Bibliographies thématiques / Art and society – california – los angeles

Littérature scientifique sur le sujet « Art and society – california – los angeles »

Auteur : Grafiati

Publié le 26 juillet 2024

Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres

Choisissez une source :

Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Art and society – california – los angeles ».

À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.

Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.

Articles de revues sur le sujet "Art and society – california – los angeles"

Selbo, Jule. « Society for Cinema and Media Studies Conference, 2010, Los Angeles, California ». Journal of Screenwriting 2, n^o 1 (1 janvier 2011) : 129–31. http://dx.doi.org/10.1386/josc.2.1.129_7.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Robertson, Barbara D. « Hope From Ashes : The Creation of the NEC Society—An Interview With Jennifer Canvasser ». Clinical Lactation 6, n^o 4 (novembre 2015) : 156–60. http://dx.doi.org/10.1891/2158-0782.6.4.156.

Texte intégral

Résumé :

Jennifer Canvasser has served on the Ecology Center’s children’s health, first food, and environmental health campaigns since 2010. She completed University of California, San Francisco’s Reach the Decision Makers Fellowship program in 2011, with a focus on reform of the Toxic Substances Control Act. In 2014, Jennifer founded the NEC Society, a nonprofit organization, after losing her son, Micah, to necrotizing enterocolitis. She is a regular contributor to The Huffington Post on parenting, health, and food justice issues. Jennifer completed her undergraduate studies at University of California, Los Angeles and earned her Master of Social Work from the University of Southern California with a focus on community organizing. This interview with Jennifer Canvasser was conducted in May of 2015 by Barbara D. Robertson and Barb Demske (Barbara Robertson’s intern). Barbara Robertson has a podcast, "All Things Breastfeeding," available on iTunes or her website, bfcaa.com.

Styles APA, Harvard, Vancouver, ISO, etc.

Olin, Margaret. « Book ReviewsJewish Icons : Art and Society in Modern Europe. By Richard I. Cohen. Berkeley and Los Angeles : University of California Press, 1998. Pp. xviii+358. $50.00. » Journal of Modern History 71, n^o 4 (décembre 1999) : 925–26. http://dx.doi.org/10.1086/235369.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Stubbs, Jean. « Through the looking glass on Cuba ». New West Indian Guide / Nieuwe West-Indische Gids 80, n^o 1-2 (1 janvier 2006) : 83–89. http://dx.doi.org/10.1163/22134360-90002489.

Texte intégral

Résumé :

[First paragraph]State Resistance to Globalisation in Cuba. Antonio Carmona Báez. Sterling VA: Pluto Press, 2004. vii + 264 pp. (Paper US$ 29.95)La Lucha for Cuba: Religion and Politics on the Streets of Miami. Miguel A. de la Torre. Berkeley: University of California Press, 2003. xi + 181 pp. (Paper US$ 21.95)By Heart/De Memoria: Cuban Women’s Journeys in and out of Exile. María de los Angeles Torres (ed.). Philadelphia PA: Temple University Press, 2003. vii + 192 pp. (Paper US$ 19.95)Looking at Cuba: Essays on Culture and Civil Society. Rafael Hernández. Gainesville: University Press of Florida, 2003. vii + 145 pp. (Cloth US$ 24.95)In the politically charged world of scholarship on Cuba, it is salutary to comment in one review essay on four quite different volumes, each complementing the others. Three are single-authored, two on island Cuba (by Antonio Carmona Báez and Rafael Hernández) and one on Miami (by Miguel A. de la Torre). All three draw on theory and concepts and are male-authored and place-centric (Cuba/Miami). The fourth (by María de los Angeles Torres) is an edited collection of the personal testimonies of women seeking a place in between the hardened politics of Cuba and Miami.

Styles APA, Harvard, Vancouver, ISO, etc.

Wang, Jie. « Overview and prospect of the history of air pollution control in the United States in the 20th century ». International Journal of Social Sciences and Public Administration 2, n^o 1 (28 janvier 2024) : 139–47. http://dx.doi.org/10.62051/ijsspa.v2n1.18.

