Articles de revues : « Arts – Northern Ireland – Belfast »

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Brunsdon, Charlotte. « The New Northern Ireland as a Crime Scene ». Journal of British Cinema and Television 20, n^o 3 (juillet 2023) : 305–28. http://dx.doi.org/10.3366/jbctv.2023.0678.

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This article explores the increased attractiveness of a ‘post-conflict’ Belfast as a television setting for British television police series. The Fall (2013, 2016), Bloodlands (2021) and Marcella (2021) are all set in Belfast, while most of the hit series Line of Duty (2012–) has been filmed in Northern Ireland. How do these new Belfast-set crime dramas negotiate the tropes and iconography of twentieth-century Troubles Belfast, while also participating in the transformation of the city associated with the arrival of transnational audiovisual industries? While recognising that much recent scholarship focuses on the creation of the Titanic Quarter through the redevelopment of the Harland & Wolff shipyard and the production of the HBO-Warner series, Game of Thrones, this article pursues the recent appearances of contemporary Belfast on screen in Bloodlands, Marcella (2021) and Line of Duty. Building on scholarship, such as the work of John Hill, Martin McLoone and Ruth Barton which has established the contours of the Troubles film, the history of Belfast on film and genre in the Northern Ireland context, the existence of an identifiable chronotope ‘Troubles Belfast’ is proposed. Is Belfast recognisable as a specific place outside a Troubles chronotope? What are the stories that can be told of Northern Ireland outside a Troubles chronotope? In particular, which is pertinent to an industry desperate to maintain its attractiveness to transnational productions, the tension between the identification of Belfast as a specific place and the generation of new and different stories is explored in the case studies. To what extent is the televisual use of the new screen Belfast caught in the paradox that it is the old Belfast which makes it an attractive setting for crime drama?

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FitzGerald, Lisa, Eva Urban, Rosemary Jenkinson, David Grant et Tom Maguire. « Human Rights and Theatre Practice in Northern Ireland : A Round-Table Discussion ». New Theatre Quarterly 36, n^o 4 (novembre 2020) : 279–91. http://dx.doi.org/10.1017/s0266464x20000664.

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This round-table discussion, edited by Eva Urban and Lisa FitzGerald, took place on 5 July 2019 as part of the conference ‘New Romantics: Performing Ireland and Cosmopolitanism on the Anniversary of Human Rights’ organized by the editors at the Brian Friel Theatre, Queen’s University Belfast. Lisa FitzGerald is a theatre historian and ecocritic who completed postdoctoral fellowships at the Centre de Recherche Bretonne et Celtique (CRBC), Université Rennes 2 and the Rachel Carson Centre for Environment and Society, Ludwig Maximilian University of Munich. She is the author of Re-Place: Irish Theatre Environments (Peter Lang, 2017) and Digital Vision and the Ecological Aesthetic (forthcoming, Bloomsbury, 2020). Eva Urban is a Senior Research Fellow at the Senator George J. Mitchell Institute for Global Peace, Security, and Justice, Queen’s University Belfast, and an Associate Fellow of the Institute of Irish Studies, QUB. She is the author of Community Politics and the Peace Process in Contemporary Northern Irish Drama (Peter Lang, 2011) and La Philosophie des Lumières dans le Théâtre Breton: Tradition et Influences (Université de Rennes, 2019). Rosemary Jenkinson is a Belfast playwright and writer of five short story collections. Her plays include The Bonefire (Rough Magic), Planet Belfast (Tinderbox), White Star of the North, Here Comes the Night (Lyric), Lives in Translation (Kabosh Theatre Company), and Michelle and Arlene (Accidental Theatre). Her writing for radio includes Castlereagh to Kandahar (BBC Radio 3) and The Blackthorn Tree (BBC Radio 4). She has received a Major Individual Artist Award from the Arts Council of Northern Ireland to write a memoir. Tom Maguire is Head of the School of Arts and Humanities at Ulster University and has published widely on Irish and Scottish theatre and in the areas of Theatre for Young Audiences and Storytelling Performance. His heritage research projects include the collection Heritage after Conflict: Northern Ireland (Routledge, 2018, co-edited with Elizabeth Crooke). David Grant is a former Programme Director of the Dublin Theatre Festival and was Artistic Director of the Lyric Theatre in Belfast. He has worked extensively as a theatre director throughout Ireland and is co-investigator of an AHRC-funded research project into Arts for Reconciliation. He lectures in drama at Queen’s University Belfast.

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Johnston, William. « The Renal Arts Group : a source of creativity and communication ». Journal of Kidney Care 4, n^o 5 (2 septembre 2019) : 277–78. http://dx.doi.org/10.12968/jokc.2019.4.5.277.

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The potential benefits of participating in arts while on dialysis and post-transplant is now being acknowledged. William Johnston, Northern Ireland Advocacy Officer, Kidney Care UK, outlines his own renal arts journey and how the Renal Arts Group (Queens University Belfast) was created and developed, and its contribution to the momentum of the renal arts movement.

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Kitchin, Rob, et Karen Lysaght. « Sexual citizenship in Belfast, Northern Ireland ». Gender, Place & ; Culture 11, n^o 1 (mars 2004) : 83–103. http://dx.doi.org/10.1080/0966369042000188567.

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Johnson, Tim. « OUT OF BELFAST AND BELGRADE : THE RECENT MUSIC OF IAN WILSON ». Tempo 57, n^o 224 (avril 2003) : 2–10. http://dx.doi.org/10.1017/s004029820300010x.

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1998 was a dramatic year for Ian Wilson. Already established as one of Ireland's leading young composers, that was the year he was elected to the exclusive Irish arts affiliation Aosdána (one of fewer than 20 musicians among its 200 members); his piano trio The Seven Last Words was included in the Northern Ireland A-level music syllabus (a rare ‘distinction’ for any living composer); he moved to Belgrade to be with his partner Danijela Kulezic; and his first son, Adam, was born.

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Carlsten, Jennie. « Feelings and Facts : Agency in Northern Irish Cinema ». Journal of British Cinema and Television 20, n^o 3 (juillet 2023) : 345–64. http://dx.doi.org/10.3366/jbctv.2023.0680.

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Northern Irish cinema has long had an ambivalent relationship to the representation of history, sometimes implicitly rejecting ‘rational’ or ‘objective’ approaches in favour of emphasising the untidy and subjective emotions of its historical narratives. More recently, the films made in and about Northern Ireland have reflected a loss of agency, in particular, the sense of efficacy, locus of control and prospection which creates a belief in our ability to change our environment. Meanwhile, neoliberalism, placing the responsibility for recovery on the individual while removing systems of economic, social and cultural support, creates the conditions under which this loss of agency becomes crisis. The promotion of individual interest obstructs collective political action and progressive change. This article considers the representation of agency in two recent films about the Troubles, Belfast (2022) and I Am Belfast (2015), suggesting that film can – but does not necessarily – offer a space for emotional reflection and restoration of agency.

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Granshaw, Michelle. « Performing the Northern Athens : Dr. Corry's Diorama of Ireland and the Belfast Riot of 1864 ». Theatre Survey 61, n^o 1 (janvier 2020) : 102–28. http://dx.doi.org/10.1017/s0040557419000450.

