Littérature scientifique sur le sujet « Art publique »
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Articles de revues sur le sujet "Art publique"
Schaad, Béatrice. « Santé publique, art nouveau ? » Revue Médicale Suisse 17, no 757 (2021) : 1902–3. http://dx.doi.org/10.53738/revmed.2021.17.757.1902.
Texte intégralMenger, Pierre-Michel. « Art, politisation et action publique ». Sociétés & ; Représentations 11, no 1 (2001) : 167. http://dx.doi.org/10.3917/sr.011.0167.
Texte intégralGOCKO, X. « L ART DE L EBM ». EXERCER 34, no 197 (1 novembre 2023) : 387. http://dx.doi.org/10.56746/exercer.2023.197.387.
Texte intégralPicot, Nicole. « Stage dans des Bibliotheques d’Art en Grande Bretagne organise par la BPI et le British Council ». Art Libraries Journal 14, no 1 (1989) : 4–8. http://dx.doi.org/10.1017/s0307472200006052.
Texte intégralVarley, Gillian. « An English art librarian in Paris : a report and diary ». Art Libraries Journal 14, no 1 (1989) : 9–15. http://dx.doi.org/10.1017/s0307472200006064.
Texte intégralLacombe, Anne-Marie. « Art et archives : le cas Robert Rauschenberg1 ». Documentation et bibliothèques 60, no 4 (11 septembre 2014) : 198–205. http://dx.doi.org/10.7202/1026488ar.
Texte intégralGermain, Annick, et Daniel Latouche. « Grandeur et misère d'un art en représentation : l'architecture montréalaise et la construction de l'espace public ». Recherche 33, no 2 (12 avril 2005) : 179–203. http://dx.doi.org/10.7202/056690ar.
Texte intégralReiter, Bernd. « Fighting exclusion with culture and art Examples from Brazil ». International Social Work 52, no 2 (mars 2009) : 155–66. http://dx.doi.org/10.1177/0020872808099727.
Texte intégralLamatsch, Harald. « Transformation numérique de l’administration : la recherche d’efficacité et d’agilité ». Revue Défense Nationale N° Hors-série, HS13 (20 septembre 2023) : 77–90. http://dx.doi.org/10.3917/rdna.hs13.0077.
Texte intégralKoch, Olivier. « La « diplomatie publique digitale » des États-Unis, nouvel art de gouvernement des publics étrangers en ligne ». Questions de communication, no 41 (1 juin 2022) : 115–28. http://dx.doi.org/10.4000/questionsdecommunication.28800.
Texte intégralThèses sur le sujet "Art publique"
Meyer, Céline Régimbeau Gérard. « L'art en bibliothèque publique ». [S.l.] : [s.n.], 2009. http://www.enssib.fr/bibliotheque-numerique/document-2073.
Texte intégralCouret, Magali. « La production de l'œuvre publique d'art contemporain ». Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010256/document.
Texte intégralContemporary art transgress, it is a fugitive art, which we remember thanks to our memories, to photographs and protocols owned by institutions, ready to be revived. The contemporary work of art is dematerialized and located in-between many fields of creation. That is why legal experts have troubles understanding it. Nowadays, a sole artist does not make the work of art anymore. Although, it is the result of the work of a team, gathering multiples professionals, who divide the creation of the work of art up in many phases. That phenomenon is called « production of art». Thus, contemporary art is a complex subject for the law, which is still focused on the form and materials constituting the work of art, instead of being focused on the ways it is produced. The artistic production is regulated by customs, which tend progressively to take advantage on the law. In fact, this creates divergent practices and interpretations of the rules. Plus, the law and the customs sometimes tend to overlap, and no one knows which one should be applied. The question we try to answer in this thesis is how is it possible to reduce the gap between the professional practices and the law, in pursuing the goal to bring legal security in the artistic production, and most specifically, in the field of public call for artists
Kaveh, Samira. « Le droit d'exposition publique ». Thesis, Montpellier, 2016. http://www.theses.fr/2016MONTD004.
