Littérature scientifique sur le sujet « Arte bolognese »
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Articles de revues sur le sujet "Arte bolognese"
Bartoli, Gabriella. « Psicologia, arte, attività espressive ». RICERCHE DI PSICOLOGIA, no 2 (octobre 2021) : 203–15. http://dx.doi.org/10.3280/rip2021oa12607.
Texte intégralCamesasca, Gloria. « «Trista è tal arte e tristo quel che spende / tutto il suo tempo in opra così vile» : edizione critica e commento dell’Alfabeto de’ giuocatori di Giulio Cesare Croce ». Italianistica Debreceniensis 24 (1 décembre 2018) : 110–24. http://dx.doi.org/10.34102/italdeb/2018/4665.
Texte intégralMaranini, Anna. « Du père aux enfants : les apostilles bolognaises des Progymnasmata de Thomas More ». Moreana 47 (Number 181-, no 3-4 (décembre 2010) : 69–93. http://dx.doi.org/10.3366/more.2010.47.3-4.4.
Texte intégralCabanillas Delgadillo, Virgilio Freddy. « Arte y nación. Escultura pública en Lima ». Investigaciones Sociales 21, no 38 (5 février 2018) : 127–38. http://dx.doi.org/10.15381/is.v21i38.14221.
Texte intégralEgmond, Florike. « Aldrovandi, truthfully drawing naturalia, and local context ». Acta ad archaeologiam et artium historiam pertinentia 32, no 18 N.S. (13 septembre 2021) : 81–96. http://dx.doi.org/10.5617/acta.9020.
Texte intégralCassee, Elly, et Jacky Langezaal. « Bolognese miniatuurkunst in Nederlands bezit ». Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 36, no 1 (1985) : 71–101. http://dx.doi.org/10.1163/22145966-90000017.
Texte intégralVan Dalen Luna, Pieter, Hamilton Obregón Pillaca et Daniel Allende Joaquín. « EL ARTE RUPESTRE DE YAMOR, CUENCA ALTA DEL RÍO FORTALEZA, BOLOGNESI - ANCASH ». Arqueología y Sociedad, no 29 (13 juillet 2015) : 407–60. http://dx.doi.org/10.15381/arqueolsoc.2015n29.e12240.
Texte intégralZani, Bruna, Francesca Emiliani, Giuseppina Speltini et Dino Giovannini. « Aree tematiche di ricerca in psicologia sociale ». RICERCHE DI PSICOLOGIA, no 2 (octobre 2021) : 259–72. http://dx.doi.org/10.3280/rip2021oa12611.
Texte intégralZegarra Zegarra, Rosario, Nelly Arévalo Solsol et Vanessa Chávez Zegarra. « ÁRBOLES Y ARBUSTOS DE LA PRIMERA CUADRA DE LA ALAMEDA BOLOGNESI : ESTUDIO BIOSISTEMÁTICO ». Ciencia & ; Desarrollo, no 17 (26 avril 2019) : 56–60. http://dx.doi.org/10.33326/26176033.2014.17.384.
Texte intégralMatarazzo, Maria Gabriella. « ultima opera di Malvasia : 'Il Claustro di S. Michele in Bosco' e la decorazione carraccesca tra finzione e verità ». Acta ad archaeologiam et artium historiam pertinentia 32, no 18 N.S. (13 septembre 2021) : 29–58. http://dx.doi.org/10.5617/acta.9018.
Texte intégralThèses sur le sujet "Arte bolognese"
Anzani, Valentina <1990>. « Antonio Bernacchi (1685-1756), virtuoso e maestro di canto bolognese ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amsdottorato.unibo.it/8657/1/Anzani%20Valentina%2C%20Antonio%20Bernacchi%20%281685-1756%29%2C%20virtuoso%20e%20maestro%20di%20canto%20bolognese.pdf.