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Although sectarian violence characterized life in Belfast for hundreds of years, 1864 marked a shift in how violence played out in the city. Unlike previous conflicts that occurred in open spaces and reflected long-held rural rituals, the riots of August 1864 took place in the city's rapidly developing urban streets. The violence broke out in response to celebrations around the foundation laying for a new statue of Daniel O'Connell, the late Catholic politician, in Dublin. Thousands of Belfast Catholics traveled to Dublin for the celebration. Upon their return to Belfast, ten thousand Protestant loyalists greeted them by burning an effigy of O'Connell on Boyne Bridge and staging a mock funeral and procession that attempted to enter a Catholic burial ground. The resulting violence and rioting continued for ten days on the city streets, where homes and businesses faced destruction on a scale previously unseen. Expelling residents of opposing views, rioters reinforced older ideas of “communal conflict” expressed through “disagreements over each group's place—literally and imaginatively—in the city” and strengthened notions of neighborhood geography based on religious beliefs. As historian Mark Doyle argues, the shifting patterns of violence resulted from “[t]he steady advance of working-class alienation from the state, the growing hegemony of violent extremists in working-class neighbourhoods, the sectarian alliance between Protestant workers and elites, the insecurity of the Catholics and, above all, the polarising effects of earlier outbreaks of violence.” Lasting reminders of conflict lingered as the city recovered, reminding anyone walking the streets of the city's violent past and the likely potential of future clashes.

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Carville, Conor. « ‘Room to Rhyme’ : Heaney, Arts Policy and Cultural Tradition in Northern Ireland 1968–1971 ». Review of English Studies 71, n^o 300 (16 décembre 2019) : 554–68. http://dx.doi.org/10.1093/res/hgz136.

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Abstract Drawing on extensive research in Arts Council and government archives in Belfast and the collections of Seamus Heaney’s manuscripts, this essay reconstructs for the first time Northern Irish state cultural policy at the height of the crisis years 1968–1972. It also examines the response of a major poet to this policy, through a genetic mapping of the complex development of Heaney’s poem ‘The Last Mummer’, between 1969 and its publication in 1972. The poem refers to the mumming plays practiced at Christmas when troupes of young men, or ‘Rhymers’ would enter and perform in the houses of both communities in the North. This practice also informed ‘Room to Rhyme’, the Arts Council sponsored 1968 tour of several towns in Northern Ireland by Heaney and Michael Longley and the folk musician Davy Hammond. The make-up of the performers on the tour, the itinerary and accompanying booklet, suggest a deliberate attempt on the part of the Arts Council Northern Ireland to assert a role for itself, and for culture, in the political thaw of the time. In the years immediately after the tour, however, major confrontations between civil rights marches and police, widespread sectarian rioting and ultimately troops on the streets, resulted in even more extreme polarization in the North. As this essay shows, Heaney’s manuscripts from this period provide a valuable resource for the examination of the relationship between poetry, the public sphere and notions of cultural tradition in early 1970s Northern Ireland.

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HUDDLESON, RICHARD. « Brave New Worlds ? COVID-19 and Irish-Language Theatre Produced under Lockdown in Northern Ireland ». Theatre Research International 48, n^o 1 (9 février 2023) : 67–81. http://dx.doi.org/10.1017/s0307883322000414.

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Taking a closer look at the digital monologue series Go mBeire Muid Beo (May We Be Alive [to See Each Other Again]), which was produced by the Belfast-based Irish-language theatre company Aisling Ghéar, this article seeks to document Irish-language theatre produced under coronavirus lockdown measures in Northern Ireland, whilst acknowledging the various issues that continue to haunt the Irish language, and highlighting the particular dangers and potential pitfalls in a context where very limited funding for theatre continues to dwindle. Through an analysis of the monologue series, its content, and the wider sociopolitical context that engulfs Irish-language theatre in Northern Ireland, this article also provides an important snapshot of current and ongoing debates within Irish-language theatre at a critical juncture.

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Horning, Audrey J. « Focus found. New directions for Irish historical archaeology ». Archaeological Dialogues 13, n^o 2 (11 octobre 2006) : 211–19. http://dx.doi.org/10.1017/s1380203806262093.

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In 1999 the Irish Post-Medieval Archaeology Group (IPMAG) was established by a diverse group of Northern Ireland archaeologists and heritage professionals, drawn from the commercial, government, museum and university sectors. The aims of the organization, discussed at length at the group's inaugural conference held in Belfast in February of 2001, include (one) undertaking initiatives to raise the profile of post-medieval archaeology within the whole of Ireland, (two) fostering greater contacts between those individuals engaged in researching the archaeology, history and culture of post-1550 Ireland and (three) lobbying for increased academic attention to be paid to the period within Irish universities. That the organization has made progress in approaching these aims is clear, as acknowledged by Tadhg O'Keeffe: ‘the archaeological study of the “historical” (post-fifteenth-century) past is now a big deal in Ireland’. IPMAG conferences have been held in conjunction with academic institutions (Queen's University, Belfast, 2001; Trinity College, Dublin, 2002; University of Ulster, 2004; University College, Cork, 2006), public institutions (Ulster Museum, 2003), and commercial archaeology companies (Aegis Archaeology, Ltd, Limerick, 2005).

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HILL, SHONAGH. « ‘Circles of Women’ : Feminist Movements in the Choreography of Oona Doherty ». Theatre Research International 48, n^o 3 (octobre 2023) : 229–45. http://dx.doi.org/10.1017/s0307883323000159.

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The focus of this article is the range of feminisms which circulate through Belfast-based Oona Doherty's choreographies for groups of women, namely the second episode of Hard to Be Soft: A Belfast Prayer (2017), which is titled ‘Sugar Army', and Lady Magma: The Birth of a Cult (2019). This analysis is motivated by the need to expand discussion of feminisms in tandem with examination of more complex identities in Northern Ireland: to look beyond a Nationalist–Unionist binary within post-conflict society and examine the intersections of gender, class and race. Tracking the movement of feminisms through Doherty's choreographies will explore how they mobilize, and fail, these women, as well as revealing the potential for, and pitfalls of, community and solidarity. Doherty's work has the potential to mobilize a dynamic intergenerational and intersectional feminism which recognizes the experiences of ‘differently positioned women’.

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Reid, Bryonie. « ‘Rearranging the ground’:1 public and private space in Belfast, Northern Ireland ». Gender, Place & ; Culture 15, n^o 5 (18 septembre 2008) : 489–503. http://dx.doi.org/10.1080/09663690802300837.

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Campbell, Alyson. « P173 Artistic representations of HIV in northern ireland : how the arts can contribute to HIV awareness, prevention and stigma-reduction in a conservative environment ». Sexually Transmitted Infections 93, Suppl 1 (juin 2017) : A73.2—A73. http://dx.doi.org/10.1136/sextrans-2017-053232.216.

