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Littérature scientifique sur le sujet « Baroque Art and Literature »

Auteur : Grafiati
Publié le 10 mars 2023
Mis à jour le 11 mars 2023

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Articles de revues sur le sujet "Baroque Art and Literature"

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Vincent, Robert Hudson. « Baroco : The Logic of English Baroque Poetics ». Modern Language Quarterly 80, no 3 (1 septembre 2019) : 233–59. http://dx.doi.org/10.1215/00267929-7569598.

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Abstract As many scholars, including the editors of the Oxford English Dictionary, continue to cite false etymologies of the baroque, this article returns to a Scholastic syllogism called baroco to demonstrate the relevance of medieval logic to the history of aesthetics. The syllogism is connected to early modern art forms that Enlightenment critics considered excessively complicated or absurdly confusing. Focusing on the emergence of baroque logic in Neo-Latin rhetoric and English poetics, this article traces the development of increasingly outlandish rhetorical practices of copia during the sixteenth century that led to similarly far-fetched poetic practices during the seventeenth century. John Stockwood’s Progymnasma scholasticum (1597) is read alongside Richard Crashaw’s Epigrammatum sacrorum liber (1634) and Steps to the Temple (1646) to reveal the effects of Erasmian rhetorical exercises on English educational practices and the production of English baroque poetry. In the end, the article demonstrates the conceptual unity of the baroque by showing the consistency between critiques of baroco, critiques of English metaphysical poetry, and critiques of baroque art during the Enlightenment.
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Johnson, Christopher D. « On Borges’s B/baroque ». Comparative Literature 72, no 4 (1 décembre 2020) : 377–405. http://dx.doi.org/10.1215/00104124-8537731.

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Abstract This article examines Jorge Luis Borges’s ingenious, largely dehistoricized interpretations and imitations of seventeenth-century writers typically called Baroque. It contends that the aesthetic, epistemological, and metaphysical values Borges assigns to works by Cervantes, Góngora, Quevedo, Gracián, Marino, Browne, Pascal, Leibniz, Angelus Silesius, and Spinoza depend largely on his conservative notions of how style and, specifically, metaphor should work. While writers from the historical Baroque often require readers to embrace hermeneutic difficulty, Borges, despite the ingenious difficulty of his own writings, refuses to countenance this stance. This refusal turns also on Borges’s distinction between writing he fervently praises as “classic” and writing he ambiguously blames as “baroque.” The former serves as the explicit model for his own invention; but the latter implicitly, agonistically, informs much of his thinking and writing as well. Borges’s unwillingness to distinguish the historical Baroque from a recurring, eternal baroque is understandable, given his philosophy of art and history; however, it ignores how periodization can have the heuristic and conceptual function of finding unity in multiplicity, a unity that includes divergent styles and ideologies.
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Ciaramitaro, Fernando. « Reseña de : Pasolini, Alessandra y Pilo, Rafaella (eds.), Cagliari and Valencia during the Baroque Age ». Espacio Tiempo y Forma. Serie IV, Historia Moderna, no 32 (16 juillet 2019) : 375. http://dx.doi.org/10.5944/etfiv.32.2019.25202.

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García, César. « Cardinal Mazarin’s Breviary of politics : Exploring parallelisms between the Baroque and public relations in a post-truth society ». Public Relations Inquiry 9, no 3 (24 mai 2020) : 295–310. http://dx.doi.org/10.1177/2046147x20920805.

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This article suggests we live in a neo-Baroque era of communication between organizations and publics. The 17th and 18th centuries are particularly rich in literature about the importance of building a reputation to get and retain power. These authors consider communication management, a key factor in how monarchs, princes, and governments must relate to their constituencies to make their power sustainable. A chief minister to the French kings Louis XIII and Louis XIV, Cardinal Mazarin’s Breviary of Politics offers a solid representation of Baroque thought on communication and power. A critical analysis of his book shows that many of the elements associated with Baroque art, a style born with a propagandistic purpose that appeals to irrationality and primary emotions through a combination of dramatic visual elements, could be found to have profound resemblances with the way public relations is practiced in our current post-truth era. This era shows how communication managers and leaders have been able to reach their objectives by being irrational, thanks to the echo chamber provided by both social media and mainstream media with their multiplicity of truths, where a community of like-minded individuals, sort of a correlate of the ‘believers’ in the Baroque period, are looking to confirm their preconceptions. The resemblances between Mazarin and Baroque’s simulation art, privileging appearances, the visual and emotional over facts, squares surprisingly well with how recent or current leaders such as Donald J. Trump, Boris Johnson or George W. Bush connect with the masses. Perhaps these political leaders are being irrational, but there is a rationality in using irrationality to their advantage.
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Riegl (book author), Alois, Andrew Hopkins (book editor and translator), Arnold Witte (book editor and translator) et Gregory Davies (review author). « The Origins of Baroque Art in Rome ». Renaissance and Reformation 34, no 1-2 (13 mars 2012) : 296–98. http://dx.doi.org/10.33137/rr.v34i1-2.16191.