Texte intégral

Résumé :

Environmental history, as a comprehensive discipline method and research paradigm, started in the 1970s, and air pollution control is the most important field in environmental governance. After more than 50 years of relevant research and accumulation, scholars at home and abroad have achieved fruitful results in the history of air pollution control in the United States. In terms of the overall study of the history of air pollution in the United States, almost all the stages of American air control in the 20th century have been systematically studied by the academic community. In terms of case studies, cases such as the photochemical smog incident in Los Angeles and California's advanced air management in California have also been well studied. In terms of the research of relevant laws and precedents, important laws such as the "Clean Air Act" and important concepts such as "bubble" have been systematically studied, and various court cases have been sorted out and compiled. In terms of urban environmental history, the existence of social inequality in society has been valued. However, at the same time, there is room for further research in the air governance process of the United States between the 1940s and 1960s, the Donora smoke event, some detailed rules and standards in the "Clean Air Act", and further research efforts can be made to realize the innovation of transnational and even globalization.

Styles APA, Harvard, Vancouver, ISO, etc.

Ione, Amy. « Seventh Annual Meeting of the International Society for the History of the Neurosciences Los Angeles, California, 1–5 June 2002 ». Leonardo 36, n^o 1 (février 2003) : 88–89. http://dx.doi.org/10.1162/leon.2003.36.1.88.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Unger, Nancy C. « Legislating Morality in the Gilded Age and Progressive Era : Moral Panic and the “White Slave” Case That Changed America ». Journal of the Gilded Age and Progressive Era 23, n^o 2 (avril 2024) : 141–69. http://dx.doi.org/10.1017/s1537781423000531.

Texte intégral

Résumé :

AbstractThis article is based on the presidential address presented to the Society for Historians of the Gilded Age and Progressive Era at the meeting of the Organization of American Historians in Los Angeles in 2023. Its focus is Maury Diggs and Drew Caminetti, two white men from Sacramento, California, charged with violating the Mann Act (known as the White Slave Trafficking Act) in 1913. The Gilded Age and Progressive Era obsession with white slavery, a phenomenon that has particular resonance in today’s climate, reveals the power of moral panics. Examining the steps, and missteps, that various legal, social, and political entities, including all three branches of government, took in response to Diggs and Caminetti’s actions highlights some of the major social changes gripping the nation. Moral panics can be investigated as crucial historical sites of contestation, revealing efforts to neutralize or turn back the societal changes perceived to be the greatest threat to the prevailing social power structure—in this case foreigners, the new leisure culture, the liberalization of sexual attitudes, and the threat of female independence. Understanding the origins and repercussions of past moral panics can help identify, understand, and possibly defuse future panics.

Styles APA, Harvard, Vancouver, ISO, etc.

Elizondo, Carlos. « James W. Wilkie (ed.), Society and Economy in Mexico (Los Angeles : UCLA Latin American Center Publications, University of California, 1990), pp. xxii + 163. » Journal of Latin American Studies 23, n^o 3 (octobre 1991) : 653–54. http://dx.doi.org/10.1017/s0022216x00015960.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Peters, Edward. « Stephen Haliczer. Inquisition and Society in the Kingdom of Valencia 1478-1834. Berkeley, Los Angeles, Oxford : University of California Press, 1990. 3 figs, + x + 444 pp. $45. » Renaissance Quarterly 44, n^o 4 (1991) : 837–41. http://dx.doi.org/10.2307/2862495.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Friedgut, Theodore H. « Steeltown, USSR : Soviet Society in the Gorbachev Era. By Stephen Kotkin. Berkeley and Los Angeles : University of California Press, 1991. 290 pp. Chronology. Illustrations. Map. $24.95, hard bound ». Slavic Review 51, n^o 1 (1992) : 140–42. http://dx.doi.org/10.2307/2500271.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Plus de sources

Thèses sur le sujet "Art and society – california – los angeles"

James, Lisa. « “To shape God, Shape Self” : The Political Manipulation of the Human Body and Reclamation of Space in Octavia E. Butler’s The Parable of the Sower ». Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23673.

