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Littérature scientifique sur le sujet « Austrian literature – 20th century »

Auteur : Grafiati

Publié le 10 mars 2023

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Articles de revues sur le sujet "Austrian literature – 20th century"

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Kachorovskaya, A. E. « On the Reception of the Myth of Prometheus in Austrian Literature of 19th-20th Centuries ». Nauchnyi dialog, n^o 3 (30 mars 2020) : 221–35. http://dx.doi.org/10.24224/2227-1295-2020-3-221-235.

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This article focuses its attention on the motive of resistance characteristic of Austrian literature of the 19th - 20th centuries, which is considered from the point of view of the historical and literary relationship with the myth of Prometheus. The history of the issue is reviewed. A selective analysis of the versions of the Promethean myth in the Austrian historical and literary context of the 19th-20th centuries, which is part of the pan-European literary and philosophical heritage, is given. The stylistic and genre originality of Austrian interpretations of the myth of Prometheus is proved on the basis of a study of a number of works. The artistic reception of the image of Prometheus in the poem by Z. Lipiner "Liberated Prometheus", little studied in Russian literary criticism is considered in the article. Attention is paid to the version of the Promethean myth in the literature of Austrian Art Nouveau (on the example of F. Kafka's little prose). The issue of conflicting trends in the development of Austrian literature of the 20th century, affecting the interaction of the motive of resistance with the Promethean myth, is investigated by the example of M. Gruber's essay. The correlation of the Austrian versions of the motive of resistance with the myth of Prometheus is proved. The results of the study confirm the significance of the Promethean myth in the Austrian reception of the 19th-20th centuries, which has more pronounced features of drama and theatricality in relation to the European context.

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Puff, Roman. « Scientists of the State, Science of the State, and the State : Austrian and German Public Lawyers in the Short 20th Century Part 1 : The Age of Catastrophe, 1914-1945 ». Baltic Journal of Law & ; Politics 5, n^o 2 (1 décembre 2012) : 109–31. http://dx.doi.org/10.2478/v10076-012-0013-z.

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ABSTRACT Between the First World War and the end of the Cold War, Germany and Austria, whose legal cultures were highly interdependent in terms of persons, conceptions, and institutions, saw eleven or twelve fundamentally different regimes, depending on the interpretation of Austria’s status from 1938-45. Lawyers often ensured the legal functioning of these regimes and legitimized their existence. This again affected their notions of law, legality, and justice, and of the principles underlying these concepts, as well as their personal preferences and societal roles. Based on the analysis of about two hundred biographical sketches of Austrian and German lawyers, mostly from the field of public (international) law, of about 2,500 contributions to the leading “(Österreichische) Zeitschrift für öffentliches Recht” from 1914 to 1945, and of the respective legal history-literature, this contribution analyzes the relation of Austrian and German lawyers to their respective states and regimes, and outlines the typical patterns of how they were affected by regime changes and how they reacted to them. Proceeding from this analysis, in the second part of this study, the relation between lawyers and the state until the end of the cold war will be illustrated and it will be shown that some typical patterns in the lawyers’ reaction to regime changes can be identified. Also the impact the state-lawyers-relation had on the development of Austria and Germany to stable, functioning democracies will be outlined.

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Betz, Dorothy M. « Australian Divagations : Mallarme & ; the 20th Century (review) ». Nineteenth Century French Studies 32, n^o 3 (2004) : 413–14. http://dx.doi.org/10.1353/ncf.2004.0004.

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Grubišić Pulišelić, Eldi. « WITCHES AND UNACCOMPLISHED MOTHERS : FEMALE OUTCASTS IN MELA HARTWIG’S THE WITCH ». Folia linguistica et litteraria XII, n^o 34 (avril 2021) : 41–57. http://dx.doi.org/10.31902/fll.34.2021.3.