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Oser, L. « Reality Calling : Mayflies and the Baroque Art of Richard Wilbur ». Literary Imagination 2, no 2 (1 janvier 2000) : 223–35. http://dx.doi.org/10.1093/litimag/2.2.223.

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Rachlin, N., R. Scullion et S. van Tuinen. « Mannerism, Baroque, and Modernism : Deleuze and the Essence of Art ». SubStance 43, no 1 (1 janvier 2014) : 166–90. http://dx.doi.org/10.1353/sub.2014.0006.

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Golahny, Amy. « Poe’s References to the Visual Arts ». Edgar Allan Poe Review 22, no 1 (1 juin 2021) : 6–29. http://dx.doi.org/10.5325/edgallpoerev.22.1.6.

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Abstract Poe’s references to the visual arts have long been noted, but rarely examined for personal and original content. Barbara Cantalupo’s recent monograph is an exception in this regard and proposes that Poe’s interest in the arts was deep and generally concerned beauty and aesthetic issues. Facile with aspects of antiquity, the Renaissance, and the Baroque, Poe had an enthusiasm for artists working in the United States that was more personal than his interest in those from the European past. He knew firsthand works by Joshua Shaw, Clark Mills, and Hiram Powers. Without traveling to continental Europe, Poe became familiar with Renaissance and Baroque art through his reading and by viewing works in New York and Philadelphia. He was sufficiently familiar with foremost artists and antiquities to make references that strengthened his characters and settings. In commenting on exhibits in New York, Poe revealed his opinions, both positive and negative. Conversant with the typical qualities of major categories of art, Poe did not stray from the generally received information about past art but evidently relied on his own observations for current art. Ultimately, Poe’s interest in the visual arts depended on how he could use painting and sculpture in his writings.
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Ambroży, Paulina. « Wading through black jade in Marianne Moore’s sunken cathedral : The modernist sea poem as a Deleuzian fold ». Studia Anglica Posnaniensia 50, no 4 (1 décembre 2015) : 79–97. http://dx.doi.org/10.1515/stap-2015-0034.

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Abstract The study is a close reading of Moore’s poem “The Fish” (1918) through the conceptual lens of Gilles Deleuze’s trope of the fold, as explained in his influential 1988 study of Leibniz, The Fold: Leibniz and the Baroque. The purpose is to explore Moore’s (neo)baroque sensibility and her peculiar penchant for Baroque tropes, images and forms. The Deleuzian concept of the fold, with its rich epistemological implications and broad cultural applicability as the universal trope of crisis, change, unrest and transience, helps to comprehend Moore’s own philosophical and aesthetic concerns. The study, in accord with the interdiscursive character of the contemporary studies of modernism draws from art history, philosophy, theory, literature, and visual arts, to uncover a strong Baroque undercurrent in the poet’s polyphonic imagination. Seen in the light of Deleuze’s fold, Moore’s poem emerges as a quasi-Baroque ruin, a sunken cathedral-cum-graveyard, with a theatrical chiaroscuro lighting and folding and unfolding of sense, which both shelters and entombs the severely wounded modernist soul.
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ABDULRAZZAQ AL-RUBAIEE, AHMED. « EL ESTILO LITERARIO EN LA EPOCA BARROCA ». Al-Adab Journal 1, no 127 (5 décembre 2018) : 40–48. http://dx.doi.org/10.31973/aj.v1i127.199.

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At the end of the middle eras, began in Spain an era of literary integration called it the (Golden era) Unlike political events which was prevalent there, Spain was from the side political lives he situation is stressed and internal divisions, but from the literary side She reached the peak of her relationship. The term Baroque refers to a movement of art, literature and culture, spread in Spain since the end of the sixteenth century until the end of the seventeenth century, In the seventeenth century began Literary productions from theater, novel, poetry and prose reach its grandeur, and there appeared prominent writers They knew in Spain and the world as well such as (Luba de Veca) and his style in theater and literary currents, Who followed his approach. The current study consists of two chapters: Chapter one refers to the beginning and prosperity and the end of baroque style in Spanish literature. The second chapter explains it operation evolution of the method (baroque) especially in lyric poetry of the baroque, We spoke in it about the most prominent figures in the field of poetry during the golden era.
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Thèses sur le sujet "Baroque Art and Literature"

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Sáez, Richard. « Theodicy in baroque literature / ». New York ; London : Garland, 1985. http://catalogue.bnf.fr/ark:/12148/cb34920628x.

