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Lohé, M. J. Le. « Immigration and race relations : Political aspects — No. 17 ». Journal of Ethnic and Migration Studies 14, no 3 (mars 1988) : 451–59. http://dx.doi.org/10.1080/1369183x.1988.9976082.
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Fo, Dario. « Some Aspects of Popular Theatre ». New Theatre Quarterly 1, no 2 (mai 1985) : 131–37. http://dx.doi.org/10.1017/s0266464x00001500.
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It is a matter for pride that the old TQ was one of the first English-language journals to include material by and about the Italian dramatist Dario Fo. Our ‘Theatre Checklist’ on Fo in 1978 provided the first full reference guide to his plays (notably to his work since 1970 with the theatre collective La Comune), and Tony Mitchell contributed a documented study of Fo's one-man show Mistero Buffo to TQ 35 in 1979. In between, Belt and Braces had established Fo's British reputation with their long-running productions of Accidental Death of an Anarchist and Can't Pay, Won't Pay – while in TQ40 Fo's leading American director, R. G. Davis, looked at some of the problems of presenting Fo in the USA. Now, Trumpets and Raspberries looks set to repeat the success of its predecessors at London's Phoenix Theatre. What sustains Dario Fo's unique ability to create political comedy which is at once hard-hitting yet widely accessible? As he suggests in the first of these articles (which originally appeared in Italian as an introduction to a volume of his plays), the answer lies in part in Fo's very rejection of the label ‘political’. Here, he analyzes some of the features by which he would rather distinguish his work as popular theatre, notably its traditional dependence on situation rather than character. In the second article, published in Italian in 1978, Fo examines the way in which this kind of theatre also fuses the elements of past culture with a critical examination of the present. Tony Mitchell, who translated both pieces, has just published a study of Fo. People's Court Jester, in the Methuen Theatrefiles series.
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Iqbaldi, Rd Ananda, et Tri Wahyu Retno Ningsih. « THE SUPPORTING ASPECTS OF POLITICAL FEMINISM OF THE CROWN SERIES ». ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture 5, no 1 (3 février 2021) : 1. http://dx.doi.org/10.17977/um006v5i12021p1-7.
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Feminism is the struggle of women to fight for their voice to be heard is a never-ending struggle that can be seen on media even in literature. Women ask for the equality as men received naturally, even in literature women depicted as someone hysterical and vulnerable however in the late 20th century until today the depiction of strong women is getting common even in Political world. The aspects of Political Feminism in The Crown series is the object of the study in order to uncover the aspects within the ideology itself. There are 30 data within the series that consists of Political Feminism with aspects of Political, Liberal, binary aspect of Political and Liberal. Within political feminism there are aspects that can be found and not political aspect only but also others such as liberal, etc.
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Harsono, Jusuf. « Hegemoni Negara terhadap Seni Reyog Ponorogo ». ARISTO 7, no 2 (1 juillet 2019) : 336. http://dx.doi.org/10.24269/ars.v7i2.1773.
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The existence of art Reyog Ponorogo until now it is a traditional art Ponorogo Regency, community pride even in politics is needed by the existence of the political elite, nevertheless the availability of the arts it politically sufficiently interesting to observe in the political dynamics localized in Ponorogo. How the political elite or the state doing my hegemony on all aspects of this art Reyog Ponorogo. This study using several methods to get clarification on the problems on some of them are with the interview, observation, and documentation. The result showed that elite politics or the state has made various ways to Hegemony art Reyog Ponorogo as a mass mobilization of effective local. especially in the dynamics of politics.
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Verkaaik, Oskar. « Notes on the sublime : Aspects of political violence in urban Pakistan ». South Asian Popular Culture 11, no 2 (juillet 2013) : 109–19. http://dx.doi.org/10.1080/14746689.2013.784052.
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Garcia, John A. « The Political Integration of Mexican Immigrants : Examining Some Political Orientations ». International Migration Review 21, no 2 (juin 1987) : 372–89. http://dx.doi.org/10.1177/019791838702100207.
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The significant influx of immigrants, historically and contemporarily, has had a major impact on all aspects of American society. One area that has received some attention, but warrants more, is the extent of political integration of immigrant populations. Political integration is defined as a process whereby a sense of cohesiveness, membership and attachment occurs for residents of the political community (political values, beliefs, citizen roles, etc.). Using the foreign-born segment of the National Chicano Survey, this article identifies three critical political orientations (i.e., individual/system blame, perceived discrimination, and support for collective activities) and relates them to sociocultural characteristics of the immigrants. Political integration for Mexican immigrants is a slow and uneven process. One implication of the uneveness of their political integration is the difficulty of mobilizing this segment of the Hispanic community to augment an already politically active group.
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Pereira de Abreu, Yure, et Elvis de Azevedo Matos. « Arts in schools curricula : disputes and possibilities for human emancipation ». Concilium 24, no 9 (14 mai 2024) : 428–40. http://dx.doi.org/10.53660/clm-3400-24i21.
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This paper aims to discuss the role of arts in the educational field. Presenting an overview on the contradictions of the capitalist system and its influence on the strategies into the curricula. We try to present a critical review in which some political aspects have an important presence and define the aspirations for more space for arts in schools. We also bring an utopian proposition focusing arts in educations as a way to find self constructions achieve freedom in a social context, based on creativity and solidarity to human development.
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Brown, Ian, Robert Brannen et Douglas Brown. « The Arts Council Touring Franchise and English Political Theatre after 1986 ». New Theatre Quarterly 16, no 4 (novembre 2000) : 379–87. http://dx.doi.org/10.1017/s0266464x00014123.
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The pressures of Thatcherism on theatre funding in the 'eighties were severe, but the early harshness was tempered by several factors. One was the positive influence of the Cork Report, particularly on touring and experimental theatre. Another, the authors believe, was a careful strategy of reallocation of funding to support creativity in English theatre, notably through the touring franchise scheme. Here, they analyze in detail the ways in which the English Arts Council operated the scheme in an attempt to revitalize aspects of English theatre from 1986 onwards, trace the change in the values of ‘political’ theatre over that period, and critically examine some received ideas in the light of the available evidence. Ian Brown is Dean of Arts and Professor of Theatre at Queen Margaret University College, Edinburgh, Rob Brannen is a Senior Lecturer in Drama at De Montfort University, Bedford. Douglas Brown is Assistant Director, Scottish Centre for Cultural Management and Policy, at Queen Margaret University College, Edinburgh.
