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Auteur : Grafiati

Publié le 26 juillet 2024

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1

Selbo, Jule. « Society for Cinema and Media Studies Conference, 2010, Los Angeles, California ». Journal of Screenwriting 2, n^o 1 (1 janvier 2011) : 129–31. http://dx.doi.org/10.1386/josc.2.1.129_7.

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Robertson, Barbara D. « Hope From Ashes : The Creation of the NEC Society—An Interview With Jennifer Canvasser ». Clinical Lactation 6, n^o 4 (novembre 2015) : 156–60. http://dx.doi.org/10.1891/2158-0782.6.4.156.

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Jennifer Canvasser has served on the Ecology Center’s children’s health, first food, and environmental health campaigns since 2010. She completed University of California, San Francisco’s Reach the Decision Makers Fellowship program in 2011, with a focus on reform of the Toxic Substances Control Act. In 2014, Jennifer founded the NEC Society, a nonprofit organization, after losing her son, Micah, to necrotizing enterocolitis. She is a regular contributor to The Huffington Post on parenting, health, and food justice issues. Jennifer completed her undergraduate studies at University of California, Los Angeles and earned her Master of Social Work from the University of Southern California with a focus on community organizing. This interview with Jennifer Canvasser was conducted in May of 2015 by Barbara D. Robertson and Barb Demske (Barbara Robertson’s intern). Barbara Robertson has a podcast, "All Things Breastfeeding," available on iTunes or her website, bfcaa.com.

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Olin, Margaret. « Book ReviewsJewish Icons : Art and Society in Modern Europe. By Richard I. Cohen. Berkeley and Los Angeles : University of California Press, 1998. Pp. xviii+358. $50.00. » Journal of Modern History 71, n^o 4 (décembre 1999) : 925–26. http://dx.doi.org/10.1086/235369.

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Stubbs, Jean. « Through the looking glass on Cuba ». New West Indian Guide / Nieuwe West-Indische Gids 80, n^o 1-2 (1 janvier 2006) : 83–89. http://dx.doi.org/10.1163/22134360-90002489.

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[First paragraph]State Resistance to Globalisation in Cuba. Antonio Carmona Báez. Sterling VA: Pluto Press, 2004. vii + 264 pp. (Paper US$ 29.95)La Lucha for Cuba: Religion and Politics on the Streets of Miami. Miguel A. de la Torre. Berkeley: University of California Press, 2003. xi + 181 pp. (Paper US$ 21.95)By Heart/De Memoria: Cuban Women’s Journeys in and out of Exile. María de los Angeles Torres (ed.). Philadelphia PA: Temple University Press, 2003. vii + 192 pp. (Paper US$ 19.95)Looking at Cuba: Essays on Culture and Civil Society. Rafael Hernández. Gainesville: University Press of Florida, 2003. vii + 145 pp. (Cloth US$ 24.95)In the politically charged world of scholarship on Cuba, it is salutary to comment in one review essay on four quite different volumes, each complementing the others. Three are single-authored, two on island Cuba (by Antonio Carmona Báez and Rafael Hernández) and one on Miami (by Miguel A. de la Torre). All three draw on theory and concepts and are male-authored and place-centric (Cuba/Miami). The fourth (by María de los Angeles Torres) is an edited collection of the personal testimonies of women seeking a place in between the hardened politics of Cuba and Miami.

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Wang, Jie. « Overview and prospect of the history of air pollution control in the United States in the 20th century ». International Journal of Social Sciences and Public Administration 2, n^o 1 (28 janvier 2024) : 139–47. http://dx.doi.org/10.62051/ijsspa.v2n1.18.

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Environmental history, as a comprehensive discipline method and research paradigm, started in the 1970s, and air pollution control is the most important field in environmental governance. After more than 50 years of relevant research and accumulation, scholars at home and abroad have achieved fruitful results in the history of air pollution control in the United States. In terms of the overall study of the history of air pollution in the United States, almost all the stages of American air control in the 20th century have been systematically studied by the academic community. In terms of case studies, cases such as the photochemical smog incident in Los Angeles and California's advanced air management in California have also been well studied. In terms of the research of relevant laws and precedents, important laws such as the "Clean Air Act" and important concepts such as "bubble" have been systematically studied, and various court cases have been sorted out and compiled. In terms of urban environmental history, the existence of social inequality in society has been valued. However, at the same time, there is room for further research in the air governance process of the United States between the 1940s and 1960s, the Donora smoke event, some detailed rules and standards in the "Clean Air Act", and further research efforts can be made to realize the innovation of transnational and even globalization.

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Ione, Amy. « Seventh Annual Meeting of the International Society for the History of the Neurosciences Los Angeles, California, 1–5 June 2002 ». Leonardo 36, n^o 1 (février 2003) : 88–89. http://dx.doi.org/10.1162/leon.2003.36.1.88.

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Unger, Nancy C. « Legislating Morality in the Gilded Age and Progressive Era : Moral Panic and the “White Slave” Case That Changed America ». Journal of the Gilded Age and Progressive Era 23, n^o 2 (avril 2024) : 141–69. http://dx.doi.org/10.1017/s1537781423000531.

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AbstractThis article is based on the presidential address presented to the Society for Historians of the Gilded Age and Progressive Era at the meeting of the Organization of American Historians in Los Angeles in 2023. Its focus is Maury Diggs and Drew Caminetti, two white men from Sacramento, California, charged with violating the Mann Act (known as the White Slave Trafficking Act) in 1913. The Gilded Age and Progressive Era obsession with white slavery, a phenomenon that has particular resonance in today’s climate, reveals the power of moral panics. Examining the steps, and missteps, that various legal, social, and political entities, including all three branches of government, took in response to Diggs and Caminetti’s actions highlights some of the major social changes gripping the nation. Moral panics can be investigated as crucial historical sites of contestation, revealing efforts to neutralize or turn back the societal changes perceived to be the greatest threat to the prevailing social power structure—in this case foreigners, the new leisure culture, the liberalization of sexual attitudes, and the threat of female independence. Understanding the origins and repercussions of past moral panics can help identify, understand, and possibly defuse future panics.

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Elizondo, Carlos. « James W. Wilkie (ed.), Society and Economy in Mexico (Los Angeles : UCLA Latin American Center Publications, University of California, 1990), pp. xxii + 163. » Journal of Latin American Studies 23, n^o 3 (octobre 1991) : 653–54. http://dx.doi.org/10.1017/s0022216x00015960.

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Peters, Edward. « Stephen Haliczer. Inquisition and Society in the Kingdom of Valencia 1478-1834. Berkeley, Los Angeles, Oxford : University of California Press, 1990. 3 figs, + x + 444 pp. $45. » Renaissance Quarterly 44, n^o 4 (1991) : 837–41. http://dx.doi.org/10.2307/2862495.