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This paper deals with the construction of outcast identity in the novella The Witch (Die Hexe), which is one of the most radical literary works of the Austrian writer Mela Hartwig (1893-1967). The main character Rune is considered an outcast from birth, so her marginalized role in the intolerant and exclusionary society defines her character within her fundamentally tragic existence leading to her violent death. Her outcast position has two layers: one is societal, characterized by her belonging to the lowest societal class, whereas the second layer is gender-related, marked by female identity as the symbol of “otherness”. The crime of the main (anti)heroine, i.e. the witch, is reflected in her distinctiveness, in the deviation from the socially acceptable behavior. Hartwig depicts the world of violence, suffering and destruction and warns about the difficult position of outcasts. Even though the novella is set in the 17th century, the misogynistic and racist theories she critically discusses here are reminiscent of the Austrian society at the beginning of the 20th century.

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Kovtun, Natalya, et Maria Larina. « Rethinking of the Legacy of the Second World War in Austrian Literature of the End of the 20th Century ». Humanitarian Vector 15, n^o 1 (février 2020) : 49–59. http://dx.doi.org/10.21209/1996-7853-2020-15-1-49-59.

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Cardoso, Eduardo Wright. « From Art as a Science to the Death of Poetry ». Aletria : Revista de Estudos de Literatura 30, n^o 2 (20 mai 2020) : 147–66. http://dx.doi.org/10.35699/2317-2096.2020.22090.

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This article reflects on the contacts and dialogues between literature and scientific thought in the works of Austrian writer Hermann Broch in the first half of the 20th century. His first novel, The Sleepwalkers [Die Schlafwandler] (1931-1932), points to certain interpretations, allusions and similarities in connection with thinkers such as Max Weber, Walter Benjamin and Hannah Arendt, which suggest the incorporation of literature to scientific and philosophical knowledge. Conversely, in his last fiction work, The Death of Virgil [Der Tod des Vergil] (1945), Broch seems to question and even to doubt the importance of literature as a way of reflecting on contemporary life. While prioritizing Broch’s early works, this article follows his trajectory as he incorporates philosophical, scientific, and religious considerations to fiction, while reflecting on the times in which he lived.

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Cardoso, Eduardo Wright. « From Art as a Science to the Death of Poetry ». Aletria : Revista de Estudos de Literatura 30, n^o 2 (20 mai 2020) : 147–66. http://dx.doi.org/10.35699/2317-2096.2020.22090.

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This article reflects on the contacts and dialogues between literature and scientific thought in the works of Austrian writer Hermann Broch in the first half of the 20th century. His first novel, The Sleepwalkers [Die Schlafwandler] (1931-1932), points to certain interpretations, allusions and similarities in connection with thinkers such as Max Weber, Walter Benjamin and Hannah Arendt, which suggest the incorporation of literature to scientific and philosophical knowledge. Conversely, in his last fiction work, The Death of Virgil [Der Tod des Vergil] (1945), Broch seems to question and even to doubt the importance of literature as a way of reflecting on contemporary life. While prioritizing Broch’s early works, this article follows his trajectory as he incorporates philosophical, scientific, and religious considerations to fiction, while reflecting on the times in which he lived.

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Głuszkowski, Piotr. « Recepcja twórczości literackiej Maksyma Gorkiego w Polsce ». Studia Rossica Gedanensia, n^o 6 (28 décembre 2019) : 83–96. http://dx.doi.org/10.26881/srg.2019.6.06.

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The paper explores the reception of Maxim Gorky’s literary works in Poland in 1900– 2018. At the beginning of the 20th century Gorky was among the most-translated Russian authors. Translations of his works were published in the former Polish territories under all partitions (Russian, Prussian and Austrian). In the years 1918–1939/1945, despite anti-Soviet attitudes of a significant part of Polish society, Gorky was still very popular. In the times of the Polish People’s Republic (1945–1989), the writer was characterized by the historians of Russian literature as a classic Soviet writer and the founder of the Socialist Realism. Polish scholars usually repeated views of their Soviet colleagues. Recently Gorky’s works attract attention rather of Polish writers and publicists (Józef Hen, Adam Michnik, Sylwia Frołow, Krzysztof Varga) than of historians of literature.

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Artemova, E. Z. « Cultural Features of the Austrian Writer Peter Rosegger’s Perception in Russia in Late XIX – Early XX Centuries ». Prepodavatel XXI vek, n^o 1, 2020 (2020) : 240–48. http://dx.doi.org/10.31862/2073-9613-2020-1-240-248.