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Torstendahl-Salycheva, Tamara. « Gender Issues in Sweden : Socio-Political and Historiographical Aspects ». ISTORIYA 14, no 8 (130) (2023) : 0. http://dx.doi.org/10.18254/s207987840027755-9.
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Gender equality in the political, legal, social, economic, and cultural spheres of modern Sweden is highly relevant to society. This issue affects all aspects of the country's life and is one of the most important points for understanding Swedish identity. The most equal opportunities for women and men are primarily manifested at the state and political levels. In the global media space of the last decade, great attention has been paid to the women's hashtag movement #metoo against cases of sexual harassment by men towards women. This phenomenon has had a significant impact on many aspects of life in Sweden. The susceptibility of Swedish society to gender inequality issues has also been influenced by the scientific achievements of humanities research. Scholars have made significant progress in developing gender issues. If the first works on women's topics were empirical studies that described events involving the weaker sex, then, from the second half of the 1970s historians began talking not about gender equality (jämlikhet), but about gender parity (jämställdhet). The emphasis was not on the biological difference between men and women, but on their social inequality. The new interest of scholars in studying the role of the state in different periods of the history of this country became a novelty in gender historiography in Sweden since the 1990s. It is in the field of studying gender issues in the last five decades that Swedish humanities have achieved the greatest success.
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Koldau, Linda Maria. « Musik und Politik Über die gesellschaftliche Relevanz von Musik und Musikwissenschaft ». Zeitschrift für Religions- und Geistesgeschichte 59, no 4 (2007) : 331–50. http://dx.doi.org/10.1163/157007307781787589.
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AbstractThough often stylized as the most transcendent of the arts, music is inseparably linked to politics and society. The essay offers several examples of how even the technical and aesthetic aspects of music have been determined by political factors through the ages. In conclusion, the author turns to the political role of musicology and the current tendency in Germany to transfer academic institutes of musicology to conservatories.
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Quyen, Nguyen Thi Anh. « Factors Affecting Arts Marketing of Theaters in Hanoi, Vietnam ». WSEAS TRANSACTIONS ON ENVIRONMENT AND DEVELOPMENT 18 (15 avril 2022) : 442–51. http://dx.doi.org/10.37394/232015.2022.18.43.
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Arts marketing is the inevitable development trend of contemporary society, in the context of international exchanges and integration deepening and the competition in the arts field is becoming more and more intensive. If arts organizations want to successfully carry out marketing activities, they need to have a deep understanding of both theoretical and practical aspects of arts marketing. Theoretically, many researchers have pointed out that the factors impacting and affecting arts marketing include internal environment and external environment factors, in which the important factors are the external environment ones, including: Economic, political and legal factors; Cultural, social and technological factors. The objective of this study is to evaluate the influence of external environmental factors on arts marketing of theaters in Hanoi, Vietnam. The author inherits the above research points and conducts a practical survey for 50 managers and 150 artists of 12 theaters in Hanoi capital, Vietnam. The important contribution of the study is shown by the author through the results of testing the scales, analyzing the correlation between the scales and testing the research hypothesis, which is: economic, political, legal factors (EPL) and Cultural, social and technological factors (CST) all have an impact on arts marketing (AM) of theaters in Hanoi, Vietnam. Moreover, Economic, political and legal factors (EPL) have a stronger influence on Arts Marketing (AM). The research results are also meaningful to many Vietnam's arts managers in planning and adjusting policies to achieve results and effectiveness in marketing activities to bring art works to the public; adapting to the market, in line with the movement and development trend of Vietnamese society and international integration.
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Shatro, Bavjola. « Literature and Ideology : Aesthetical and Political Aspects of Albanian Literature in Dictatorship ». International Journal of the Humanities : Annual Review 9, no 8 (2012) : 95–108. http://dx.doi.org/10.18848/1447-9508/cgp/v09i08/43294.
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Jurek, Krzysztof, et Jacek Kozieł. « Byzantine Themes in Polish High School Liberal Arts Education ». Studia Ceranea 9 (30 décembre 2019) : 251–58. http://dx.doi.org/10.18778/2084-140x.09.13.
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The authors focus how Byzantine motifs are presented in the teaching of humanities subjects. The question of the presence of Byzantine motifs is essentially one about the presence of Byzantine heritage in Polish culture. With reference to two school subjects – Polish and History – the authors seek to establish what Polish school students are taught about the reach of Byzantine culture. Present-day teaching of both political and cultural history is underpinned by Occidentalism. Only occasionally is attention paid to the “Eastern” features of Poland’s past. A good example of this is the treatment of one of the most important Polish literary texts, the school perennial, Bogurodzica. This draws on Greek religious hymns, contain words originating in the Greek liturgy, and also alludes to a particular type of icon. Accordingly, the connections between the oldest Polish literary text and Byzantine culture are very clear. However, when classroom teachers discuss Bogurodzica with their pupils, detailing the above-mentioned features, are they aware that this text is an epitome of the presence of Byzantine motifs in Polish literature? Apparently not. With regard to the teaching of history, Byzantine motifs can be approached from at least three angles; in terms of imperial political events, in terms of religious (Eastern rite) aspects of Byzantine culture, and finally in terms of awareness of connections between Polish culture and Eastern rite Christianity, as well as Eastern nations and states viewed as heirs of Byzantine culture. In Polish history there has been a side-lining of the nation’s break with Eastern Christianity even though during certain periods this was the faith of half the Commonwealth’s inhabitants. The marginalisation of this topic does not simply impose a limit on knowledge but it prevents the understanding of particular aspects of our history.
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Berkutbayeva, Kamshat, et Aliya Mombek. « Synthesis of arts : theater curtain as an aesthetic category ». Pedagogy and Psychology 42, no 1 (30 mars 2020) : 236–42. http://dx.doi.org/10.51889/2020-1.2077-6861.30.
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In training a specialist of creativity higher education institutions, knowledge of special aspects of theatrical art is importance. The subject of this article is the theater curtain, aspects of its application in various historical eras of the development of the theater as a cultural phenomenon. The author’s systematization of information about the theater curtain as an integral element of any theatrical production is based on a deep understanding of its role not only as a technical tool, but also as a spatial composition of the theater performance and the auditorium as a whole. The mentioned features may have a substantial, geographical, historical, political and functional character. Certainly, the theater curtain as an object of research is one of the most interesting phenomena of such a scientific field as art criticism. From her point of view, the theater curtain has come a long way in development in search of better stage and artistic expression, thereby representing a specific sign system. The study of the phenomenon of the theater curtain on examples of venues at the international level allows to take a fresh look at the genesis and current state of issues of the artwork of the productions of Kazakhstan theaters.
