Thèses sur le sujet « Arts, Scottish »
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Robinson, Rebecca Grace. « Scottish television comedy audiences ». Thesis, University of Glasgow, 2002. http://theses.gla.ac.uk/1177/.
Texte intégralSmith, Aileen. « The construction of cultural identity in the visual arts in Scotland, 1918-1945 ». Thesis, University of Aberdeen, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247759.
Texte intégralNorrie, K. M. « Cloth, cull and cocktail : anatomising the performer body of 'Alba' ». Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:c67e59e2-4556-4baf-8475-fa092952bf07.
Texte intégralWorthing, Katherine Genevieve. « The landscape of clearance : changing rural life in nineteenth-century Scottish painting ». Thesis, University of Glasgow, 2006. http://theses.gla.ac.uk/5498/.
Texte intégralSidiropoulou, Panagiota. « Moral and other educational significance of the arts in philosophy and recent Scottish educational policy ». Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5836.
Texte intégralParsons, Julie Fox. « The First Battle for Scottish Independence : The Battle of Dunnichen, A.D. 685 ». [Johnson City, Tenn. : East Tennessee State University], 2002. http://etd-submit.etsu.edu/etd/theses/available/etd-0328102-132641/unrestricted/ParsonsJ.pdf.
Texte intégralWatry, Paul B. « Sixteenth century printing types and ornaments of Scotland with an introductory survey of the Scottish book trade ». Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.356988.
Texte intégralGraham, Deborah Jane. « The manifestation of national identities in late eighteenth-century Scottish art, c.1750-1800 ». Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/110988/.
Texte intégralDoroszenko, Rebekah. « Improvement and the Scottish rural estate : Sir Archibald Grant at Monymusk, 1715-1778 ». Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6865/.
Texte intégralMarshalsay, Karen Anne. « The Scottish National Players : in the nature of an experiment 1913-1934 ». Thesis, University of Glasgow, 1991. http://theses.gla.ac.uk/3488/.
Texte intégralGunn, Linda. « Representations of Scottish identity and devolution : the relationship between the arts, cultural confidence and political autonomy from the 1980s ». Thesis, University of Edinburgh, 2003. http://hdl.handle.net/1842/24657.
Texte intégralBrown, Ian. « History as theatrical metaphor : history, myth and national identities in modern Scottish drama ». Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30714/.
Texte intégralIrvine, Victoria. « The development of the use of models in Scottish art, c.1800-1900, with special reference to painting and the Trustees' Academy, Edinburgh ». Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6179/.
Texte intégralShaw, Michael. « The fin-de-siècle Scots Renascence : the roles of decadence in the development of Scottish cultural nationalism, c.1880-1914 ». Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6395/.
Texte intégralWebb, Aleksandra. « "We need arts as much as we need food. Our responsibility is for that to be possible" : insights from Scottish cultural leaders on the changing landscape of their work ». Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/21478.
Texte intégralMacDonald, Juliette. « Aspects of identity in the work of Douglas Strachan (1875-1950) ». Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/7357.
Texte intégralFoot, Michelle Elizabeth. « Modern spiritualism and Scottish art between 1860 and 1940 ». Thesis, University of Aberdeen, 2016. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=230582.
Texte intégralSoden, Joanna. « Tradition, evolution, opportunism the role of the Royal Scottish Academy in art education, 1826-1910 / ». Thesis, Available from the University of Aberdeen Library and Historic Collections Digital Resources, 2006. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=59750.
Texte intégralKreyling, Anna. « 1700 Library : A Public Library in Scott's Addition ». VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2773.
Texte intégralInsh, Fern. « An aspirational era ? : examining and defining Scottish visual culture 1620-1707 ». Thesis, University of Aberdeen, 2014. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=225722.
Texte intégralBeardmore, Peggy. « Students of Hospitalfield : education and inspiration in 20th-century Scottish art : the significance of Hospitalfield in the development of 20th-century Scottish art : the artwork and influence of James Cowie and Ian Fleming ». Thesis, University of Aberdeen, 2017. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=231423.
Texte intégralGalastro, Anne Bernadette. « Institutional history of the Scottish National Gallery of Modern Art : tensions, paradoxes and compromises ». Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7899.
Texte intégralPringle, Trevor R. « Prophet of the Highlands : Sir Edwin Landseer and the Scottish Highland image ». Thesis, Loughborough University, 1988. https://dspace.lboro.ac.uk/2134/14395.