Texte intégralThe right of public exhibition right like a copyright law for the artistic works is objective of our research. Public exhibition can be assimilated to a traditional mode of exploitation of artworks. This mode of exploitation of artworks can be recognised by the copyrights and reserved by artiste. But the exhibition right has been confused in the contract practice. The artistic work see like an objetct. The copyright can not be recognised for the artworks because of the material object. But the works of artistes like artistic work and they artistic expression are communicated to the public in exhibition. This is an exploitation of artistic work in the public exhibition
Genet-Delacroix, Marie-Claude. « Art et État sous la IIIe République : 1870-1940 ». Paris 1, 1989. http://www.theses.fr/1989PA010558.
Texte intégralThis thesis is devoted to the historical and sociological study of the objective and symbolical characters of the relations between state, art and the artists. Their interpretation in the general frame of the cultural anthropology of the liberal system is attempted at two different levels : - a socio-institutional analysis of the beaux-arts system in its different components (administrative structure; the "conseil superieur des beaux-arts", its work and history (with a prosopographical survey of its 344 members : 120 artists, 98 civil servants and art critics, 126 politicians); finances : budget of the beaux-arts; educational system and its artistic reforms; artistic market). - an analysis of the discourse on art in its different forms and functions (writings on art, artistic criticism, biography and autobiography), as well as of oppositions involved in the writer's work, between the professional art reviewers and historians and the artists -the professionals of artistic creation
Ozga, Kasia. « La sculpture publique aujourd'hui entre objet et évènement : expérimenter le temps - activer l'espace ». Paris 8, 2013. http://octaviana.fr/document/178617598#?c=0&m=0&s=0&cv=0.
Texte intégralThis study aims to analyze how public art projects beg the question, both philosophical and political, of the function of a work of art. At once accessible and critical, public sculpture gives a social dimension to the phenomenological experience of the body and enables the public sphere to materializes into a real space of social interaction. Our 55 case studies cover contemporary sculpture created in the Western world, primarily after 1980. These works appeared at the same time as the critical discourse on public art began promoting intangible forms of social practice. The sculptures link together public space, the human body and time structured by human history. These links are discussed in three sections that explore how each artwork challenges individual identities, reveals social relationships to be processes that evolve over time, and encourages the viewer to become publicly engaged in social change. Contemporary public art welcomes conflict and undermines both the rational consensus endorsed by models of the discursive public sphere and the dominant hegemony, supporting an approach intent on creating temporary spaces for exchange and dialogue. While we can distinguish between critical public artists that defend agonistic spaces and those who aim to create consensus, we maintain that public sculpture, which at once exists the public interest and supports political renewal, must oscillate between these two positions. In the past, public art was created for an existing audience. Today it must form its own public
Aguilar, Yves. « Les catégories esthétiques de l'Etat : un art de fonctionnaires : le 1 % [pour cent] ». Paris 1, 1988. http://www.theses.fr/1988PA010254.
Texte intégralThis study deals with the description of the interplay of law and art put in motion by the power which is available to it. After a quick chronological survey, the basis are researched before the exposure of the practical and theoretical forces of the mechanism. Then the analysis of a series of case studies shows that most of the time, art stems from the state. This demonstration is reinforced by the recreation of the careers of artists of the state in constant touch with civil servants of art. This dialectic of the state and art is based upon a legal substratum which is examined through the function one of the limits of which is financial. The eventual outcome is that if "dignitas non moritur", nor does art for it is an integral part of it
Ahamed, Youssouf Hassani Mzé Hamadi. « Théâtre à l'hôpital et politique de santé publique : approches de sciences auxiliaires du droit ». Thesis, Normandie, 2020. http://www.theses.fr/2020NORMLH14.