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Friedgut, Theodore H. « Steeltown, USSR : Soviet Society in the Gorbachev Era. By Stephen Kotkin. Berkeley and Los Angeles : University of California Press, 1991. 290 pp. Chronology. Illustrations. Map. $24.95, hard bound ». Slavic Review 51, n^o 1 (1992) : 140–42. http://dx.doi.org/10.2307/2500271.

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Siegelbaum, Lewis H. « Russian Factory Women : Workplace and Society, 1880–1914. By Rose L. Glickman. Berkeley, Los Angeles, and London : University of California Press, 1984. xiii, 323 pp. Illustrations. Photographs. Tables. $28.50. » Slavic Review 44, n^o 3 (1985) : 542–43. http://dx.doi.org/10.2307/2498026.

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Li, Alexander. « Art Feature : “Clouds over California” ». Oregon Undergraduate Research Journal 21, n^o 1 (2022) : vii. http://dx.doi.org/10.5399/uo/ourj/21.1.5.

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I took this picture flying out of Los Angeles. As the plane climbed, watching the different clouds roll over the hills and against the blue sky was inspiring. Seeing the clouds cast shadow across each other from a high angle was a wonderful sight.

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Bakel, M. A., A. Appadurai, C. Baks, Ákos Östör, W. E. A. Beek, B. Bernardi, H. W. Bodewitz et al. « Book Reviews ». Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 143, n^o 1 (1987) : 159–98. http://dx.doi.org/10.1163/22134379-90003345.

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- J. van Goor, Rechtzetting. - M.A. van Bakel, A. Appadurai, The social life of things. Commodities in cultural perspective, Cambridge: Cambridge University Press. 1986. XIV + 329 pp. - C. Baks, Ákos Östör, Culture and power; Legend, ritual, bazaar and rebellion in a Bengali society, New Dehli etc.: Sage Publications, 1984, 224 pp., including notes and glossary. - W.E.A. van Beek, B. Bernardi, Age class systems; Social institutions based on age, Cambridge University Press, 1985, 199 pp. - H.W. Bodewitz, J.-M Péterfalvi, Le Mahabharata. Livres I à V. Livres VI à XVIII. Extraits traduits du sanscrit par Jean-Michel Péterfalvi. Commentaires, résumé et glossaire par Madeleine Biardeau, Paris: Flammarion, 1985 and 1986. 381 + 382 pp., M. Biardeau (eds.) - Paul Doornbos, Raymond C. Kelly, The Nuer conquest - The structure and development of an expansionist system, Ann Arbor: The University of Michigan Press, 1985, 320 pp. - Henk Driessen, Paul Spencer, Society and the dance: The social anthropology of process and performance, Cambridge: Cambridge University Press, 1985, 224 pp. - D. Gerrets, Daniel Miller, Ideology, power and prehistory, Cambridge: University Press, 1984. 157 pp. numerous figs., Christopher Tilly (eds.) - Peter Kloos, Jacques Lizot, Les Yanomami Centraux, Editions de l’Ecole des Hautes Etudes en Sciences Sociales, Paris 1984, 267 pp. - Peter Kloos, Jacques Lizot, Tales of the Yanomami; Daily life in the Venezuelan forest, Cambridge Studies in Social Anthropology no. 55, Cambridge University Press, 1985, 196 pp. - Peter Kloos, H. Zevenbergen, Zwakzinnigen in verschillende culturen, Lisse: Swets & Zeitlinger, 1986, 109 pp. - Piet Konings, Freek Schiphorst, Macht en Onvermogen: Een studie van de relatie tussen staat en boeren op het Vea-irrigatie project Ghana, Universiteit van Amsterdam, CANSA publikatie nr. 20, 1983, 107 pp. - S. Kooijman, E. Schlesier, Eine ethnographische Sammlung aus Südost-Neuguinea. - H.M. Leyten, Bernhard Gardi, Zaïre masken figuren, Museum für Völkerkunde und Schweizerisches Museum für Volkskunde, Basel, 1986. - J. Miedema, Bruce M. Knauft, Good company and violence: Sorcery and social action in a lowland New Guinea Society, Berkeley, Los Angeles/London: University of California Press, 1985, X + 474 pp. - David S. Moyer, David H. Turner, Life before genesis, a conclusion: An understanding of the significance of Australian aboriginal culture, Toronto Studies in religion volume 1, Peter Lang, New York, 1983, vii + 181 pp. - B. van Norren, Peter Kloos, Onderzoekers onderzocht; Ethische dilemma’s in antropologisch veldwerk, DSWO Press, Leiden, 1984. - Jérôme Rousseau, Victor T. King, The Maloh of West Kalimantan. An ethnographic study of social inequality and social change among an Indonesian Borneo people, Dordrecht-Holland/Cinnaminson-U.S.A.: Foris Publications, Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde no. 108, 1985. viii + 252 pp., maps, diagrams, plates, glossary. - Jérôme Rousseau, Alain Testart, Le communisme primitif, I. Economie et idéologie, Paris: Editions de la Maison des Sciences de l’Homme, 1985, 549 pp. - Arie de Ruijter, David Pace, Claude Lévi-Strauss. The bearer of ashes, London: Routledge and Kegan Paul (Ark Paperbacks), 1986. - B.J. Terwiel, Roland Mischung, Religion und Wirklichkeitsvorstellungen in einem Karen-Dorf Nordwest-Thailands, Weisbaden: Franza Steiner Verlag, 1984. - B.J. Terwiel, Niels Mulder, Everyday life in Thailand; An interpretation, Second, Revised edition, Bangkok: Duang Kamol, 1985. 227 pages, paperback. - R.S. Wassing, Sidney M. Mead, Art and artists of Oceania, The Dunmore Press, Palmerston North, New Zealand, 1983. 308 pp., drawings, black and white illustrations., Bernie Kernot (eds.) - Harriet T. Zurndorfer, Maarten van der Wee, Aziatische Produktiewijze en Mughal India, Ph.D thesis, Katholieke Universiteit, Nijmegen, 1985. xv + 399 pp. - M.A. van Bakel, J. Terrell, Prehistory in the Pacific Islands. A study of variation in language, customs and human biology, Cambridge: Cambridge University Press. 1986, XVI + 299 pp.

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KITLV, Redactie. « Book Reviews ». New West Indian Guide / Nieuwe West-Indische Gids 62, n^o 3-4 (1 janvier 1988) : 165–209. http://dx.doi.org/10.1163/13822373-90002043.