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Weber, Alexander. « Günter Grass's use of baroque literature ». Leeds : W. S. Maney, 1995. http://catalogue.bnf.fr/ark:/12148/cb36706760n.

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Kelly, E. M. « 'A more beautiful era of art' : figurenlehre, style brisé and other baroque elements in Brahms' piano compositions : Brahms' involvement as a scholar, performer and editor of baroque keyboard music and the effect it exerted on his compositional style ». Thesis, Queen's University Belfast, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268385.

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Sfar, Meriem Faten. « Stendhal, les Goncourt et le Baroque : la réception de l'art visuel baroque italien par trois écrivains français du dix-neuvième siècle ». Paris 3, 2008. http://www.theses.fr/2008PA030074.

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L’objectif de cette thèse est de montrer que la réception de l’art baroque italien par Stendhal et les frères Goncourt a influencé dans une large mesure leurs esthétiques propres. La première partie resitue et restitue l’horizon d’attente propre à Stendhal et aux Goncourt, soit les systèmes et les paradigmes de référence artistiques, les ouvrages sur l’Italie ou sur Rome qu’ils avaient lus et les écrits sur l’art, en particulier sur l’art et les artistes baroques, dont le beyliste s’inspira, et qui favorisèrent la compréhension de l’art baroque. La deuxième partie porte sur quatre motifs de résistance au baroque. Nous y confrontons le discours et l’imaginaire français à l’art baroque afin de situer Stendhal et les Goncourt au sein de ce clivage. Cet ensemble de préjugés a paradoxalement mis en lumière les pouvoirs de séduction qu’avait pu exercer le baroque sur Stendhal et les Goncourt et fait ressortir les caractéristiques baroques susceptibles de se retrouver dans leurs romans. Enfin, nous avons établi des parallèles entre, d’une part, ce qui attira particulièrement Stendhal et les Goncourt dans l’art baroque et ce qu’ils en ont restitué dans leurs ouvrages, et entre l’art visuel et l’art littéraire baroques, d’autre part. Cette dernière partie, en révélant, dans les romans stendhaliens et goncourtiens, une poétique baroque nous a permis d’éclairer l’esthétique romanesque de nos auteurs
The purpose of this study is to show that Stendhal’s and the Goncourt brothers’ appreciation of Italian Baroque art exerted a decisive influence on their own aesthetics. Part one takes a look at Stendhal’s and the Goncourt brothers’ “horizon of expectations”, i. E. Artistic paradigms or references, what literature they read about Italy and Rome as well as writings on art, in particular Baroque art and artists, which inspired Stendhal and helped forge his understanding of Baroque Art. Part two explores four elements of resistance to the Baroque. This study goes on to compare conflicting French views and representations of Baroque art so as to identify Stendhal’s and the Goncourt brothers’ own position along this spectrum. Paradoxically, this set of anti-Baroque prejudices serves to shed light on the particular attraction the Baroque exerted on Stendhal and the Goncourt brothers and which Baroque characteristics are most likely to surface in their novels. The final part of this study draws parallels between the seduction Baroque art exerted on Stendhal and the Goncourt brothers and the way it manifested in their novels as well as between visual and literary Baroque art. Thus, by drawing attention to the presence of Baroque poetics in Stendhal’s and the Goncourt Brothers’ writings, this study sheds new light on their novelistic aesthetics
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Jeffroy-Meynard, Marie-Nicole. « FROM BAROQUE TO ROCOCO : PUBLIC TO PRIVATE SPACE IN THE HÔTEL DE SOUBISE ». Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1204.

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I will build an argument utilizing the Hôtel de Soubise as a case study for the way in which the division between exteriors and interiors depicts the shifting cultural fabric of 18th-century French society.
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Luciano, Kelli Mesquita. « Referências históricas e o realismo mágico em Il barone rampante, de Italo Calvino / ». Araraquara, 2012. http://hdl.handle.net/11449/91522.