Texte intégral

Résumé :

This paper considers the role of the human body in Octavia E. Butler’s The Parable of theSower and the way it interacts with defined space to stage expressive forms of politicalopposition. Understanding the relationship between physical or metaphorical space and thecontradictions of the societies they encompass is crucial to deciphering Butler’s near-futuredystopia; a world where the problems of real-life Los Angeles and Southern California aredistorted into a gross carnivalesque of gender stereotypes, sociopolitical tensions, and vigilante warfare. This paper places a special emphasis on the areas of social and political stagnation found in Butler’s vision of near-future L.A., and analyses the dangers of clinging to archaic, patriarchal systems that no longer resonate with contemporary audiences. Focus is also placed on potential methods of resistance against oppressive social institutions, particularly exploring the limitations met by protagonist, Lauren Oya Olamina, in her attempts to voice concerns in a society where language is so nuanced by “traditional” gendered qualities that the female voice carries no political value. This papers also questions theories which promote violent confrontation as a means to social reform, disregarding collateral damage and victims of war in favour of insurgency. By exploring the movement of the human body away from defined space, this paper supports Butler’s notion of alternative prosocial action which celebrates the margins of society, positing a nurturing, constructive means to resist political opposition.

Styles APA, Harvard, Vancouver, ISO, etc.

Smith, Ginger Elliott. « Technology and artistic practice in 1960s and 1970s Southern California ». Thesis, 2015. https://hdl.handle.net/2144/16035.

Texte intégral

Résumé :

This dissertation traces the ways in which the emergent countercultures on the West Coast, in parallel with the high-technology industrial complex of Southern California, fostered ad-hoc experimentation with technology in studio and post-studio practices. In the studio, individual artists researched, experimented with, and became self-taught experts on discrete technologies. In comparison, post-studio methods functioned less as a top-down mastery and innovation within a singular craft (as in the initial studio methods), and, instead, involved the creation of immersive, perceptual environments. The Introduction situates the development of the art/technology phenomenon alongside the emergence of the art scene in Los Angeles, expanding the literature in relation to other more established histories. Each of the first three chapters focuses on one case study--Larry Bell, Mary Corse, and Fred Eversley--to reveal the scope of appropriated technologies and the permutations within various mediums (glass sculpture, industrial lighting schematics, acrylic painting, and polyester sculpture). Chapter 4 analyzes this plurality, focusing on the appropriation of cognitive psychology. As technological appropriation became more commonplace, and particularly as some artists came to require larger spaces, curators and institutions helped orchestrate experimentation with immersive environments. I explore the range of post-studio practices in the works of Lloyd Hamrol, Tom Eatherton, Michael Asher, Robert Irwin, James Turrell, Maria Nordman, and Eric Orr, among others, and include Hal Glicksman as a key example of curatorial influence. The concluding chapter considers the art/technology legacy alongside themes of dilapidation and obsolescence. This dissertation demonstrates how art with reflective and/or transparent materials of high-tech industry prescribed movements for viewer engagement--an embodied experience of mobile spectatorship in Los Angeles of the 1960s and 1970s. I correlate these movement patterns, in parallel with light, space, and sourced technology, to the experience of each work.

Styles APA, Harvard, Vancouver, ISO, etc.

