Littérature scientifique sur le sujet « Autobiographical novel »
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Articles de revues sur le sujet "Autobiographical novel"
Stepanova, Anna A., et Liudmyla S. Dushatska. « POETICS OF AUTOBIOGRAPHICAL MEMORY IN RAY BRADBURY’S NOVEL “DANDELION WINE” : ON THE WAY TO AN IMPRESSIONISTIC NOVEL ». Alfred Nobel University Journal of Philology 2, no 24 (20 décembre 2022) : 107–20. http://dx.doi.org/10.32342/2523-4463-2022-2-24-9.
Texte intégralNARLI, Mehmet. « Autobiography And Novel / Autobiographical Novel ». Journal of Turkish Studies Volume 4 Issue 1-1, no 4 (2009) : 901–9. http://dx.doi.org/10.7827/turkishstudies.568.
Texte intégral김경석. « Rediscussion on ChuangZaoShe’s Autobiographical Novel ». Journal of Chinese Language and Literature ll, no 60 (août 2012) : 229–51. http://dx.doi.org/10.15792/clsyn..60.201208.229.
Texte intégralHerouvim, John, et Roger Milliss. « Serpent's Tooth. An Autobiographical Novel ». Labour History, no 49 (1985) : 116. http://dx.doi.org/10.2307/27508758.
Texte intégralKöhler, Cristiano A., André F. Carvalho, Gilberto S. Alves, Roger S. McIntyre, Thomas N. Hyphantis et Martín Cammarota. « Autobiographical Memory Disturbances in Depression : A Novel Therapeutic Target ? » Neural Plasticity 2015 (2015) : 1–14. http://dx.doi.org/10.1155/2015/759139.
Texte intégralOnuoha, Onyekachi Peter, et Angela A. Ajimase. « The form and thematic content of #Lori Iro as social media autobiographical novel ». International Journal of Humanities and Innovation (IJHI) 5, no 3 (30 septembre 2022) : 97–103. http://dx.doi.org/10.33750/ijhi.v5i3.152.
Texte intégralKim, Sayeong. « A Model and Case of English Literature Instruction Using Autobiographical Graphic Novels for Critical Multicultural Education ». Korean Society for Teaching English Literature 26, no 3 (31 décembre 2022) : 35–70. http://dx.doi.org/10.19068/jtel.2022.26.3.02.
Texte intégralAmiryan, T. N. « DANIEL PENNCAC : FROM DETECTIVE TO AUTOFICTION ». Human Being : Image and Essence. Humanitarian Aspects, no 3 (2020) : 98–118. http://dx.doi.org/10.31249/chel/2020.03.07.
Texte intégralMorozova, Nataliia, et Andrii Savenko. « TRANSLATION CHALLENGES OF NIKOS KAZANTZAKIS' "AUTOBIOGRAPHICAL" NOVEL ». Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no 31 (2022) : 112–17. http://dx.doi.org/10.17721/1728-2659.2022.31.23.
Texte intégralJang, Ma Ri. « Writing a Short Autobiographical Novel : Case-oriented ». Journal of Next-generation Convergence Technology Association 6, no 12 (31 décembre 2022) : 2364–75. http://dx.doi.org/10.33097/jncta.2022.06.12.2364.
Texte intégralThèses sur le sujet "Autobiographical novel"
Bigna, Daniel Humanities & Social Sciences Australian Defence Force Academy UNSW. « Life on the margins : the autobiographical fiction of Charles Bukowski ». Awarded by:University of New South Wales - Australian Defence Force Academy. School of Humanities and Social Sciences, 2005. http://handle.unsw.edu.au/1959.4/38717.
Texte intégralElliott, Gemma Louise. « 'Once more she was part of a novel' : Dorothy Richardson's doubly autobiographical Pilgrimage ». Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30742/.
Texte intégralMacabela, Monwabisi Victor. « Country and city : a study of autobiographical tropes in Ncumisa Vapi's novel Litshona limpume ». Doctoral thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/11945.