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The article considers the sociocultural characteristics of the perception of the Austrian writer Peter Rosegger in Russia in the late XIX – early XX centuries. The study showed that the now little-known author at the turn of the century experienced a phenomenal rise in popularity in Russia. He was one of the most published German-speaking authors in Russia, the first two decades of the 20th century was the peak of his popularity among popular readers. Rosegger’s work was primarily addressed to in educational series or periodicals for the people and children. The success of his works is based not on their artistic value, but on socio-cultural trends relevant to Russia at that time: the flourishing of mass culture, the journalization of society, the growth of the primary education network and the expansion of the readership of the people, the love of portraying peasant life, and the demand for moral and religious literature. Therefore, Rosegger turned out to be a “national writer” in Russia and was promoted by publishers with educational goals.

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Schoder, Angelika. « A History of Pebbles and Silt – Fluvial Sediment Transport, Hydropower and Technical Expertise at the Austrian Danube and its Tributaries ». Transylvanian Review of Systematical and Ecological Research 18, n^o 2 (1 août 2016) : 1–18. http://dx.doi.org/10.1515/trser-2015-0083.

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Abstract The paper investigates experts’ perceptions of hydropower, sediment regime, and their interaction in the 20th century with an environmental historical approach, based on various case studies at both the Danube River and one of its tributaries, and on a review of contemporary literature authored by engineers. Results show that questions of sediment continuity have engaged planners of hydropower plants since the advent of this technology, and decisions were at any time influenced by multiple interests (navigation, electricity demand, nature conservation). In such an intricate fluvial landscape, phenomena like reservoir sedimentation and riverbed incision can be approached as “legacies” of past technical interventions, which limit the options of current and future river management.

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Thèses sur le sujet "Austrian literature – 20th century"

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de, Vivanco Camillo. « Misanthropy in the works of Louis-Ferdinand Céline and Thomas Bernhard ». Thesis, University of Oxford, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712505.

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Davidson, Elizabeth Macleod. « Women's writing in exile : three Austrian case studies, Veza Canetti, Anna Gmeyner, Lilli Korber ». Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:17215528-0abb-41d2-8f22-883fc185e7c9.

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Despite the recent increase in scholarship on the subject of the female experience in exile, there is still much to be done. Exile scholars now have at their disposal an abundance of broad, general overviews of the circumstances and fates of displaced women writers, but a dearth of scholarship that considers specific literary works in an individualised fashion still exists. This is especially true of those female writers who have only recently been 'rediscovered', such as the three under discussion in this thesis. This thesis explores in detail the exile writings of Veza Canetti, Anna Gmeyner, and Lili Korber, about which little scholarship exists, and uses them as case studies to illuminate the situation of exiled women writers in general The exile works of these three authors repay study both for their own literary merits and for what they can tell us about the individual experience of exile. In their broad similarities, these writers also provide us with case studies of the larger experience of authorial exile - particularly, but by no means exclusively, the gendered experience - that allow us to derive more general lessons about the influence of forced flight on literary art. By giving due consideration to work produced in exile, this thesis calls into question some of the generalisations commonly found in recent scholarship and demonstrates that, despite hardsrnps and setbacks and contrary to common scholarly contention, all three women continued to write well into their exile years and that in those years they took their writing in new, skilful, and creative directions.

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Bell, Pamela. « Art that never was : representations of the artist in twentieth-century Australian fiction ». Thesis, The University of Sydney, 2003. http://hdl.handle.net/2123/7310.

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This thesis traces the development of the artist figure as a leading character in twentieth-century Australian novels. In Australia there have always been complex interconnections between the worlds of art and literature, perhaps the most obvious being the cluster of artists and writers centred on the journal Vision, co-edited by Norman Lindsay’s son Jack with Kenneth Slessor, who was heavily influenced by Lindsay. Slessor’s poem “Five Bells”, an elegy for his artist friend Joe Lynch, later became the subject of a mural painted for Sydney Opera House by John Olsen. Although this and other connections between poetry and art are of interest, this thesis concentrates on fiction only.

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Buchanan, David. « Contextual thesis Part I & ; Part II : Book of poems, "Looking off the Southern Edge" ; Stage play (full-length) : Ecstasis ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/1015.