Texte intégralThe historical and artistic importance of Antonio Bernacchi (Bologna, 21 June 1685 - Bologna, 16 March 1756), a castrated opera singer of international fame but deeply rooted in the cultural life of Bologna, has so far escaped an overall delineation. Rather than being limited to a mere biographical narrative, this study collects all the data we possess to reconstruct the social environments in which lived and worked the man, no less than the artist: the humble family of origin; the dynamic Italian theaters of the early eighteenth century in which the greatest musicians of the time paraded every evening; the Bavarian court whose ceremonial was studded with musical events; a London literally crazy for the Italian opera, which finds in the castrati the idols to be worshiped; the Accademia Filarmonica di Bologna with its internal intrigues; a profoundly Catholic public morality that accepted however also "different" human realities, "extended" family ideas (cohabitation between the teacher and his pupils), forms of private education not necessarily managed and controlled by ecclesiastical exponents. Compared to what musicological or local history studies had to date highlighted on Bernacchi, this research sheds new light in particular on surviving archival documents (Italian, German, English, French), most of which for the first are traced and reproduced in complete form, thanks to which errors of assessment are corrected and are revealed new biographical aspects - human, psychological, social, artistic. New is the perspective in which a non-divo artist asserts his professionalism; quite unexpectedly emerges the dimension of anomalous "pater familias" with which he compensated for the impediment to that marriage and that paternity that his physical condition prevented him; against the current is the new definition of "Bolognese singing school" which here is proposed with respect to a phenomenon that is too often mythologized and misrepresented.
Mallma, Soriano Karla, Charlie Jara, Heredia Hugo Tipiani, Gutiérrez Kurth Mendoza et Luis Cáceres. « ¿Imágenes de poder o poder de las imágenes ? Bolognesi y la peruanidad. La simbiosis arte política ». Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/656541.
Texte intégralQuinto y último conversatorio del proyecto ¿Imágenes de poder o poder de las imágenes?
Massaccesi, Fabio <1974>. « Jacopo di Paolo nella pittura bolognese tra XIV e XV secolo ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/1101/1/Tesi_Massaccesi_Fabio.pdf.
Texte intégralMassaccesi, Fabio <1974>. « Jacopo di Paolo nella pittura bolognese tra XIV e XV secolo ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/1101/.
Texte intégralBassini, Federico <1988>. « I Malvezzi della Ca' Grande : genesi, sviluppo e dispersione di una quadreria bolognese del Settecento ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2021. http://amsdottorato.unibo.it/9808/4/Bassini_Federico_tesi.pdf.
Texte intégralThe research reconstructs and analyzes the history of the art collection that belonged to the senatorial branch of the Malvezzi family of the Ca’ Grande within the varied eighteenth-century Bolognese collecting landscape. The will to investigate its development is motivated both by its exemplarity and its exceptional character. Piriteo III (1658-1728) established the collection with the purchase and commission of about fifty paintings. His son Sigismondo III (1703-1787) was the primary author of the expansion of the family’s pictorial heritage, also through the merging of the important collection of Marquis Paolo Magnani, his maternal uncle, into the picture gallery. Making original collection choices compared to those of a markedly municipal order, Sigismondo collected for the Ca’ Grande gallery numerous works by foreign artists, glorified and sought after in Europe, but usually extraneous to the Petronian taste of the time. He is also responsible for the acquirement of the famous group of fourteenth-fifteenth century works, which formed the Chamber of the Ancients. According to Enlightenment principles, he aimed at possessing a sort of ideal private museum, where it was possible to admire the progress of Petronian art from its origins to modernity and to establish comparisons between the most important pictorial schools. The heir Piriteo IV (1734-1806) also continued to enlarge the collection, making more limited purchases, but no less significant for this. On his death, the male line of the senatorial branch was extinguished. Therefore, the prestigious picture gallery was divided between his daughters Maria (1780-1865) and Teresa (1782-1811). In fifty years, what was once one of the most important galleries of the eighteenth-century Bologna has been irretrievably dispersed: the Malvezzi collection did not have the fortune to merge into any lasting galleries.
Piazzi, Maria Ludovica <1984>. « Il lascito di Agostino Mitelli ai quadraturisti e ai decoratori del secondo Seicento bolognese attraverso le testimonianze grafiche ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6707/1/tesi_dottorato_MLP.pdf.