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Castelluccia, Manuel. « The Militarization of a Society : The Example of Transcaucasia in the Early Iron Age ». Ancient Civilizations from Scythia to Siberia 23, no 1 (13 juillet 2017) : 91–126. http://dx.doi.org/10.1163/15700577-12341311.
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The aim of the present paper is to analyze the particular political and social process which began in the lands south of the main Caucasus range at the end of the Late Bronze Age and continued and strengthened during the following Iron Age. This process was characterized by the marked militarization of the society, which involved many related aspects, not just the political system but also social life and organization. The following pages will be dedicated to an analysis of some well-defined aspects, such as the organization of the human landscape, architecture, funerary customs, arts, politics and economy. Emphasis will be placed on how these were affected by this process of militarization and the main features of the latter will be described.
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Samet, Elizabeth D. « The Arts of War and Deception ». American Literary History 31, no 3 (2019) : 550–63. http://dx.doi.org/10.1093/alh/ajz029.
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Abstract Three recent books—Benjamin Cooper’s Veteran Americans: Literature and Citizenship from Revolution to Reconstruction (2018), Keith Gandal’s War Isn’t the Only Hell: A New Reading of World War I American Literature (2018), and Jonathan Vincent’s The Health of the State: Modern US War Narrative and the American Political Imagination, 1890–1964 (2017)—invite us to reevaluate the tradition of US war literature. Attempting to rescue it from the misunderstanding and marginalization to which it has been subject over the years, they assess its expression of persistent anxieties about national identity, citizenship, and masculinity. Covering a broad swath of US history, from the Revolutionary period through the Cold War, these books work together to illuminate crucial aspects of the perilous, enduring connection between citizenship and violence. This work is characteristic of a renewed post-9/11 attentiveness on the part of literary and cultural critics to war and its representation. Central to any exploration of the war narratives at the very core of national identity is a recognition of the intimate relation between the arts of war and those of deception.
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Nasution, Nasution. « Proposing Indonesia History Teaching that Transcends Political Ideologies ». Indonesian Historical Studies 6, no 1 (4 juin 2022) : 34–44. http://dx.doi.org/10.14710/ihis.v6i1.13571.
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The teaching of Indonesian history, in many cases in school, remains dominated by history of politics and political indoctrination, underscoring the need for critical and holistic learning. This paper aims to analyze the Indonesian National History textbooks used in schools, and to examine the possibility of teaching Indonesian history that goes beyond political indoctrination and is holistic. The method used in this paper is the analysis of an Indonesian National History textbooks that have been used as the main textbook for the history subject in schools. The teaching of Indonesian history in schools is still dominated by a single version of historical events. The narratives of Indonesian history lessons often ignore different perspectives, or other aspects of historical events that are of interest. Indonesian history does not only belong to the winners. A holistic approach to the teaching of history is expected to help enrich students' knowledge of past events and provide a clearer picture of the history of a multicultural society. For example, a discussion of the Benteng economic policy should not only revolve around the points of view of one ethnic group and ignore the suffering of others. In other cases, discussions on the PKI revolt often neglect human rights aspects, et cetera. Not only should students gain knowledge about past events based on the dominant interpretations, but are also exposed to the narratives of marginalized people. Not only that, history lessons should also cover aspects that include arts, literature, painting, music and other cultural products. In the end, a holistic approach enriches students’ understanding of a historical event, foster a positive attitude and inspire them to learn about stories that have been under-heard or deliberately marginalized.
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Levy, Shimon. « ‘How Are the Mighty Fallen’ : Aspects of Contemporary Israeli Theatre ». New Theatre Quarterly 6, no 24 (novembre 1990) : 382–94. http://dx.doi.org/10.1017/s0266464x00004966.
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Even at its most political, contemporary Israeli theatre tends to be self-referential – nowhere more so, suggests Shimon Levy, than in the theatre festivals held at Acre, where year by year over the past decade the plays selected seem to have reflected, more than coincidentally, the preoccupations of the nation, with its haunted past, its militaristic present, and a future full of uncertain or resented accommodations with neighbours for so long perceived as enemies. But Shimon Levy, who teaches in the Theatre Department at Tel Aviv University, also notes two exceptions in a generally gloomy theatrical scene: the exuberant entertainment Yanti Parazi – ‘a metaphor for the yearning for this screwed-up Holy Land’ – and a long-unperformed play on the ‘difficult’ subject of the West Bank occupation, Ephraim Returns to the Army, with its schitzoid title-character ‘deconstructing’ the conflicting elements of Israeli hopes and beliefs, for audiences not presumed to share the play's own progressive but unsentimentalized sympathies.
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Cresswell, Mark, et Zulfia Karimova. « Ken Loach,Family Lifeand Socialist Realism : Some Historical and Theoretical Aspects ». Journal of British Cinema and Television 14, no 1 (janvier 2017) : 19–38. http://dx.doi.org/10.3366/jbctv.2017.0350.
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This article considers certain historical and theoretical aspects of Ken Loach's 1971 film about mental illness, Family Life. Historically, it explores the film's influences, particularly that of the 1960s ‘anti-psychiatry’ and counter-cultural figure, R. D. Laing. To this end, the article examines in detail a contemporaneous critique of Family Life, namely Peter Sedgwick's hostile review for Socialist Worker in 1972. In the light of this critique, the article then reconsiders, theoretically, Loach's strategies of socialist-realist representation in Family Life, particularly as they relate to, firstly, mental illness and institutional psychiatry; and secondly, the distinction drawn by Raymond Williams between artistic and political forms of representation.
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Gilchrist, Roberta. « Women's archaeology ? Political feminism, gender theory and historical revision ». Antiquity 65, no 248 (septembre 1991) : 495–501. http://dx.doi.org/10.1017/s0003598x00080091.
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Women's issues are deservedly a growing concern in archaeology, with concerns that run from the power (im)balance between the sexes in the present practice of archaeology to the technical question of how gender-relations are, or are not, recoverable from archaeological context. The several aspects that lie within the phrase ‘women's archaeology’are explored.
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Sporton, Gregory. « Power as Nostalgia : the Bolshoi Ballet in the New Russia ». New Theatre Quarterly 22, no 4 (20 octobre 2006) : 379–86. http://dx.doi.org/10.1017/s0266464x0600056x.