Texte intégralSwarbrick, Elizabeth Joy. « The medieval art and architecture of Scottish collegiate churches ». Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/12210.
Texte intégralLivne, Inbal. « Tibetan collections in Scottish museum 1890-1930 : a critical historiography of missionary and military intent ». Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/20606.
Texte intégralTelford, N. J. M. « Making stories : an investigation of personal brand narratives in the Scottish craft microenterprise sector ». Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/21910.
Texte intégralBolich, Cecilia Madeline. « _Alien_ Thoughts : Spectatorial Pleasure and Mind Reading in Ridley Scott's Horror Film ». Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3012.
Texte intégralSwinney, Geoffrey Nigel. « Towards an historical geography of a 'National' Museum : the Industrial Museum of Scotland, the Edinburgh Museum of Science and Art and the Royal Scottish Museum, 1854-1939 ». Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/8109.
Texte intégralDochy-Jacquard, Amélie. « Cliché, compassion ou commerce ? : les représentations des Irlandais par le peintre écossais Erskine Nicol, de 1850 à 1900 ». Thesis, Toulouse 2, 2014. http://www.theses.fr/2014TOU20100.
Texte intégralAfter a stay in Ireland between 1846 and 1850, the Scottish painter Erskine Nicol (1825-1904) represented the Irish in most of his artworks. He was particularly successful at the Royal Scottish Academy (Edinburgh), and at the Royal Academy (London). This work investigates the reasons for his popularity, using methods that are mainly derived from cultural studies, and showing that Nicol adapted the scientific prejudices of his time, as well as the clichés on the Irish, in order to create his iconography of Ireland. Beyond his flattering portraits of Irish peasant girls, Nicol painted numerous caricatures suggesting that he complied with prevalent imperialist ideas. Yet, his paintings are ambivalent: a few canvases, highlighting the injustices generated by the British regulation of Ireland’s agricultural system, convey the painter’s compassion. This questioning of British authority through painting, a highly codified artistic genre, was enabled by Nicol’s style, inspired by the Dutch Old Masters, by the artworks of David Wilkie (1785-1841), by the Scottish School, and by social realism, an artistic movement which had an important influence on Nicol’s narrative painting. However, his realism was limited because he needed to sell his paintings to survive. This work will try to understand his motivations and to see if they were linked to his fondness for stereotypes, to his compassion for the Irish or to his commercial ambitions. The circulation of his artworks in local and international exhibitions was made easier by the work of art dealers, who invested in Nicol’s canvases and in their reproductions. Thus, thousands of prints reproducing his artworks between the 1850s and his death in 1904 made Nicol a major artist of the Victorian era
Schaaf, Jeanne. « Lieux et non-lieux du théâtre écossais : constellations identitaires à l’ère postnationale ». Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL061.
Texte intégralAs a public space, the theatrical stage is where representations of the nation are constructed and deconstructed, in an unceasing dialogue between art and politics. In Scotland, the tension that destabilizes the very idea of nationhood is exacerbated by the recent geo-political context (the referenda on devolution in 1979, 1997, the referendum on independence in 2014, and Brexit in 2016). Reflecting this instability, the Scottish stage similarly reinvents its relationship to the national space by playing with the very scales of space and community, from the local to the global. Space and place, constantly challenged on the stage, become objects of representation that question the multiple ways of doing, showing, and seeing theatre. Both in its projects and its ideology, the National Theatre of Scotland (NTS 2006) seeks to reinvent the nation. As a building-less national theatre, the NTS reinvests all types of spaces, be they real or virtual, asking us to rethink the presence and absence of the body on stage, and fostering new transnational communities of “spect-actors”. This theatre without walls is a metonymy for the radical opening up of Scottish theatre itself, which invites postnational and horizontal representations of identity. The Scottish stage thus presents us with a productive paradigm to explore new understandings of the nation and the contemporary dramatic forms it fosters
Dyer, Rebekah Mary. « Multivalence, liminality, and the theological imagination : contextualising the image of fire for contemporary Christian practice ». Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16452.
Texte intégralSousa, Síbia Patrícia da Costa Gonçalves. « Alasdair Gray`s 1982 Janine (1984) : a postmodernist scottish novel ». Master's thesis, 2003. http://hdl.handle.net/10400.13/309.
Texte intégralUniversidade da Madeira