Texte intégralThe title of this thesis, Country and City - Autobiographical tropes in Ncumisa Vapi's Litshona Liphume arises out of a complex understanding of the author's narrative and literary intentions. Country refers to the fact that the story is set in a specifically named rural area in the Eastern Cape in the late 1960s and early 1970s. City on the other hand does not refer to any particular city, but is rather a symbol of changed and challenge, of opportunity and wealth but also of a world view deficient in tradition and spiritual connection with the land and the ancestors.
Rhodes, Emma. « A novel measure for the evaluation of autobiographical memory and mentalization in different social contexts ». Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4621/.
Texte intégralEburne, Andrew. « Frederick Rolfe : The Desire and Pursuit of the Whole, 1908-1912 ; an examination of the autobiographical and fantastic narratives within the novel ; with a new text of a novel ». Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260714.
Texte intégralPereira, Alice de Araujo Nascimento. « A (her)story of ones own : fiction and autobiography in Julia Alvarezs novels ». Universidade do Estado do Rio de Janeiro, 2011. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=3447.
Texte intégralMigrant women writers often write autobiographical novels intertwining their personal histories with fiction. These writers use their personal experiences to discuss collective matters related to different types of displacement associated with the diasporic process. Mass migration has significantly grown after the World War II, especially from former colonized countries to developed centers, increasing both contact and conflict between cultures. This dissertation intends to analyze the autobiographical novels How the García Girls Lost their Accents (1991) and Yo! (1997) by Dominican-American author Julia Alvarez. The Alvarez family migrated to the U.S.A. in 1960 because of political persecution. In her novels, the writer deals with the traumas of dislocation and with the growing up process of girls caught between different cultural values. I intend to discuss how Alvarez problematizes through her autobiographical practice issues related to migration, such as gender roles, cultural hybridity, discrimination, shattered memories and fragmented identities. I also examine how these narratives contest conventions of both autobiographical and fictional genres, blurring the boundaries between the private and the political, between facts and fiction
Silva, Vivian Bezerra da. « A vida como produto de invenção : o caráter autobiográfico da escrita de Fernando Sabino ». Universidade do Estado do Rio de Janeiro, 2015. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=8911.
Texte intégralBased on the relevance given to the self-writing today, the autobiographical tenor pervading the work of the writer Fernando Sabino has been explored in three of his books: O encontro marcado (1956), O menino no espelho (1982) e O tabuleiro de damas (1988). Each of these works was analyzed from distinct perspectives of the autobiographical genre: autobiographical novel, autofiction and autobiography, respectively. This study also addresses the image construction of the writer Fernando Sabino in the literary scenario, by analyzing the way the author presents himself in his texts and investigating whether such characterization is attached to his public person image about which we learn through lectures, declarations and interviews. From Fernando Sabino's statements, it is noticeable that the author by the frequent reiteration of ideas features himself as a personage. In addition to characterizing himself, Sabino also turned other writers into characters. Such representation is seen in the book Gente (1975), in which the author presents personalities of his own artistic environment from a personal viewpoint. And this is also true of the minidocumentaries produced by the writer, in the 1970s, which convey great names in Brazilian literature to video. In a period when there are varied works and publications concerning the return of the subject, the first person questioning and the autobiographical studies, this dissertation aims to study the production of a writer who owns expressive material relevant to the self-writing and to the representation of the subject, even though few academic papers on his work are available
Torstensson, Matilda. « Fiktionen som verklighet, verkligheten som fiktion : En analys av gränsupplösningen mellan verklighet och fiktion i Carina Rydbergs Djävulsformeln ». Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-66230.
Texte intégralFerreira, Quézia Fideles. « O divórcio e a reconciliação da mesquita com estado : a constituição discursiva do sujeito mulher iraniana na escrita autobiográfica ». Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/9168.