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The economic and political transition of the old Soviet Union into Putin's Russia has been given plenty of attention over the past few years, with emphasis on free markets and democratic choice much in evidence. In this essay Gregory Sporton discusses the less often considered difficulties of the social transition towards a New Russia. The role of ballet in the culture of the Soviet Union occasionally leads to some embarrassment for those who think the arts represent freedom; and here the symbolic power of the nation's most political theatre, the Bolshoi, is examined at the point of its renovation. How the company has adapted to the new political realities, to the challenge of attracting audiences, and to its own complicity with the old regime is observed against the backdrop of May Day celebrations in 2004. Gregory Sporton is Director of the Visualisation Research Unit in the Department of Art at the Birmingham Institute of Art and Design. Since 2004 he has been a frequent visitor to Russia, studying a range of aspects of Russian culture under the Soviets from ballet to architecture, education and the visual arts. His study trip in 2004 was funded by the Elisabeth Barker Fund from the British Academy.
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Saad, Reem Lotfy Mahmoud. « Art and Cultural Identity ». Academic Research Community publication 1, no 1 (18 septembre 2017) : 10. http://dx.doi.org/10.21625/archive.v1i1.104.
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This paper analyzes aspects of Egyptian history, including unique qualities that influenced the Egyptian culture and gave it its identity that has developed throughout the years until today. It will also discuss Egyptian visual arts and its critical role throughout history, including how arts have appeared and developed over Egypt’s lifetime and influenced the Egyptian citizen. Furthermore, this research sheds light on the effects of every political change that took place in Egypt, and how that could be a mirror of the Egyptian civilization, its development and its decline while considering the role of visual arts throughout and after the revolution of 2011. Analyzing Egyptian culture, education, technology, internet and multimedia after the revolution can be imperative to understand the cultural identity and the role of visual arts in Egypt. Thus the mutual relationship between arts and the Egyptian cultural identity will be questioned, along with the way that they impact each other, and finally, how both of them could play a key role in developing Egypt after the 25th of January, 2011 revolution.
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Bărbieru, Mihaela. « Adapting political communication to technology. Case study : evolutionary aspects on social networks in Romania ». Swedish Journal of Romanian Studies 5, no 2 (15 mai 2022) : 117–36. http://dx.doi.org/10.35824/sjrs.v5i2.23777.
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In recent years, studies on social networks have begun to become more and more numerous in the literature, with scientists showing a real interest in an influential analysis that they have on societies. Social networks are tools through which political candidates have the opportunity to distribute their political message during election campaigns, as well as outside them, to a growing audience. A very strong connection has been made between technology and communication, outside of which we, as individuals, can no longer exist, the virtual space managing to exploit communication in all its aspects. Online political communication, an easily accessible form of manifestation that attracts disinterested political groups, offers the possibility of avoiding information bottlenecks for citizens by changing content in real time, with low information costs, which means a real advantage for politicians.The importance of social networks in political communication is even greater as its role is the main channel of communication and occupies a special place in election campaign strategies. The present study aimes to analyze the phenomenon of social networks in terms of the benefits it offers to politics, through an online political communication with content transmitted in real time, without time limit and with low costs.
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Najjar, Fauzi M., et Charles E. Butterworth. « The Political Aspects of Islamic Philosophy : Essays in Honor of Muhsin S. Mahdi ». Journal of the American Oriental Society 114, no 4 (octobre 1994) : 680. http://dx.doi.org/10.2307/606200.
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Kasbayeva, G., R. Imanjussip et B. Şenay. « Some aspects of the creative industry development in Kazakhstan ». Bulletin of the Karaganda university History.Philosophy series 107, no 3 (30 septembre 2022) : 349–56. http://dx.doi.org/10.31489/2022hph3/349-356.
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Economic, social, and political modernisation is the key to the development of the state, but cultural modernisation, in particular the modernisation of culture and the arts, is also important. This renewal (‘improvement’) of an established industry in the context of specific values (including, the West) and sociocultural realities, paradigms of progress, efficiency, improvement, development of various initiatives, emergence of subcultures, and others involves reflection in accordance with the requirements. Today, the focus on human life and culture is mainly on the values and style of the Western world and the development of individualism and greater freedom, such as creativity, which leads to an understanding and change in the modernisation of culture and art. One of the problems of high socio-cultural conditions for the development of contemporary creative industries in Kazakhstan is the lack of necessary theoretical and methodological basis for their active implementation in the domestic socio-humanitarian tradition. Secondly, systematic research of Kazakhstani society, cultural environment and science based on the work and experience of foreign scientists studying the development of this type of socio-cultural practice is needed due to the lack of publications and developments on this issue. The paper aims to review the literature on the field of creative industries in the world, analyse the achievements of individuals in the field of arts and culture in Kazakhstan and identify the legislative documents necessary for the development of the creative industries. The research is based on general historical, logical, and comparative methods. The authors believe if the state supports the creative industries in Kazakhstan, modernisation of public consciousness in Kazakhstan, conducting a policy of integration of culture and commerce within the creative industries, taking into account positive aspects of the new era, adaptable to the times; the development of the Kazakhstan “Creative Industries Development Concept” may open new horizons for the creative economy development in Kazakhstan.
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Abdel-Raheem, Ahmed. « Metaphorical creativity contributing to multimodal impoliteness in political cartoons ». Intercultural Pragmatics 19, no 1 (24 février 2022) : 35–70. http://dx.doi.org/10.1515/ip-2022-0002.
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Abstract Using a corpus of mainly Arabic political cartoons, this article investigates the relationship between multimodal impoliteness and metaphorical creativity. It offers an interesting and admittedly tentative argument that many aspects of creativity in language and verbo-visual arts may be related to what I call “frame flouting or exploitation”―a notion compatible with various ongoing research programs, including Rachel Giora and her colleagues’ work on salience, defaultness, and optimal innovation. The concept of frame flouting refers to an overt and blatant infringement of a data structure employed for representing generic or geographical, social and historical or stereotypical knowledge or commonly encountered, stereotyped events or situations. A four-type typology for frame exploitations is proposed: (i) “frame element” exploitations; (ii) script (or scenario) floutings; (iii) “default context” violations; and (iv) inference exploitations. Frame floutings may thus also be the basis for incongruity and humor. This research will aid both cognition studies and creative impoliteness scholarship based on nonverbal and multimodal stimuli.
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Ezepue, Ezinne M. « Political economy of Nollywood : A literature review ». Journal of African Cinemas 12, no 2-3 (1 décembre 2020) : 247–62. http://dx.doi.org/10.1386/jac_00039_5.