Texte intégralAgostino Mitelli (1609-1660) is a key figure in Bolognese art evolution. In fact he refurbished quadratura fresco, the field he used to work more in, and became a landmark for the following generations. He had many pupils who became exponents of his style and his works had been studied till late 18th century. Agostino was also an excellent draughtsman and granted a great importance to the graphic medium as a verification and practice instrument. This predilection influenced also his followers: after his death there was a great demand of his drawings, used as ornamental and quadratura's repertoires. They were also used as a mean of study, in fact there is a large amount of copies and exercises in his style, that I have systematically analyzed. Therefore I was able to identify some of the most important followers of Agostino: Domenico Santi, Giacomo Antonio Mannini and Marc'Antonio Chiarini. To assess the influence of Agostino's work on following generations the chalcographic production is also important. I analyzed this production from his four ornamental etchings sets, which have been reprinted several times, even in France. After his death other sets were printed and they were very close to his work. The first one was made by his son, Giuseppe Maria Mitelli, who engraved some of Agostino's drawings. Santi, Buffagnotti, Mannini, Chiarini and several others' sets followed and those also included quadratura and view and this sets were very often re-assembled by editors and collectors. Also contemporary sources discussed the dependence of following generations from Agostino Mitelli's work, it is the case of the unpublished manuscripts of Giovanni Mitelli, the other son of Agostino, that provided a lot of new information.
Piazzi, Maria Ludovica <1984>. « Il lascito di Agostino Mitelli ai quadraturisti e ai decoratori del secondo Seicento bolognese attraverso le testimonianze grafiche ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6707/.
Texte intégralAgostino Mitelli (1609-1660) is a key figure in Bolognese art evolution. In fact he refurbished quadratura fresco, the field he used to work more in, and became a landmark for the following generations. He had many pupils who became exponents of his style and his works had been studied till late 18th century. Agostino was also an excellent draughtsman and granted a great importance to the graphic medium as a verification and practice instrument. This predilection influenced also his followers: after his death there was a great demand of his drawings, used as ornamental and quadratura's repertoires. They were also used as a mean of study, in fact there is a large amount of copies and exercises in his style, that I have systematically analyzed. Therefore I was able to identify some of the most important followers of Agostino: Domenico Santi, Giacomo Antonio Mannini and Marc'Antonio Chiarini. To assess the influence of Agostino's work on following generations the chalcographic production is also important. I analyzed this production from his four ornamental etchings sets, which have been reprinted several times, even in France. After his death other sets were printed and they were very close to his work. The first one was made by his son, Giuseppe Maria Mitelli, who engraved some of Agostino's drawings. Santi, Buffagnotti, Mannini, Chiarini and several others' sets followed and those also included quadratura and view and this sets were very often re-assembled by editors and collectors. Also contemporary sources discussed the dependence of following generations from Agostino Mitelli's work, it is the case of the unpublished manuscripts of Giovanni Mitelli, the other son of Agostino, that provided a lot of new information.
Toso, Francesca <1995>. « La Vita di Marcantonio Bolognese e d’altri intagliatori di stampe nell’edizione vasariana di Giovanni Gaetano Bottari 1759-1760 ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17388.
Texte intégralRubbi, Valeria <1967>. « L'architettura a Bologna nel Rinascimento (1899) di Francesco Malaguzzi Valeri : introduzione storico-critica al testo con aggiunte e precisazioni sui momenti centrali del Rinascimento bolognese ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/1201/1/tesi_rubbi_valeria.pdf.
Texte intégralRubbi, Valeria <1967>. « L'architettura a Bologna nel Rinascimento (1899) di Francesco Malaguzzi Valeri : introduzione storico-critica al testo con aggiunte e precisazioni sui momenti centrali del Rinascimento bolognese ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/1201/.
Texte intégralLivres sur le sujet "Arte bolognese"
Musei civici di arte antica (Bologna, Italy), dir. Bologna e le Collezioni comunali d'arte : Dalla mostra del Settecento bolognese alla nascita del museo (1935-1936). Milan : Silvana Editoriale, 2011.
Trouver le texte intégralPaola, Porta, Zagnoni Renzo et Paolini Lorenzo, dir. Le pievi medievali bolognesi, secoli VIII- XV : Storia e arte. Bologna : Bononia University Press, 2009.