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IntroductionThe International AIDS conference in Melbourne in 2014 gave rise to a diverse set of cultural responses around HIV and AIDS, including my own practice-as-research performance installation,GL RY, in a public square throughout the conference. Using the concept of a hole as metaphor for transmission and transformation, it asked what histories, secrets, stigma, information, art, affects might slip through a small hole?MethodsIn 2016 the work had a new iteration in Belfast for the Outburst Queer Arts Festival. We worked closely with people living with HIV in Northern Ireland to find ways to convey their experiences safely in a public arena. It took up the challenge from 2014 where, working alongside long-time HIV activist and artist Kim Davis, it became clear that women are particularly marginalised in the public discourses and representations of HIV and AIDS. This resulted in a performance installation in a shopfront in Belfast city centre, focusing on the experience of women and asking for solidarity with women living with HIV through participation.ResultsThree new works on HIV and AIDS made in Belfast in November 2016 with collection of data including audience and participant feedback.DiscussionThe paper argues that art can intercede in powerful ways in public discourses, in modes that other forms of information and education cannot. In creating a sound archive based on interviews with people living with HIV, I suggest that this work could productively be used in therapeutic use in clinics and in HIV agencies and medical training.

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Bell, Justyna, et Markieta Domecka. « The transformative potential of migration : Polish migrants’ everyday life experiences in Belfast, Northern Ireland ». Gender, Place & ; Culture 25, n^o 6 (8 septembre 2017) : 866–81. http://dx.doi.org/10.1080/0966369x.2017.1372379.

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MCCLELLAND, ANDREW G. « A ‘ghastly interregnum’ : the struggle for architectural heritage conservation in Belfast before 1972 ». Urban History 45, n^o 1 (31 janvier 2017) : 150–72. http://dx.doi.org/10.1017/s0963926816000870.

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ABSTRACTThis article explores the creation of the system for the conservation of architectural heritage in Northern Ireland, evidencing the struggle for convergence within the UK before 1972. The agency of networked individuals, close state–civil society interrelationships and the innovative actions of conservationist groups in response to legislative and practice inadequacies in the 1960s are discussed. In particular, a series of ‘pre-statutory lists’ are introduced, highlighting the burgeoning interest in industrial archaeology and Victorian architecture in Belfast and the prompt provided to their creation by redevelopment. The efforts of conservationists were eventually successful after the collapse of Devolution in the early 1970s.

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Coyle, Brendan. « ‘What the f**k Is Maturity?’ : Young Adulthood, Subjective Maturity and Desistance From Crime ». British Journal of Criminology 59, n^o 5 (7 mars 2019) : 1178–98. http://dx.doi.org/10.1093/bjc/azz010.

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Abstract This article contributes to the ‘dissection’ of maturation by advancing previously overlooked, subjective aspects of the concept. The article draws upon life story research with 20 young adults in Belfast, Northern Ireland. An analysis of their accounts and narratives highlights the importance of maturity as an adaptive narrative coping mechanism for young adults who are structurally disbarred from achieving normative expressions of adult status. The analysis further explores the relationship between subjective maturity and desistance from crime, indicating the potential risks that a selective criminal justice policy focus on an absence of maturity among 18–25-year-olds may have on young adults coming into contact with the criminal justice system.

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Páez Moncaleano, José Manuel. « Kite Lutherie : Sonic Encounters around Wind-Human Collaborative Crafting ». Cuadernos de Música, Artes Visuales y Artes Escénicas 15, n^o 2 (30 juin 2020) : 206–27. http://dx.doi.org/10.11144/javeriana.mavae15-2.klse.

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This text encapsulates the journey I embraced for my research—creation project on collaborative experimental lutherie. While pursuing my Master’s degree in Sonic Arts, I found myself deeply interested in the character and presence of the wind I was constantly stumbling upon in Belfast, Northern Ireland. By adopting the cosmoplitics approach proposed by Isabelle Stengers, read through the framework of the contemporary arts, I will evaluate the feasibility of presenting the sound making process as a collaborative platform where human and non-human actors are allowed to interact. While wondering how to establish sonic exchange mechanisms with the wind, I rediscovered the local kiting folk practices and began to study the kite using conceptual tools brought form the German media theory, particularly the work pioneered by Friedrich Kittler. It is a physical fact that the kite could not fly if either Wind or Human were missing; therefore, in that sense, I will argue that kite flying can be presented as Kulturtechnik whenever both actors find themselves affected by the result of the collaborative action. Going a step further, I will explore Kite crafting in terms of experimental Lutherie as a process in which the final “instrument” is indeed the result of wind-human sound interaction.

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Jaime de Pablos, Mª Elena. « “The World in Terms of Mirror Imaging” : an Interview with Mary O’Donnell ». Estudios Irlandeses, n^o 18 (17 mars 2023) : 203–11. http://dx.doi.org/10.24162/ei2023-11611.

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The writer Mary O’Donnell (County Monaghan, 1954) is one of Ireland’s most prominent authors. She has published eight collections of poetry including Unlegendary Heroes (1998), The Ark Builders (2009), Those April Fevers (2015) and most recently Massacre of the Birds (2020), four novels, among them The Light-Makers (1992), The Elysium Testament (1999) and Where They Lie (2014), and three collections of short stories: Strong Pagans (1991), Storm over Belfast (2008) and Empire (2018). She has also published a dozen essays and hundreds of reviews of both theatre and books. Besides, she is a frequent contributor to RTE Radio. Her voice and presence in Irish letters has been closely connected to the culture of her country. Her literature reflects the spirit of the age in which it is produced and revolves around phenomena that deeply affect the world today. Her range of subjects includes gender identity crises, mental instability, marriage in relation to female experience, sexuality, domestic and gender violence, child abuse, the artist in crisis, infertility, dysfunctional families, ecology and the natural world and the “Troubles” in Northern Ireland. Her works, written with immense talent, vivacity, skill, cleverness and humor, have been translated into several languages. In this interview, Mary O’Donnell discusses her most recent works in poetry and narrative: her collection of poems Massacre of the Birds (2020), her collection of short stories Empire (2018) and the novel Where They Lie (2014).

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Plets, Ruth M. K., S. Louise Callard, J. Andrew G. Cooper, Joseph T. Kelley, Daniel F. Belknap, Robin J. Edwards, Antony J. Long, Rory J. Quinn et Derek W. T. Jackson. « Late Quaternary sea‐level change and evolution of Belfast Lough, Northern Ireland : new offshore evidence and implications for sea‐level reconstruction ». Journal of Quaternary Science 34, n^o 4-5 (mai 2019) : 285–98. http://dx.doi.org/10.1002/jqs.3100.

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BOYLE, GERALDINE. « The role of autonomy in explaining mental ill-health and depression among older people in long-term care settings ». Ageing and Society 25, n^o 5 (23 août 2005) : 731–48. http://dx.doi.org/10.1017/s0144686x05003703.

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This paper examines the extent of mental ill-health and probable depression among older people in long-term care. It presents selected findings from a study in Greater Belfast, Northern Ireland, that compared the quality of life, autonomy and mental health of older people living in nursing and residential homes with those of older people living in private households who were receiving domiciliary care. Structured interviews were conducted with 214 residents in institutions and 44 older people receiving domiciliary care. The study found that those in private households were more severely physically-impaired and had a higher level of mental ill-health than the residents of institutional homes. It is suggested, however, that the mental ill-health effects were associated less with physical impairments than with the restrictions placed on the older person's decisional autonomy, and that long-term care environments that constrain the older person's autonomy contribute to the development of depression. Although the UK National Service Framework for Older People specified that those with depression should be given treatment and support, priority should also be given to preventing the depression associated with living in long-term care settings.