Livres sur le sujet "Art and society – california – los angeles"

Los Angeles Printmaking Society. National Biennial Exhibition. 15th national biennial exhibition, Los Angeles Printmaking Society : January 15 through February 20, 1999 : Laband Art Gallery, Loyola Marymount University, Los Angeles, California. Los Angeles, Calif : Los Angeles Printmaking Society, 1999.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Heinecken, Robert. Photographist : Robert F. Heinecken. [Los Angeles] : Oral History Program, University of California, Los Angeles, 1998.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Guzmán, Kristen. Self Help Graphics & Art : Art in the heart of East Los Angeles. Los Angeles : UCLA Chicano Studies Research Center, 2005.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Self Help Graphics & Art : Art in the heart of East Los Angeles. Los Angeles, CA : UCLA Chicano Studies Research Center, 2006.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Schwartz, Alexandra. Ed Ruscha's Los Angeles. Cambridge, MA : MIT Press, 2010.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Kraus, Chris. LA artland : Contemporary art from Los Angeles. London : Black Dog, 2005.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Powers, John S. Temporary art and public place : Comparing Berlin with Los Angeles. Frankfurt am Main : Peter Lang, 2009.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Powers, John S. Temporary art and public place : Comparing Berlin with Los Angeles. Frankfurt am Main : Peter Lang, 2009.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Los Angeles Municipal Art Gallery., dir. Karl Benjamin : Selected works, 1979-1986, January 28-March 2, 1986, Los Angeles Municipal Art Gallery, Barnsdall Art Park, Los Angeles, California. Los Angeles, Calif : The Gallery, 1986.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Myers, Joel Philip. Joel Philip Myers : November 10-December 3, 1988, Kurland/Summers Gallery, Los Angeles, California. Los Angeles, CA : Kurland/Summers Gallery, 1988.

Trouver le texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Plus de sources

Chapitres de livres sur le sujet "Art and society – california – los angeles"

Minami, Noritaka. « California City (real estate) and California City (wonderland) ». Dans Embodying Peripheries, 274–81. Florence : Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-661-2.13.

Texte intégral

Résumé :

This photographic art project examines contemporary embodied activity and urban development in California City, California outside of Los Angeles. The photographs critique the notion of development and the kinds of embodied livelihood it supports according to the cultural imagination of wonder and real estate.

Styles APA, Harvard, Vancouver, ISO, etc.

Estrada, Emir. « Street Vending in Los Angeles ». Dans Kids at Work, 43–63. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9781479811519.003.0003.

Texte intégral

Résumé :

Chapter 2 situates the study historically in the context of U.S. and Mexican migration and traces the formation of the street vending economy in urban centers in México and in U.S. cities such as Los Angeles and New York. The chapter demonstrates that street vending across the border is linked to macro structural forces and is not solely derivative of Latinx cultural practices. The chapter also highlights the historical precedent of street vending in the United States, as opposed to portraying the work as a direct cultural transplant from Latin America. The Latinx street vendors in Los Angeles immigrated to a society where street vending had been an economic strategy since the early nineteenth century. The chapter notes that as a result of both political turmoil and the rise of a foodie culture based on “authenticity,” attitudes toward street vendors are becoming more sympathetic and respectful, leading to the decriminalization of street vending across the state of California.

Styles APA, Harvard, Vancouver, ISO, etc.

Rapport, Evan. « “Less Art and More Machine” : The California Crucible ». Dans Damaged, 171–204. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496831217.003.0006.

Texte intégral

Résumé :

Early American punk had its most explicit identity crisis in Los Angeles during the late 1970s, and the sounds created in California during this time, including San Francisco, effectively defined American punk moving forward. Punk in Los Angeles in particular reflected some of the most extreme changes of the post-war era, with substantial migration, new development, and geographic segregation. California became the major site for debates over the meaning of punk styles, with growing tensions between older punks in the downtown or “Hollywood” scene, such as X and the Screamers, and the younger punks in suburban and beach areas, such as Circle Jerks and Black Flag, and ultimately, the style of suburban hardcore punk that was forged in California came to define punk for American listeners. It was in California where punk morphed from an expression of the sixties generation into a voice for Generation X heading into the 1980s. This chapter also takes a close look at punk’s relationship to violence, especially with respect to the confrontations between punks and the LAPD. The musical life of Latinx punks (and Chicano or Mexican American punks specifically) serves as a case study for further investigations of social and musical complexities in Los Angeles.