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-William Roseberry, Michel-Rolph Trouillot, Peasants and capital: Dominica in the world economy. Baltimore and London: The Johns Hopkins University Press. Johns Hopkins Studies in Atlantic History and Culture, 1988. xiv + 344 pp.-Michel-Rolph Trouillot, Robert A. Myers, Dominica. Oxford, Santa Barbara, Denver: Clio Press, World Bibliographic Series, volume 82. xxv + 190 pp.-Michel-Rolph Trouillot, Robert A. Myers, A resource guide to Dominica, 1493-1986. New Haven: Human Area Files, HRA Flex Books, Bibliography Series, 1987. 3 volumes. xxxv + 649.-Stephen D. Glazier, Colin G. Clarke, East Indians in a West Indian town: San Fernando, Trinidad, 1930-1970. London: Allen and Unwin, 1986 xiv + 193 pp.-Kevin A. Yelvington, M.G. Smith, Culture, race and class in the Commonwealth Caribbean. Foreword by Rex Nettleford. Mona: Department of Extra-Mural Studies, University of the West Indies, 1984. xiv + 163 pp.-Aart G. Broek, T.F. Smeulders, Papiamentu en onderwijs: veranderingen in beeld en betekenis van de volkstaal op Curacoa. (Utrecht Dissertation), 1987. 328 p. Privately published.-John Holm, Peter A. Roberts, West Indians and their language. Cambridge: Cambridge University Press, 1988 vii + 215 pp.-Kean Gibson, Francis Byrne, Grammatical relations in a radical Creole: verb complementation in Saramaccan. Amsterdam and Philadelphia: John Benjamins Publishing Company, Creole Language Library, vol. 3, 1987. xiv + 294 pp.-Peter L. Patrick, Pieter Muysken ,Substrata versus universals in Creole genesis. Amsterdam and Philadelphia: John Benjamins Publishing Company, Creol Language Library - vol 1, 1986. 315 pp., Norval Smith (eds)-Jeffrey P. Williams, Glenn G. Gilbert, Pidgin and Creole languages: essays in memory of John E. Reinecke. Honolulu: University of Hawaii, 1987. x + 502 pp.-Samuel M. Wilson, C.N. Dubelaar, The petroglyphs in the Guianas and adjacent areas of Brazil and Venezuela: an inventory. With a comprehensive biography of South American and Antillean petroglyphs. Los Angeles: The Institute of Archaeology of the University of California, Los Angeles. Monumenta Archeologica 12, 1986. xi + 326 pp.-Gary Brana-Shute, Henk E. Chin ,Surinam: politics, economics, and society. London and New York: Francis Pinter, 1987. xvii, 192 pp., Hans Buddingh (eds)-Lester D. Langley, Howard J. Wiarda ,The communist challenge in the Caribbean and Central America. With E. Evans, J. Valenta and V. Valenta. Lanham, MD: American Enterprise Institute for Public Policy Research. xiv + 249 pp., Mark Falcoff (eds)-Forrest D. Colburn, Michael Kaufman, Jamaica under Manley: dilemmas of socialism and democracy. London, Toronto, Westport: Zed Books, Between the Lines and Lawrence Hill, 1985. xvi 282 pp.-Dale Tomich, Robert Miles, Capitalism and unfree labour: anomaly or necessity? London. New York: Tavistock Publications. 1987. 250 pp.-Robert Forster, Mederic-Louis-Elie Moreau de Saint-Mery, A civilization that perished: the last years of white colonial rule in Haiti. Translated, abridged and edited by Ivor D. Spencer. Lanham, New York, London: University Press of America, 1985. xviii + 295 pp.-Carolyn E. Fick, Robert Louis Stein, Léger Félicité Sonthonax: the lost sentinel of the Republic. Rutherford, Madison: Fairleigh Dickinson University Press; London and Toronto: Associated University Press, 1985. 234 pp.

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Darlow, Mark. « Book Reviews : Politics and Theater : The Crisis of Legitimacy in Restoration France, 1815-1830. By Sheryl Kroen. (Studies on the History of Society and Culture, 40.) Berkeley/Los Angeles/London : University of California Press, 2000. Pp. xiv + 394. £ 35.00 ». Journal of European Studies 31, n^o 121 (mars 2001) : 124–25. http://dx.doi.org/10.1177/004724410103112117.

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Russell, Maureen. « The Art, Music, and Recreation Department, Los Angeles Public Library, Los Angeles, California ». Music Reference Services Quarterly 21, n^o 1 (2 janvier 2018) : 24–32. http://dx.doi.org/10.1080/10588167.2017.1378078.

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Helgerson, Richard. « Norbert Elias. The Court Society. Tr. Edmund Jephcott. Oxford : Basil Blackwell, 1983. 301 pp. £19.50. - Frank Whigham. Ambition and Privilege : The Social Tropes of Elizabethan Courtesy Theory. Berkeley-Los Angeles : University of California Press, 1984. 2 figs. + xiii + 257 pp. $27. » Renaissance Quarterly 38, n^o 3 (1985) : 557–61. http://dx.doi.org/10.2307/2861100.

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Weber, Raimund J., et Ruth Mellinkoff. « Rezension von : Mellinkoff, Ruth, Outcasts ». Württembergisch Franken 79 (15 août 2023) : 530–31. http://dx.doi.org/10.53458/wfr.v79i.7331.

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Ruth Mellinkoff, Outcasts. Signs of Otherness in Northern European art of the Late Middle Ages, 2 Bände (California Studies in the History of Art, begr. von Walter Horn, hrsg. von James Marrow, Bd. 32), Berkeley, Los Angeles, Oxford (University of California Press) 1993. LVIIL 3605. (Textband), 11, ohne Seitenzählung (Bildband).

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KITLV, Redactie. « Book Reviews ». New West Indian Guide / Nieuwe West-Indische Gids 72, n^o 1-2 (1 janvier 1998) : 125–99. http://dx.doi.org/10.1163/13822373-90002604.

