Thèses sur le sujet « Art and society – congresses »
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Scott, Katherine Anne. « Reining in the State : Civil Society, Congress, and the Movement to Democratize the National Security State, 1970-1978 ». Diss., Temple University Libraries, 2009. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/38730.
Texte intégralPh.D.
This dissertation explores the battle to democratize the national security state, 1970-1978. It examines the neo-progressive movement to institutionalize a new domestic policy regime, in an attempt to force government transparency, protect individual privacy from state intrusion, and create new judicial and legislative checks on domestic security operations. It proceeds chronologically, first outlining the state's overwhelming response to the domestic unrest of the 1960s. During this period, the Department of Justice developed new capacities to better predict urban unrest, growing a computerized databank that contained millions of dossiers on dissenting Americans and the Department of Defense greatly expanded existing capacities, applying cold war counterinsurgency and counterintelligence techniques developed abroad to the problems of protests and riots at home. The remainder of the dissertation examines how the state's secret response to unrest and disorder became public in the early 1970s. It traces the development of a loose coalition of reformers who challenged domestic security policy and coordinated legislative and litigative strategies to check executive power.
Temple University--Theses
Tingvall, Josefin. « Soft Society ». Thesis, Konstfack, Textil, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5853.
Texte intégralSoft society
Armfield, Maris Margaret Doris. « Art and society in Ulm 1377-1530 ». Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3669/.
Texte intégralGuidas, Karen A. « Image power the role of art in society / ». Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only. Instructions for remote access, 2004. http://www.kutztown.edu/library/services/remote_access.asp.
Texte intégralSource: Masters Abstracts International, Volume: 45-06, page: 2748. Typescript. Abstract precedes thesis as 1 preliminary leaf (iii ). Includes bibliographical references ( leaves 73-76 ).
Leung, Mei-yin. « The Chinese Women's Calligraphy and Painting Society the first women's art society in modern China / ». Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/HKUTO/record/B38628697.
Texte intégralGoodwin, R. « Food, art, and society in Early Modern Spain ». Thesis, University of London, 2001. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540098.
Texte intégralBosch, Susanne. « Learning for civil society through participatory public art ». Thesis, Ulster University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.591052.
Texte intégralDriskel, Michael Paul. « Representing belief : religion, art, and society in nineteenth-century France / ». University Park (Pa.) : Pennsylvania State university press, 1992. http://catalogue.bnf.fr/ark:/12148/cb35716402q.
Texte intégralLymer, Kenneth J. « Animals, art and society : rock art and material culture in ancient Central Asia ». Thesis, University of Southampton, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400540.
Texte intégralJacono, Dianne. « The quest and the woman artist in contemporary society ». Thesis, Federation University Australia, 2002. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/165008.
Texte intégralMaster of Education (Visual Arts)
Leung, Mei-yin, et 梁美賢. « The Chinese Women's Calligraphy and Painting Society : the first women's art society in modern China ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B38628697.
Texte intégralJakubowicz, Rosa. « Art, the self, and society : the human possibilities in John Dewey's Art as experience ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64160.pdf.
Texte intégralIsager, Jacob Pliny. « Pliny on art and society : the Elder Plinyʼs chapters on the history of art / ». London ; New York : Routledge, 1991. http://www.loc.gov/catdir/enhancements/fy0648/92194763-d.html.
Texte intégralSmith, John Arthur. « An analytic sociology of art : art and society and the origins of modernist painting ». Thesis, Goldsmiths College (University of London), 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286130.
Texte intégralRavadrad, Azam. « The social determination of art : a theoretical and empirical investigation / ». [Campbelltown, N.S.W. : The Author], 1996. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030701.140851/index.html.
Texte intégralWaelder, Laso Pau. « Selling and collecting art in the network society : Interactions among contemporary art new media and the art market ». Doctoral thesis, Universitat Oberta de Catalunya, 2016. http://hdl.handle.net/10803/399029.
