Thèses sur le sujet « Art and Music in Britain »
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Hendrickson, Laura M. « Against photography : the idea of music in Pre-Raphaelite visual reform ». View abstract/electronic edition ; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318327.
Texte intégralStewart, Lynn Leslie. « Our people are like gardens" : music, performance and aesthetics among the Lolo, West New Britain Province, Papua, New Guinea ». Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/30917.
Texte intégralArts, Faculty of
Anthropology, Department of
Graduate
Burns, Robert, et n/a. « Transforming folk : innovation and tradition in English folk-rock music ». University of Otago. Department of Music, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080701.132922.
Texte intégralNewton, Michael John. « GCSE music : year nine and ten students' perceptions and enrolment intentions in relation to music education rationale and government educational policy ». University of Western Australia. School of Music, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0126.
Texte intégralPerkins, Tedrow Lewis. « British Pastoral Style and E.J. Moeran's Fantasy Quartet : A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, B. Britten, L. Foss, G. Handel, A. Marcello, E. Rubbra, C. Saint-Saens, and Others ». Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331812/.
Texte intégralTaylor, Mark A. (Mark Amdahl). « British-Style Brass Bands in U.S. Colleges and Universities ». Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc955014/.
Texte intégralRough, William W. « Walter Richard Sickert and the theatre c.1880-c.1940 ». Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1962.
Texte intégralGreenhalgh, Michael John. « A critical edition, with introduction and commentary, of the libretto texts of Montagu Slater and Benjamin Britten's Peter Grimes ». Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:e7341552-afc2-4c6f-b7de-9339c85e304b.
Texte intégralSharp, Neil. « Modernity, art and art education in Britain, 1870-1940 ». Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285129.
Texte intégralMorris, Carl. « Sounds Islamic ? : Muslim music in Britain ». Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/49338/.
Texte intégralFowler, Alan. « Constructivist art in Britain, 1913-2005 ». Thesis, University of Southampton, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.433954.
Texte intégralNott, James. « Popular music and the popular music industry in interwar Britain ». Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324242.
Texte intégralCharlesworth, J. J. « Art criticism : the mediation of art in Britain 1968-76 ». Thesis, Royal College of Art, 2016. http://researchonline.rca.ac.uk/1803/.
Texte intégralBurrows, Donald. « Handel's Church Music - Modern Performances in Britain ». Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37227.
Texte intégralPercival, James Mark. « Making music radio : the record industry and popular music production in the UK ». Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/362.
Texte intégralFerraro, Mario. « Contemporary opera in Britain, 1970-2010 ». Thesis, City University London, 2011. http://openaccess.city.ac.uk/1279/.
Texte intégralGolding, Rosemary. « What shall we do with music ? Music and Academia in Victorian Britain ». Thesis, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.506224.
Texte intégralMokhtabad-Amrei, Seyed Abdolhossein. « Iranian contemporary art music ». Thesis, Goldsmiths College (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500084.
Texte intégralCleveland, Chad L. « The music of art / ». Online version of thesis, 2009. http://hdl.handle.net/1850/11203.
Texte intégralCurran, Terence William. « Recording classical music in Britain : the long 1950s ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:2340cf56-c2be-4c0b-b5a6-2cfe06c22fe4.
Texte intégralAn, Yu Lee. « Music Publishing in London From 1780 to 1837 as Reflected in Music Publishers' Catalogues of Music for Sale : A Bibliography and Commentary ». Thesis, University of Canterbury. Music, 2008. http://hdl.handle.net/10092/4197.
Texte intégralWong, Wendy H. W. « Paul Wittgenstein in Great Britain ». Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33743/.
Texte intégralJones, Kimberley Morse. « The New Art Criticism in Britain 1890-95 ». Thesis, University of Reading, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.405477.
Texte intégralCloonan, Martin John. « Banned ! : Censorship of popular music in Britain ; 1967-1992 ». Thesis, University of Liverpool, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385433.
Texte intégralIbbett, David Roger. « Towards an integrated art music ». Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/6485/.
Texte intégralMarch, Neil. « Developing an urban art music ». Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/11458/.