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-Valerie I.J. Flint, Margarita Zamora, Reading Columbus. Berkeley: University of California Press, 1993. xvi + 247 pp.-Riva Berleant-Schiller, Historie Naturelle des Indes: The Drake manuscript in the Pierpont Morgan Library. New York: Norton, 1996. xxii + 272 pp.-Neil L. Whitehead, Charles Nicholl, The creature in the map: A journey to Eldorado. London: Jonathan Cape, 1995. 398 pp.-William F. Keegan, Ramón Dacal Moure ,Art and archaeology of pre-Columbian Cuba. Pittsburgh: University of Pittsburgh Press, 1996. xxiv + 134 pp., Manuel Rivero de la Calle (eds)-Michael Mullin, Stephan Palmié, Slave cultures and the cultures of slavery. Knoxville: University of Tennessee Press, 1995. xlvii + 283 pp.-Bill Maurer, Karen Fog Olwig, Small islands, large questions: Society, culture and resistance in the post-emancipation Caribbean. London: Frank Cass, 1995. viii + 200 pp.-David M. Stark, Laird W. Bergad ,The Cuban slave market, 1790-1880. Cambridge: Cambridge University Press, 1995. xxi + 245 pp., Fe Iglesias García, María Del Carmen Barcia (eds)-Susan Fernández, Tom Chaffin, Fatal glory: Narciso López and the first clandestine U.S. war against Cuba. Charlottesville: University Press of Virginia, 1996. xxii + 282 pp.-Damian J. Fernández, María Cristina García, Havana USA: Cuban exiles and Cuban Americans in South Florida, 1959-1994. Berkeley: University of California Press, 1996. xiii + 290 pp.-Myrna García-Calderón, Carmen Luisa Justiniano, Con valor y a cómo dé lugar: Memorias de una jíbara puertorriqueña. Río Piedras: Editorial de la Universidad de Puerto Rico, 1994. 538 pp.-Jorge Pérez-Rolon, Ruth Glasser, My music is my flag: Puerto Rican musicians and their New York communities , 1917-1940. Los Angeles: University of California Press, 1995. xxiv + 253 pp.-Lauren Derby, Emelio Betances, State and society in the Dominican Republic. Boulder CO: Westview Press, 1995. xix + 162 pp.-Michiel Baud, Bernardo Vega, Trujillo y Haiti, Volumen II (1937-1938). Santo Domingo: Fundación Cultural Dominicana, 1995. 427 pp.-Danielle Bégot, Elborg Forster ,Sugar and slavery, family and race: The letters and diary of Pierre Dessalles, Planter in Martinique, 1808-1856. Elborg & Robert Forster (eds. and trans.). Baltimore: John Hopkins University Press, 1996. 322 pp., Robert Forster (eds)-Catherine Benoit, Richard D.E. Burton, La famille coloniale: La Martinique et la mère patrie, 1789-1992. Paris: L'Harmattan, 1994. 308 pp.-Roderick A. McDonald, Kathleen Mary Butler, The economics of emancipation: Jamaica & Barbados, 1823-1843. Chapel Hill: University of North Carolina Press, 1995. xviii + 198 pp.-K.O. Laurence, David Chanderbali, A portrait of Paternalism: Governor Henry Light of British Guiana, 1838-48. Turkeyen, Guyana: Dr. David Chanderbali, Department of History, University of Guyana, 1994. xiii + 277 pp.-Mindie Lazarus-Black, Brian L. Moore, Cultural power, resistance and pluralism: Colonial Guyana 1838-1900. Montreal & Kingston: McGill-Queen's University Press; Mona, Kingston: The Press-University of the West Indies, 1995. xv + 376 pp.-Madhavi Kale, K.O. Laurence, A question of labour: Indentured immigration into Trinidad and British Guiana, 1875-1917. Kingston: Ian Randle; London: James Currey, 1994. ix + 648 pp.-Franklin W. Knight, O. Nigel Bolland, On the March: Labour rebellions in the British Caribbean, 1934-39. Kingston: Ian Randle; London: James Currey, 1995. viii + 216 pp.-Linden Lewis, Kevin A. Yelvington, Producing power: Ethnicity, gender, and class in a Caribbean workplace. Philadelphia: Temple University Press, 1995. xv + 286 pp.-Consuelo López Springfield, Alta-Gracia Ortíz, Puerto Rican women and work: Bridges in transnational labor. Philadelphia: Temple University Press, 1996. xi + 249 pp.-Peta Henderson, Irma McClaurin, Women of Belize: Gender and change in Central America. New Brunswick NJ: Rutgers University Press, 1996. x + 218 pp.-Bonham C. Richardson, David M. Bush ,Living with the Puerto Rico Shore. José Gonzalez Liboy & William J. Neal. Durham: Duke University Press, 1995. xx + 193 pp., Richard M.T. Webb, Lisbeth Hyman (eds)-Bonham C. Richardson, David Barker ,Environment and development in the Caribbean: Geographical perspectives. Mona, Kingston: The Press-University of the West Indies, 1995. xv + 304 pp., Duncan F.M. McGregor (eds)-Alma H. Young, Anthony T. Bryan ,Distant cousins: The Caribbean-Latin American relationship. Miami: North-South-Center Press, 1996. iii + 132 pp., Andrés Serbin (eds)-Alma H. Young, Ian Boxill, Ideology and Caribbean integration. Mona, Kingston: The Press-University of the West Indies, 1993. xiii + 128 pp.-Stephen D. Glazier, Howard Gregory, Caribbean theology: Preparing for the challenges ahead. Mona, Kingston: Canoe Press, University of the West Indies, 1995. xx + 118 pp.-Lise Winer, Richard Allsopp, Dictionary of Caribbean English usage. With a French and Spanish supplement edited by Jeanette Allsopp. Oxford: Oxford University Press, 1996. lxxviii + 697 pp.-Geneviève Escure, Jacques Arends ,Pidgins and Creoles: An introduction. Amsterdam/Philadelphia: John Benjamins, 1995. xiv + 412 pp., Pieter Muysken, Norval Smith (eds)-Jacques Arends, Angela Bartens, Die iberoromanisch-basierten Kreolsprachen: Ansätze der linguistischen Beschreibung. Frankfurt am Main: Peter Lang, 1995. vii + 345 pp.-J. Michael Dash, Richard D.E. Burton, Le roman marron: Études sur la littérature martiniquaise contemporaine. Paris: L'Harmattan. 1997. 282 pp.

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Bowlt, John E., et Elizabeth Durst. « “The Art of Concealing Imperfection” ». Experiment 20, n^o 1 (27 octobre 2014) : 118–45. http://dx.doi.org/10.1163/2211730x-12341261.

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The focus of the essay is on Léon Bakst’s activities in the usa, especially in Los Angeles in 1924, when he lectured at the University of Southern California and at the Biltmore Hotel. The essay also touches on Bakst’s interest in Hollywood and cinema as the “new” medium and on his popularity as a dress and textile designer.

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Fischer, Michael J., Maren L. Outwater, Lihung Luke Cheng, Dike N. Ahanotu et Robert Calix. « Innovative Framework for Modeling Freight Transportation in Los Angeles County, California ». Transportation Research Record : Journal of the Transportation Research Board 1906, n^o 1 (janvier 2005) : 105–12. http://dx.doi.org/10.1177/0361198105190600113.