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Orientador: Claudia Fernanda de Campos Mauro
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Resumo: Esta Dissertação objetiva a análise do romance "Il barone rampante", que faz parte da trilogia I Nostri Antenati (1950-1960), em que também estão reunidos os romances "Il visconte dimezzato" e "Il cavaliere inesistente", de Italo Calvino (1923-1985). Buscamos analisar num primeiro momento, alguns fatores que influenciaram a escrita calviniana, como os movimentos de Resistência na Itália, que visavam lutar contra as atrocidades da Primeira e da Segunda Guerra Mundial e do fascismo, como também algumas características da estrutura da fábula, que podem ser identificadas no romance estudado, a partir das atitudes de benfeitor de Cosme que o qualificam como um herói, pois passa por diversas dificuldades e lutas em favor do bem comum de todos. Na segunda parte da Dissertação, evidenciamos algumas referências históricas feitas à Revolução Francesa e ao Iluminismo e seus pontos de intersecção com o contexto histórico, em que Calvino viveu período, que envolveu Guerras e movimentos de grande repercussão e repressão como: o fascismo, o nazismo e o socialismo; menções de espaços reais e de Instituições históricas e de referências a figuras históricas como: Napoleão Bonaparte, Rousseau, Diderot, entre outros. No final da Dissertação, apontamos certas características que aproximam Il barone rampante a variedade do realismo mágico metafísico, como, por exemplo, a decisão do protagonista, Cosme de morar sobre as árvores, entre outros eventos. Além disso, comentamos algumas significações alegóricas em relação ao contexto histórico da narrativa, que remete na realidade ao século XX, época em que Calvino viveu e sobre a alegoria do intelectual Cosme a partir da sua mudança de ponto de vista sobre as árvores, que induzem a reflexão pela necessidade da valorização da educação e pela... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: This thesis aims to analyze the novel "Il barone rampante," which is part of the trilogy I nostri Antenati (1950-1960), who are also gathered in the novels "Il visconte dimezzato" and "Il cavaliere inesistente" by Italo Calvino (1923-1985).We analyze at first, some factors that influenced the writing calviniana, as movements of Resistance in Italy, aimed at fighting against the atrocities of the First and Second World War and fascism, but also some characteristics of the structure of the fable, which can be study identified the novel, from the attitudes of benefactor of Cosme which qualify as a hero, which goes through many hardships and struggles in favor of good all in common. In the second part of the dissertation, we noted some historical references made in the novel, about the French Revolution and the Enlightenment and their points of intersection with the historical context in which Calvino lived, involving wars and movements of great impact and repression as fascism, nazism and socialism; terms of actual areas and historical institutions and references to historical figures as Napoleon, Rousseau, Diderot, and others. At the end of the dissertation, we point out certain features that bring Il barone rampante variety of metaphysical magic realism, for example, the decision of the protagonist, Cosme living on trees, and other events. In addition, we discuss some allegorical meanings in relation to the historical context of the narrative which actually refers to the twentieth century, a period in which Calvin lived and about allegory of the intellectual Cosme from his change of view on the trees, which lead to reflection by need for enhancement of education and the maintenance of hope in human progress and technology to living in a more just and egalitarian society. Finally, we comment on symbolic elements such as tree space ... (Complete abstract click electronic access below)
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Szuhaj, Katalin. « Le portrait satirique baroque. L'oeuvre de Charles-Timoleon de Sigogne dans le reflet d'une analyse comparée de l'art du dessin et de la peinture ». Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2009. http://tel.archives-ouvertes.fr/tel-00966490.

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Cette thèse est le fruit d'une étude comparative de la peinture et de la poésie des XVIe et XVIIe siècles. Dans ce document, la poésie et la peinture se répondent, s'entrecroisent, s'éclairent à tour de rôle, grâce à une analyse comparée des similitudes et différences qu'elles expriment sur le même thème, qui est le portrait satirique baroque. Notre étude est ancrée dans une approche esthétique de l'univers visuel baroque, et met l'accent sur la réception des œuvres d'art par le spectateur. Quant à la poésie, nous nous éloignerons du modèle classique de la satire, pour pénétrer la littérature satirique, riche d'une langue imagée, et bien souvent obscène. Notre thèse est composée de cinq chapitres. Nous donnerons tout d'abord une définition du portrait en poésie et en peinture. Dans un deuxième temps, nous montrerons qu'en représentant un individu, l'artiste dévoile également son âme, et que, dans cette époque tourmentée, l'âme apparaît à travers laideur et difformité dans les portraits sociaux et misogynes. Le troisième chapitre sera consacré à la notion d'esthétique paradoxale, qui montre l'homme et l'univers de façon renversée, comme un écho au monde bouleversé du tournant de XVIème siècle, avec les conséquences que cela implique sur le récepteur de l'œuvre d'art. Nous analyserons ensuite plus particulièrement la poésie misogyne de Sigogne, avant de conclure notre travail sur l'étude du monde fantastique et surnaturel qui s'empare de sa poésie, et de la poésie baroque de manière générale.
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Luciano, Kelli Mesquita [UNESP]. « Referências históricas e o realismo mágico em Il barone rampante, de Italo Calvino ». Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/91522.