Texte intégralIn France, medicine is generally invaded by cultural activities and health centers are converted into theater and arts sites. Healthcare professionals find themselves forced to work with artists not only for the event of improving healthcare policy but as well to change the patient's state of health.In this particular case, the theater has often drawn its sources from the fields of health and medicine to disclose its information, and medical health, however, has never ceased to appeal to the theater as a way of communication. The theater provides directly a better communication of patients and hospital users with healthcare personnel and is a very important step in the improvement of the health state of the patient and those around him. The ability of the theatre to inform, educate and communicate is an asset that all disciplines can share. But medicine is appropriating itself this system with the assistance of theater professionals (artists).With big interest, this work has put in value a question on how the theater can be a part of healthcare in one hand, and in the other hand, the question of the ownership of artistic and scientific works the put apart artists, healthcare professionals and patients.This work has as well questioned on the definition of these artistic works resulting from the performance of patients in the hospital’s theater workshops who suffer from psychological disorders. The medical professional, the actor therapist and the patient, each of them, request or claim ownership of these works. This work has demonstrated numerous and significant obstacles, due to, particularly, the involvement of different professionals and different legal platforms.This work shows that occupational therapists, psychiatrists, nurses and other health professionals continuously use theater in one way or another, a therapeutic way in psychiatry, occupational therapy and other health treatments processes. This is why this policy of integrating culture within health centers has prompted this research work to study the place and status of the artist in the hospital as well as to seek and understand how the theater as practiced by health professional alone or in collaboration with the artist, can be a therapeutic means.The 1999 Convention signed by the Ministry of Culture and the Ministry of Health provide to the artist the possibility of introducing cultural (artistic) activities to the hospital but does neither specify the professional status of the artist in the hospital nor his responsibilities in the event of damage. This work has tried, through this convention and its scope, to give a status to the therapeutic artist performing in the hospital.This work shows, from the beginning to the end, that the art of theater participates in the patient care process not only during hospitalization period but also after discharge from hospital. It promotes social reintegration and helps the patient's relatives to understand their patient.This analysis makes clear the understanding, that the practice of dramatic theater in hospitals deserves special attention and specific regulation
Four, Pierre Alain. « Intervention publique et art contemporain : la création des Fonds régionaux d'art contemporain, : leur insertion dans le monde de l'art et leurs politiques d'acquisitions ». Paris, Institut d'études politiques, 1995. http://www.theses.fr/1995IEPP0014.
Texte intégralDealing with public policies, in relation with FRACs (fonds régionaux d'art contemporain). This PhD concerns as well art sociology and art history. The first part analyses how the policy was built and how the decision to apply it was taken. The origins of the FRACs, funded by the state and regional autorities, in order to support contemporary art through exhibitions and purchases, are widely studied. These roots appear to express a compromise between the partisans of a relaunch of art democratization through a larger diffusion, and those of a modernisation of the public intervention in order to better take into account the latest evolutions of contemporary art history. Soon after their foundation. FRACs encountered some profund changements, which the second part of this study describes in details. Many managers of theses institutions chose to follow the professionnal rules of the world art instead of following the initial political goals. This was mainly due to a lack of legitimacy of public intervention in this sensitive field. The third and last part closely examine art purchasing, one of the most specific activities of the FRACs. A "battle" for the definition of art (what is art and what is not) goes with debates about officialization of art and aesthetic criteria through public intervention and massive purchase. Nonetheless, it appears that this intervention remains pluralistic : the works chosen by the FRACs reflect a wide range of "definitions" of art which does not enable to conclude that these institutions contribute to rebuilt academic aesthetic criteria
Cervera, Raphaël. « Figures de l'oubli : images artistiques et fabrique de la mémoire publique, du quinzième siècle à nos jours ». Thesis, Bordeaux 3, 2015. http://www.theses.fr/2015BOR30043/document.
Texte intégralDoes our time truly know a memorial bidding? The idea of a loss would become almost unbearable to us. Many humanities studies have been devoted to memory (Halbwachs, Le Goff, Yates ...). For the last twenty years, however, oblivion has preoccupied artists (Pascal Convert or Anne and Patrick Poirier) and intellectuals (Augé, Todorov, Ricoeur). During the Renaissance already, the artist and biographer Giorgio Vasari claimed to fight against this "second death" that oblivion would represent. Starting from the re-emerging notion of glory,, from its links with history, we intend to draw a genealogy of this "contrarian" oblivion which prevents a just memory, using several images, several figures of oblivion. Indeed, we should firstly analyze "forms of oblivion", and then examine how artists have given a "figure" to oblivion. It is then a study on the image of public memory that we offer (provided that we include in the same term material images and pictures of the speech). How does oblivion can be perceived in turn as a place, a character, a process? What is its connection with the historiographical undertaking? In order to answer such questions, we need to examine the intricacies between history and memory, historians and works of art, artists and speeches that legitimize their practice. According to our work, public memory, far from knowing an excess, has known a large deficit instead
Delerins, Richard. « Le goût des saveurs : art culinaire et philosophie à l'âge classique ». Paris 1, 2011. http://www.theses.fr/2011PA010667.