Styles APA, Harvard, Vancouver, ISO, etc.

Hough, Susan Elizabeth, et Roger G. Bilham. « City of Angels or Edge City ? » Dans After the Earth Quakes. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780195179132.003.0013.

Texte intégral

Résumé :

Although this book focuses on societal response to earthquake disasters, many common threads can be found in societal response to other types of disasters. Some regions seem especially prone to disasters of all shapes and sizes, perhaps none more so than southern California, which can be star-studded and star-crossed in equal measure. This chapter steps away from the specific responses of societies to one type of disaster to instead consider the response of one society to myriad disasters. In southern California, disasters sometimes seem to pile up like, well, cars on a southern California freeway. During one memorably miserable week in October 2003, for example, firestorms laid waste to almost 700,000 acres in the region—2,000 homes, 24 lives, and a staggering $2 billion in property damage. It was a little like an earthquake in slow motion. The 1989 Loma Prieta earthquake had claimed about three times more lives (63) and total property damage ($6 billion), but the number of homes rendered uninhabitable by that powerful temblor was lower (1,450) than the number destroyed by the firestorms of 2003. That the disaster played out slowly, over the span of several days rather than several tens of seconds, was a curse as well as a blessing. Advance warning kept the death toll from climbing higher; it also generated high anxiety among tens of thousands who would not lose their homes as well as the few thousand who would. Fires are less kind than earthquakes in another critical respect as well: they can reduce an entire house and its contents to ash, whereas much can often be salvaged from even a severely earthquake-ravaged home. Fires can even have their own aftershocks, after a fashion: heavy Christmas Day rains turned parts of two burn areas into torrents of fast-moving debris that swept through two campgrounds and claimed 16 lives, most of them children. Even heavier rains in early 2005 caused a more massive landslide in the coastal community of La Conchita.

Styles APA, Harvard, Vancouver, ISO, etc.

Bahr, Ehrhard. « Art and Its Resistance to SocietyTheodor W. Adorno’s Aesthetic Theory ». Dans Weimar on the PacificGerman Exile Culture in Los Angeles and the Crisis of Modernism, 56–78. University of California Press, 2007. http://dx.doi.org/10.1525/california/9780520251281.003.0003.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Hatfield, Charles. « In Our Own Image, After Our Likeness ». Dans Comic Art in Museums, 308–15. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0037.

Texte intégral

Résumé :

This chapter includes a 2010 article by author, scholar, and California State University Northridge professor, Charles Hatfield, recollecting his experience viewing the R. Crumb’s Book of Genesis exhibition at the Hammer Museum in Los Angeles and providing in-depth analysis of Crumb’s Genesis book. This chapter discusses narrative in exhibitions, exhibition design, comparison of Crumb’s work with illustrations by Basil Wolverton, Picture Stories from the Bible, The Picture Bible, and DeMille’s film The Ten Commandments. Images: Hammer exhibition photo, comparative panels from Crumb and Wolverton.

Styles APA, Harvard, Vancouver, ISO, etc.

Harvey, Doug. « Jack Kirby at Cal State Northridge ». Dans Comic Art in Museums, 361–64. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0042.

Texte intégral

Résumé :

This chapter includes a 2015 review of Comic Book Apocalypse: The Graphic World of Jack Kirby at California State University Northridge by Los Angeles based writer and artist Doug Harvey, providing a detailed look at the exhibition. This chapter discusses narrative in exhibitions, full issues of Kamandi: The Last Boy on Earth #14 and Thor #155 on display and the stories behind them, Kirby’s painting Dream Machine, examples of work from every period in Kirby’s lengthy career, touching on genre forays into romance, war, occult, westerns, espionage, autobiography, and science fiction. Image: Dream Machine painting by Jack Kirby

Styles APA, Harvard, Vancouver, ISO, etc.