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Made available in DSpace on 2014-06-11T19:25:23Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-05-30Bitstream added on 2014-06-13T18:53:19Z : No. of bitstreams: 1 luciano_km_me_arafcl.pdf: 444820 bytes, checksum: 05d26716bd3c4301bbf7211135f7386c (MD5)
Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Esta Dissertação objetiva a análise do romance “Il barone rampante”, que faz parte da trilogia I Nostri Antenati (1950-1960), em que também estão reunidos os romances “Il visconte dimezzato” e “Il cavaliere inesistente”, de Italo Calvino (1923-1985). Buscamos analisar num primeiro momento, alguns fatores que influenciaram a escrita calviniana, como os movimentos de Resistência na Itália, que visavam lutar contra as atrocidades da Primeira e da Segunda Guerra Mundial e do fascismo, como também algumas características da estrutura da fábula, que podem ser identificadas no romance estudado, a partir das atitudes de benfeitor de Cosme que o qualificam como um herói, pois passa por diversas dificuldades e lutas em favor do bem comum de todos. Na segunda parte da Dissertação, evidenciamos algumas referências históricas feitas à Revolução Francesa e ao Iluminismo e seus pontos de intersecção com o contexto histórico, em que Calvino viveu período, que envolveu Guerras e movimentos de grande repercussão e repressão como: o fascismo, o nazismo e o socialismo; menções de espaços reais e de Instituições históricas e de referências a figuras históricas como: Napoleão Bonaparte, Rousseau, Diderot, entre outros. No final da Dissertação, apontamos certas características que aproximam Il barone rampante a variedade do realismo mágico metafísico, como, por exemplo, a decisão do protagonista, Cosme de morar sobre as árvores, entre outros eventos. Além disso, comentamos algumas significações alegóricas em relação ao contexto histórico da narrativa, que remete na realidade ao século XX, época em que Calvino viveu e sobre a alegoria do intelectual Cosme a partir da sua mudança de ponto de vista sobre as árvores, que induzem a reflexão pela necessidade da valorização da educação e pela...
This thesis aims to analyze the novel Il barone rampante, which is part of the trilogy I nostri Antenati (1950-1960), who are also gathered in the novels Il visconte dimezzato and Il cavaliere inesistente by Italo Calvino (1923-1985).We analyze at first, some factors that influenced the writing calviniana, as movements of Resistance in Italy, aimed at fighting against the atrocities of the First and Second World War and fascism, but also some characteristics of the structure of the fable, which can be study identified the novel, from the attitudes of benefactor of Cosme which qualify as a hero, which goes through many hardships and struggles in favor of good all in common. In the second part of the dissertation, we noted some historical references made in the novel, about the French Revolution and the Enlightenment and their points of intersection with the historical context in which Calvino lived, involving wars and movements of great impact and repression as fascism, nazism and socialism; terms of actual areas and historical institutions and references to historical figures as Napoleon, Rousseau, Diderot, and others. At the end of the dissertation, we point out certain features that bring Il barone rampante variety of metaphysical magic realism, for example, the decision of the protagonist, Cosme living on trees, and other events. In addition, we discuss some allegorical meanings in relation to the historical context of the narrative which actually refers to the twentieth century, a period in which Calvin lived and about allegory of the intellectual Cosme from his change of view on the trees, which lead to reflection by need for enhancement of education and the maintenance of hope in human progress and technology to living in a more just and egalitarian society. Finally, we comment on symbolic elements such as tree space ... (Complete abstract click electronic access below)
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DeVoe, Lauren E. « Erichtho’s Mouth : Persuasive Speaking, Sexuality and Magic ». ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2020.

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Since classical times, the witch has remained an eerie, powerful and foreboding figure in literature and drama. Often beautiful and alluring, like Circe, and just as often terrifying and aged, like Shakespeare’s Wyrd Sisters, the witch lives ever just outside the margins of polite society. In John Marston’s Sophonisba, or The Wonder of Women the witch’s ability to persuade through the use of language is Marston’s commentary on the power of poetry, theater and women’s speech in early modern Britain. Erichtho is the ultimate example of a terrifying woman who uses linguistic persuasion to change the course of nations. Throughout the play, the use of speech draws reader’s attention to the role of the mouth as an orifice of persuasion and to the power of speech. It is through Erichtho’s mouth that Marston truly highlights the power of subversive speech and the effects it has on its intended audience.
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Weber, Alexander. « Günter Grass's use of German Baroque literature ». Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239093.

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Livres sur le sujet "Baroque Art and Literature"

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Fitzpatrick, Anne. The Baroque period : Odysseys. Mankato, MN : Creative Education and Creative Paperbacks, 2016.

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L' esprit baroque. Paris : Presses universitaires de France, 1994.