Texte intégralMade available in DSpace on 2017-07-31T11:57:53Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 928533 bytes, checksum: 50c7a01860e44bc1dcc59f2057924f81 (MD5) Previous issue date: 2016-08-12
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The constitution of the subject in all societies is closely linked to power relations established in a given historical moment. These relationships pervade the social practices and grounded in a set of knowledge, develop real desires that are incorporated by the subjects as "truths" absolute, unique and unquestionable. With regard specifically to the constitution of the subject Iranian woman, the development of their identity is tied to a particularized power system by a strong association between State and Religion, which has, over time, inferiorized the identity of the individual woman , seen as the other child before marriage to the father and then the celebration of the marriage agreement, the husband. Having as theoretical support the contributions from the Discourse Analysis, Foucault's research and cultural studies, this research we aim to analyze the constitution of the subject Iranian woman immersed in power relations in circulation in the course of the twentieth century, marked by profound changes political, social and historical. From this goal, we adopted as of this research investigation object the autobiographical novel What I did not tell, the Iranian author Azar Nafisi, whose first edition was translated into Portuguese in 2009, a year after its publication in the original Things I’ve been silent about. After our reflections, we found that the novel, narrated in first person, can be understood as an intimate writing, since the author, in addition to the first-person narrative from the title makes it clear that it is a vision particular about their country, attempting to resist the "male tyranny," breaking the silence for a long time the subject woman.
A constituição do sujeito em todas as sociedades está intimamente atrelada às relações de poder instituídas em determinado momento histórico. Essas relações perpassam as práticas sociais e, alicerçadas em um conjunto de saberes, elaboram vontades de verdade que são incorporadas pelos sujeitos como “verdades” absolutas, únicas e inquestionáveis. No que diz respeito, especificamente, à constituição do sujeito mulher iraniana, a elaboração de sua identidade está atrelada a um sistema de poder particularizado por uma intensa associação entre Estado e Religião, que tem, ao longo do tempo, inferiorizado a identidade do sujeito mulher, visto como o outro subordinado, antes do casamento ao pai e depois, da celebração do acordo matrimonial, ao esposo. Tendo como suporte teórico as contribuições advindas da Análise do Discurso, das pesquisas foucaultianas e dos Estudos culturais, nesta pesquisa temos como objetivo analisar a constituição do sujeito mulher iraniana imersa nas relações de poder em circulação, no transcorrer do século XX, marcado por profundas mudanças políticas, sociais e históricas. A partir desse objetivo, adotamos como objeto de investigação dessa pesquisa o romance autobiográfico O que eu não contei, da autora iraniana Azar Nafisi, cuja primeira edição foi traduzida para o português no ano de 2009, um ano após a sua publicação no original Things I’ve been silent about.Após as nossas reflexões, constatamos que o romance, narrado em primeira pessoa, pode ser entendido como uma escrita íntima, uma vez que a autora, além de fazer a narrativa em primeira pessoa, desde o título, deixa claro que se trata de uma visão particular sobre o seu país, intentando resistir à “tirania masculina”, quebrando o silêncio imposto por um longo período ao sujeito mulher.
Nyberg, Johanna. « Berätta då : En narratologisk och tematisk analys av alla vilda och Kärlek i Europa ». Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-136239.
Texte intégralLivres sur le sujet "Autobiographical novel"
Kenneth, Rexroth. An autobiographical novel. New York : New Directions, 1991.
Trouver le texte intégralBurrows, Gloria P. Bittersweet : An autobiographical novel. Nassau : Media Pub., 2005.
Trouver le texte intégralLiubinas, Ale. Under Eucalypts : An autobiographical novel. Ascot Vale, Vic : Fosbee, 2001.
Trouver le texte intégralAle, Liubinas, Liubinas Ale et Liubinas Ale, dir. Homeland lost : An autobiographical novel. [Hartwell, Vic., Australia] : Sid Harta, 2003.
Trouver le texte intégralCary, Nelson, dir. Another hill : An autobiographical novel. Urbana : University of Illinois Press, 1994.