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Freight transportation is a critical element of the transportation system and the economy of Los Angeles County, California. Freight transportation links the large consumer market, major manufacturing industry sector, and international trade network of Los Angeles to the rest of the United States and the world. As the agency responsible for transportation planning and programming in Los Angeles County, the Los Angeles County Metropolitan Transportation Authority needs comprehensive tools for understanding the demands of the freight transportation sector and the effects of transportation investment on this sector. A project was undertaken to design a comprehensive, innovative, multimodal modeling framework to support freight transportation decision making in Los Angeles County. The proposed modeling approach combines elements of two state-of-the-art freight modeling techniques: logistics chain modeling and tour-based truck modeling. The reasons for selecting this approach are described; background on the modeling techniques is provided; and integration of the two methods into a comprehensive modeling framework is discussed.

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Smith, Terry, et Saloni Mathur. « Contemporary Art : World Currents in Transition Beyond Globalization ». Contemporaneity : Historical Presence in Visual Culture 3 (5 juin 2014) : 163–73. http://dx.doi.org/10.5195/contemp.2014.112.

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An edited transcript of a colloquium between Terry Smith, Mellon Professor of Contemporary Art History and Theory at the University of Pittsburgh, and Saloni Mathur, Associate Professor of the History of Art, University of California, Los Angeles, held at the Department of the History of Art and Architecture, University of Pittsburgh, on October 17, 2012.

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Whaley, Joachim. « Book Reviews : What Difference Does a Husband Make ? Women and Marital Status in Nazi and Postwar Germany. By Elizabeth D. Heineman. (Studies on the History of Society and Culture Vol. 33.) Berkeley, Los Angeles and London : University of California Press, 1999. Pp. xviii + 374. £35.00 ». Journal of European Studies 29, n^o 3 (septembre 1999) : 336–37. http://dx.doi.org/10.1177/004724419902900317.

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Morton, A. H. « Tribalism and society in Islamic Iran. 1500–1629 By James J. Reid. (Studies in Near Eastern Culture and Society, issued under the auspices of the G. E. Von Grunebaum Center for Near Eastern Studies, University of California, Los Angeles, No. 4. pp. xiv, 220. 1 illus 1 map. Malibu Ca., Undena Publications, 1983. U.S.$24.50 (cloth), U.S.$18.50 (paperback). » Journal of the Royal Asiatic Society of Great Britain & ; Ireland 118, n^o 2 (avril 1986) : 281–82. http://dx.doi.org/10.1017/s0035869x00140079.

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Zetterman, Eva. « The PST Project, Willie Herrón’s Street Mural Asco East of No West (2011) and the Mural Remix Tour : Power Relations on the Los Angeles Art Scene ». Culture Unbound 6, n^o 3 (17 juin 2014) : 671–95. http://dx.doi.org/10.3384/cu.2000.1525.146671.

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This article departs from the huge art-curating project Pacific Standard Time: Art in L.A., 1945–1980, a Getty funded initiative running in Southern California from October 2011 to April 2012 with a collaboration of more than sixty cultural institutions coming together to celebrate the birth of the L.A. art scene. One of the Pacific Standard Time (PST) exhibitions was Asco: Elite of the Obscure, A Retrospective, 1972–1987, running from September to December 2011 at the Los Angeles County Museum of Art (LACMA). This was the first retrospective of a conceptual performance group of Chicanos from East Los Angeles, who from the early 1970s to the mid 1980s acted out critical interventions in the politically contested urban space of Los Angles. In conjunction with the Asco retrospective at LACMA, the Getty Foundation co-sponsored a new street mural by the Chicano artist Willie Herrón, paying homage to his years in the performance group Asco. The PST exhibition program also included so-called Mural Remix Tours, taking fine art audiences from LACMA to Herrón’s place-specific new mural in City Terrace in East Los Angeles. This article analyze the inclusion in the PST project of Herrón’s site-specific mural in City Terrace and the Mural Remix Tours to East Los Angeles with regard to the power relations of fine art and critical subculture, center and periphery, the mainstream and the marginal. As a physical monument dependent on a heavy sense of the past, Herrón’s new mural, titled Asco: East of No West, transforms the physical and social environment of City Terrace, changing its public space into an official place of memory. At the same time, as an art historical monument officially added to the civic map of Los Angeles, the mural becomes a permanent reminder of the segregation patterns that still exist in the urban space of Los Angeles.

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Tammisto, Tuomas. « Rupert Stasch. Society of Others : Kinship and Mourning in a West Papuan Place . » Suomen Antropologi : Journal of the Finnish Anthropological Society 35, n^o 2 (3 mars 2023) : 101–3. http://dx.doi.org/10.30676/jfas.127481.

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Rupert Stasch. Society of Others: Kinship and Mourning in a West Papuan Place. Berkeley, Los Angeles and London: University of California Press, 2009. Pp.336. ISBN: 978-0-520-25685-9 (hardback); 978-0-520-25686-6 (paperback).

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Bernier, Ronald R., et Rachel Hostetter Smith. « Editors’ Introduction : Christianity and Latin American Art ». Religion and the Arts 18, n^o 1-2 (2014) : 1–4. http://dx.doi.org/10.1163/15685292-01801001.

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‭This brief introduction discusses the need for scholars to turn their attention to the intersections between art and Christianity in Latin America, and traces the origins of this special double-issue of Religion and the Arts to a one-day scholarly symposium entitled “Christianity and Latin American Art: Apprehension, Appropriation, Assimilation.” This symposium was sponsored by the Association of Scholars of Christianity in the History of Art (ASCHA), and held at the Cathedral of Our Lady of the Angels in Los Angeles, California, in February 2012.‬

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Valencia, Joseph Daniel. « Queer Nightlife and Contemporary Art Networks : A Study of Artists at the Bar ». Arts 13, n^o 2 (10 avril 2024) : 72. http://dx.doi.org/10.3390/arts13020072.

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This article positions queer nightlife as a central vehicle in the lives and practices of queer Latinx artists working in Los Angeles over the past decade. It highlights how queer nightlife has provided a generative space for art making and community building in LA and considers how the usage of queer nightlife as a frame of study ruptures existing art historical and curatorial methodologies relative to Latinx art. I closely analyze works by artists rafa esparza, Sebastian Hernandez, and Gabriela Ruiz drawn from the gay bars and streets of downtown and East Los Angeles to underscore the radical and sophisticated ways by which these artists create art, community, and opportunity. By critically examining three case studies—Escandalos Angeles (2018), a performance by Hernandez and Ruiz at Club Chico in Montebello, California; Nostra Fiesta (2019), a storefront mural by esparza, Ruiz, and friends at the New Jalisco Bar in downtown; and YOU (2019–ongoing), a queer party directed by Hernandez and launched at La Cita Bar in downtown—I reveal how queer nightlife has served as an incubator for these artists to come together, express themselves, and generate a sense of joy and freedom from the struggles of everyday life.