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Triadó, Juan-Ramón. The key to baroque art. Minneapolis : Lerner Publications Co., 1990.

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4

From Renaissance to baroque : Essays on literature and art. Columbia : University of Missouri Press, 1991.

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5

Díaz, Emilio Orozco. Temas del barroco : De poesía y pintura. Granada : Universidad de Granada, Servicio de Publicaciones, 1989.

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6

Sánchez, Luis Vives-Ferrándiz. Vanitas : Retórica visual de la mirada. Madrid : Encuentro, 2011.

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Baroque : Figures of excess in seventeenth-century European art and German literature. Paderborn, Deutschland : Wilhelm Fink Verlag, ein Imprint der Brill Gruppe, 2019.

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Parkinson, Zamora Lois, et Kaup Monika, dir. Baroque new worlds : Representation, transculturation, counterconquest. Durham, NC : Duke University Press, 2010.

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Pasolini, A. Cagliari and Valencia during the Baroque age : Essays on art, history and literature. Valencia (Spain) : Albatros, 2016.

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Qu'est-ce que le baroque ? Paris : Klincksieck, 2003.

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Chapitres de livres sur le sujet "Baroque Art and Literature"

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Scholz, Gottfried. « The Interdependency of Literature, Architecture, Theater and Music as an Expression of Baroque Absolutism at the Hapsburg Court in Vienna ». Dans The Orchestration of the Arts — A Creative Symbiosis of Existential Powers, 135–48. Dordrecht : Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-017-3411-0_10.

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Couderc, Christophe. « Sobre el papel de Lope de Vega en la construcción del relato nacional del clasicismo francés ». Dans Studi e saggi, 23–39. Florence : Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.4.

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This essay deals with an aspect of the formation process of the image of the Spanish Baroque theatre in France as an irregular and chaotic aesthetic form, which was also considered inferior with respect to the French classical model. In this theoretical construction, Lope de Vega embodies all of the Spanish theatre's flaws and, more generally, Hispanic literature's ones, in turn conceived as an expression of the Spanish nation’s spirit. This process of elaborating an image of an author at the service of the invention of a national stereotype is possible thanks to the early reception of some prose works by Lope (La Arcadia, El peregrino en su patria) which are enjoying a widespread diffusion in their translations. In a context marked by controversy surrounding the tragi-comédie, assimilated by his detractors to a simple theatrical deformation of novelistic material, Lope de Vega assumes the function of representative of a literature considered extraneous to any rule and to the separation between literary genres.
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Mendes, Margarida Vieira. « Baroque Literature Revised and Revisited ». Dans A Revisionary History of Portuguese Literature, 58–78. New York : Routledge, 2021. http://dx.doi.org/10.4324/9781003248897-4.

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Barolsky, Paul. « Ovid'sMetamorphosesand the History of Baroque Art ». Dans A Handbook to the Reception of Ovid, 202–16. Chichester, UK : John Wiley & Sons, Inc, 2014. http://dx.doi.org/10.1002/9781118876169.ch14.

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Zucker, Mark. « Iconography in Renaissance and Baroque Art ». Dans A Companion to Renaissance and Baroque Art, 359–80. Oxford : John Wiley & Sons, 2013. http://dx.doi.org/10.1002/9781118391488.ch17.

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Plunkett, John, Ana Parejo Vadillo, Regenia Gagnier, Angelique Richardson, Rick Rylance et Paul Young. « Art and Aesthetics ». Dans Victorian Literature, 150–76. London : Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35701-3_7.

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Robb, George. « Art and Literature ». Dans British Culture and the First World War, 129–59. London : Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-137-04056-5_6.

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Robb, George. « Art and Literature ». Dans British Culture & ; the First World War, 154–81. London : Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-30751-4_7.

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Sherry, Patrick. « Art and Literature ». Dans The Blackwell Companion to Catholicism, 463–776. Malden, MA, USA : Blackwell Publishing, 2008. http://dx.doi.org/10.1002/9780470751343.ch32.

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Grenfell, Michael. « Literature and Art ». Dans Bourdieu's Metanoia, 137–58. London : Routledge, 2022. http://dx.doi.org/10.4324/9781003258490-10.

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Actes de conférences sur le sujet "Baroque Art and Literature"

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Lin, Fengwu. « Catholic Sponsorship of Art in Baroque Period and Its Enlightenment to Modern Art Investors ». Dans 2021 3rd International Conference on Economic Management and Cultural Industry (ICEMCI 2021). Paris, France : Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211209.214.

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Plotnikova, Natalia. « Nikolay Diletsky’s Four-part Сoncertos : the Unknown Pages of Russian Baroque Music ». Dans Proceedings of the 2nd International Conference on Art Studies : Science, Experience, Education (ICASSEE 2018). Paris, France : Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.131.

