Thèses sur le sujet « Barbers – Fiction »
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Barber, Jennifer P. « Indian chick-lit : form and consumerism / ». Electronic version (PDF), 2006. http://dl.uncw.edu/etd/2006/barberj/jenniferbarber.pdf.
Texte intégralElla, Jan-Erik [Verfasser], Brigitte [Akademischer Betreuer] Glaser, Brigitte [Gutachter] Glaser et Barbara [Gutachter] Schaff. « Through Fiction's Mirror : Abjects in Neo-Victorian Fiction / Jan-Erik Ella ; Gutachter : Brigitte Glaser, Barbara Schaff ; Betreuer : Brigitte Glaser ». Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2018. http://d-nb.info/1166399788/34.
Texte intégralCollu, Gabrielle. « The language of food in the fiction of Barbara Pym / ». Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60628.
Texte intégralAltmaier, Catherine. « The Gospel of Cosmopolitanism : Conflict Resolution in Barbara Kingsolver's Fiction ». TopSCHOLAR®, 2006. http://digitalcommons.wku.edu/theses/439.
Texte intégralErnzen, Billey Annik. « L 'Image de la Révolution française dans les oeuvres de fiction de Barbey d'Aurevilly ». Caen, 1992. http://www.theses.fr/1992CAEN1094.
Texte intégralThe heir of a generation that witnessed the french revolution, barbey d'aurevilly, as a young man, makes an effort to adapt to the times, to be able to play a role. He is relatively enthusiastic in february 1848, but his brief political career only lasts one month. He thereafter puts all his energy into his writing and dreams history in his works of fiction, where it is possible to find a picture of the french revolution (as seen from the chouan or anti-revolutionary side). Barbey draws this picture from his family heritage and the oral tradition he remembers from his childhood. By means of a crossreference structural system used in his different novels, barbey re-creates for the reader his own personal experience of a special and unique relationship with history. In this scheme, the novel entitled "l'ensorcelee" occupies a special because it is the only book by barbey in which the internal structure is organized around history, taking the french revolution as its time-setting. In this fashion, the novel takes on a mythical dimension, and using other documents, the author sketches the evolution of the french peasantry in the first half of the 19th century. Comparison with the chouan novels of balzac and hugo allows us to better indicate the originality of barbey and to understand that his work is not a nostalgic song of the past, but is definitely involved in the struggles of the nineteenth century. The revolution of 1830 and specially that of 1848 and the commune of 1871 were particularly responsible for this pictorial writing of the great revolution of 1789
Shields, Christopher Macdonell. « 'A man needs meat' : food and gender in the fiction of Barbara Pym ». Thesis, University of Edinburgh, 1999. http://hdl.handle.net/1842/27378.
Texte intégralWent, Cathy. « Seeking the sanctuary : the garden in the fictions of Barbara Hanrahan / ». Title page, contents and introduction only, 1996. http://web4.library.adelaide.edu.au/theses/09AR/09arw477.pdf.
Texte intégralGorton, Ceri Martha. « "The things that attach people" : a critical literary analysis of the fiction of Barbara Kingsolver ». Thesis, University of Nottingham, 2009. http://eprints.nottingham.ac.uk/10758/.
Texte intégralPhillips, Rebecca S. « The emerging female hero in the fiction of Alice Walker, Ntozake Shange, Ursula Le Guin, and Barbara Kingsolver ». Morgantown : [West Virginia University Libraries], 1998. http://157.182.199.25/etd/templates/showETD.cfm?recnum=115.
Texte intégralTitle from document title page. Document formatted into pages; contains v, 183 p. Vita. Includes abstract. Includes bibliographical references (p. 174-182).
Schmitt, Maud. « Le récit apologétique laïc : Barbey d’Aurevilly, Bloy, Bernanos ». Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040149.
Texte intégralThis thesis aims to study how, in a post-revolutionary context of dechristianization, some Catholic writers set free from the Church authority and enable literature itself (as a work of fiction and imagination) to renew the apologetic discourse. Barbey d’Aurevilly, Bloy and Bernanos continue the founding shift in perspective that Chateaubriand started with the Génie du christianisme. These three writers use an ancient rhetoric narrative form called the exemplum. The first part of this work focuses on the evolutions of this form, and more specifically on the metamorphosis caused by its Christianization; but it also highlights its constant structure, from its theorization by Aristotle, until its latest use by the authors of “histoires tragiques”. The next three parts of the thesis deal with the way Barbey, Bloy and Bernanos conceive their narrative in order to obtain the religious conversion of their reader. The second part shows how the writers authenticate fiction; the third part focuses on the way they react to the difficulty of naming the divine: the authors resort to the figuration of this inexpressible object. Finally, the fourth part studies the means these narratives use to produce an effect on their readers, and make them actually change their moral behavior
Rollin, Pascal. « La Barbe-Bleue : mythe, conte, légende : portrait de l'homme si laid et si terrible ». Paris 4, 1998. http://www.theses.fr/1998PA040150.
Texte intégralBluebeard runs to us from the medieval times, in a space which neither geography nor chronology cannot mark: but if he wears very different costumes, the most becoming is the Charles Perrault’s one. We invite you to follow us in the gallery of his ancient and modern portraits. I Barbe-bleue's legend, when the blue color or the beard are not really the point (ballad of sir Halewijn ; saint-tryphime's legend ; Gilles de Rais); II the true bluebeard : an extensive study of the Perrault’s tale, followed by the Delarue's, Calvino's, Grimms and Pourrat's ones ; III the literary myth : bluebeard on stage ; a comprehensive inventory of the stage works, including a study of Gretry's, Offenbach's, Dukas's and Bartok's lyrical works
Barber, JE. « Visions of enchantment : Fictions of intimacy within contemporary art ». Thesis, 2013. https://eprints.utas.edu.au/17482/1/Whole-Barber-_thesis.pdf.
Texte intégralPeters, Sarah L. « Ambivalent Devotion : Religious Imagination in Contemporary Southern Women's Fiction ». 2009. http://hdl.handle.net/1969.1/ETD-TAMU-2009-12-7268.
Texte intégralRees, Heidi. « "A consolidation of spinsters" : fiction, food and self-awareness in the early novels of Barbara Pym ». 1994. http://hdl.handle.net/1993/18462.
Texte intégralDonga, Jabulani. « Zimbabwean women's writing : a study of the fiction of Barbara Makhalisa, Yvonne Vera and Tsitsi Dangarembga ». Thesis, 2001. http://hdl.handle.net/10386/2012.
Texte intégralRusmanová, Romana. « Ženy ženám : Červená knihovna 21.století ». Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-386463.
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