the canon, particularly with regard to its “othering” of women and its disregard for the specificity of difference. In keeping with the anthropological spirit of the respective readings of Hegel, the study itself takes the form of an autobiography. It traces the intellectual journey of a non-Western, non-white, non-male scholar, from her sense of not belonging in the world of continental philosophy, to her critical engagement with Hegel, mediated by Beauvoir. In the process it aims to show that otherness matters and how it matters. Furthermore, it calls for writing and reading differently so as to encourage non-hegemonic philosophy.
AFRIKAANSE OPSOMMING: Hierdie studie is ‘n kritiese verkenning van die betekenis van differensie in die kontinentale filosofie. Gepaardgaande hiermee, word besin oor die norm, met betrekking tot, eerstens, diegene wat gesaghebbend binne die filosofiese gemeenskap, d.w.s. met ‘n self-opgelegde mandaat om te onderskei, op ‘n “korporatiewe” en/of intellektuele vlak, tussen die norm en dit wat afwyk van die norm; en tweedens, die begrensing bepaal, wat aangewend word om hierdie onderskeid, tesame met onderskeidings tussen die konvensionele en die eie, die tradisionele en die marginale, die filosofiese en die nie-filosofiese, die sentrale en die sekondêre of aanvullende, asook (die)selfde (of subjek) en die ander, te konstitueer, legitimeer en versterk. Hierdie onderskeidings word ondersoek binne die veld van die fenomenologie; in die besonder, hoe die antropologistiese vertolkings van Phenomenology of Spirit, deur die verteenwoordigers van die vroeë Franse fenomenologie, die kanonieke beeld van Hegel as aanhanger van ‘n filosofiese tradisie, wat deur solipsisme en individualisme aangedryf word, bekragtig en daarmee saam twee tradisionele konsepte bestendig, naamlik, andersheid as ‘n bedreiging wat oorkom moet word en self-ander verhoudings as noodwendig gewelddadig. ‘n Herinterpretasie van die dialektiek van herkenning openbaar nie net Hegel se waarneming van die mate waartoe subjektiwiteit afhang van andersheid nie, maar ook sy idee van vriendskap as die wedersydse behoud van die ander se andersheid. Hierdie nosie van vriendskap word toe-geëien deur Simone de Beauvoir, wie se inskakeling met Hegel radikaal afwyk van die Franse fenomenologie, dus ook van standaard praktyk. Beauvoir, beide in persoon en in haar werk, konfronteer die filosofiese gemeenskap met die kortsigtige, dikwels afbrekende, wyse waarop hul die kanon begrens, veral met betrekking tot hul “be-andering” van vroue en hul minagting van die spesifisiteit van differensie. In ooreenstemming met die antropologiese gees van die onderskeie vertolkings van Hegel, neem die studie self die vorm van ‘n outobiografie aan. Dit volg die intellektuele verkenning van ‘n nie-Westerse, nie-wit, nie-manlike student, aanvanklik vanuit haar gevoel van ontuiswees in die wêreld van die kontinentale filosofie, tot haar kritiese inskakeling met Hegel, bemiddel deur Beauvoir. Hiermee wil die studie wys dat andersheid saak maak en hoe dit saak maak. Voorts beroep dit op ‘n anderse skryf en lees om sodoende nie-hegemoniese filosofie aan te moedig.
Martin, Annabelle. « Beauvoir entre l’intime et l’historique : le paradoxe des Mémoires ». Thesis, Lyon 2, 2011. http://www.theses.fr/2011LYO20044.
Texte intégralThis study, which offers a reading of all the autobiographical writings of de Beauvoir, is not intended to be exhaustive. Its aim is rather to provide a more exact picture of the trajectory, the evolution and the shifting movement of her massive project. Many previously unknown writings have been published posthumously in recent times. These new texts contribute to the undermining of a simplistic and reductive image of de Beauvoir, an image drawn exclusively either from The Second Sex, from the Sartre - de Beauvoir couple, or from her political conversion.In a methodical reading of de Beauvoir’s autobiographical writings, one can attempt to grasp how a woman intellectual and writer constructs herself and marks herself off from others. She undoubtedly turns against her familial and cultural origins, but she is also capable of going against her own tropisms. A precise chronological reading that relates the different strata of the text reveals such contradictions. In such an approach, the Cahiers de jeunesse, published in 2008, play an important role. They show how de Beauvoir’s intellectual life is at first an interior, spiritual life that sometimes even has something mystical about it. Above all, at the outset of a literary and philosophic vocation, the Cahiers show an introspective vein that was for a time thwarted by two opposite tendencies: on the one hand a fascination with the novel (a genre that was highly valued in the Sartre-de Beauvoir couple), on the other hand a growing obsession with History. To these two factors a third must be added: a repression linked to a distrust of the intimate that was clearly fed by the intellectual companionship with Sartre. In this perspective, I thought it essential to confront de Beauvoir’s journals, in particular her Journal de guerre, to the text of the Mémoires, which in any case constantly refer to it and even integrate fragments from it. It would appear in a more general way that her re-reading of the journals, the work of her entire life, was constant, that it fed into the writing of the Mémoires, which as a consequence oscillate in a pendulum movement between introspection and retrospection. The Mémoires are clearly a reconstruction of the past, like all memoir narratives, but that becomes even more true when one thinks of the original text that preceded them and when their archaeology is taken into account.The Mémoires as a project are to be seen as a compromise between these contradictory urges. The enterprise provides an original combination of writing the intimate, writing History, writing the self and writing the other. However it is the project in its totality, the entire autobiographical corpus, that demonstrates the complexity of intention and register, it is this totality that makes it possible to take the measure of de Beauvoir’s singular project.All the gestures of writing that make up the memorial enterprise are indissolubly linked and at the same time different from one another. Such a diversity of intimate and memorial writing, at once systematic and multiple, may contribute to a revisiting of a somewhat rigid theory of autobiography that tends either to isolate sub-genres, classifying them by reference to distinct criteria, or else to bring everything back to the general category of writing the self
Mrovlje, Maša. « Judging for the world : philosophies of existence, narrative imagination, and the ambiguity of political judgement ». Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7450.