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Political economy studies control and survival in social life. It is simply defined as the study of production and exchange and how these activities relate with the state and its laws. It is interested in how politics interacts with economics. Extensive essays and texts on the political economy of the film industry in general, and of Hollywood in particular abound. Such studies on Nollywood, the Nigerian film industry, remains scarce. But in recent times, authors, both indigenous and foreign, are beginning to give increased attention to the struggle for power and control within the industry. This study is interested in how economic activities in Nollywood interact with the law and government. It searches existent scholarship to interrogate what has been discussed on aspects of the political economy of the industry. It discusses these studies under production, distribution and consumption. It reviews other important industry matters like policies, interrogating briefly the place of MOPICON in the political economy of Nollywood. This review forms an important document for research on Nollywood, to curb and forestall consistent repetition of studies within Nollywood scholarship.
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Alexander, Gregory S. « Can Human Flourishing Be Liberal ? » Canadian Journal of Law & ; Jurisprudence 32, no 1 (février 2019) : 235–47. http://dx.doi.org/10.1017/cjlj.2019.10.
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The renewed interest in virtue ethics raises again a persistent question, namely, the relationship between the virtue ethics theory and liberalism as a political philosophy. Virtue ethicists focus on the good—i.e., human flourishing—and debate what constitutes that good. This focus creates a problem for liberals who are rights-oriented, which is the dominant form of contemporary liberalism.The recent and timely book by Menachem Mautner, Human Flourishing, Liberal Theory, and the Arts, reminds us, however, that liberalism comes in many stripes. There is no one liberalism. Rather, there are many liberalisms. I discuss three aspects of Mautner’s remarkable and important book: first, his conception of human flourishing and its relationship to liberalism; second, his argument that a liberal political order committed to human flourishing ought to promote the arts; and third, his argument that the liberalism of flourishing is better able than neutralist liberalism to compete with religion in providing what Mautner calls “Big Meaning.”
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Mazalán, Peter, et Katarína Morávková. « Fine art as an integral part of architecture : Political and social aspects of the formation of this synthesis in the 20th century ». Architecture Papers of the Faculty of Architecture and Design STU 28, no 4 (1 décembre 2023) : 24–28. http://dx.doi.org/10.2478/alfa-2023-0022.
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Abstract The theme of the connection of visual arts with architecture, or the cooperation of visual artists with architects in post-war Europe, basically follows two lines: a theoretical line and a political-institutional line. Just as knowledge of the history of art and the history of architecture is necessary in the analysis of this period, knowledge of the political-economic circumstances is necessary in the field of realisations in architecture, because by definition, this public art is a political affair and is not an independent creation. Art in architecture was promoted not only in communist countries (for ideological reasons), but also in Western Europe as an aesthetic cultivation of contemporary architecture. From the mid-1950s onwards, visual art in architectural space appeared more and more frequently, which led to the adoption of legislative measures that regulated and supported this practice. A gradual transformation in the understanding of the task can be observed over the period under review, or the position of public art, presented as part of architecture or public space. This is naturally due to social development. If at the beginning of the 1950s it was a mission to convey ideology and indoctrinate it, in the next stage the focus shifts more towards design with the task of cultivating the environment and creating a certain atmosphere. The study also peripherally explores forms of arts support in the context of other European countries. The idea of integration between art and architecture dates back to the very origins of both disciplines. During the avant-garde movement at the beginning of the twentieth century, it acquired a new meaning and social purpose and became one of the most defining characteristics of modernism. Modernism arose from the expectation of moral and material reconstruction of the world devastated by war, which served as a tool to strengthen collective identity and, consequently, to forge the bond between the city and its inhabitants. Our study traces the development and contexts of the relationship and funding of visual arts in architecture in the Slovak and European context in the 20th century.
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Trunov, Philipp. « German-Norwegian Relations in the Second Half of 2010s : Political and Military Aspects ». ISTORIYA 14, no 8 (130) (2023) : 0. http://dx.doi.org/10.18254/s207987840027794-2.
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The article characterizes the relations between the NATO member states which are also Arctic states in military-political sphere. In this situation Norway is a valuable partner not only for the USA but also for European NATO member states and especially Germany considering its ambitions as full-fare global power. The goal of article is to explore trajectory and dynamics of German-Norwegian relations in political-military sphere in the second half of 2010s. The paper issues the functioning of negotiation link A. Merkel — E. Solberg and also German steps which led to its launch. The author shows the importance of Norway for Germany as an Arctic and in this regard explores Germany’s Arctic strategy. Germany tried to neutralize the negative effect of Norway’s lack of EU membership and also the unwillingness of Norway to join PESCO platform. There was the spill-over effect when the experience of full-fare cooperation in political sphere was also moved to the military sphere at the end of 2010s. The paper explores the features of the competition between the USA and Germany for influence over Norway in the context of the US and German Arctic ambitions. The author concludes about the possibilities and difficulties of the further rise of German-Norwegian relations for the perspective by the early 2020s.
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Henrich, Andreas, et Tobias Gradl. « DARIAH(-DE) : Digital Research Infrastructure for the Arts and Humanities — Concepts and Perspectives ». International Journal of Humanities and Arts Computing 7, supplement (mars 2013) : 47–58. http://dx.doi.org/10.3366/ijhac.2013.0059.
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DARIAH (Digital Research Infrastructure for the Arts and Humanities) is part of the European Strategy on Research Infrastructures. Among 38 projects originally on this roadmap, DARIAH is one of two projects addressing social sciences and humanities. According to its self-conception and its political mandate DARIAH has the mission to enhance and support digitally-enabled research across the humanities and arts. DARIAH aims to develop and maintain an infrastructure in support of ICT-based research practices. One main distinguishing aspect of DARIAH is that it is not focusing on one application domain but especially addresses the support of interdisciplinary research in the humanities and arts. The present paper first gives an overview on DARIAH as a whole and then focuses on the important aspect of technical, syntactic and semantic interoperability. Important aspects in this respect are metadata registries and crosswalk definitions allowing for meaningful cross-collection and inter-collection services and analysis.
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Sylvester, Christine. « The Elusive Arts of Reflexivity in the ‘Sciences’ of International Relations ». Millennium : Journal of International Studies 41, no 2 (20 décembre 2012) : 309–25. http://dx.doi.org/10.1177/0305829812463479.