Texte intégralLivres sur le sujet "Art publique"
Nuridsany, Michel. La commande publique. Paris : Réunion des musées nationaux, 1991.
Trouver le texte intégralFortin, Andrée. Nouveaux territoires de l'art : Régions, réseaux, place publique. [Québec] : Éditions Nota bene, 2000.
Trouver le texte intégralL'art à ciel ouvert : La commande publique au pluriel. Paris : Flammarion, 2019.
Trouver le texte intégralMarquilly, Pascal. Ibant obscuri : Exposition collective : La Condition publique, Groupe A-coopérative culturelle. Lille : Invenit, 2021.
Trouver le texte intégralBoulogne-Billancourt, France) Colloque international Paul Landowski et la commande publique (2012 :. Paul Landowski et la commande publique. Paris : L'Harmattan, 2014.
Trouver le texte intégralKrispin, Laure. Toulouse : 250 ans d'urbanisme & d'architecture publique. Toulouse : Privat, 2008.
Trouver le texte intégralEllenberger, Michel. Zlotykamien, un artiste secret sur la place publique. Bordeaux : Escampette, 2002.
Trouver le texte intégral(1995), Rencontres Place publique. L' esthétique des philosophes : Les Rencontres Place publique, 1995. Paris : Place Publique Editions, 1996.
Trouver le texte intégralBrice, Catherine. Monumentalité publique et politique à Rome : Le Vittoriano. Rome : Ecole française de Rome, 1998.
Trouver le texte intégralBrice, Catherine. Le Vittoriano : Monumentalité publique et politique à Rome. [Rome] : Ecole française de Rome, 1998.
Trouver le texte intégralChapitres de livres sur le sujet "Art publique"
Plank-Baldauf, Christiane. « Der Akt des Erzählens im Musiktheater für junges Publikum ». Dans Handlungsbegriff und Erzählstrukturen im zeitgenössischen Musiktheater für junges Publikum, 151–63. Stuttgart : J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04496-9_5.
Texte intégralGrüny, Christian. « Einleitung ». Dans Das Nachleben der Künste, 1–11. Berlin, Heidelberg : Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-68783-3_1.
Texte intégralStaubmann, Helmut. « Game of Thrones und die Ästhetik der Macht ». Dans „Beyond the Wall” : Game of Thrones aus interdisziplinärer Perspektive, 215–24. Wiesbaden : Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-36145-7_12.
Texte intégralBrabant, Dominik. « Vieldeutige Begegnungen und latente Wirkkräfte ». Dans Ästhetische Eigenlogiken des europäischen Genrebildes, 119–46. Bielefeld, Germany : Bielefeld University Press / transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839468982-005.
Texte intégralCantelli, Fabrizio, et Christine Schaut. « La proximité, art (délicat) d’enquêter sur l’action publique ». Dans Ville et proximité, 123–52. Presses de l'Université Saint-Louis, 2011. http://dx.doi.org/10.4000/books.pusl.3725.
Texte intégralCollière, Marie-Françoise. « Réflexion sur une nouvelle approche des soins infirmiers de santé publique ». Dans Soigner... Le premier art de la vie, 229–45. Elsevier, 2001. http://dx.doi.org/10.1016/b978-2-294-00555-8.50009-0.
Texte intégralCollière, Marie-Françoise. « Formation-action des infirmières à la santé publique et à la santé communautaire ». Dans Soigner... Le premier art de la vie, 431–42. Elsevier, 2001. http://dx.doi.org/10.1016/b978-2-294-00555-8.50020-x.