Texte intégralLa presente tesis explora y analiza las interacciones actuales entre arte, nuevos medios y el mercado del arte, así como las transformaciones que se están produciendo en el reconocimiento del arte digital, la estructura del mercado del arte y los roles del espectador y el coleccionista. La tesis se divide en tres partes. La primera parte analiza las formas en que el arte de nuevos medios se ha definido a sí mismo como un mundo del arte específico, y las polémicas que ejemplifican su separación del mundo del arte contemporáneo. La segunda parte analiza las motivaciones y las expectativas de los artistas que trabajan con tecnologías emergentes, por medio de una encuesta realizada por el autor entre más de quinientos artistas de cincuenta países. La tercera parte analiza las maneras en que el arte digital ha sido comercializado y los cambios recientes en el mercado del arte contemporáneo en internet.
The present dissertation explores and analyzes the current interactions among art, new media and the art market, as well as the ongoing transformations in the recognition of digital art, the structure of the market, and the role of the viewer and collector. It is divided into three parts. The first part analyzes the ways in which new media art has defined itself as a distinct art world, as well as the controversies that exemplify its separation from the mainstream contemporary art world. The second part exposes the motivations and expectations of artists working with emerging technologies by means of a survey carried out by the author among more than 500 artists from 50 countries. The third part discusses the ways in which digital art has been commercialized as well as the recent developments in the online contemporary art market.
Steele, Nancy Joanne. « Etched images of the human form in relation to society and environment ». Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/941715.
Texte intégralDepartment of Art
Landis, Tamra R. « How a Successful Collecting Society Can Transform an Art Museum : A History of The Georgia Welles Apollo Society at the Toledo Museum of Art ». Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522759729069838.
Texte intégralRavadrad, Azam. « The social determination of art : a theoretical and empirical investigation ». Thesis, [Campbelltown, N.S.W. : The Author], 1996. http://handle.uws.edu.au:8081/1959.7/28857.
Texte intégralStewart, Peter. « Statues in Roman society : representation and response / ». Oxford : Oxford University Press, 2003. http://catalogue.bnf.fr/ark:/12148/cb390520035.
Texte intégralBoggs, James G. « Social application of the arts : making a difference through art / ». Thesis, Connect to this title online ; UW restricted, 2001. http://hdl.handle.net/1773/6177.
Texte intégralLookofsky, Sarah Elsie. « No such thing as society : art and the crisis of the European welfare state / ». Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p3386699.
Texte intégralTitle from first page of PDF file (viewed January 19, 2010). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 243-258).
Leoussi, Athena S. « Images of Greeks in British and French art, c.1833-1880 : physical anthropology, art and society ». Thesis, London School of Economics and Political Science (University of London), 1992. http://etheses.lse.ac.uk/1263/.
Texte intégralWhitehouse, Denise Mary 1947. « The Contemporary Art Society of NSW and the theory and production of contemporary abstraction in Australia, 1947-1961 ». Monash University, Dept. of Visual Arts, 1999. http://arrow.monash.edu.au/hdl/1959.1/8387.
Texte intégralKim, Gumsun, of Western Sydney Nepean University et Faculty of Visual and Performing Arts. « A question of equality : women and women's art under patriarchal society ». THESIS_FVPA_XXX_Kim_G.xml, 1995. http://handle.uws.edu.au:8081/1959.7/358.
Texte intégralMaster of Arts (Hons)
Christoforaki, Ioanna. « Patronage, art and society in Lusignan Cyprus, c.1192-c.1489 ». Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365598.
Texte intégralJahrmann, Margarete. « Ludics for a Ludic society : the art and politics of play ». Thesis, University of Plymouth, 2011. http://hdl.handle.net/10026.1/453.
Texte intégralKim, Gumsun. « A question of equality : women and women's art under patriarchal society ». Thesis, View thesis, 1995. http://handle.uws.edu.au:8081/1959.7/358.
Texte intégralKim, Gumsun. « A question of equality : women and women's art under patriarchal society / ». View thesis, 1995. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030801.151817/index.html.
Texte intégralWilliams, Graeme. « The Melbourne art scene and the Victorian artists’ society 1870-2020 ». Thesis, Federation University Australia, 2020. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/173708.
Texte intégralDoctor of Philosophy
Boulton, Alexander Ormond. « The architecture of slavery : Art, language, and society in early Virginia ». W&M ScholarWorks, 1991. https://scholarworks.wm.edu/etd/1539623813.
Texte intégralBalkir, Nur Chanda Jacqueline. « Visual culture in the context of Turkey perceptions of visual culture in Turkish pre-service art teacher preparation / ». [Denton, Tex.] : University of North Texas, 2009. http://digital.library.unt.edu/permalink/meta-dc-9935.