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There are a number of highly laudable aspects of Patrick Jackson’s broadened discussion of scientific inquiry in the field of International Relations, among them the attention he gives to feminist analysis as exemplary of reflexive science. Yet there are a few worrying elements in his approach as well. This piece addresses issues around Jackson’s presentation of feminist analysis and, in addition, tackles his off-handed reinscription of the split between social sciences and the arts (plus his neglect of poststructuralism). Jackson’s view of feminist analysis relies on early writings on feminist philosophy of science. He therefore underestimates the goals and the epistemological complexities of current research in feminist International Relations. As a separate but overlapping underestimation, Jackson’s drive for a post-foundational science ignores the capacity of the arts to enhance the very qualities of research that attract him to reflexive forms of International Relations science. To overcome both sets of concerns requires enlarging the critical scope of reflexive inquiry.
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Patsiaouras, Georgios, Anastasia Veneti et William Green. « Marketing, art and voices of dissent ». Marketing Theory 18, no 1 (14 août 2017) : 75–100. http://dx.doi.org/10.1177/1470593117724609.
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Limited research exists around the interrelationships between protest camps and marketing practices. In this article, we focus on the 2014 Hong Kong protest camps as a context where artistic work was innovatively developed and imaginatively promoted to draw global attention. Collecting and analysing empirical data from the Umbrella Movement, our findings explore the interrelationships between arts marketing technologies and the creativity and artistic expression of the protest camps so as to inform, update and rethink arts marketing theory itself. We discuss how protesters used public space to employ inventive methods of audience engagement, participation and co-creation of artwork, together with media art projects which aimed not only to promote their collective aims but also to educate and inform citizens. While some studies have already examined the function of arts marketing beyond traditional and established artistic institutions, our findings offer novel insights into the promotional techniques of protest art within the occupied space of a social movement. Finally, we suggest avenues for future research around the artwork of social movements that could highlight creative and political aspects of (arts) marketing theory.
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Świtek, Gabriela. « Architecture as politics ». SAJ - Serbian Architectural Journal 6, no 1 (2014) : 63–74. http://dx.doi.org/10.5937/saj1401063q.
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The paper presents a comment on Jacques Rancière's thinking on architecture as traced in The Politics of Aesthetics and juxtaposed with a case study - 1st Exhibition of Architecture of the People's Poland. The exhibition organized in the era of Stalinism (1953) and shown in the Central Bureau for Artistic Exhibitions (nowadays the Zachęta - National Gallery of Art in Warsaw) is seen as a manifestation of 'artistic regimes' of the period and as aesthetisation of architecture which is commonly considered the most 'political' of all the (fine) arts. Architecture does not seem to be the main concern of The Politics of Aesthetics; most translators and (Polish) commentators of Rancière's philosophical writings draw our attention to the importance of his aesthetics for the relational aspects of contemporary art in public spaces. The article aims at emphasizing the architectural moments in Rancière's project of aesthetics as politics; it also elaborates a couple of notions poiēsis/mimēsis - as discussed by Rancière - in relation to architectural theory and history of architectural exhibitions.
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Forster, Tim. « Contesting class, gender and national identity : The visual art practice of Test Dept ». Punk & ; Post-Punk 00, no 00 (1 avril 2022) : 1–22. http://dx.doi.org/10.1386/punk_00130_1.
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The 1980s was a time of discontinuity in the United Kingdom as the country was restructured through an extensive reconfiguration of economic, social and political relations. This shift towards what would subsequently be termed neo-liberalism included the deliberate dismantling of organized labour as a political force, privatization, deregulation, cuts to the welfare state and a belief in the pre-eminence of the market as the most effective processor of information. Test Dept formed in 1981 and evolved politically in the socio-economic context of the early imposition of neo-liberalism. Test Dept’s visual art practice contested neo-liberal representation and discourse, opening up space and providing resources for alternative identities and the perpetuation of models of identity based around collectivism and solidarity. This article explores Test Dept’s practice, focusing on three aspects of identity that neo-liberalism attempted to restructure: class, gender and national identity.
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Rohmer, Martin. « Form as Weapon : the Political Function of Song in Urban Zimbabwean Theatre ». New Theatre Quarterly 16, no 2 (mai 2000) : 148–54. http://dx.doi.org/10.1017/s0266464x0001366x.
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In Zimbabwean society, what may not be spoken sometimes becomes acceptable in song – whether to avoid social taboos and enable a wife to complain against her mother-in-law, or in broadening the boundaries of political protest. In this article, Martin Rohmer looks back to the ways in which song enabled forms of protest against forced labour and other aspects of colonial rule – in times of outward compliance as well as of direct struggle – and considers how urban theatre groups in independent Zimbabwe have adapted the tradition to their own, contemporary ends. Martin Rohmer spent almost two years studying Zimbabwean theatre when a research assistant at the University of Bayreuth, and completed his doctorate on Theatre and Performance in Zimbabwe at the Humboldt University, Berlin, in 1997. Since then he has been working in the field of cultural management for the Young Artists' Festival in Bayreuth. The present paper was first presented at the Annual Meeting of the African Studies Association in San Francisco in November 1996.
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Rai, Amit, et Will Esselfie. « This is not ‘interesting’ research : Authentically Co-Creating Participatory Action Research in UK’s Post-Covid Culture Industries ». Conjunctions 10, no 1 (1 octobre 2023) : 1–15. http://dx.doi.org/10.2478/tjcp-2023-0003.
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Abstract This essay explores methodological, ethical, and practical aspects of authentically co-creating participatory action research (PAR) in post-Covid 19 participatory arts contexts in the UK. It analyses the limits and possibilities of PAR methods into leadership pathways in the UK’s arts and culture sector. In critical dialogue with decolonial and intersectional frameworks that seek to challenge and transform institutionalised privilege in the wake of the Covid pandemic, we investigate the financialisation of participatory strategies of cultural co-creation, with a particular focus on questions of racial and class dynamics in the arts. This essay develops a decolonial political ontology of PAR through a critique of both authenticity and its financialisation in participatory action research projects. Drawing on recent critical analyses of ‘post-extractivism’ and ‘co-creation’ in participatory research, we suggest that the recent financialisation of ‘impactful’ participation is an increasingly important but neglected ‘matter of concern’ for critical PAR methodologies.
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Liu, Jian, et Abdul Razaque Chhachhar. « Policy Paradigm Shifts of Contemporary Chinese Media ». Asian Social Science 13, no 2 (19 janvier 2017) : 187. http://dx.doi.org/10.5539/ass.v13n2p187.