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This thesis, which accompanies my book of poems Looking Off the Southern Edge and my full-length stage play Ecstasis, is submitted in two parts: Part-I and Part-II. Part-l contextualises the writing practice of the above poems in considering the epistemological, autobiographical and landscape contexts of my poetry. Part-I then discusses how the poetry is involved in the process of decentring subjectivity within the southern India/Pacific arena. It should be pointed out that Part-I was submitted and marked last year, as the first year component of the Master of Arts (Writing) course. It is included this year because much of its thesis informs Part-II (and indeed is referred to and referenced by Part-II), especially in terms of my general theoretical approach to writing poems, plays, as well as the relevance of my music, painting and stained glass practices. Part II mostly addresses the writing of the play Ecstasis. I have however, discussed why I have re-edited, augmented and re-submitted my book of poems. I have then contextualised the writing of the play, by addressing the areas of Apophasis and the Aporia of 'the story', An Ecstatic Dramaturgy and the Undecidable Subject, and Ecstasis and an Endemic Specificity. This play was written, workshopped and enjoyed a partially moved reading (as late as the 11th, November) in the course of this year. While the writing of the piece is addressed under the previous headings, the workshopping and reading process is discussed in Workshopping the 'Spectacle Text' in the Co-operative Medium of 'Theatre. I have also included Appendix (i) in support of this process, in particular, the changes inspired by the reading. The conclusion discusses some of the boundaries for my writing of A Poetry and The Spectacle Text for theatre, and hints at the context required for any writing of experimentation in the southern Indian/Pacific arena.

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Heuschele, Margaret, et n/a. « The Construction of Youth in Australian Young Adult Literature 1980-2000 ». University of Canberra. Creative Communication, 2007. http://erl.canberra.edu.au./public/adt-AUC20081029.171132.

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Adolescence is an incredibly complex period of life. During this time young people are searching for and wanting to create their own unique identity, however being confronted with a plethora of roles and directions is challenging and confusing. These challenges are reflected in the vast array of young adult literature being presented to young people today. As a result young adult literature has the potential to function as scaffolding to assist teenagers in the struggles of adolescence by serving as an important source of information about the world and the people in it. Teenage novels also give young people the opportunity to try on different identities and vicariously experience consequences of actions while developing their own distinctive personality and character. As this study reveals, the Australian young adult novel has undergone considerable developments, with 1989 serving as a milestone year in which writers and publishers turned in new directions. In general, Australian young adult novels have changed from books set predominately in rural areas, incorporating major themes of child abuse, death, friendship and survival with introverted characters aged between twelve and sixteen in the early 1980s to novels with urban settings, a large increase in books about crime, dating, drugs and mental health and sexually active, extroverted characters aged between fourteen and eighteen in the late 1990s. To chart the progression of these changes and gain an understanding of the messages young adults receive from adolescent novels an evaluative framework was developed. The framework consists of two main sections. The first part applies to the work as a whole, obtaining data about the novel such as plot, style, setting, temporal context, use of humour, issues within the text and ending, while the second part collects information about character demographics including gender, age, occupational status, family type, sexual orientation, relationships with family and authority figures, personality traits and outlook for character. To qualitatively and quantitatively assess the construction of youth in Australian young adult literature a random selection of 20 per cent of Australian young adult books published in each year from 1980 to 2000 were analysed using the evaluative framework, with 186 novels being studied altogether. During the 1990s in particular, Australian young adult literature was heavily criticised for being too bleak, too dark, presenting a picture of life that was all gloom and doom. This research resoundingly dismisses this argument by showing that rather than being a negative influence on the lives of young people, Australian books for young people present a comprehensive portrayal of youth. They probe the entire gamut of teenage experiences, both the good and the bad, providing a wide range of scenarios, roles, relationships and characters for young people to explore. Therefore Australian young adult literature provides an important source of information and support for the psycho-social development of young people during the formative years of adolescence. This research is significant because it gives hard evidence to support the promotion of a representative selection of Australian young adult novels both in the classroom and in home, school and public libraries. By establishing the available range of contemporary Australian young adult literature through this study, young adult readers, teachers and librarians can be confident in the knowledge that appropriate titles are accessible which meet the needs and interests of young people. Consequently, the substantial amount of data gathered from this study will considerably add to the knowledge and understanding ofAustralian young adult novels to date and provide an excellent starting point for further research in the future.

