Thèses sur le sujet « Australia In motion pictures »
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Crilly, Shane. « "Gods in our own world" representations of troubled and troubling masculinities in some Australian films, 1991-2001 / ». Connect to this title online, 2004. http://hdl.handle.net/2440/37939.
Texte intégralThesis (Ph.D.)--School of Humanities, 2004.
Peach, Ricardo. « Queer cinema as a fifth cinema in South Africa and Australia ». University of Technology, Sydney. Faculty of Humanities and Social Sciences, 2005. http://hdl.handle.net/2100/425.
Texte intégralAthique, Adrian Mabbott. « Non-resident cinema transnational audiences for Indian films / ». Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060511.140513/index.html.
Texte intégralEmerson, John. « The representation of the colonial past in French and Australian cinema, from 1970 to 2000 / ». Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phe536.pdf.
Texte intégralMcKenzie, Jordi. « An economic analysis of motion pictures in the Australian cinema industry, 1997-2000 ». Connect to full text, 2005. http://hdl.handle.net/2123/1794.
Texte intégralTitle from title screen (viewed 27th June, 2007). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Discipline of Economics, University of Sydney. Degree awarded 2006?; thesis submitted 2005. Includes bibliographical references. Also issued in print.
Boden, Susan, et n/a. « 'an unsettled state' : the real and the imainary in Australian cinematic and designed landscapes ». University of Canberra. Design, 2002. http://erl.canberra.edu.au./public/adt-AUC20060426.161116.
Texte intégralBeeton, Sue 1956. « Film-induced tourism impacts and consequences ». Monash University, National Centre for Australian Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7570.
Texte intégralRekhari, Suneeti School of Sociology & Anthropology UNSW. « Camera obscura : representations of indigenous identity within Australian cinema ». Awarded by:University of New South Wales. School of Sociology and Anthropology, 2006. http://handle.unsw.edu.au/1959.4/25765.
Texte intégralCrilly, Shane Alexander. « 'Gods in our own world' : representations of troubled and troubling masculinities in some Australian films, 1991-2001 / ». Title page, table of contents and abstract only, 2004. http://web4.library.adelaide.edu.au/theses/09PH/09phc9291.pdf.
Texte intégralSimpson, Catherine. « Imagined geographies : women's negotiation of space in contemporary Australian cinema, 1988-98 / ». Simpson, Catherine (2000) Imagined geographies : women's negotiation of space in contemporary Australian cinema, 1988-98. PhD thesis, Murdoch University, 2000. http://researchrepository.murdoch.edu.au/312/.
Texte intégralFaithfull, Denise. « Adaptations Australian literature to film, 1989-1998 / ». Connect to full text, 2001. http://hdl.handle.net/2123/1771.
Texte intégralTitle from title screen (viewed January 22, 2009) Submitted in fullfilment of the requirements for the degree of Doctor of Philososphy to the Dept. of English, University of Sydney. Includes bibliography. Also available in print form.
Enders, Mark Enders Mark. « No laughing matter an exploration of the role of the protagonist in Australian feature films classified as social comedies / ». Connect to this title online, 2004. http://adt.library.qut.edu.au/adt-qut/public/adt-QUT20050224.101747/.
Texte intégralThomas, David Glyndwr. « Extraordinary undercurrents : Australian cinema, genre and the everyday / ». Thomas, David Glyndwr (2006) Extraordinary undercurrents : Australian cinema, genre and the everyday. PhD thesis, Murdoch University, 2006. http://researchrepository.murdoch.edu.au/344/.
Texte intégralMcKenzie, Susan M., et n/a. « Canadian and Australian Feature Film Policy in Perspective : A Comparative Study from 1968 to 1998 ». Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040804.142852.
Texte intégralSlavin, John. « Lost causes : the ideology of national identity in Australian cinema / ». [Melbourne : University of Melbourne, 2002. http://eprints.unimelb.edu.au/archive/00000297.
Texte intégralRossiter, Craig. « The Factors That Drive Success in Motion Picture Development : An Australian Context ». Queensland University of Technology, 2003. http://eprints.qut.edu.au/15891/.
Texte intégralPascoe, Caroline. « Screening mothers representations of motherhood in Australian films from 1900 to 1988 / ». Connect to full text, 1998. http://hdl.handle.net/2123/385.
Texte intégralTitle from title screen (viewed Apr. 16, 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of History, Faculty of Arts. Degree awarded 1999; thesis submitted 1998. Includes bibliography. Also available in print form.
Forscher, Helene. « Animals in the landscape : an analysis of the role of the animal image in representations of identity in selected Australian feature films from 1971 to 2001 / ». Gold Coast, Queensland : Bond University, 2007. http://epublications.bond.edu.au/theses/forscher.
Texte intégral"A dissertation submitted in fulfillment of the requirements of the degree of Doctor of Philosophy"-- t.p. Bibliography: leaves 266-281. Also available via the World Wide Web.
Cork, Kevin James, of Western Sydney Nepean University et Faculty of Humanities and Social Sciences. « Twenty-four miles around Nelungaloo : the history and importance of cinema exhibition in pre-television times to a country area of central-western New South Wales ». THESIS_FHSS_XXX_Cork_K.xml, 1994. http://handle.uws.edu.au:8081/1959.7/684.