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Sides, Josh. « The Sunland Grizzly ». California History 91, n^o 4 (2014) : 56–63. http://dx.doi.org/10.1525/ch.2014.91.4.56.

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In 1916, Cornelius Birket Johnson, a Los Angeles fruit farmer, killed the last known grizzly bear in Southern California and the second-to last confirmed grizzly bear in the entire state of California. Johnson was neither a sportsman nor a glory hound; he simply hunted down the animal that had been trampling through his orchard for three nights in a row, feasting on his grape harvest and leaving big enough tracks to make him worry for the safety of his wife and two young daughters. That Johnson’s quarry was a grizzly bear made his pastoral life in Big Tujunga Canyon suddenly very complicated. It also precipitated a quagmire involving a violent Scottish taxidermist, a noted California zoologist, Los Angeles museum administrators, and the pioneering mammalogist and Smithsonian curator Clinton Hart Merriam. As Frank S. Daggett, the founding director of the Los Angeles County Museum of History, Science and Art, wrote in the midst of the controversy: “I do not recollect ever meeting a case where scientists, crooks, and laymen were so inextricably mingled.” The extermination of a species, it turned out, could bring out the worst in people.

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Stern, Arden. « Awazu Kiyoshi, Graphic Design : Summoning the Outdated, at Los Angeles County Museum of Art, Los Angeles, California, USA ». Design and Culture 9, n^o 2 (21 avril 2017) : 246–49. http://dx.doi.org/10.1080/17547075.2017.1315222.

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Lassiter, Unna, Marcie Griffith et Jennifer Wolch. « Animal Practices and the Racialization of Filipinas in Los Angeles ». Society & ; Animals 10, n^o 3 (2002) : 221–48. http://dx.doi.org/10.1163/156853002320770056.

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AbstractMany factors contribute to the racialization of minority groups in the United States. Some individual characteristics, such as skin color or phenotype, are an obvious holdover from colonial times. Cultural differences in representational practices, customs and rituals, and belief systems are now more significant in racialization. Although not typically a focus of academic scrutiny, some of these differences involve contrasts in nature-society relations, and more specifically, nonhuman animal-society relations. In order to examine the relationship between culturally based animal practices and racialization, we organized and conducted a focus group consisting of low-income inner city Filipinas living in Los Angeles, California. Analysis of focus group data reveal that Filipinos in southern California are subject to racialization by Anglos because of their culturally based animal practices, in particular the traditional Filipino practice of treating dogs as food animals. The experience of racialization appeared to engender cultural relativism and tolerance toward the animal practices of other non-Anglo groups.

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Schad, Jasper G. « "A City of Picture Buyers" : Art, Identity, and Aspiration in Los Angeles and Southern California, 1891-1914 ». Southern California Quarterly 92, n^o 1 (2010) : 19–50. http://dx.doi.org/10.2307/41172506.

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In less than twenty-five years, Los Angeles and other southern California urban centers evolved from culturally sterile communities into vibrant art centers. That remarkable transformation resulted from a combination of social, economic, and political changes that drew residents to landscape paintings. They enjoyed widespread popularity because residents invested them with meanings that transcended art. They became icons of identity, bolstered visions of an unspoiled suburban Eden, and helped southern California's white middle-class to cope with the mounting stress of modern urban life.

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G.A.H. « Electrochemically-Induced Solid-State Fusion ». Platinum Metals Review 33, n^o 3 (1 juillet 1989) : 114–16. http://dx.doi.org/10.1595/003214089x333114116.

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The 1989 Spring Meeting of the Electrochemical Society was held in Los Angeles, California, from 7th to 12th May. Without doubt the major talking point among the 1,626 delegates concerned the prospects of nuclear fusion being achieved by the simple electrolysis of heavy water, between a palladium cathode and a platinum anode.

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Bilgi, Irem. « Lowbrow Art Movement as a Subculture Art and its Effects on Visual Design ». New Trends and Issues Proceedings on Humanities and Social Sciences 4, n^o 11 (28 décembre 2017) : 232–39. http://dx.doi.org/10.18844/prosoc.v4i11.2879.

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Beginning in Los Angeles, California, in the 1970s, and also known as pop surrealism, the Lowbrow art movement was born as a part of punk music, comic books, street and skateboard cultures and is seen in all fields of art. This study is the reflection of the Lowbrow art movement on visual design fields such as illustration graphic design and typography, animation and designer toys. Lowbrow artists were difficult to be adopted in the arts and design fields in the first years of the movement, because they did not have a diploma in fine arts and came from the street culture. But in recent years, Lowbrow artists have proved themselves and have begun to produce art and design works that are exhibited in different fields. The aim of this study is to emphasise the importance of Lowbrow art, which is seen as a subculture today. Keywords: Lowbrow, pop surrealism, street art, illustration, designer toy, subculture, visual design.

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Khanna, Dinesh, Ron D. Hays, Paul Maranian, James R. Seibold, Ann Impens, Maureen D. Mayes, Philip J. Clements et al. « Reliability and validity of the university of california, los angeles scleroderma clinical trial consortium gastrointestinal tract instrument ». Arthritis & ; Rheumatism 61, n^o 9 (15 septembre 2009) : 1257–63. http://dx.doi.org/10.1002/art.24730.

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Montgomery, S. Janelle. « “Oppressed and Destroyed” ». Pacific Historical Review 89, n^o 4 (2020) : 528–56. http://dx.doi.org/10.1525/phr.2020.89.4.528.

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In 1932 in Depression-era Los Angeles, Mexican muralist David Alfaro Siqueiros took advantage of a unique site on Olvera Street to confront Los Angeles’s establishment on behalf of not only Mexican Americans in California but the proletariat everywhere. The resulting mural, América tropical, challenged Los Angeles’s sanitized history of its Mexican past and the persecution of the city’s immigrant working class. The establishment responded by requesting that Siqueiros leave the country and by whitewashing the mural. In the late 1960s, the white overpaint began to fade, and América tropical re-emerged to play a part in another chapter of the politics of race and class in Los Angeles. Revisiting the mural and its destruction illuminates the complex interplay between outdoor art and civic discourse.

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Spitzzeri, Paul R. « The Historical Society of Southern California’s Hidden Treasures, Including an Angeleno’s Civil War Diary and Letter ». Southern California Quarterly 98, n^o 2 (2016) : 147–56. http://dx.doi.org/10.1525/ucpsocal.2016.98.2.147.

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An account of the discovery of artifacts in the collection of the Historical Society of Southern California. Highlighted is the Civil War diary and a letter written by Charles Myers Jenkins, the only enlistee from Los Angeles to see combat for the Union during the Civil War. Included is a transcription of the November 1864 letter Jenkins wrote to his mother after his release from a Confederate prisoner-of-war camp.