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Behin, Bahram. « Aspects of the role of language in creating the literary effect : implications for the reading of Australian prose fiction / ». Title page, contents and abstract only, 1997. http://web4.library.adelaide.edu.au/theses/09PH/09phb419.pdf.

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Thoday, Heather Frances. « Lived spaces of representation : thirdspace and Janette Turner Hospital's political praxis of postmodernism / ». Title page, abstract and table of contents only, 2004. http://web4.library.adelaide.edu.au/theses/09PH/09pht449.pdf.

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Collins, Matthew Graham. « The fiction of Franz Nabl in literary context : a re-examination ». Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:67478695-5e36-41c3-be68-bd5857e33a2d.

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This thesis re-evaluates the work of the neglected Austrian novelist Franz Nabl. Nabl’s reputation has long been overshadowed by the prestige of Jung-Wien, denigrated by inaccurate association with the Heimatroman, and even unjustly tarnished by his appropriation during National Socialism. My work aims to correct these misconceptions, demonstrating that his best fiction merits rehabilitation not only in its own right, but also for the important questions it raises about conventional narratives of Austrian literary history. Structured chronologically, the five chapters of this thesis provide fresh analyses of Nabl’s texts, many of which have previously received only scant scholarly attention. These close readings are located in a range of relevant literary-historical and cultural contexts, illustrating that Nabl’s writing not only belongs in surprising literary company, but also that his works fit into important, yet often overlooked patterns in Austrian literary history which are often obscured by a tradition of criticism which values ‘modernism’ over ‘realism’, and privileges the aesthetically progressive over the apparently conservative. The first chapter investigates Nabl’s earliest fiction in the literary and cultural context of fin-de-siècle Vienna, revealing unexpected connections between Nabl and acknowledged modernists, such as Schnitzler and Kafka. The second and third chapters engage with Nabl’s novels, Ödhof and Das Grab des Lebendigen, establishing his status as a significant critical realist within a long tradition of Austrian works exploring unhappy family life. The fourth chapter focuses on the misleading view of Nabl as a regionalist, demonstrating that, while not all Heimat novels deserve critical condemnation, Nabl’s narratives of rural life invoke the conventions of the Heimatroman only to disappoint them. In the last chapter, I explore Nabl’s complicated relationship to National Socialism, showing that, although his involvements with the Nazis were ill-judged, Nabl was not committed to their politics and wrote only politically innocuous fiction during the regime.

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Perkins, Catherine. « The Shelf Life of Zora Cross ». Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15882.

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Zora Cross (1890–1964) is considered a minor literary figure, but 100 years ago she was one of Australia’s best-known authors. Her book of poetry Songs of Love and Life (1917) sold thousands of copies during the First World War and met with rapturous reviews. She was one of the few writers of her time to take on subjects like sex and childbirth, and is still recognised for her poem Elegy on an Australian Schoolboy (1921), written after her brother was killed in the war. Zora Cross wrote an early history of Australian literature in 1921 and profiled women authors for the Australian Woman’s Mirror in the late 1920s and early 1930s. She corresponded with prominent literary figures such as Ethel Turner, Mary Gilmore and Eleanor Dark and drew vitriol from Norman Lindsay. This thesis presents new ways of understanding Zora Cross beyond a purely literary assessment, and argues that she made a significant contribution to Australian juvenilia, publishing history, war history, and literary history.

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Sun, Christine Yunn-Yu. « The construction of "Chinese" cultural identity : English-language writing by Australian and other authors with Chinese ancestry ». Monash University, School of Languages, Cultures and Linguistics, 2004. http://arrow.monash.edu.au/hdl/1959.1/5438.

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Livres sur le sujet "Austrian literature – 20th century"

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1943-, Humble Malcolm, dir. A companion to twentieth-century German literature. 2^e éd. London : Routledge, 1997.

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Furness, Raymond. A companion to twentieth-century German literature. London : Routledge, 1991.

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G, Daviau Donald, dir. Austria in literature. Riverside, CA : Ariadne Press, 2000.