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Lojo Rodríguez, Laura. « War Thoughts from the Periphery : Contemporary Perspectives ». Oceánide 13 (9 février 2020) : 22–28. http://dx.doi.org/10.37668/oceanide.v13i.35.

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This article aims at critically examining the contemporary urge to overcome taboos, silence and amnesia both in private and public history as a result of participation in the “Great War” in order to exorcise the transgenerational phantom which continues to haunt the present. To do so, I here examine two contemporary short stories published in the wake of centennial commemorations of the Great War in 2014, Sheena Wilkinson’s “Each Slow Dusk” and Xiaolu Guo’s “Coolies”. These stories articulate from different angles and perspectives women’s necessity to settle accounts with their own family history and with a traumatic inheritance which has been silenced. Unlike many war veterans whose participation in the war was acknowledged by proper mourning and public rituals, the protagonists of Guo and Wilkinson’s stories were deprived of recognition and their participation was silenced within the family and by official amnesia. The political position of Northern Ireland as part of the British Empire is overtly explored in Wilkinson’s depiction of the country’s adherence to the First World War in her short story “Each Slow Dusk”, where the protagonist sees her dreams of entering Queen’s College in Belfast abruptly put to an end when her shell-socked brother returns from the Somme in 1916. In “Coolies”, British-Chinese writer Xiaolu Guo brings to the fore the participation of 100,000 Chinese peasants– or kulis – recruited by the British army to dig European trenches, addressing a topic which already challenges received conceptions of the conflict as a European drama.

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O'Sullivan, Aidan. « C.J. Lynn & ; J.A. McDowell with numerous other contributors. Deer Park Farms : the excavation of a raised rath in the Glenarm Valley, Co. Antrim (Northern Ireland Archaeological Monographs 9). xx+660 pages, 203 figures, 135 colour and b&w plates, 117 tables. 2011. Belfast : Northern Ireland Environment Agency ; Norwich : the Stationery Office ; 978-0-337091-90-2 hardback £40. » Antiquity 88, n^o 340 (1 juin 2014) : 679–80. http://dx.doi.org/10.1017/s0003598x00101401.

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Hicks, Patrick. « Belfast, Northern Ireland, Early 1990s ». Prairie Schooner 87, n^o 4 (2013) : 48–49. http://dx.doi.org/10.1353/psg.2013.0149.

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Killen, James E., et J. A. K. Grahame. « Map Reviews ». Irish Geography 12, n^o 1 (26 décembre 2016) : 142–43. http://dx.doi.org/10.55650/igj.1979.821.

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BALLYMENA, LARNE. 1: 50,000 (1978), Sheet 9, Ordnance Survey of Northern Ireland, Belfast. £0.81 (flat), £0.99 (folded with plastic wallet).COUNTY LIMERICK (PART OF). 1: 5000 (1978), Map 4866, Ordnance Survey of Ireland, Dublin. £5.38.COUNTY LIMERICK (PART OF). 1: 2500 (1978), Plan 4866‐C, Ordnance Survey of Ireland, Dublin. £5.38.BELFAST CITY CENTRE: Street Map with Index, 1: 10,000. Belfast: Ordnance Survey of Northern Ireland, 2nd edition, 1978.

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Taylor, Brian John. « DARE 2012 Symposium, Belfast, Northern Ireland ». Research on Social Work Practice 23, n^o 2 (6 décembre 2012) : 241–42. http://dx.doi.org/10.1177/1049731512468958.

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Ferguson, Paul, Darius Bartlett et Arnold Horner. « Reviews of Maps and Mapping ». Irish Geography 28, n^o 2 (14 janvier 2015) : 165–67. http://dx.doi.org/10.55650/igj.1995.425.

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ORDNANCE SURVEY OF IRELAND DUBLIN CITY AND DISTRICT STREET GUIDE. Dublin: Ordnance Survey of Ireland, 1995. 121 pp, including58ppmapsat 1:15,000 and 4pp maps at 1:10,000. IRO.00. ISBN 0-904996-16-6. Reviewed by PAUL FERGUSON.ORDNANCE SURVEY OF NORTHERN IRELAND SLIEVE CROOB OUTDOOR PURSUITS MAP. 1:25,000. Belfast: Ordnance Survey of Northern Ireland, 'A Edition', 1995. £7.50 stg. 850 x 1070 mm. ISBN 1-873819-35-8. Reviewed by DARIUS BARTLETT.ORDNANCE SURVEY OF NORTHERN IRELAND NORTH ANTRIM RESOURCES PACK. Belfast: Ordnance Survey of Northern Ireland in association with the Northern Ireland Education Support Unit, 1995. Educational Price £75.00stg. Reviewed by ARNOLD HORNER.

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WULFF, HELENA. « Lanclos, Donna M. 2003. At play in Belfast, Children's folklore and identities in Northern Ireland . New Brunswick : Rutgers University Press. xiv + 209 pp. Hb : £40.50. ISBN : 0 8135 3321 X. Pb : £14.95. ISBN : 0 8135 3322 8 ». Social Anthropology 13, n^o 03 (6 décembre 2005) : 356. http://dx.doi.org/10.1017/s0964028205301790.

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Royle, Stephen A. « Island cities : the case of Belfast, Northern Ireland ». Miscellanea Geographica 19, n^o 2 (1 juin 2015) : 5–8. http://dx.doi.org/10.1515/mgrsd-2015-0002.

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Abstract The paper considers Belfast as an ‘island city’ with reference to issues of identity and economy and especially in connection with a series of statements from the ‘Futures of Islands’ briefing document prepared for the IGU’s Commission on Islands meeting in Kraków in August 2014. Belfast as a contested space, a hybrid British/Irish city on the island of Ireland, exemplifies well how ‘understandings of the past condition the future’, whilst the Belfast Agreement which brought the Northern Ireland peace process to its culmination after decades of violence known as the ‘Troubles’ speaks to ‘island ways of knowing, of comprehending problems - and their solutions’. Finally, Belfast certainly demonstrates that ‘island peoples shape their contested futures’

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Bew, Paul. « Not in Belfast ». Index on Censorship 14, n^o 6 (décembre 1985) : 23–24. http://dx.doi.org/10.1080/03064228508533986.

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Osborne, R. D. « Policy Dilemmas in Belfast ». Journal of Social Policy 25, n^o 2 (avril 1996) : 181–99. http://dx.doi.org/10.1017/s0047279400000301.

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ABSTRACTMajor policy developments in Northern Ireland concerned with socioeconomic differences between Protestants and Catholics have involved a concern with structural issues and the nature of the policy making process. These initiatives have raised considerable debate concerning the extent to which religion-specific policies are appropriate. In this article each of these initiatives is considered in detail. It is suggested that the debates in Northern Ireland could have significance in the light of proposals to develop race-specific policies in Britain.

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Buchanan-Smith, Hannah M., Scott M. Hardie, Mark Prescott, John Stronge et Mark Challis. « Callitrichids at Belfast Zoological Gardens, Northern Ireland ». Neotropical Primates 4, n^o 4 (1 décembre 1996) : 143–46. http://dx.doi.org/10.62015/np.1996.v4.351.