Texte intégralSimaika, Samir, et Nevine Henein. « Recognition ». Dans Marcus Simaika. American University in Cairo Press, 2017. http://dx.doi.org/10.5743/cairo/9789774168239.003.0019.
Texte intégralCampobasso, Gianvito. « Les traces d’un art angevin en Albanie. Circulation artistique et transferts culturels dans l’art de l’Arbanon entre le XIIIe et le XVe siècle ». Dans Les officiers et la chose publique dans les territoires angevins (xiiie-xve siècle) : vers une culture politique ? Publications de l’École française de Rome, 2020. http://dx.doi.org/10.4000/books.efr.7578.
Texte intégralHartmann-Virnich, Andreas, Marie-Pierre Bonetti, Heike Hansen et Nathalie Molina. « Le tombeau de la famille de Baux à l’Abbaye de Silvacane. Un art funéraire à l’instar des tombeaux comtaux d’Aix-en-Provence sous Charles Ier d’Anjou ». Dans Les officiers et la chose publique dans les territoires angevins (xiiie-xve siècle) : vers une culture politique ? Publications de l’École française de Rome, 2020. http://dx.doi.org/10.4000/books.efr.6990.
Texte intégralActes de conférences sur le sujet "Art publique"
Citiriga, Daniel. « THE ROMANIAN REFUGEES, DOBRUDJA AND PUBLIUS OVIDIUS NASO. MEMORY AND PROPAGANDA IN THE FIRST WORLD WAR ». Dans 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/22/s08.051.
Texte intégralBargan, Natalia. « Recensământul populației ca sursă de informații în elaborarea politicilor publice ». Dans International Scientific-Practical Conference "Economic growth in the conditions of globalization". National Institute for Economic Research, 2023. http://dx.doi.org/10.36004/nier.cdr.v.2023.17.17.
Texte intégralArpinte, Daniel. « Deficit sau sfârșit de expertiză în planificarea și evaluarea programelor publice sociale ? » Dans International Scientific-Practical Conference "Economic growth in the conditions of globalization". National Institute for Economic Research, 2023. http://dx.doi.org/10.36004/nier.cecg.iv.2023.17.14.
Texte intégralGutium, Mircea. « Perfecționarea politicilor publice privind gestionarea serviciului vamal în contextul asigurării securității naționale a Republicii Moldova ». Dans Conference title : Economic growth in the conditions of globalization : International Scientific-Practical Conference, XVIth edition. National Institute for Economic Research, 2023. http://dx.doi.org/10.36004/nier.cecg.iv.2022.16.29.
Texte intégralNastas, Natalia, Valeriu Filipov et Ecaterina Lungu. « Managing sport for educational development ». Dans Congresul Ştiinţific Internaţional "Sport. Olimpism. Sănătate". State University of Physical Education and Sport, Republic of Moldova, 2022. http://dx.doi.org/10.52449/soh22.87.
Texte intégralMihail, Poisic. « ОСНОВНЫЕ ПОКАЗАТЕЛИ СОЦИАЛЬНО-ЭКОНОМИЧЕСКОГО И ДЕМОГРАФИЧЕСКОГО РАЗВИТИЯ РЕСПУБЛИКИ МОЛДОВА В СОСТАВЕ СССР И ПОСЛЕ ЕГО РАСПАДА ». Dans Conferinţa Internaţională Ştiinţifico-Practică "Creşterea economică în condiţiile globalizării" Ediţia a XV- a, 15-16 octombrie. Chişinău : INCE, 2021. http://dx.doi.org/10.36004/nier.cdr.2021.15-25.
Texte intégralRapports d'organisations sur le sujet "Art publique"
Robles, Edgar A. Haiti Pension System : Recommendations to Improve the Regulation. Inter-American Development Bank, mars 2018. http://dx.doi.org/10.18235/0003598.
Texte intégralDudoit, Alain. L’urgence du premier lien : la chaîne d’approvisionnement du Canada au point de rupture, un enjeu de sécurité nationale. CIRANO, juin 2023. http://dx.doi.org/10.54932/zjzp6639.
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