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Conference on Austrian Literature and Culture (2001 Lafayette College). Visions and visionaries in contemporary Austrian literature and film. New York : P. Lang, 2004.

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American Symposium on Austrian Literature (2007 : Taos Ski Valley, N.M.), dir. Von Eierschwammerlhöhen zur D.H. Lawrence-Ranch : Österreichisches Literaturgeschehen in den Rockys ? : eine Begegnung. Bern : Lang, 2010.

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Historical dictionary of postwar German literature. Lanham, Md : Scarecrow Press, 2009.

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1940-, Williams Arthur, Parkes K. Stuart 1943- et Preece Julian, dir. Literature, markets and media in Germany and Austria today. Oxford : P. Lang, 2000.

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Nostalgia after Nazism : History, home, and affect in German and Austrian literature and film. Lewisburg : Bucknell University Press, 2010.

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Pejorative Lexik : Untersuchungen zu ihrem semantischen und kommunikativ-pragmatischen Aspekt am Beispiel moderner deutschsprachiger, besonders österreichischer Literatur. Frankfurt am Main : P. Lang, 2003.

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Andreas, Huyssen, et Bathrick David, dir. Modernity and the text : Revisions of German modernism. New York : Columbia University Press, 1989.

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Chapitres de livres sur le sujet "Austrian literature – 20th century"

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Corwin, Jay. « Honor killing in 20th-Century Latin American Fiction ». Dans The Routledge Handbook of Violence in Latin American Literature, 115–22. New York : Routledge, 2022. http://dx.doi.org/10.4324/9780367520069-9.

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Flor, João de Almeida. « Publishing translated literature in late 19th century Portugal ». Dans Translation in Anthologies and Collections (19th and 20th Centuries), 123–36. Amsterdam : John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/btl.107.11alm.

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Coccolo, Francesca. « 3. Austrian and Italian Negotiations on First World War Art Transfers and Damages ». Dans Transfer of Cultural Objects in the Alpe Adria Region in the 20th Century, 67–94. Köln : Böhlau Verlag, 2022. http://dx.doi.org/10.7788/9783412518899.67.

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Xin, Qi. « From “Modernism” to “Post-modernism”—Fission of Literature, Arts and Society ». Dans A Brief History of Human Culture in the 20th Century, 155–86. Singapore : Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-9973-2_8.

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Casanovas, Pompeu, Montserrat Corretger et Vicent Salvador. « Catalan Identities : Literature, Social Commitment, and Political Engagement in the 20th Century ». Dans The Rise of Catalan Identity, 1–16. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18144-4_1.

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Roca Ricart, Rafael. « The reception of Tirant lo Blancin Valencia in the second half of the 19th century and the beginning of the 20th century ». Dans IVITRA Research in Linguistics and Literature, 139–52. Amsterdam : John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ivitra.10.09roc.

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Sujecka, Jolanta. « Territory and language from the perspective of 19th and 20th century Macedonia (as a representation of the Balkans) ». Dans IVITRA Research in Linguistics and Literature, 137–51. Amsterdam : John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/ivitra.35.07suj.

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Rodríguez, Carolina, Roberto Londoño et Antonio Manrique. « Representations of modern architecture and urbanism in Colombian children's literature from the mid-20th century onwards ». Dans Building Children’s Worlds, 68–91. London : Routledge, 2023. http://dx.doi.org/10.4324/9781003131755-6.

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Ruck, Nora, Vera Luckgei, Lisa Wanner et Elisabeth Parzer. « Feminist psychology and the new spirit of capitalism : Austrian feminist psychologists and new modes of work in the late 20th century ». Dans Psychologie und Kritik, 265–87. Wiesbaden : Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-29486-1_12.

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Banjanin, Ljiljana. « Una slavista italiana dimenticata. Umberta Griffini, traduttrice, mediatrice e scrittrice ». Dans Biblioteca di Studi Slavistici, 329–41. Florence : Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-723-8.27.

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Umberta Griffini (1880-1956) may be considered one of the most important figures in Italian Serbo-Croatian Studies before these were formally established. Although she spent a decade, at the beginning of the 20th century, vigorously disseminating Serbian literature, in numerous writings, reviews and a large number of translations of Serbian authors, her work has received insufficient scholary attention. The aim of this article is to shed some light on an interesting woman who was atypical in the Italian cultural panorama of the first decade of the 20th century.