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In this paper, policy paradigm shifts of contemporary Chinese media are analyzed. Up till now, Chinese media policies have generally changed through three paradigms, including political unification policies (1949-1978), hybrid governance policies (1978-2013) and integrated governance policies (2013-now). All three-policy paradigms have been orienting towards political interests, but place emphasis on different aspects. Mainly politically oriented, the first policy paradigm focuses on seeking political interests. Guided by political, economic and social interests, the 2nd one is physically hybrid but not integrated owing to policy conflicts, overlaid management and poor efficiency. The 3rd media policy paradigm attempts to integrate policies for solving problems that appear during the 2nd policy paradigm.
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Indira Utojo, Hertin, et Oom Rohmah Syamsudin. « The Meaning of Survival in the Poetry of Jacob Isaac, and its Semantics Learning Implementation ». INFERENCE : Journal of English Language Teaching 5, no 2 (14 décembre 2022) : 170. http://dx.doi.org/10.30998/inference.v5i2.10736.
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<p>The social, political, and economy atmosphere of a country often evokes the desire of literary activists to express their imagination, feelings, ideology in the form of social, political and cultural criticism through art, including poetry. Likewise, Jacob Isaac, a Bachelor and Master of Arts, as well as Doctor of English Literature, who was born in Kerala, South India, expresses imagination, feelings, ideology by creating the English poetry. In this research, the research writer chose three poetry written by Jacob Isaac as data sources entitled Indifference, Neural Mapping, Aging Liberty. The objective of this research is to describe the meaning of (1) survival in the above poetry; and (2) its implementation in English semantics learning. The research writer uses a qualitative research method and triadic semiotic model of Charles Sanders Peirce, consists of (1) representamen consists of rhyme form and sound, syntactic, semantic, pragmatic relates to deixis, figurative and isotopy aspects); (2) interpretant consists of the biography of Jacob Isaac, history of India, social, political and cultural background aspects). The goal using interpretant is in order to get the research results more objective. This research was conducted from March to May 2021.</p>
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Hase, Johanna. « Repetition, adaptation, institutionalization—How the narratives of political communities change ». Ethnicities 21, no 4 (18 mars 2021) : 684–705. http://dx.doi.org/10.1177/1468796820987311.
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At times when migration and diversity are politically salient and controversially discussed, the rhetoric of staying ‘as we are’ is widespread. But how do ‘we’ actually change and how would ‘we’ know when it happens? Based on the premise that political communities are the products of narratives of peoplehood, this paper explores how such narratives evolve over time. It conceptualizes different modes of balancing narrative continuity and change. These modes – repetition, adaptation, and institutionalization – are illustrated with reference to evolving German narratives of peoplehood centring around (not) being a country of immigration. The paper argues that all modes lead to some degree of change in narratives of peoplehood. Against the backdrop of different understandings of the core of a narrative, it further discusses when such changes fundamentally affect who ‘we’ are. Overall, the paper invites scholars, policymakers, and citizens to think critically about the essential aspects of their political communities’ narratives and to be aware of the stories that ‘we’ are told and that ‘we’ tell ourselves.
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van Stekelenburg, Jacquelien. « The Political Psychology of Protest ». European Psychologist 18, no 4 (1 janvier 2013) : 224–34. http://dx.doi.org/10.1027/1016-9040/a000156.
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We live in contentious times. Why are people prepared to sacrifice wealth, a pleasant and carefree life, or sometimes even their lives for a common cause? This question brings us to the individual level of analysis, and therefore to political psychology. People live in a perceived world. Indeed, this is what a political psychology of protest is about – trying to understand why people who are seemingly in the same socio-political configuration respond so differently. I will illustrate this point with an overview of state-of-the-art theoretical approaches and up-to-date empirical evidence. Discussed are grievances, efficacy/cynicism, identification, emotions, and social embeddedness. Most recent approaches combine these concepts into one model comprising two routes: An efficacy route steered by social embeddedness and a grievances route steered by cynicism. The working of the model is illustrated by empirical evidence from contemporary events such as migrants, collective action, demonstrating diasporas, and Social Media protests. Each of these illustrations exemplifies how different aspects of the socio-political context as dual identification, group status, and virtual embeddedness affect individuals’ protest behavior. As such the paper aims to provide an overview of political psychological work that may contribute to the understanding of our contentious times.
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Zuykina, K. L., et A. A. Morozova. « Models of Argumentation in Socio-Political Telegram Channels’ Texts ». Vestnik NSU. Series : History and Philology 23, no 6 (16 juillet 2024) : 63–77. http://dx.doi.org/10.25205/1818-7919-2024-23-6-63-77.
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Political communication on Telegram, one of the most popular platforms in Russia, has become a topic of interdisciplinary research. Telegram channels serve as spaces for political discussion and demonstrations, where various points of view on the same events are broadcasted. In this article, the authors uncover general trends and features of argumentation on the internet. They examine how analytical posts in political Telegram channels express different opinions on ongoing political events. Using content analysis, the authors conducted an empirical study of popular and ranking political Telegram channels. The authors reveal the characteristics of argumentation in analytical texts devoted to two of the most debated political events in recent years: the death of Mikhail Gorbachev (a federal event) and the return of the monument to the founder of the PMSC Felix Dzerzhinsky from the Muzeon park of arts to Lubyanka Square in Moscow (a local event). Based on the qualitative and quantitative characteristics of the content, the format of the message transmission, tone of publication, level of event consideration, tactics of argumentation, and other aspects, modern models of argumentation in political network communication are described. The authors identify four models based on the statement's purpose: realistic, reflective, subjective, and critical.
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ORNSTEIN, MICHAEL. « Aspects of the political and personal sociology of AIDS : knowledge, policy attitudes and risk ». Canadian Review of Sociology/Revue canadienne de sociologie 29, no 3 (août 1992) : 243–65. http://dx.doi.org/10.1111/j.1755-618x.1992.tb02438.x.
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Keegan, Cáel M. « On the Necessity of Bad Trans Objects ». Film Quarterly 75, no 3 (2022) : 26–37. http://dx.doi.org/10.1525/fq.2022.75.3.26.
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Despite newly affirming images of transgender people proliferating across US visual media, there has been a concomitant rise in anti-transgender attitudes, transphobic legislation, and trans antagonistic violence. The assumption that more and better images of transgender people are key to achieving transgender equality strains under the weight of an emerging contradiction: “good” representation does not necessarily mean reduced social or political antagonism for transgender people. Rather, the emergence of “good” (i.e. marketable) trans media objects illustrates how the most politically challenging aspects of transgender identification are increasingly forced outside the horizon of representability. This essay turns away from “good” transgender representations and toward an archive of recently canceled “bad” transgender media objects, offering new assessments of their unexpected value. Claiming badness as a trans property that must be embraced to achieve sex and gender liberation, it defends bad trans objects as unrecognized sources of transformative potential.