Trouver le texte intégralVie dei pellegrini nell'Appennino bolognese. Bologna : Pàtron, 2008.
Trouver le texte intégralSinigalliesi, Daniela. Materia, colore, immagine : I compianti nella spiritualità bolognese. Bologna : Soprintendenza per i beni ambientali e architettonici dell'Emilia/Bologna, 1990.
Trouver le texte intégralCiccuto, Marcello. Figure di Petrarca : Giotto, Simone Martini, Franco bolognese. Napoli : Federico & Ardia, 1991.
Trouver le texte intégralRepertorio per lo studio del collezionismo bolognese del Seicento. Bologna : Pàtron, 1997.
Trouver le texte intégralVedute bolognesi : Dal Vanvitelli a Giovanni Boldini. Bologna : Bononia University Press, 2008.
Trouver le texte intégralcompiler, Donati Valentino, et Piancastelli Giovanni 1845-1926, dir. Il disegno di Giovanni Piancastelli (1845-1926) : Nuovi studi e acquisizioni. Faenza (Ra) : Edit Faenza, 2014.
Trouver le texte intégralMezzaratta : Vitale e altri pittori per una confraternita bolognese. Bologna : Bononia University Press, 2005.
Trouver le texte intégralFrancesco Arcangeli nell'officina bolognese di Longhi : La tesi su Jacopo di Paolo, 1937. Cinisello Balsamo, Milano : Silvana, 2011.
Trouver le texte intégralChapitres de livres sur le sujet "Arte bolognese"
Maierù, Alfonso. « La terminologie de l’université de Bologne de médecine et des arts : ‘facultas’, ‘verificare’ ». Dans Vocabulaire des écoles et des méthodes d'enseignement au moyen âge, 140–56. Turnhout : Brepols Publishers, 1992. http://dx.doi.org/10.1484/m.civi-eb.4.00091.
Texte intégralAresti, Alessandro. « Per la conoscenza della terminologia delle arti fuori di Toscana fra Tre e Quattrocento. Con alcune spigolature da documenti bolognesi e ferraresi ». Dans Proceedings e report, 23–32. Florence : Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-364-2.04.
Texte intégralAresti, Alessandro. « Per la conoscenza della terminologia delle arti fuori di Toscana fra Tre e Quattrocento. Con alcune spigolature da documenti bolognesi e ferraresi ». Dans Proceedings e report, 23–32. Florence : Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-364-2.04.
Texte intégral« List of Illustrations ». Dans Reframing Seventeenth-Century Bolognese Art, 7–10. Amsterdam University Press, 2019. http://dx.doi.org/10.1515/9789048537556-001.
Texte intégral« Abbreviations ». Dans Reframing Seventeenth-Century Bolognese Art, 11–12. Amsterdam University Press, 2019. http://dx.doi.org/10.1515/9789048537556-002.
Texte intégral« 1. Introduction ». Dans Reframing Seventeenth-Century Bolognese Art, 13–28. Amsterdam University Press, 2019. http://dx.doi.org/10.1515/9789048537556-003.
Texte intégral« 2. Bologna and Rome : Francesco Albani’s Correspondence and his Reflections on Art (1637–59) ». Dans Reframing Seventeenth-Century Bolognese Art, 29–50. Amsterdam University Press, 2019. http://dx.doi.org/10.1515/9789048537556-004.
Texte intégral« 3. Collezionismo in Early Modern Bologna : The Fantuzzi’s Acquisition and Display of Drawings and Paintings by Local Masters ». Dans Reframing Seventeenth-Century Bolognese Art, 51–72. Amsterdam University Press, 2019. http://dx.doi.org/10.1515/9789048537556-005.
Texte intégral« 4. Collecting Women’s Art in Early Modern Bologna : Myth and Reality ». Dans Reframing Seventeenth-Century Bolognese Art, 73–94. Amsterdam University Press, 2019. http://dx.doi.org/10.1515/9789048537556-006.
Texte intégral« 5. Bolognese Artists and Paintings in Mantua during the Gonzaga Nevers Period ». Dans Reframing Seventeenth-Century Bolognese Art, 95–116. Amsterdam University Press, 2019. http://dx.doi.org/10.1515/9789048537556-007.
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