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Akhmetova, Guzel. « LEO TOLSTOY ABOUT FRIEDRICH NIETZSCHE AND «NEW ART» IN TREATISE «WHAT IS ART?» ». Dans World literature Cultural Codes. Baskir State University, 2021. http://dx.doi.org/10.33184/kkml-2021-11-19.1.

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Yuchen, Song, Ehsan Qasemi, Adel Ardalan, Huijing Gao et Amir H. Assadi. « Deep Learning Art History from Data : Baroque Intellectual Influence on the Romantic Era Painting ». Dans 2017 International Conference on Computational Science and Computational Intelligence (CSCI). IEEE, 2017. http://dx.doi.org/10.1109/csci.2017.65.

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Su´rez, Juan-Luis, Fernando Sancho Caparrini et Javier de la Rosa Perez. « The Art-Space of a Global Community : The Network of Baroque Paintings in Hispanic-America ». Dans 2011 Second International Conference on Culture and Computing (Culture Computing). IEEE, 2011. http://dx.doi.org/10.1109/culture-computing.2011.17.

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Bowker, Geoffrey C. « Session details : Supporting art & ; literature ». Dans CSCW '12 : Computer Supported Cooperative Work. New York, NY, USA : ACM, 2012. http://dx.doi.org/10.1145/3256332.

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« Discussion on Modern Art Application in Garden Environmental Art Design ». Dans 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.09.

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Urvantseva, Olga. « The Manifestation of Baroque Stylistics in the Music of Romantics Taking Schumann's Requiem as an Example ». Dans Proceedings of the 3rd International Conference on Art Studies : Science, Experience, Education (ICASSEE 2019). Paris, France : Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.5.

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Giridhar, P. P. « (Literary) Art : An Interrogative Meditation ». Dans Annual International Conference on Language, Literature and Linguistics. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-3566_l315.43.

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Bing, Wang. « Exploring Neil Simon’s Humor Art ». Dans Annual International Conference on Language, Literature and Linguistics. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-3566_l315.98.

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Rapports d'organisations sur le sujet "Baroque Art and Literature"

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UZDENOVA, F. T. DEPORTATION (1943-1957) IN THE ART LITERATURE OF KARACHAYEVS AND BALKARIANS. Ljournal, 2018. http://dx.doi.org/10.18411/702018486491.

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Cheng, Zhiqing, et Kathleen Robinette. Static and Dynamic Human Shape Modeling - A Review of the Literature and State of the Art. Fort Belvoir, VA : Defense Technical Information Center, avril 2009. http://dx.doi.org/10.21236/ada514628.

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Vaz, Maria João, et Helena Machado. A systematic literature review of Big Data in tourism industry : a state of the art and future directions. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, mai 2022. http://dx.doi.org/10.37766/inplasy2022.5.0012.

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Review question / Objective: P.E.O: Population, exposure, outcome. What privacy and data protection challenges are linked by different stakeholders, to the Big Data's application in the tourism sector: P - stakeholders; E - Big Data in tourism; O - privacy and data protection challenges. Condition being studied: This investigation aims to map the social and ethical controversies associated with the use of Big Data, addressing the “technological optimism” that tends to surround the use of these techniques in the tourism sector, which may compromise sustainable tourism in the long term. Main outcome(s): It allows to develop an awareness of benefits and risks and to involve all stakeholders in the debate. It will increase transparency, and promote more accessible communication while promoting the sharing of experiences and opinions from different interest groups. This type of solution should be implemented at an early stage of the process.
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Olidis, Chris, D. J. Swan, Athar Saeed, R. C. Mellerski et Michael I. Hammons. Precast Slab Literature Review Report : Repair of Rigid Airfield Pavements Using Precast Concrete Panels - A State-of-the-Art Review. Fort Belvoir, VA : Defense Technical Information Center, juin 2010. http://dx.doi.org/10.21236/ada546971.

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Oliveira, Hugo, et Jorge Bonito. Practical work in science education : A systematic literature review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, janvier 2023. http://dx.doi.org/10.37766/inplasy2023.1.0023.

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Review question / Objective: Main question: What is the current state of the art, on practical work, in science teaching at the pre-university level? Subquestions: a) What aspects are integrated into the concept of practical work? b) What are the advantages attributed to the development of practical work in science teaching? c) What types/strategies of assessment are carried out in the development of practical work? d) What are the disadvantages attributed to the development of practical work in science teaching? Eligibility criteria: Inclusion criteria: Complete and Open Access documents; Peer-reviewed studies; Studies developed on the teaching of science in pre-university teaching establishments; Publications written in English. Exclusion criteria: Systematic literature reviews; Graduation dissertations; Master's dissertations; Publications prior to 2011.
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Sena Rivas, WR, S. Casillas Martín, M. Cabezas González et A. Barrientos. Educommunication in the context of youth and adult education in Latin America : A state of the art based on a systematic literature review. Revista Latina de Comunicación Social, janvier 2019. http://dx.doi.org/10.4185/rlcs-2019-1325en.