Texte intégralMaster of Arts (Hons)
Cazdyn, Eric M. « Problem cinema : culture, capital and form in Japan / ». Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9908497.
Texte intégralChan, Kim-mui Eileen. « Postmodernity and recent Hong Kong cinema / ». Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18539191.
Texte intégralCarbonaro, Joseph. « Enabling church members to evaluate the moral content of feature films ». Theological Research Exchange Network (TREN), 1997. http://www.tren.com.
Texte intégralTam, Siu-yan Xavier. « Between penumbrae and shadow contextualizing transnational queer Chinese cinemas / ». Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44142663.
Texte intégralVan, Liew Maria. « Democratic women : gender, national discourse and the cinema of post-Franco Spain / ». Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820983.
Texte intégralWang, Qi. « Writing against oblivion personal filmmaking from the forsaken generation in post-socialist China / ». Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1619151901&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texte intégralScodari, Christine Ann. « The rhetoric of mass intercultural identification : a Burkeian study of the new Australian film industry / ». The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487263399027217.
Texte intégralRestoule, Jean-Paul. « How "Indians" are read the representation of aboriginality in films by native and non-native directors / ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ30998.pdf.
Texte intégralCraddolph, Hayden V. « Developing a community of independent film/video producers to foster creation, marketing, and distribution of digital media ». online access from Digital Dissertation Consortium, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?EP21256.
Texte intégralYang, Jing. « The construction of the Chinese woman in 1990s American cinema ». Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B43813185.
Texte intégralLau, Tsz-wan Christal. « Ethics in the production of Hong Kong movies ». Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/HKUTO/record/B39559105.
Texte intégralWilliams, Danielle E. Winn J. Emmett. « Local motion picture exhibition in Auburn, for 1894-1928 a cultural history from a communication perspective / ». Auburn, Ala., 2004. http://repo.lib.auburn.edu/EtdRoot/2004/SUMMER/Communication_and_Journalism/Thesis/willide_31_Williams.pdf.
Texte intégralSzaloky, Melinda Terezia. « Mutual images transcendental reflections on cinema and the aesthetic between Kant and Deleuze / ». Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1906570811&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texte intégralZhu, Ying. « From art to commerce : Chinese cinema in the era of reforms / ». Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.
Texte intégralMing, Kee-ying Thomas. « An analysis of the filmic : a philosophical grounding for film aesthetics / ». [Hong Kong] : University of Hong Kong, 1993. http://sunzi.lib.hku.hk/hkuto/record.jsp?B15949941.
Texte intégralTiburzi, Brian M. « The fifth generation Chinese cinema's "great leap forward" / ». online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1445180.
Texte intégralGalt, Rosalind. « Redrawing the map of Europe space, history and spectacle in new European cinema / ». [S.l. : s.n.], 2002. http://books.google.com/books?id=kV9ZAAAAMAAJ.
Texte intégralGulledge, Jim. « A search for myth and metanarrative in films popular among college students an alternative model for Christian evaluation / ». Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.
Texte intégralBerrien, John P. « The portrayal of the clergy in selected American films from the 1930's to the 1970's ». Theological Research Exchange Network (TREN) Access this title online, 1989. http://www.tren.com.
Texte intégralLuce, Micah. « The cinema and the church experiential [koinonia] in audience and congregation / ». Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p051-0115.
Texte intégralSuen, Pak-kin. « Filming gay representations : male homosexuality in Hong Kong and Taiwanese cinema / ». Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23242036.
Texte intégralPotter, George Alexander. « Iphone to IMAX : the social implications of screen size ». Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/potter/PotterG1208.pdf.
Texte intégralDawson, Harold. « The commodification of tragedy a critical examination of contemporary film / ». Huntington, WV : [Marshall University Libraries], 2007. http://www.marshall.edu/etd/descript.asp?ref=786.
Texte intégralFalicov, Tamara Leah. « The contemporary Argentine film industry, 1983-1998 : state cultural policy within a global market / ». Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9956448.
Texte intégralKunkle, Daniel James. « No brute images the need for a Reformed and transcendental approach to the movies / ». Theological Research Exchange Network (TREN), 2000. http://www.tren.com.
Texte intégralLee, Tain-dow. « Reforming film study at the level of higher education in Taiwan, the Republic of China / ». The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487265143147137.
Texte intégralSchweitzer, Dennis C. « Ton & ; traum : a critical analysis of the use of sound effects and music in contemporary narrative film / ». Ohio : Ohio University, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1108483481.
Texte intégralLee, Christina H. P. « Beyond the pink : (post) youth iconography in cinema / ». Access via Murdoch University Digital Theses Project, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050930.124547.
Texte intégralYeung, Yuk-ngan. « Gender representation in films ». Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp ?
Texte intégralNoble, Fiona. « Post-transition transitions : childhood, performance and immigration in post-Franco Spanish cinema ». Thesis, University of Aberdeen, 2015. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=227226.
Texte intégralTam, Siu-yan Xavier, et 譚兆仁. « Between penumbrae and shadow : contextualizingtransnational queer Chinese cinemas ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44142663.
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