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Hoppit, Julian. « A Very Polite and Commercial People - The Making of the English Middle Class : Business, Society and Family Life in London, 1660–1730. By Peter Earle. Berkeley and Los Angeles : University of California Press, 1989. Pp. xiii + 446. $35.00. - The Culture of Capital : Art, Power, and the Nineteenth-Century Middle Class. Edited by Janet Wolff and John Seed. Manchester : Manchester University Press, 1988. Pp. ix + 236. $69.95. » Journal of British Studies 30, n^o 3 (juillet 1991) : 345–49. http://dx.doi.org/10.1086/385988.

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Bauch, Nicholas, et Emily Eliza Scott. « The Los Angeles Urban Rangers : actualizing geographic thought ». cultural geographies 19, n^o 3 (19 avril 2012) : 401–9. http://dx.doi.org/10.1177/1474474012441465.

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The Los Angeles Urban Rangers (LAUR) is one of a growing number of collectives associated with the art world that offer new methods for expressing and performing insights rooted in geographical thought. Borrowing the US National Park Service ranger ‘persona,’ the LAUR demonstrate a number of ways to untangle nature-society issues in cities. The ranger persona is successful in part because of its ability to spatially relocate the affect associated with (supposed) pristine nature to urban places. The article contains a toolkit of programs that the LAUR have employed to re-activate urban space.

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Borghi, Luca. « The Monuments Men ». Anesthesiology 122, n^o 3 (1 mars 2015) : 521–23. http://dx.doi.org/10.1097/aln.0000000000000576.

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Abstract A 2014 American-German war movie directed by and starring George Clooney (Actor, Screenwriter, Film Director, and Producer; Los Angeles, California and Laglio, Italy) (1961-current) popularized the work of a special United States Army unit devoted to the rescue of art treasures stolen or hidden by the Nazis during World War II. A similar story occurred in Paris to a curious little monument closely linked to the history of Anesthesia. This happened about 70 years ago, in December 1944.

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Bolognini, Maurizio. « Globalization, art and the art system ». Ekistics and The New Habitat 73, n^o 436-441 (1 décembre 2006) : 191–95. http://dx.doi.org/10.53910/26531313-e200673436-441115.

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The author's research interests are: art, technology and democracy. On this latter subject he has published several essays and a book entitled Democrazia elettronica (Carocci, Rome, 2001). As an artist he has worked with digital technologies since the 1980s. One of his best-known works is Computer sigillati (Sealed Computers, 1992): more than 200 machines which are programmed to produce flows of random images and then left to work indefinitely, usually without monitors. His works have been exhibited widely in Europe and the USA. He has put on shows, presentations and performances in Paris, New York , Los Angeles, San Francisco, Sydney. His latest one-man shows include: Museo Laboratorio di Arte Contemporanea (Rome, 2003), WilliamsburgArt& Historical Center (New York, 2003), Museo di Arte ContemporaneaVilla Croce (Genoa, 2005). Latest books on his work: D. Scudero (ed.),Maurizio Bolognini: Installazioni, disegni, azioni (on/off line), (Lithos,2003); and S. Solimano (ed.), Maurizio Bolognini: Infinity out of Control(Neos, 2005). The text that follows was made available to the participants of the international symposion on "Globalization and Local Identity, " organized jointly by the World Society for Ekistics and the University of Shiga Prefecture in Hikone, Japan, 19-24 September, 2005, which the author was finally unable to attend.

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Harris, Mark. « Thomas Crow, The Artist in the Counterculture : Bruce Conner to Mike Kelley and Other Tales from the Edge (2023) ». Aesthetic Investigations 6, n^o 2 (31 décembre 2023) : 221–26. http://dx.doi.org/10.58519/aesthinv.v6i2.18527.

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Thomas Crow’s book The Artist in the Counterculture: Bruce Conner to Mike Kelley and Other Tales from the Edge reappraises West Coast art as enmeshed in the counterculture. The first five of its twelve chapters discuss Bruce Conner’s development as a multimedia artist in San Franscisco and Los Angeles producing assemblages, films, drawings, magazine illustrations, and light shows for rock concerts. The next five chapters expand Crow’s argument by appraising anti-war manifestations, Black and Latino protest work, Land Art, and West Coast conceptual practices as aspects of the counterculture. Moving forward to the late 1970s, the final two chapters review first Conner’s reemergence as a photographer documenting California punk bands and then Mike Kelley’s transplanting of Detroit’s alternative rock idealism to fuel the development of his own radical art practices.

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Jolayemi, Oluwadamilola, Laura M. Bogart, Erik D. Storholm, David Goodman-Meza, Elena Rosenberg-Carlson, Rebecca Cohen, Uyen Kao, Steve Shoptaw et Raphael J. Landovitz. « Perspectives on preparing for long-acting injectable treatment for HIV among consumer, clinical and nonclinical stakeholders : A qualitative study exploring the anticipated challenges and opportunities for implementation in Los Angeles County ». PLOS ONE 17, n^o 2 (3 février 2022) : e0262926. http://dx.doi.org/10.1371/journal.pone.0262926.

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Long-acting injectable (LAI) antiretroviral therapy (ART) is a novel HIV treatment option for people with HIV. The first LAI ART regimen for HIV treatment received regulatory approval in the United States in January 2021. In February 2020, we collected qualitative data from 18 consumers and 23 clinical and non-clinical stakeholders to catalog anticipated individual-consumer, healthcare system, and structural levels barriers and facilitators to LAI ART implementation in Los Angeles County, California. Thematic analysis was guided by the CFIR implementation science model. CFIR constructs of intervention characteristics, individual characteristics, outer and inner setting, intervention characteristics, and implementation process emerged in analysis. Under intervention characteristics, anticipated facilitators included the relative advantage of LAI ART over pills for adherence and reduced treatment management burden and related anxiety; anticipated barriers included non-adherence to injection appointments, concerns of developing HIV resistance, discomfort with injection and cost. Anticipated facilitators based on individual characteristics included overall acceptability based on knowledge and positive beliefs about LAI ART. Participant noted several characteristics of the outer setting that could negatively impact implementation, such as medical mistrust, external policies, and LAI ART eligibility (i.e., to be virally suppressed prior to initiation). Participants were optimistic about the potential to decrease stigma but expressed that provider willingness for adoption could be hindered by challenges in organizational inner setting related to payment authorizations, increased staffing needs, medication procurement and storage, and provider and healthcare system readiness. Results from this pre-implementation study may inform rollout and scale-up of LAI ART in Los Angeles County.