Glick, Joshua. « Hard Lessons in Hollywood Civics ». Dans Los Angeles Documentary and the Production of Public History, 1958-1977. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520293700.003.0005.

Texte intégral

Résumé :

As Wolper Productions continued to make documentaries and experiment with fiction, the studio provided a professional entry point for promising talent and off-and-on employment for filmmakers involved with New Hollywood features. This chapter investigates Wolper Productions’s output during a period in which the film and television industries faced a precarious financial situation. The studio helped create a political imaginary for Lyndon B. Johnson’s Great Society. Additionally, Wolper Productions’s forays into programs with Jacques-Yves Cousteau charted a fresh path for nonfiction. Packaging American history or capturing recent events, however, soon proved to be a troublesome venture. Wolper Productions’s prospective adaptation of William Styron’s novel The Confessions of Nat Turner (1967) was one of the earliest attempts by a major studio to make a commercial film about black power themes and figures. The opposition to the film, however, resulted in a public relations disaster for Wolper Productions. Wolper and his circle came to understand the importance of having community support from the minority group the studio sought to represent.

Styles APA, Harvard, Vancouver, ISO, etc.

Davies, Tom Adam. « Community Development Corporations, Black Capitalism, and the Mainstreaming of Black Power ». Dans Mainstreaming Black Power. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520292109.003.0003.

Texte intégral

Résumé :

This chapter explains how Kennedy's Community Development Corporation (CDC) program and Nixon's black capitalism initiatives evolved out of the apparent failures and limitations of the War on Poverty and looked to confront the deepening urban crisis, the growth of black radicalism, and increasing white hostility to the racial politics of Great Society liberalism. After examining the rationale and assumptions that guided this shift in policy, the chapter explores how inner-city African Americans engaged with the opportunities it presented. Focusing first on the Bedford-Stuyvesant Restoration Corporation (BSRC), the nation's first CDC, and then on a number of similar black-controlled organizations in New York and Los Angeles, this chapter shows how Black Power ideology shaped the institution-building and community development efforts of those organizations, as they used programs to foster racial pride and unity, celebrate black history and culture, and promote greater community self-determination.

Styles APA, Harvard, Vancouver, ISO, etc.

Hughes, Sara. « The Shifting Ambitions and Positions of City Governments ». Dans Repowering Cities, 1–16. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501740411.003.0001.

Texte intégral

Résumé :

This introductory chapter discusses the shifting ambitions and positions of city governments. Once considered the purveyors of street repairs and sewer mains, city governments are now being heralded as innovative, entrepreneurial, and dynamic actors ready to take on societal challenges that other levels of government seem unprepared or unwilling to address. Indeed, city governments are viewed, and are viewing themselves, as able to effectively pursue major policy agendas once considered the sole purview of national governments. From labor to immigration to climate change, there has been a shift in both practice and rhetoric to cities. In the United States, city governments from Bangor, Maine, to Los Angeles, California, are raising the minimum wage for their residents, even as many state governments scramble to prevent them from doing so. The chapter explains that the book focuses on local efforts to address global climate change. It explores the means by which city governments—particularly those of New York City, Los Angeles, and Toronto—pursue climate change mitigation, or reducing the greenhouse gas emissions produced by urban systems, and to what ends.

Styles APA, Harvard, Vancouver, ISO, etc.

Actes de conférences sur le sujet "Art and society – california – los angeles"