Trouver le texte intégralVali, Gyenge. The promise : A fictional-autobiographical novel. Toronto : Outgoing Press, 2005.
Trouver le texte intégralFudge, Calvin Louis. Under foreign skies : An autobiographical novel. North Little Rock, AR : Prestige Pub., 2004.
Trouver le texte intégralZweig, Stefanie. Nowhere in Africa : An autobiographical novel. Munchen : Wilhelm Heyne, 2003.
Trouver le texte intégralBranching out : Emmy's story : an autobiographical novel. Lodi, CA : Portraits West Publishers, 1994.
Trouver le texte intégralThe opposite of Hollywood : An autobiographical novel. San Francisco, CA : Whoa Nelly Press, 2014.
Trouver le texte intégralChapitres de livres sur le sujet "Autobiographical novel"
Santos, Filipe Delfim. « José Régio and the Portuguese Autobiographical School Novel ». Dans Education and the Boarding School Novel, 71–92. Rotterdam : SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6300-741-2_5.
Texte intégralGraczyk, Agnieszka. « Images of Destruction in the Autobiographical Novel of Iraqi Writer Haifa Zangana ». Dans Travel and Identity : Studies in Literature, Culture and Language, 75–84. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-74021-8_7.
Texte intégralWood, Madeleine. « Charles Dickens—Lost Children and ‘Primal Scenes’ : The ‘Autobiographical Fragment’, Dombey and Son and Great Expectations ». Dans Parents and Children in the Mid-Victorian Novel, 141–201. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-45469-2_4.
Texte intégralWagner-Egelhaaf, Martina. « Of Strange Loops and Real Effects : Five Theses on Autofiction/the Autofictional ». Dans Palgrave Studies in Life Writing, 21–39. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78440-9_2.
Texte intégralKovach, Elizabeth. « Work and the Writing Life : Shifts in the Relationship Between ‘Work’ and ‘The Work’ in Twenty-First-Century Literary-Advice Memoirs ». Dans New Directions in Book History, 345–65. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_15.
Texte intégral« 3.5 Autobiographical Novel ». Dans Handbook of Autobiography / Autofiction, 464–72. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110279818-061.
Texte intégral« The Autobiographical Novel ». Dans Design and Truth in Autobiography, 162–78. Routledge, 2015. http://dx.doi.org/10.4324/9781315674605-11.
Texte intégral« Comics and Autobiographical Identity ». Dans Cultural Excavation and Formal Expression in the Graphic Novel, 33–42. BRILL, 2013. http://dx.doi.org/10.1163/9781848881990_005.
Texte intégralMcGlothlin, Erin. « Art Spiegelman’s Autobiographical Practice fromMaustoMetaMaus ». Dans The Cambridge History of the Graphic Novel, 203–18. Cambridge University Press, 2018. http://dx.doi.org/10.1017/9781316759981.013.
Texte intégralKuhlman, Martha. « The Autobiographical and Biographical Graphic Novel ». Dans The Cambridge Companion to the Graphic Novel, 113–29. Cambridge University Press, 2017. http://dx.doi.org/10.1017/9781316258316.009.
Texte intégralActes de conférences sur le sujet "Autobiographical novel"
« The Author's "Psychological Autobiography"-"Martin Eden" Is an Autobiographical Novel of Appreciation ». Dans 2017 International Conference on Humanities, Arts and Language. Francis Academic Press, 2018. http://dx.doi.org/10.25236/humal.2017.11.
Texte intégralKramar, Olga. « Reception of Production Ideas of V. Meyerhold in the Autobiographical Novel "Tyapkatan" by T. Churilin ». Dans Proceedings of the International Conference "Topical Problems of Philology and Didactics : Interdisciplinary Approach in Humanities and Social Sciences" (TPHD 2018). Paris, France : Atlantis Press, 2019. http://dx.doi.org/10.2991/tphd-18.2019.41.
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