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Luo, Xuexing, Zheyu Zhang, Jue Wang, Qibiao Wu et Guanghui Huang. Art therapy as a complementary therapy for schizophrenia : a meta-analysis of randomized controlled trials following the PRISMA guidelines. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, mai 2022. http://dx.doi.org/10.37766/inplasy2022.5.0099.

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Review question / Objective: How are the effects of art therapy on schizophrenia? Condition being studied: Schizophrenia is a chronic and severely disabling mental disorder that is associated with impairments in cognitive, emotional and psychosocial functioning affecting the prospect of recovery. (Jablensky, 2010; Leucht, 2014). Information sources: A comprehensive literature search will be carried out by two independent researchers (XX Luo and J Wang). Published studies will be retrieved in common databases including PubMed, Web of Science, ClinicalTrials.gov, Cochrane Library, Embase, China National Knowledge Infrastructure(CNKI), Wanfang Databases, the Chinese Scientific Journal Database, the Chinese Science Citation Database, and the Chinese Biomedical Literature Database from inception to May 30, 2022. In addition, we will search and evaluate the relevant systematic reviews and meta-analyses to select the potential studies from their references. No trial is excluded due to publication status or language.
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Haider, Huma. Transitional Justice and Reconciliation in the Western Balkans : Approaches, Impacts and Challenges. Institute of Development Studies (IDS), janvier 2021. http://dx.doi.org/10.19088/k4d.2021.033.

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Countries in the Western Balkans have engaged in various transitional justice and reconciliation initiatives to address the legacy of the wars of the 1990s and the deep political and societal divisions that persist. There is growing consensus among scholars and practitioners that in order to foster meaningful change, transitional justice must extend beyond trials (the dominant international mechanism in the region) and be more firmly anchored in affected communities with alternative sites, safe spaces, and modes of engagement. This rapid literature review presents a sample of initiatives, spanning a range of sectors and fields – truth-telling, art and culture, memorialisation, dialogue and education – that have achieved a level of success in contributing to processes of reconciliation, most frequently at the community level. It draws primarily from recent studies, published in the past five years. Much of the literature available centres on Bosnia and Herzegovina (BiH), with some examples also drawn from Serbia, Kosovo and North Macedonia.
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Kost’, Stepan. THE CONCEPT OF CREATIVITY IN JOURNALISM. Ivan Franko National University of Lviv, mars 2021. http://dx.doi.org/10.30970/vjo.2021.50.11092.

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The article analyzes some theoretical and practical aspects of creativity. The author shares his opinion that the concept of creativity belongs to the fundamental concepts of philosophy, psychology, literature, art, pedagogy. Creativity is one of the important concepts of the theory of journalism. The author does not agree with the extended definition of creativity. He believes that journalistic activity becomes creativity when it is free and associated with the creation and establishment of new national and universal values, with the highest intensity of intellectual and moral strength of the journalist, when journalism is a manifestation of civic position, when this activity combines professional skills and perfect literary form.The author also believes that literary skill and the skill of a journalist are not identical concepts, because literary skill is a component of journalistic skill.
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Bueno, João, Heloiana Faro, Seth Lenetsky, Aleksandro Gonçalves, Stefane Dias, André Ribeiro, Bruno Victor Corrêa Silva et al. Exploratory systematic review of Mixed Martial Arts : an overview of performance of importance factors with over 20,000 athletes. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, avril 2022. http://dx.doi.org/10.37766/inplasy2022.4.0158.

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Review question / Objective: The objective of the present study was to analyze the findings of the scientific literature related to MMA through an exploratory systematic review on the subject and to present the state of the art of the sport from a multifactorial perspective. Condition being studied: Mixed Martial Arts (MMA) is a full contact combat sport characterized by its high degree of freedom in offensive and defensive approaches resulting in the inclusion of techniques and tactics from multiple combat sport styles. MMA has gained legitimacy and uniformity of rule sets after a tumultuous and unregulated introduction in North America as well as it is one of the fastest growing sports in the world. However, to the best of our knowledge, there are still no methodical, comprehensive, transparent, and replicable studies that have summarized the overall perspective of MMA athletes, resulting in an integrated analysis for a better scientific understanding and more efficient practical applications.
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