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Actes de conférences sur le sujet "Austrian literature – 20th century"

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Rohrbach, Wolfgang. « WECHSELBEZIEHUNGEN ZWISCHEN DER UNTERGEHENDEN DONAUMONARCHIE, ÖSTERREICH UND DEM SHS-KÖNIGREICH ». Dans 100 GODINA OD VIDOVDANSKOG USTAVA. Faculty of law, University of Kragujevac, 2021. http://dx.doi.org/10.46793/zbvu21.353r.

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Much of the literature that emerged in the 20th century about relationships between Serbia and the Republic of Austria, is marked by emotional guilt assigning and political or nationalist influences. That is why, since the beginning of the 21st century, a group of European historians researched events in the Balkans in the first third of the 21st century. The results of this research are partly contrary to all previous theses on the completion of the First World War II and its influence on the creation of Yugoslavia. In addition to South Slavic experts, the authors of this paper also belong to this group of researchers. Our own analyzes and conclusions, as well as quotes from colleagues show how often partial information were consciously taken from archival material, from which (sometimes voluntarily), distorted overall picture were made. This article tries to, through additional source material and contemporary literature on the years 1914-2021, acts enlightening in areas where percepciones of Austrian and Serbian authors differ in most cases.

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« Digitising a corpus of Austrian dialect recordings from the 20th century ». Dans Austrian Linguistics Conference. Vienna : Austrian Academy of Sciences Press, 2021. http://dx.doi.org/10.1553/oe_phonogrammarchiv.

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Loshakova, A. G. « SLAVIC MOTIFS IN AUSTRIAN LITERATURE OF THE NINETEENTH CENTURY ». Dans Люди речисты - 2021. Ulyanovsk State Pedagogical University named after I. N. Ulyanov, 2021. http://dx.doi.org/10.33065/978-5-907216-49-5-2021-294-304.

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Austrian literature was formed in the process of forming a multinational state. The mutual influence and interrelationship of different cultures was its integral feature. The Slavic "substratum" (A.V. Mikhailov) becomes an important sub-base of literary works of the XIX century. Fr. Grillparzer and A. Stifter create a utopia of a state in which both Germans and Slavs can live in friendship and harmony. Ch. Silsfield carefully studies the place of the Slavic peoples in the Habsburg Empire. F. von Zaar dreams of popular harmony in Austria at the end of the XIX century.

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Huber, Christian, Benjamin Fischer et Bernhard Graf. « Corpus of Austrian dialect recordings from the 20th century - A cooperation project ». Dans Third International Workshop on the History of Speech Communication Research (HSCR 2019). ISCA : ISCA, 2019. http://dx.doi.org/10.21437/hscr.2019-1.

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Nguyen Thi Mai, Chanh. « Chinese Language and Literature Reform in The Beginning of The 20th Century ». Dans GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.6-1.

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It is difficult not to mention language reform when referring to Chinese literature modernization between the end of the 19th century and the beginning of the 20th century. Language played a critical role in facilitating the escape of Chinese literature from Chinese medieval literary works in order to integrate into world literature. The language reform not only laid a foundation for modern literature but also contributed considerably to the grand social transformation of China in the early days of the 20th century. Chinese new-born literature was a literature created by spoken language; in Chinese terms, it was considered as a literature focusing on “dialectal speech” instead of “classical Chinese” used in the past. In international terms, it can be named as living language literature which was used to replace classic literary language in ancient books – a kind of dead language. This article will analyze how language reform impacted Chinese modern literature at the beginning of the 20th century.

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Sheng, Yinghong, et Xiaowen Lin. « The Aesthetic Embodiment of Modernity in Chinese Literature in the 20th Century ». Dans 8th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2021). Paris, France : Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220306.052.

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Terziev, Venelin, et Silva Vasileva. « LITERATURE AS HISTORY AND EDUCATION IN THE MODERN BULGARIAN SOCIETY OF THE 20TH CENTURY ». Dans ADVED 2022- 8th International Conference on Advances in Education. International Organization Center of Academic Research, 2022. http://dx.doi.org/10.47696/adved.202209.