Antonanzas-Barroso, Norma, Jody Kreiman et Bruce R. Gerratt. « Recent improvements to the University of California, Los Angeles' voice synthesizer ». Dans 156th Meeting Acoustical Society of America. ASA, 2009. http://dx.doi.org/10.1121/1.3059685.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Cascio, WE, LC Katwa, WS Linn, DO Stram, Y. Zhu, JL Cascio et WC Hinds. « Effects of Vehicle Exhaust in Aged Adults Riding on Los Angeles Freeways. » Dans American Thoracic Society 2009 International Conference, May 15-20, 2009 • San Diego, California. American Thoracic Society, 2009. http://dx.doi.org/10.1164/ajrccm-conference.2009.179.1_meetingabstracts.a1175.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Mehta, Ravindra, Abhinav Singla, Arjun Lakshmana Balaji, Deepthi Jermely, Shantha Krishnamurthy et K. S. Satish. « Conventional TBNA In The Era Of EBUS - "Not A Lost Art" ». Dans American Thoracic Society 2012 International Conference, May 18-23, 2012 • San Francisco, California. American Thoracic Society, 2012. http://dx.doi.org/10.1164/ajrccm-conference.2012.185.1_meetingabstracts.a3001.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Bhargava, Monica, et Jay Bhattacharya. « HIV In The ICU : National Outcomes Of Patients In The ART Era ». Dans American Thoracic Society 2012 International Conference, May 18-23, 2012 • San Francisco, California. American Thoracic Society, 2012. http://dx.doi.org/10.1164/ajrccm-conference.2012.185.1_meetingabstracts.a6572.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Firth, Caislin, Rachana Seelam, Anthony Rodriguez, Regina Shih, Joan Tucker, Elizabeth D'Amico et Eric Pedersen. « The Cannabis Retail Environment for Young Adults in Los Angeles : Which Metrics Matter ». Dans 2020 Virtual Scientific Meeting of the Research Society on Marijuana. Research Society on Marijuana, 2021. http://dx.doi.org/10.26828/cannabis.2021.01.000.7.

Texte intégral

Résumé :

Background: Currently, there is no consensus on how to measure cannabis retailer density. Researchers and policy makers need clear measures to support policies that mitigate unintended harms of legalization. To address this gap, our unique study leverages cannabis retailer location data in Los Angeles County (LA), California, and home addresses from an LA-based cohort of young adults (21-25 years) to develop a series of cannabis retailer density metrics and assess their relationship with cannabis use. Methods: Drawing from GIS-based measures of alcohol outlet density, we developed a series of cannabis retailer density metrics: proximity, counts within 5- 10- 15-, and 30-minute driving distances, and considered retail licensure. Retailer addresses were compiled by webscraping cannabis registries (e.g. Weedmaps) and conducting field visits (March 2019). Home addresses were geocoded for participants who completed a 2019 survey (n 1097). A series of retailer metrics was created for each person. We fit a series of multi-level logistic regression models with a random intercept by census tract (CT) (models adjusted for age, gender, race/ethnicity, college student, and CT median household income) to assess which retailer metrics were associated with any past month cannabis use. Results: Thirty percent of participants used cannabis in the past month, and 430 retailers were operating in LA in 2019. Thirty-nine percent of participants had a retailer within a mile from home and an average of 14 retailers within a 10-minute drive. Licensed retailers were less prevalent; the nearest licensed retailer was on average 2.4 miles from home. The odds of past month cannabis use significantly increased by 3% (OR:1.03, 95% CI:1.00–1.07) for every additional licensed retailer within a 10-minute drive in adjusted model; use was also significantly associated with licensed retailers within a 30-minute drive (OR:1.01, 95% CI:1.00–1.01). Proximity metrics were not significantly associated with past month cannabis use.

Styles APA, Harvard, Vancouver, ISO, etc.

Testa, Stephen. « HOW THREE HISTORICAL EVENTS IMPACTED SOCIETY AND SHAPED GEOLOGIC POLICY AND DEVELOPMENT IN CALIFORNIA : THE GOLD RUSH, THE LOS ANGELES OIL BOOM AND THE GREAT ALASKAN EARTHQUAKE ». Dans GSA Connects 2023 Meeting in Pittsburgh, Pennsylvania. Geological Society of America, 2023. http://dx.doi.org/10.1130/abs/2023am-395324.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

Kiely, Joss. « Lights, Camera… Aluminum ! : Materiality and Monumentality in Welton Becket’s Masterplan of Century City, CA ». Dans The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME : SAHANZ, 2023. http://dx.doi.org/10.55939/a5052p8ncv.