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Belfast Zoological Gardens has an excellent callitrichid collection that includes representatives from all five genera (see Table 1). Although the zoo has been at the picturesque Cave Hill site since 1934, the development of a new zoo began in 1977. Rather than modifying and upgrading existing enclosures, the new zoo was started from scratch higher up the hill. Careful research ensured that the designs of the new enclosures met the behavioural needs of the animals. Great emphasis has also been placed on allowing optimum viewing for the public. As a result, Belfast has excellent exhibits, and this has been recognised by outside organisations, for instance the gorilla house recently received an award from the Universities Federation for Animal Welfare (UFAW). The purpose of this article is to describe the housing and husbandry of the callitrichid collection at Belfast and to examine their breeding records over the past 10 years.

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Cearnaigh, Seán Ó. « Place-names of Northern Ireland. General editor Gerard Stockman. Vol. 1 : County Down I : Newry and South-west Down. By Gregory Toner and Micheál B. Ó Mainnín. Pp xxi, 217 ; Vol. 2 : County Down II : The Ards. By A.J. Hughes and R.J. Hannan. Pp xxi, 301. Belfast : Institute of Irish Studies, Queen’s University of Belfast. 1992. Hardback and paperback editions. £20 per volume, hardback ; £8.50 per volume, paperback. (Northern Ireland Place-Name Project) ». Irish Historical Studies 30, n^o 117 (mai 1996) : 125–26. http://dx.doi.org/10.1017/s0021121400012621.

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Bartlett, Darius, P. J. Duffy, J. H. Andrews et Patrick O'Flanagan. « Reviews of Maps ». Irish Geography 24, n^o 2 (1 août 2016) : 151–55. http://dx.doi.org/10.55650/igj.1991.586.

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ORDNANCE SURVEY OF IRELAND 1:25,000 MAPS [Joint venture publications]: (1) KILLARNEY NATIONAL PARK, Dublin: Ordnance Survey of Ireland and Office of Public Works, 1991. IR£3.50; (2) MACGILLICUDDY'S REEKS, Dublin: Ordnance Survey of Ireland and Dermot Bouchier Hayes Commemoration Trust, 1991. With a 53 page hillwalker's guide by John Murray. IR£5.00.ORDNANCE SURVEY MEMOIRS OF IRELAND, edited by Angelique Day and Patrick McWilliams. Belfast: Institute of Irish Studies, Queen's University of Belfast. Eighteen volumes in course of publication, 1990–1992, covering parishes in Counties Antrim, Armagh, Down, Fermanagh, Londonderry and Tyrone; a further twenty volumes in preparation. £7.50stg. per volume. ISBN 85389 xxx x [xxx x = various numbers].AN ILLUSTRATED RECORD OF ORDNANCE SURVEY IN IRELAND. [Dublin:] Ordnance Survey of Ireland, and [Belfast:] Ordnance Survey of Northern Ireland, 1991.104pp. IR£6.00(Pb.). ISBN 0–904996–026–6.EIRE THUAIDH IRELAND NORTH: A CULTURAL MAP AND GAZETTEER OF IRISH PLACE‐NAMES. Belfast: Ordnance Survey of Northern Ireland, Department of the Environment (NI), 1988. [Gazetteer, 25pp; Map scale, 1:250,000]. GASAITEAR NA hEIREANN/GAZETTEER OF IRELAND, prepared by the Placenames Branch of the Ordnance Survey. Baile Atha Cliath: Oifig an tSolathair, 1989. 283pp. IR£5.00. ISBN 0–7076–0076–6. A DICTIONARY OF IRISH PLACE‐NAMES, by Adrian Room. Belfast: Appletree Press, 1986. 136pp. IR£11.95. ISBN 0–86281–132–5.

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Donohue, Conor. « The Northern Ireland Question : All-Ireland Self-Determination Post-Belfast Agreement ». Victoria University of Wellington Law Review 47, n^o 1 (1 juin 2016) : 41. http://dx.doi.org/10.26686/vuwlr.v47i1.4878.

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By the Belfast Agreement of 1998, the major parties involved in the Northern Ireland conflict agreed that the territorial status of Northern Ireland would be determined by the Northern Irish people and the people of the island of Ireland collectively. Although this Agreement is significant in shaping the right to self-determination in the all-Irish context, it contains within it many ambiguities. Many questions as to the nature, extent and effects of the right to self-determination in the all-Irish context still remain. These questions and issues which arise within the Agreement are resolvable with recourse to the customary international law of self-determination, particularly the law and practice relating to referenda. The Belfast Agreement is not simply of relevance in the Irish context. Rather, it offers an understanding of the limitations which may be imposed on the right to self-determination, and serves as a model for the resolution of self-determination disputes.

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Hughes, T. J., R. H. Buchanan, K. A. Mawhinney, J. P. Haughton, F. W. Boal, Robert D. Osborne, Anngret Simms et al. « Reviews of Books and Maps ». Irish Geography 10, n^o 1 (26 décembre 2016) : 116–30. http://dx.doi.org/10.55650/igj.1977.861.