Texte intégralDelday, Heather. « 'Close' as a construct to critically investigate the relationship between the visual artist and the everyday ». Thesis, Robert Gordon University, 2006. http://hdl.handle.net/10059/2121.
Texte intégralTierney, Mark C. « No revelations / ». Online version of thesis, 1991. http://hdl.handle.net/1850/11609.
Texte intégralBernie, Victoria Clare. « The art of disappearance : the architecture of the exhibition and the construction of the modern audience ». Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23694.
Texte intégralSmith, Alison. « Raising environmental awareness through performance art ». Online pdf file accessible through the World Wide Web, 2007. http://archives.evergreen.edu/masterstheses/Accession86-10MES/Smith_A%20MESThesis%202007.pdf.
Texte intégralDubinsky, Lon. « Canadian visual art magazines as cultural formations ». Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39279.
Texte intégralFor theoretical direction the multidisciplinary study draws on communication theory, art history, the sociology of organizations and culture as well as management studies. Of principal importance are the media theories of Innis (1972, 1973) and the organizational formulations of DiMaggio (1985). Three types of investigation support the claims: (a) an historical account of the four magazines, which includes tracking the strategies the editors undertook, (b) a consideration of each periodical's rhetorical features and (c) a description of several networks in the art world which involve individuals and organizations.
The study then considers the deliberate and unintended consequences of the visual art world becoming a textual community, some of which are liberating while others are disabling. The study concludes by suggesting how the research undertaken contributes to current debates about the analysis of communications and culture.
Farkhatdinov, Nail. « From decoding to enacting : an ethnographic study of the social relations at exhibition sites : a contribution to the "new sociology of art" ». Thesis, University of Aberdeen, 2013. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=196295.
Texte intégralLindqvist, Ursula Anna Linnea. « The politics of form : imagination and ideology in 1930s transnational exhibitions and socially engaged poetry / ». view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3190531.
Texte intégralTypescript. Includes vita and abstract. Includes bibliographical references (leaves 295-305). Also available for download via the World Wide Web; free to University of Oregon users.
Hughes, Angela. « Considering Cruelty : Animals in Contemporary Art ». Thesis, Griffith University, 2015. http://hdl.handle.net/10072/365449.
Texte intégralThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Full Text
Wurtzel, Kate Kundu Rina. « A risk worth taking incorporating visual culture into museum practices / ». [Denton, Tex.] : University of North Texas, 2008. http://digital.library.unt.edu/permalink/meta-dc-9719.
Texte intégralRoberts, Ann Patricia. « Painting by mouth : art, modernity and disability : Bartram Hiles (1872-1927) ». Thesis, University of the Arts London, 2012. http://ualresearchonline.arts.ac.uk/6062/.
Texte intégralHachmeister, John. « Pluralism and the hard sell historically unique influences on young artists today ». Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9845.
Texte intégralBreidenbach, Paul. « Art patronage and class identity in a border city : Cincinnati, 1828-1872 / ». Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2001. http://wwwlib.umi.com/cr/ucsd/fullcit?p3026377.
Texte intégralPerkins, Morgan. « Reviewing traditions : an anthropological analysis of contemporary Chinese art worlds ». Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365526.
Texte intégralCline, Abrahams Cheryl L. « Art knowledge and the social role of the university art department in the aftermath of postmodernism ». Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28658.
Texte intégralGraduate and Postdoctoral Studies
Graduate
Purnomo, Setianingsih, University of Western Sydney, Faculty of Visual and Performing Arts et Department of Art History and Criticism. « The voice of muted people in modern Indonesian art ». THESIS_FVPA_XXX_Purnomo_S.xml, 1995. http://handle.uws.edu.au:8081/1959.7/661.
Texte intégralMaster of Arts (Hons)
Wheaton, Pat. « High style and society : class, taste and modernity in British interwar decorating ». Thesis, Kingston University, 2011. http://eprints.kingston.ac.uk/24563/.
Texte intégralDiamant, Hirsh. « Burning in the light art in education and human development / ». Full text available online (restricted access), 1998. http://images.lib.monash.edu.au/ts/theses/Diamant.pdf.
Texte intégralTanner, Jeremy James. « The invention of art history : religion, society and artistic differentiation in ancient Greece ». Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296707.
Texte intégral