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Burima, Maija. « TRAVELOGUES IN LATVIAN LITERATURE (LATE 20TH - EARLY 21ST CENTURY) : DECONSTRUCTION AND RECONSTRUCTION OF MENTAL BORDERS ». Dans SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s8.037.

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Yue, Shengdong, et Yutong Xuan. « Commentary of Sichuan Opera Music Reform' Research Literature in the Latter Half of the 20th Century ». Dans 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Paris, France : Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.113.

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« How Do the Mass Media Report the Controversial Scientific Issues ? -from Two Classics on Science Communication in the 20th Century ». Dans 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.65.

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Rapports d'organisations sur le sujet "Austrian literature – 20th century"

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Kholoshyn, I., T. Nazarenko, O. Bondarenko, O. Hanchuk et I. Varfolomyeyeva. The application of geographic information systems in schools around the world : a retrospective analysis. IOP Publishing, mars 2021. http://dx.doi.org/10.31812/123456789/4560.

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The article is devoted to the problem of incorporation geographic information systems (GIS) in world school practice. The authors single out the stages of GIS application in school geographical education based on the retrospective analysis of the scientific literature. The first stage (late 70 s – early 90s of the 20th century) is the beginning of the first educational GIS programs and partnership agreements between schools and universities. The second stage (mid-90s of the 20th century – the beginning of the 21st century) comprises the distribution of GIS-educational programs in European and Australian schools with the involvement of leading developers of GIS-packages (ESRI, Intergraph, MapInfo Corp., etc.). The third stage (2005–2012) marks the spread of the GIS school education in Eastern Europe, Asia, Africa and Latin America; on the fourth stage (from 2012 to the present) geographic information systems emerge in school curricula in most countries. The characteristics of the GIS-technologies development stages are given considering the GIS didactic possibilities for the study of school geography, as well as highlighting their advantages and disadvantages.

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Lozynskyi, Maryan. Main Features of Publishing Activities of the Ivan Franko National University of Lviv (end of the 1990s – first two decades of the 21st c.). Ivan Franko National University of Lviv, février 2022. http://dx.doi.org/10.30970/vjo.2022.51.11392.

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The article desribes the main features of the publishing activity of the Ivan Franko National University of Lviv from the end of the 1990s and in the first two decades of the 21st century. The aim of the author was to show this activity with the help of stages of formation of the Publishing Centre at the University. For this purpose, he used historical method, the methods of analysis, synthesis, content analysis etc. One of the important landmarks of the end of the 20th century in the publishing activity of the Ivan Franko National University of Lviv which has its traditions in the past was the foundation of the mentioned Publishing Centre on the basis of Editing and Publishing Department, Machine Offset and Polygraphic Laboratories. This process was favoured by the administration of the University which supported the transfer of printing base to another building of the University. Professionals with respective qualification level and experience in the sphere of publishing and printing were gathered there. Another stage of the development of the Publishing Centre of the Ivan Franko National University of Lviv was the creation in 2006 of the Publishing Board within the University which became a generator of ideas on the development of scientific book publishing and actively cooperated with printing enterprises of Ukraine (the author of the article was a member of this board). The administration of the Ivan Franko National University of Lviv provided a substantial financial support for publication of educational and scientific literature of different genres and on different topics for educational needs both of the University itself and Ukrainian educational sphere in general. As a result of active publishing activity, the Publishing Centre of the Ivan Franko National University of Lviv since 1996 has published more than 4.5 million copies of publications whose authors are members of the academic community of the University. Among the significant publications of the Publication Centre of the last two decades the article notes Ivan Franko (10 volumes, authors – R. Horak and Ya. Hnativ), Encyclopedia. The Ivan Franko National University of Lviv (2 volumes), Social Geography (2 books, author – Prof. O. Shabliy) and others. The results of the activities of the Publication Centre of the Ivan Franko National University of Lviv were demonstrated during participation at Book Forums and other events in the publication and printing sphere. This article permits researchers in Humanities to analyze and evaluate the achievements and at the same time problems of the scientific publication activity of the Ivan Franko National University of Lviv.

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