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REVIEWS OF BOOKSIRELAND IN PREHISTORY, by Michael Herity and George Eogan. London: Routledge and Kegan Paul, 1977. 302 pp. £8.95. Reviewed by: T. J. HughesTHE LIVING LANDSCAPE: KILGALLIGAN, ERRIS, CO. MAYO, by S. Ó Catháin and Patrick O'Flanagan. Dublin: Comhairle Bhéaloideas Éireann, 1975. 312 pp. Reviewed by: R. H. BuchananTHE IRISH TOWN: AN APPROACH TO SURVIVAL, by Patrick Shaffrey. Dublin: The O'Brien Press, 1975. 192 pp. £5.00. Reviewed by: K. A. MawhinneyLOST DEMESNES: IRISH LANDSCAPE GARDENING 1660–1845, by Edward Malins and the Knight of Glin. London: Barrie and Jenkins, 1976. 208 pp. ,£15.00. Reviewed by: K. A. MawhinneyNORTH BULL ISLAND, DUBLIN BAY — A MODERN COASTAL NATURAL HISTORY, edited by D. W. Jeffrey and others. Dublin: Royal Dublin Society, 1977. 158 pp. Hardback .£6.50, paperback £3.60. Reviewed by: J. P. HaughtonCONFLICT IN NORTHERN IRELAND: THE DEVELOPMENT OF A POLARISED COMMUNITY, by John Darby. Dublin: Gill and Macmillan, 1976. 268 pp. £7.95. Reviewed by: F. W. BoalBELFAST: AREAS OF SPECIAL SOCIAL NEED. REPORT BY PROJECT TEAM. Belfast: Her Majesty's Stationery Office, 1976. 85 pp. £3.25. Reviewed by: Robert D. OsborncDUBLIN: A CITY IN CRISIS, edited by P. M. Delany. Dublin: Royal Institute of the Architects of Ireland, 1975. 108 pp. £3.25. Reviewed by: Anngret SimmsIRELAND'S VERNACULAR ARCHITECTURE, by Kevin Danaher. Cork: Mercier Press for the Cultural Relations Committee of Ireland, 1975. 82 pp., 68 plates. £1.50. Reviewed by: F. H. A. Aalen18TH CENTURY ULSTER EMIGRATION TO NORTH AMERICA, Public Record Office of Northern Ireland Education Facsimiles 121–140. Belfast: H.M.S.O., 1972. £0.45.; PLANTATIONS IN ULSTER, c. 1600–41, by R. J. Hunter. Public Record Office of Northern Ireland Education Facsimilies 161–180. Belfast: H.M.S.O., 1975. £1.00.; RURAL HOUSING IN ULSTER IN THE MID-NINETEENTH CENTURY, prepared by Alan Gailey, Victor Kelly and James Paul with an introduction by E. Estyn Evans, for the Teachers' Centre of the Queen's University, Belfast in association with the Ulster Folk Museum and the Public Record Office Northern Ireland. Belfast: H.M.S.O., 1974. £0.70.; LETTERS OF A GREAT IRISH LANDLORD: A SELECTION FROM THE ESTATE CORRESPONDENCE OF THE THIRD MARQUESS OF DOWNSHIRE, 1809–45, edited with an introduction by W. A. Maguire, for the Public Record Office of Northern Ireland. Belfast: H.M.S.O., 1974. 189 pp. £1–65.; ORDNANCE SURVEY MEMOIR FOR THE PARISH OF DONEGORE, Belfast: Department of Extra-Mural Studies, Queen's University, and the Public Record Office of Northern Ireland, 1974. v + 64 pp. 1 map and 31 plates. £0.75. Reviewed by: A. A. HornerTHE LANDED GENTRY. Facsimile documents with commentaries. Dublin: The National Library of Ireland, 1977. 20 sheets and introduction. £1.00. Reviewed by: J. A. K. GrahameSANITATION, CONSERVATION AND RECREATION SERVICES IN IRELAND, by Michael Flannery. Dublin: Institute of Public Administration, 1976. 178 pp. £5.75. Reviewed by: Michael J. BannonGEOGRAPHY, CULTURE AND HABITAT, SELECTED ESSAYS (1925–1975) OF E. G. BOWEN, selected and introduced by Harold Carter and Wayne K. D. Davies. Llandysul: Gomer Press, 1976. 275 pp. £6. Reviewed by: J. H. AndrewsDICTIONARY OF LAND SURVEYORS AND LOCAL CARTOGRAPHERS OF GREAT BRITAIN AND IRELAND 1550–1850 edited by Peter Eden. Folkestone: William Dawson & Sons. Part I, 1975; Parts II and III, 1976. 377 pp. £6.00 per part. Reviewed by: A. A. HornerFIELDS, FARMS AND SETTLEMENT IN EUROPE, edited by R. H. Buchanan, R. A. Butlin and D. McCourt. Belfast: Ulster Folk and Transport Museum, 1976. 161 pp. £5. Reviewed by: J. H. AndrewsREVIEWS OF MAPSNORTHERN IRELAND — A MAP FOR TOURISTS. 1:250,000(1970); CASTLEWELLAN FOREST PARK. 1:10,000(1975); ADMINISTRATIVE MAPS; MAP CATALOGUE (1975 edition). 26 pp. Reviewed by: J. A. K. Grahame

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Anthony, Gordon. « The Uniqueness of Northern Ireland Public Law ». Legal Information Management 12, n^o 4 (décembre 2012) : 262–66. http://dx.doi.org/10.1017/s1472669612000606.

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AbstractThis article is broadly based upon a presentation given by Gordon Anthony, which was given at the annual conference of the British and Irish Association of Law Librarians on 15 June 2012 in Belfast. Its purpose is to outline some of the ways in which public law in Northern Ireland is unique within the wider setting of the UK. Although it is true that the law of Northern Ireland shares much in common with principle and practice elsewhere in the UK, there are some notable differences that are attributable to the fact that Northern Ireland has its own court system and legal and political history. The article thus examines some of the differences that exist at the constitutional level and which can be associated with, most famously, the Belfast Agreement 1998. It also summaries some of the differences that can be found at the level of legal citation, for instance of case law and statute law for the jurisdiction.

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Drissel, William David. « Rainbows of Resistance : LGBTQ Pride Parades Contesting Space in Post-Conflict Belfast ». Culture Unbound 8, n^o 3 (28 février 2017) : 240–62. http://dx.doi.org/10.3384/cu.2000.1525.1683240.

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The article seeks to demonstrate how marchers in the annual LGBTQ Pride Parade strategically contest and reclaim heteronormative public spaces in Belfast, Northern Ireland. There is an exploration of participants adapting transnational symbolic representations and discourses to the distinct national-local cultural milieu in which they are scripted and performed. The discursive frames, symbols, and performances of Belfast Pride are compared to those of sectarian parades in the city. The subaltern spatial performances and symbolic representations of Belfast Pride are depicted as confronting a universalized set of heteronormative discourses involving sexuality and gender identity, while at the same time contesting a particularized set of dominant local-national discourses related to both ethnonational sectarianism and religious fundamentalism in Northern Ireland.

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Breathnach, Proinnsias, et Joe Brady. « Reviews of books ». Irish Geography 32, n^o 2 (6 janvier 2015) : 151–54. http://dx.doi.org/10.55650/igj.1999.358.

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PLACE-NAMES OF NORTHERN IRELAND. General editors: Gerard Stockman (Vols.1-6) and Nollaig Ó Muraíle (Vol.7). Belfast: Institute of Irish Studies, Queen's University of Belfast. £8.50stg. (paperback). £20stg. (hardback), per volume. Obtainable from the Project Secretary, Dept. of Celtic, Queen's University, Belfast. and LANGUAGE POLICY AND SOCIAL REPRODUCTION: IRELAND 1893–1993, by Pádraig Ó Riagáin. Oxford: Clarendon Press, 1997. 297pp. ISBN 0-19-823518-6. Reviewed by PROINNSIAS BREATHNACHPOOR PEOPLE, POOR PLACES - A GEOGRAPHY OF POVERTY AND DEPRIVATION IN IRELAND, edited by Dennis G. Pringle, Jim Walsh and Mark Hennessy. Dublin: Oak Tree Press. 1999. xxi+350pp . IR£16.95pb. ISBN 1-86076-108-9. Reviewed by JOE BRADY

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Yong, Ji Fung, et Laoise Griffin. « H11 The pioneer of dermatology in Northern Ireland : what a legacy ! » British Journal of Dermatology 191, Supplement_1 (28 juin 2024) : i170. http://dx.doi.org/10.1093/bjd/ljae090.359.