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Hildebrandt, William R. « Before California : An Archaeologist Looks at Our Earliest Inhabitants. Brian Fagan 2003. Altamira Press, Walnut Creek, California. 400 pp. $24.95 (cloth), ISBN 0-7425-2794-8. - Prehistoric California : Archaeology and the Myth of Paradise. L. Mark Raab and Terry L. Jones, editors. 2004. The University of Utah Press, Salt Lake City. 266 pp. $70.00 (cloth), $35.00 (paper), ISBN 0-87480-784-0. - Prehistoric Human Ecology of the Big Sur Coast, California. Terry L. Jones 2003. Contributions of the University of California Archaeological Research Facility, No. 61, Berkeley. 283 pp. $32.95 (paper), ISBN 1-882744-15-2. - Foundations of Chumash Complexity. Jeanne E. Arnold editor. 2004. Perspectives in California Archaeology, Vol. 7, Cotsen Institute of Archaeology, University of California, Los Angeles. 190 pp. $45.00 (cloth), $24.00 (paper), ISBN 1-931745-18-8. - The Island Chumash : Behavioral Ecology of a Martime Society. Douglas J. Kennett 2005. University of California Press, Berkeley. 298 pp. $60.00 (cloth), ISBN 0-520-24302-1. » American Antiquity 72, n^o 2 (avril 2007) : 382–89. http://dx.doi.org/10.2307/40035822.

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Shoked, Noam. « Hanging Out with Cyclists ». Boom 6, n^o 3 (2016) : 84–88. http://dx.doi.org/10.1525/boom.2016.6.3.84.

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In 2014, architecture Professor Margaret Crawford and Associate Professor of Art Practice Anne Walsh taught the first University of California, Berkeley, Global Urban Humanities Initiative research studio course, called “No Cruising: Mobility and Identity in Los Angeles.” What occurred during the course had both varied and unexpected interpretations as ten students majoring in art practice, art history, architecture, and performance studies each selected a dimension of mobility they wished to identify on field trips to LA. One goal of these field trips, or research studios, was to get students out of their comfort zones to explore new approaches and methods. We encouraged students to draw on each others’ disciplines, so art students undertook archival research while architectural history students, like Noam Shoked, used interviews and photography to investigate contemporary conditions. The stories here are from Shoked as he comes to interpret and interact with the cyclist of LA.

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Zebba, Sam. « Making "Uirapuru" : a musical quest in the Brazilian Rain Forest ». Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas 5, n^o 1 (avril 2010) : 173–84. http://dx.doi.org/10.1590/s1981-81222010000100012.

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Sixty years ago the author, an Israeli film student at the University of California, Los Angeles, set out to make a film based on a Brazilian Indian legend which had been set to music by Heitor Villa-Lobos (1887-1959). Filming was carried out among Urubú-Ka'apor Indians in the state of Maranhão. In Belém, capital of Pará, he was joined by German anthropologist Peter Paul Hilbert (1914-1989) of the Goeldi Museum on an adventurous and creative expedition, culminating in a prize-winning art-documentary film and a life-long friendship between the two.

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Fraser, Alison. « Urban Prophets : Creating Graffiti as a Means of Negotiating the Constructs of Urban Public Spaces ». Stream : Interdisciplinary Journal of Communication 7, n^o 2 (4 mai 2016) : 32–42. http://dx.doi.org/10.21810/strm.v7i2.128.

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For this examination, graffiti and neo-graffiti have been compared to public art in order to reveal the ideological constructions of urban public spaces. How does graffiti interact with the construction of urban public spaces? How is graffiti similar to and different from public art? Which of these art forms better represents the public and city living? By comparing public art to (neo)graffiti in Toronto, Ontario and Los Angeles, California, the gendered, racialized, and class-based exclusions present in R. Florida's (2002) creative cities framework as theorized by authors such as N. Smith (1996), Sharon Zukin (1996), and G. Standing (2011) can be revealed. Urban public spaces are carefully shaped by those in control, the government and corporations, with the intention of creating spaces and citizens within those spaces that can be a functioning part of their neoliberal capitalist system. Graffiti and neo-graffiti act as a visual interruption to this system, which in turn can be thought of as physically represented by public art. In this way (neo)graffiti is created by a minority of citizens with the hopes of reclaiming their right to exist in urban public spaces despite layers of ideological exclusions.For this examination, graffiti and neo-graffiti have been compared to public art in order to reveal the ideological constructions of urban public spaces. How does graffiti interact with the construction of urban public spaces? How is graffiti similar to and different from public art? Which of these art forms better represents the public and city living? By comparing public art (neo)graffiti in Toronto, Ontario and Los Angeles California, the racialized and class-based exclusions present in R. Florida’s (2002) creative cities framework theorized by authors such as N. Smith (1996), Sharon Zukin (1996), and G. Standing (2011) can be revealed. Urban public spaces are carefully shaped by those in control (the government and corporations) with the intention of creating spaces and citizens within those spaces that can be a functioning part of their system. Graffiti and neo-graffiti act as a visual interruption to this system as represented by public art. In this way (neo)graffiti is created by a minority of citizens with the hopes of reclaiming their right to exist in urban public spaces despite the layers of exclusions.

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Alamillo, Joséé M. « Playing Across Borders : Transnational Sports and Identities in Southern California and Mexico, 1930––1945 ». Pacific Historical Review 79, n^o 3 (1 août 2010) : 360–92. http://dx.doi.org/10.1525/phr.2010.79.3.360.

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This article examines the local and transnational dimensions of sports in Southern California through the activities of the Mexican Athletic Association of Southern California (MAASC) from the Great Depression to the end of World War II. This amateur athletic organization promoted sports in the barrios and colonias throughout Southern California and forged transnational ties with the Mexican government and its sports federation. MAASC and its related activities reflected two competing historical trajectories that have been subjects of debate in Chicano historiography. MAASC sports simultaneously reinvigorated transnational ties with Mexico that emphasized a Mééxico de afuera identity and contributed to the making of a Mexican American identity that connected immigrants to Southern California and American society in general. Ultimately, both impulses helped to instill a new political confidence among MAASC members to challenge the Los Angeles Department of Playground and Recreation's paternalistic approach toward the Mexican community.

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Hwang, Yoonah. « Conversing in Clay : Ceramics from the LACMA Collection, Los Angeles County Museum of Art, Los Angeles, California, August 7, 2022 – May 21, 2023 ». Korean Journal of Art History 315 (30 septembre 2022) : 328–29. http://dx.doi.org/10.31065/kjah.315.202209.012.

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Tanabe, W. J. « Book Reviews : Pal, Pratapaditya. Art of Nepal. Los Angeles : Los Angeles County Museum of Art in association with University of California Press, 1985. 257 pp. $ 49.95 (cloth), $ 22.50 (paper) ». Journal of Asian and African Studies 22, n^o 1-2 (1 janvier 1987) : 96–97. http://dx.doi.org/10.1177/002190968702200108.

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