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Dornhof, Sarah. « Street Art out of Time ». Manazir Journal 4 (24 octobre 2022) : 74–97. http://dx.doi.org/10.36950/manazir.2022.4.5.
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The small town of Asilah in the north of Morocco holds an annual international festival of visual and performance arts, including exhibitions, workshops, conferences, and other parallel activities. However, it is best known for the murals that are painted every year anew by invited artists on the facades of old town houses. Founded in 1978, the Arts Festival or Cultural Moussem of Asilah qualifies as the first street art festival in Morocco and has significantly shaped the cultural context for arts to interact with public spaces. It has, in particular, linked street art manifestations to ideas of cultural dialogue and south-south alliances as well as to urban regeneration and social development. At the same time, the Festival has been criticized for using the integrative concept of the moussem, a traditional communal festivity, for cultural marketing and for connecting arts and culture to the power of the monarchy. By focusing on political, aesthetic, and urban aspects of the institutionalization of the Asilah Festival, this article draws a genealogical perspective on entanglements of art, public culture, and urban politics in Morocco. It thereby analyzes the cultural context in which street art finds its place, meaning, and critical potential today.
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Clammer, John. « Can Art Embody Truth ? Ethics, Aesthetics and Gandhi ». Social Change 51, no 1 (mars 2021) : 92–103. http://dx.doi.org/10.1177/0049085721996859.
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The philosophical question of whether moral standards apply in art and the practical one of whether the arts can be vehicles of positive social transformation run through a great deal of social theory. In this article, these issues are discussed through an examination of Mahatma Gandhi’s approach to art and in particular his views on music and visual arts as they formed part of his personal world view and his socio-political programme. The article contextualises this in relation to Gandhi’s over-arching concern with the pursuit of truth and its theistic basis, his relationship to certain aspects of classical Indian philosophy and in particular the status of rasa among the four traditional purusharthas, and his relationship with Rabindranath Tagore and the artists at Kala Bhavan in Santiniketan, in particular Nandalal Bose. The article suggests that Gandhi was far from uninterested in aesthetic matters, but that the key to his thought lies in his holistic approach to both philosophy and lifestyle where the arts play an important role when integrated with ethical and religious demands.
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Cannella, Gaile S. « Political Possibility, Hypercapitalism, and the “Conservative Reeducation Machine” ». Cultural Studies ↔ Critical Methodologies 11, no 4 (13 juillet 2011) : 364–68. http://dx.doi.org/10.1177/1532708611414667.
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The education machine constructed by right wing politics and discourses has been of great concern for some time, especially during the Bush administration. However, actions by the Obama administration have further accelerated that reeducation machine by maintaining legislation like NCLB and support for educational corporations. This paper describes how this hypercapitalist conservative machine continues to use forms of signification and resource redistribution as mechanisms of power, masks cultural and intellectual diversity, co-opts identities, and corporatizes all aspects of education (including the ways we construct and understand learning) to interpret them as competition, privatization, and profiteering. Politicians from both (or all) political parties may be so attached to the tentacles of hypercaptialism that radical thought and actions are necessary to save and construct education that is socially just, equitable, and democratic.
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Gordon, Robert Edward. « The Philosophy of Freedom and the History of Art : An Interdisciplinary View ». Philosophies 5, no 3 (1 septembre 2020) : 18. http://dx.doi.org/10.3390/philosophies5030018.
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This article investigates the relationship between the philosophy of freedom and the history of art. It maintains that contemplating the two fields together is productive and necessary in understanding some of the compelling interdisciplinary aspects at work in both arenas. Isaiah Berlin’s seminal Two Concepts of Liberty (1958) acts as a touchstone, as the essay establishes the historical and political grounds for uniting the two fields, with other thinkers contributing to the analysis. The ideas discussed correlate the history of art as a narrative of creativity and freedom with art’s political function as it pertains to the positive–negative liberty perspective. These two forces offer a fecund way of thinking about freedom and the arts co-terminally. This essay argues that the creative motivations embedded in the history of art are intimately linked to political motivations, which it is claimed tie the two subjects together both historically and philosophically.
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Jia, Han, Monger Yuan, Samantha Li et Zixuan Long. « Research on the Lasting Legacies of Enlightenment : A Double-edged Sword to Modern Society ». Communications in Humanities Research 31, no 1 (17 mai 2024) : 26–43. http://dx.doi.org/10.54254/2753-7064/31/20231830.
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It is already common sense that the Enlightenment has brought huge improvement to human society both ideologically and physically and numerous scholars have discussed it before. However, the main aim of this article is to discover the real contributions of the Enlightenment and explore its limitations to our modern life. Think about what can be learned from the Enlightenment and what needs to be avoided in future political movements. The article will discuss the lasting legacies of Enlightenment in three aspects: Arts, Economics, and Women's Rights and then focus on the negative sides of Enlightenment at the end. This essay may not cover all the political philosophers during the Enlightenment, so there are some limitations to the conclusions. Moreover, since political movements have developed differently in different eras, some of these conclusions may not apply to todays society, but it can provide some references for scholars to study.
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Lee, Hyunseok. « The Korean Socio-Political Context of the 1970s in Robot Taekwon V (1976) ». Animation 15, no 2 (juillet 2020) : 145–59. http://dx.doi.org/10.1177/1746847720933800.
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As one of the masterpieces of early South Korean animation, the film Robot Taekwon V has instilled hopes and dreams in a younger generation of Koreans since the late 1970s when it was released, while critics have cited Robot Taekwon V as being influenced by American pop culture, particularly the Disney animation style, and have accused it of plagiarizing the designs of the popular Japanese animation Mazinger Z. In the 1970s, the Korean government actively promoted economic development for the ‘modernization of the country’ under the military regime’s inculcation of anti-communism. Robot Taekwon V was produced with the intent of being an anti-communist tool and, further, it sought the nationalism of postwar South Korea and promoted the country’s confidence in the future that eventually resulted in rapid economic development. This socio-political context is portrayed both in the form of a ‘gigantic robot’ and in the use of non-Korean appearances for Korean characters. Considering these aspects, the author examines how Robot Taekwon V navigates the intricacies of the postwar ideological framework, manages foreign cultural influences and suggests transnationalism through its character design and narrative.