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Abstract Henry Samuel Purdon (1843–1906) was the pioneer of dermatology in Northern Ireland. Born into a family of doctors, Purdon qualified as a physician in Scotland, earning an M.D. (Glasglow) and an L.R.C.P. (Edinburgh). His interest in dermatology started under the influence of McCall Anderson’s dermatological teaching in Glasglow. After his return to Belfast, he quickly gained the public approval in an open meeting at 12 Wellington Place, resulting in the establishment of ‘The Belfast Dispensary for Diseases of the Skin’ in 1865. With creativity, he made wax models of skin diseases to gain financial support to fund the institute. The models included lupus vulgaris, which was very prevalent during that time. With the steady increase in attendance, the dispensary was renamed ‘The Belfast Hospital for Diseases of the Skin’ in 1866. In 1868, the Belfast Charitable Society funded the construction of a new hospital in Regent Street, which was opened in 1869. This new building provided mainly outpatient facilities with consultation rooms and an operating theatre, which were deemed sufficient, in addition with eight inpatient beds. Despite hectic clinical commitments, in 1870 Purdon became the editor of the Journal of Cutaneous Medicine, which invited articles from the USA, and from Europe and the UK. Further, Purdon published three dermatology textbooks, titled On Neurotic Cutaneous Disease, Including Erythema (1869), Classification, Correct Dietary, and Treatment of Diseases of the Skin: as Practised at the Belfast Hospital of the Skin (1889) and A Treatise on Cutaneous Medicine and Disease of the Skin (1875), which recorded his clinical experience. With Purdon’s famous reputation in dermatology, the need of the service had drastically increased. His fame attracted funding of £4000 from philanthropist Edward Benn, to build a new skin hospital on Glenravel Street in 1873. The Benn Skin Hospital was opened in 1875. This hospital was fully furnished with the finest amenities, with 30 hospital beds and a suite of baths to meet service demand. Purdon was elected president of Benn’s hospital and held this position until his death, at the age of 62. Purdon’s legacy in dermatology was carried down by his son, Elias Bell Purdon, until the hospital was destroyed by a Luftwaffe bomb during the Belfast Blitz in 1941. In 1957, ‘The Purdon Skin Ward’ in the Royal Victoria Hospital Belfast was established to recognize Purdon’s service to dermatology.

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Keane, Damien. « Contrary Regionalisms and Noisy Correspondences : The BBC in Northern Ireland circa 1949 ». Modernist Cultures 10, n^o 1 (mars 2015) : 26–43. http://dx.doi.org/10.3366/mod.2015.0096.

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This essay examines the limits and possibilities of the mid-century broadcasting field in Northern Ireland, by attending to the dynamic interplay at the BBC's Belfast station of three competing regional formations: the political regionalism of the Northern Irish state; the cultural regionalism of a coterie of Northern Irish writers and intellectuals; and the broadcasting regionalism instituted as part of the BBC's policy of national programming. These contrary regionalisms each had different and, at times, competing criteria for what constituted particular and typical details of life in the North, and broadcasters had to negotiate the inexact correspondences among them with ears tuned to the political relations triangulated by Belfast, Dublin, and London. Beginning with a consideration of how broadcasters in Northern Ireland produced forms of mediated actuality both in and beyond the studio, the essay concludes with Sam Hanna Bell's This is Northern Ireland (1949), a feature that explores the tension of overspill and containment effected less by the partition of Ireland than by the contradictions inherent to the broadcasting field.

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Okhoshin, Oleg Valer'evich. « The new political crisis in Northern Ireland ». Contemporary Europe, n^o 1 (15 février 2023) : 46–58. http://dx.doi.org/10.31857/s0201708323010047.

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In Northern Ireland, after the 2022 local parliamentary elections, the two leading regional parties - the Unionists (DUP) and the Irish Nationalists (Sinn Féin) - failed to form an autonomous government. The article examines the causes of the political crisis in the region and presents an analysis of the model of consocial democracy according to the Belfast Agreement 1998. The political system of dual power, which requires the mandatory representation of religious communities (Catholics and Protestants) in local authorities, has repeatedly created the preconditions for long-term conflicts. The Unionists use the Northern Ireland Protocol after Brexit as its main pretext to put pressure on the central government and lower Sinn Féin's political influence. Divisions between two parties could disrupt the peaceful life in Ulster established in accordance with the Belfast Agreement, and lead to an increase in local separatism. A forecast is given that in the event of a long shutdown of the work of the regional parliament and the autonomous government, Northern Ireland may face severe economic consequences against the backdrop of the global energy crisis and the growing recession in the United Kingdom.

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Ó Riain, Seán. « Review Essay of John M. Kirk and Dónall P. Ó Baoill, eds. 2001. Linguistic Politics : Language Policies for Northern Ireland, The Republic of Ireland, and Scotland. Belfast : Cló Ollscoil na Banríona. xv, 258pp. » TEANGA, the Journal of the Irish Association for Applied Linguistics 20 (8 octobre 2020) : 193–99. http://dx.doi.org/10.35903/teanga.v20i.511.

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Review Essay of John M. Kirk and Dónall P. Ó Baoill, eds. 2001. Linguistic Politics: Language Policies for Northern Ireland, The Republic of Ireland, and Scotland. Belfast: Cló Ollscoil na Banríona. xv, 258pp.

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Lorrimer, Alison. « Northern Ireland Legal Material Since Devolution : a Practical Guide ». Legal Information Management 13, n^o 3 (septembre 2013) : 152–56. http://dx.doi.org/10.1017/s1472669613000388.

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AbstractAlison Lorrimer, who works at the Departmental Solicitor's Office Library in Belfast, reflects on how the sources of legal information have been affected by the changing political landscape in Northern Ireland.

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Balabanov, Kostyantyn, et Rehina Kussa. « Influence of the Northern Irish factor on BREXIT processes ». Bulletin of Mariupol State University. Series : History. Political Studies 10, n^o 28-29 (2020) : 153–64. http://dx.doi.org/10.34079/2226-2830-2020-10-28-29-153-161.

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The article considers the influence of the Northern Irish factor on Brexit processes. The authors analyze alternants of the UK-Ireland border regime that were initially offered at Brexit: the «electronic» border, the «hard» border, the «mixed» border, the maintaining United Kingdom’s membership of the EU Customs Union. The importance of maintaining the 1998 Belfast Agreement, which provides for a «soft» border between Northern Ireland and the Republic of Ireland, in the context of maintaining peace in the region, is substantiated. The course of the negotiations between Britain and the European Union on the conditions of the country’s exit from the organization is considered. This process was most complicated by the Northern Irish factor and led to a political crisis in the United Kingdom. The Brexit agreement was only ratified on the fifth attempt after the snap parliamentary elections. The article considers the pros and cons of the final decision to establish a «mixed» border between states, that is conducting border checks not between Northern Ireland and the Republic of Ireland, but between Northern Ireland and other territories of the United Kingdom. The authors conclude that this solution, on the one hand, is conducive to further maintaining peace in the region, but on the other hand, reduces Northern Ireland’s ties with the United Kingdom and increases it with the Republic of Ireland. In the long run, this may lead to the exercise of the right to hold a referendum on the union of Northern Ireland with the Republic of Ireland, as provided for in the Belfast Agreement.

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Baker, Stephen. « Tribeca Belfast and the on-screen regeneration of Northern Ireland ». International Journal of Media & ; Cultural Politics 16, n^o 1 (1 mars 2020) : 11–26. http://dx.doi.org/10.1386/macp_00012_1.

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This article looks at media representations of the projected regeneration of Northern Ireland, paying particular attention to a recent promotional film made to elicit support for the redevelopment of a part of Belfast’s city centre. Commissioned by Castlebrooke Investments, ‘Tribeca Belfast’ offers a future prospectus of the city that is as superficial as it is bland. It is, however, illustrative of two influential ideas and strategies that took flight at the end of the Cold War and the ‘triumph of capitalism’. One seeks peace through the application of neo-liberal nostrums; the other combines brand theory with state-craft in pursuit of global competitiveness. Both propose models of citizenship that are politically benign, either preferring middle class solipsism or demanding brand loyalty. In Castlebrooke’s projection of a future Belfast, this translates into a city peopled by a mobile professional class, waited upon and entertained by servile locals. But such a sterile vision is inimical to building peace and political progress because it underestimates and downplays the significance of marginalized groups who through their activism and expressions of solidarity can lay better claim to the ‘heart and soul’ of Belfast evoked by Castlebrooke.