Texte intégralKhan, Mohammadi Fatémeh. « Simone de Beauvoir, écrivain engagé ». Nancy 2, 2003. http://docnum.univ-lorraine.fr/public/NANCY2/doc76/2003NAN21004.pdf.
Texte intégralIn her late teens, Simone de Beauvoir distanced herself from her upper class bourgeois background, full of hypocrisies ; she rejected the catholic faith. She got rid of her narciccism, at the root of her writer's vocation. Until the Second War, social-political questions were out of her mind. But through personal events, she became aware of the Other and conditions for liberty. Partner of Jean Paul Sartre, she entirely embraced existentialism in her life and works. She devoted her efforts to commited literature in her novels and essays. She is more specifically concerned with women and elderly conditions. In Le deuxième sexe and La vieillesse, she analyses thoroughly the causes of women alienation and the miserable living conditions of elderly people ; she sheds on those subjects a dramatically new light. Her ideas were very shocking for the majority of people, but they were true and influenced until today. We tried to demonstrate that Simone de Beauvoir, without any concession, has put in practice her ethical thought based on liberty and responsability ; even when her revelations attracted hateful and dangerous relations. She commited herself without any compromise to her ideas
Livres sur le sujet "Beauvoir, Simone de (1908-1986) – Philosophie"
Bergoffen, Debra B. The philosophy of Simone de Beauvoir : Gendered phenomenologies, erotic generosities. Albany : State University of New York Press, 1997.
Trouver le texte intégralde, Beauvoir Simone. "The useless mouths", and other literary writings. Urbana : University of Illinois Press, 2011.
Trouver le texte intégralLundgren-Gothlin, Eva. Kön och existens : Studier i Simone de Beauvoirs Le deuxième sexe. Göteborg : Daidalos, 1991.
Trouver le texte intégralAppignanesi, Lisa. Simone de Beauvoir. London : Penguin Books, 1988.
Trouver le texte intégralAppignanesi, Lisa. Simone de Beauvoir. Madrid : Editorial Tudor, 2006.
Trouver le texte intégralSandford, Stella. How to read Beauvoir. London : Granta, 2006.
Trouver le texte intégralBeauvoir, Simone de. Philosophical writings. Urbana : University of Illinois Press, 2004.
Trouver le texte intégralLeon, McBride William, dir. Sartre's French contemporaries and enduring influences. New York, USA : Garland, 1997.
Trouver le texte intégralMary, Evans. Simone de Beauvoir. London : Sage Publications, 1996.
Trouver le texte intégralFullbrook, Edward. Simone de Beauvoir : A critical introduction. Cambridge [England] : Polity Press, 1998.
Trouver le texte intégralChapitres de livres sur le sujet "Beauvoir, Simone de (1908-1986) – Philosophie"
Basevich, Elvira. « De Beauvoir, Simone (1908–1986) ». Dans The Palgrave Encyclopedia of Imperialism and Anti-Imperialism, 1–5. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-91206-6_302-1.
Texte intégralAllen, Jeffner, et Jo-Ann Pilardi. « Simone de Beauvoir (1908–1986) ». Dans A History of Women Philosophers, 261–86. Dordrecht : Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-011-1114-0_12.
Texte intégralMarso, Lori. « Simone de Beauvoir (1908–1986) ». Dans Fifty-One Key Feminist Thinkers, 21–25. Abingdon, Oxon ; New York, NY : Routledge, 2016. : Routledge, 2016. http://dx.doi.org/10.4324/9781315558806-5.
Texte intégralBasevich, Elvira. « De Beauvoir, Simone (1908–1986) ». Dans The Palgrave Encyclopedia of Imperialism and Anti-Imperialism, 555–59. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-29901-9_302.
Texte intégralBeauvoir, Simone De. « Writing a Life of Writing ». Dans The Many Faces of Philosophy, 458–64. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195134025.003.0039.
Texte intégral« Simone de Beauvoir 1908–1986 ». Dans The Routledge Dictionary of Twentieth-Century Political Thinkers, 40–41. Routledge, 2002. http://dx.doi.org/10.4324/9780203209462-5.
Texte intégralGreen, Karen. « Simone de Beauvoir (1908-1986) and French Feminism ». Dans Introducing Literary Theories, 226–34. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474473637-029.
Texte intégralGreen, Karen. « 28. Simone de Beauvoir (1908-1986) and French Feminism ». Dans Modern European Criticism and Theory, 224–32. Edinburgh University Press, 2006. http://dx.doi.org/10.1515/9780748626793-029.
Texte intégralActes de conférences sur le sujet "Beauvoir, Simone de (1908-1986) – Philosophie"
Vevere, Velga. « FEMINIST AUTOTHANATOGRAPHIES : ALICE JAMES AND SIMONE DE BEAUVOIR ». Dans NORDSCI International Conference Proceedings. Saima Consult Ltd, 2019. http://dx.doi.org/10.32008/nordsci2019/b1/v2/34.
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