Texte intégral

Résumé :

The scale and ambition of the masterplan doesn’t fit neatly in either architecture or urban planning, and therefore, the history of master planning as a practice, its aesthetics and its ethics have long existed at the margins of both disciplines. In the postwar period, masterplan proposals designed by architects committed to high modernist ideals reimagined cities as orderly and aesthetic agglomerations – but with considerable anticipation of large-scale growth and development – both in the United States and abroad. As architects moved away from solely designing buildings to spearheading larger scale planning projects – straining their disciplinary expertise to the border of urban planning – an important transition took place. This shift might be best understood as a blend of omniscience and naivete, a stance that required architects to suspend specific knowledge to champion broad visionary pursuits. This paper considers an important aspect of everyday life: leisure time. Much touted by the tenets of high modernism, the ability to carve out time to “play” was largely a modern luxury, and this played out in a variety of projects worldwide, from beach resorts in Hawaii and ski resorts in France, to reimagined cities within cities, such as the masterplan for Century City, California in the Los Angeles Basin. Welton Becket’s 1963 urban vision called for the replacement of Hollywood studio lots with a composed entertainment, shopping and living centre focused on the needs of the Southern California entertainment industry. The ultimate buildout includes projects by a wide variety of late modernist architects, including Minoru Yamasaki, Charles Luckman and I. M. Pei, and it joins a long list of projects that champion leisure aesthetically expressed through architecture and planning schemes. Taken together, such projects underscore the increase in leisure, vacation time and conspicuous consumption that occurred after World War II and continues into the present day.

Styles APA, Harvard, Vancouver, ISO, etc.

Dan Paich, Slobodan. « Conciliation : Culture Making Byproduct ». Dans 8th Peace and Conflict Resolution Conference [PCRC2021]. Tomorrow People Organization, 2021. http://dx.doi.org/10.52987/pcrc.2021.002.

Texte intégral

Résumé :

Abstract Reclaiming public space at Oakland's Arroyo Public Park, a nexus of crime and illegal activities. A coalition of neighbors invited local performing artists to help animate city agencies, inspire repair of the amphitheater and create daytime performances in the summer, mostly by children. It gave voice to and represented many people. Reclaiming space for community was the impetus, structured curriculum activates were means. Safe public space and learning were two inseparable goals. Conciliation learning through specific responses, example: Crisis Of Perseverance acute among children and youth lacking role models or witnessing success through perseverance. Artists of all types are the embodiment of achievable mastery and completion. Taking place on redefined historic 1940 passenger-cargo/military ship for public peacetime use and as a cultural space. Mixt generations after and outside school programs: Children and Architecture project’s intention was to integrate children’s internal wisdom of playing with learning about the world of architecture (environment and co-habitability) as starting point was an intergenerational setting: 5-12 olds + parents and volunteers, twice weekly from 1989 to 1995 at the Museum of Children’s Art in Oakland, California. Concluding Examples Public celebration and engagements as inadvertent conciliations if prepared for before hand. Biographical sketch: Slobodan Dan Paich native of former Yugoslavia was born 1945. He lived in England from 1967 to 1985. Slobodan taught the History of Art and Ideas, Design and Art Studio from 1969 through 1985 at various institutions in London, including North-East London Polytechnic, Thames Polytechnic and Richmond College-American University in London. Between 1986 to1992, he taught at the University of California at Berkeley. With a number of scholars, artists, and community leaders, he founded the Artship Foundation in 1992, and has been its Executive Director ever since. He also served as a board member of the Society of Founders of the International Peace University in Berlin/Vienna from 1996 to 2002, where he lectured annually and chaired its Committee on Arts and Culture. community@artship.org

Styles APA, Harvard, Vancouver, ISO, etc.

Nous offrons des réductions sur tous les plans premium pour les auteurs dont les œuvres sont incluses dans des sélections littéraires thématiques. Contactez-nous pour obtenir un code promo unique!