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Daultrey, Stu, P. J. Duffy, T. Jones Hughes, J. P. Haughton, D. G. Pringle, P. Breathnach, Desmond A. Gillmor et al. « Reviews of Books and Maps ». Irish Geography 15, n^o 1 (21 décembre 2016) : 130–45. http://dx.doi.org/10.55650/igj.1982.773.

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AREAS OF SCIENTIFIC INTEREST IN IRELAND. Dublin: An Foras Forbartha, 1981. 166pp. IR£3-00. Reviewed by: Stu DaultreyTHE PERSONALITY OF IRELAND. HABITAT, HERITAGE AND HISTORY, by E. Estyn Evans. Belfast: Blackstaff Press, 1981. 2nd edition, 130pp. £3–95 stg. Reviewed by: P.J. DuffyTHE EMERGENCE OF MODERN IRELAND 1600–1900, by L.M. Cullen. London: Batsford, 1981. 292 pp. £17–50stg. Reviewed by: T. Jones HughesLA POPULATION DE LTRLANDE, by Jacques Verricrc. Paris: Mouton Editeur, 1979. 580 pp. Reviewed by: J.P. HaughtonTHE CONTEMPORARY POPULATION OF NORTHERN IRELAND AND POPULATION RELATED ISSUES, edited by Paul A. Compton. Belfast: Institute of Irish Studies, The Queen's University, Belfast, 1981. £4–50stg. Reviewed by: D.G. PringleTHE SOCIO-ECONOMIC POSITION OF IRELAND WITHIN THE EUROPEAN ECONOMIC COMMUNITY, National Economic and Social Council Report No. 58 (by Anthony Foley and Ms. P. Walbridge). Dublin: Stationery Office, (1981). 88 pp. IRC1-35. Reviewed by: P. BreathnachGEOGRAPHICAL ASPECTS OF TOURISM IN THE REPUBLIC OF IRELAND, By HJ. Plettner. Research Paper Number 9. Galway: Social Sciences Research Centre, University College, Galway, 1979. 50 pp. Reviewed by: Desmond A. GillmorTHE TOWN IN IRELAND: HISTORICAL STUDIES XIII, edited by David Harkness and Mary O'Dowd. Belfast: Appletree Press, 1981. 252 pp. IR£10'90; £8–95 stg. Reviewed by: Stephen A. RoyleURBANISATION: PROBLEMS OF GROWTH AND DECAY IN DUBLIN, National Economic and Social Council Report No. 55 (by M.J. Bannon, J.G. Eustace and M. O'Neill). Dublin: Stationery Office, 1981. 376pp. IR£3–15. Reviewed by: A.J. ParkerLAND TRANSACTIONS AND PRICES IN THE DUBLIN AREA 1974–1978, by R. Jennings. Dublin: An Foras Forbartha, 1980. 29 pp. IR£l–50. Reviewed by: Andrew MacLaranRESOURCE SURVEY OF THE KILLALA AREA, by M.S. 6 Cinneide and M.J. Keane. Galway: Social Science Research Centre, University College, Galway, 1980. 152 pp. IR£10-00. Reviewed by: P. O'FlanaganSIDE BY SIDE: TOWARDS A BALANCED DEVELOPMENT, by a Dutch Study Team. Sligo: (County development office), 1980. 166 pp. Reviewed by: Mary E. CawleyTHE BLASKET ISLANDS: NEXT PARISH AMERICA, by Joan and Ray Stagles. Dublin: The O'Brien Press, 1980, 144 pp. IRC8-00. Reviewed by: R.H. BuchananTHE SASH CANADA WORE: A HISTORICAL GEOGRAPHY OF THE ORANGE ORDER IN CANADA, by C.J. Houston and W.J. Smyth. Toronto: University of Toronto Press, 1980. 215 pp. $(Can.)15-00. Reviewed by: F.H.A. AalenRICHARD GRIFFITH 1784–1878, edited by G.L.H. Davies and R.C. Mollan, Dublin: Royal Dublin Society, 1980. 221 pp. Reviewed by: Colin A. LewisMAP REVIEWSMOURNE COUNTRY OUTDOOR PURSUITS MAP. 1:25,000. Belfast: Ordnance Survey of Northern Ireland, 1981. £1–75 stg; THE WICKLOW WAY. 1:50,000. Dublin: Ordnance Survey of Ireland, 1981. IR£l-80. Reviewed by: E. BuckmasterORDNANCE SURVEY HOLIDAY MAP. 1:250,000. Sheet 1, Ireland North. Belfast: Ordnance Survey of Northern ireland, 1980. £1–20stg. Sheet 3, Ireland East. Dublin: Ordnance Survey of Ireland, 1981. IR£l-80. Reviewed by: E. Buckmaster

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OSBORNE, R. D. « Progressing the Equality Agenda in Northern Ireland ». Journal of Social Policy 32, n^o 3 (juillet 2003) : 339–60. http://dx.doi.org/10.1017/s0047279403007025.

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Developing the equality agenda has been a major preoccupation of policy intervention in Northern Ireland since Direct Rule from London was instituted in 1972. This paper examines how policy has developed and its effectiveness. The paper highlights new developments since the Belfast Agreement of 1998 and examines in particular new attempts to mainstream equality in the policy process. The paper concludes by suggesting that the Northern Ireland experience has much to offer students of social policy elsewhere.

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Doherty, Paul, et Michael A. Poole. « Ethnic Residential Segregation in Belfast, Northern Ireland, 1971-1991 ». Geographical Review 87, n^o 4 (octobre 1997) : 520. http://dx.doi.org/10.2307/215229.

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Doherty, Paul, et Michael A. Poole. « Ethnic Residential Segregation in Belfast, Northern Ireland, 1971–1991 ». Geographical Review 87, n^o 4 (1 octobre 1997) : 520–36. http://dx.doi.org/10.1111/j.1931-0846.1997.tb00088.x.

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Sajjadi, Sajjad, Zdeněk Martinec, Patrick Prendergast, Jan Hagedoorn, Libor Šachl, Peter Readman, Robin Edwards, Brian O'Reilly et Clare Horan. « The unification of gravity data for Ireland-Northern Ireland ». Leading Edge 39, n^o 2 (février 2020) : 135–43. http://dx.doi.org/10.1190/tle39020135.1.

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The systematic biases and errors associated with gravity data in Ireland and Northern Ireland and the conversion of gravity to a consistent and unified system are analyzed. The gravity data in Ireland and Northern Ireland are given in different coordinate systems (Irish Grid and Irish Transverse Mercator), different gravity base stations (Dunsink and Cambridge), and different vertical datums (Malin Head and Belfast tide gauge). The conversion of the gravity data to a consistent system, which refers to unified coordinates, base station, and vertical datum, is essential in geophysics and geodesy, especially in geoid determination. A new standardized and unified data format is computed and proposed for the supply of gravity data for Ireland and Northern Ireland to minimize the potential of misinterpreting the data. As part of this study, simple Bouguer and free-air gravity anomaly maps are produced for Ireland and Northern Ireland to give an example of how to integrate the data.

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Articles de revues sur le sujet « Arts – Northern Ireland – Belfast »

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