Texte intégralSkevk, Therese. « Art and Music Profile School ». Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-135474.
Texte intégralWillgoss, Richard Adrian. « Creativity in Art Music Composition ». Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/20586.
Texte intégralPeak, Anna. « THE MUSIC OF THE SPHERES : MUSIC AND THE GENDERED MIND IN NINETEENTH-CENTURY BRITAIN ». Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/96510.
Texte intégralPh.D.
This interdisciplinary study examines how nineteenth-century British ideas about music reflected and influenced the period's gendering of the mind. So far, studies of Victorian psychology have focused on the last half of the century only, and have tended to elide gender from the discussion. This study will contribute to a fuller picture of nineteenth-century psychology by demonstrating that the mind began to be increasingly gendered in the early part of the century but was largely de-gendered by century's end. In addition, because music was an art form in which gender norms were often subverted yet simultaneously upheld as conventional, this study will also contribute to a fuller understanding of the extent to which domestic ideology was considered descriptive or prescriptive. This work makes use of but differs from previous studies of music in nineteenth-century British literature in both scope and argument. Drawing throughout on the work of contemporary music historians and feminist musicologists, as well as general and musical periodicals, newspapers, essays, and treatises from the long nineteenth century, this dissertation argues that music, as a field, was increasingly compartmentalized beginning early in the century, and then unified again by century's end. This division and re-unification reflected changing conceptions of the mind, and coincided with the waxing and waning of domestic ideology. Analyzing a range of literary texts, both canonical and non-canonical, in this context demonstrates that music was portrayed increasingly negatively over the century as it became harder and harder to contain the increasing threat that music posed to traditional gender norms, a threat based in a view of music that began to imply mental equality between men and women. This implication was embraced by some, particularly homosexuals, and feared by others, who tried to rescue traditional norms by displacing gender ambiguity onto foreigners and Jews. Thus, the rise and fall of domestic ideology as well as end-of-century changes in the manifestation of xenophobia and anti-Semitism are related not only to industrialism and Evangelicalism and other historical events but also to changing ideas about the gender of the mind, reflected in and influenced by changing ideas about music.
Temple University--Theses
Gollannek, Eric Frederick. « "Empire follows art" exchange and the sensory worlds of Empire in Britain and its colonies, 1740-1775 / ». Access to citation, abstract and download form provided by ProQuest Information and Learning Company ; downloadable PDF file, 427 p, 2008. http://proquest.umi.com/pqdweb?did=1625773591&sid=9&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Texte intégralJamoul, Lina. « The art of politics : broad-based organising in Britain ». Thesis, Queen Mary, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.435088.
Texte intégralVickers, Tony. « Visualising the landvaluescape : developing the case for Britain ». Thesis, Kingston University, 2009. http://eprints.kingston.ac.uk/20232/.
Texte intégralGaines, Adam W. « Work of Art : the life and music of Art Farmer ». Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1317924.
Texte intégralRanyard, Marie Phyllis. « Transcontextual mechanisms in contemporary art music ». Thesis, City University London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264241.
Texte intégralHarrison, Jack Pascal. « Thoughts on art and country music ». The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1314211662.
Texte intégralGroscost, Donald. « Music and art : an analogical approach / ». Online version of thesis, 1987. http://hdl.handle.net/1850/10432.
Texte intégralRobinson, Chelseigh. « Music and Art : Exploring Cross-Pollination ». Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/honors/115.
Texte intégralBauer, Petra. « The reception of E.T.A. Hoffmann in 19th century Britain ». Thesis, Keele University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301193.
Texte intégralHemingway, Andrew. « Landscape imagery and urban culture in early nineteenth-century Britain / ». Cambridge (GB) : Cambridge university press, 1992. http://catalogue.bnf.fr/ark:/12148/cb35573738q.
Texte intégralWardleworth, Dennis. « Building the modern corporation : corporate art patronage in interwar Britain ». Thesis, Southampton Solent University, 2002. http://ssudl.solent.ac.uk/628/.
Texte intégralMonks, Sarah. « Marine art and the public sphere in Britain, 1739-1795 ». Thesis, Courtauld Institute of Art (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401690.
Texte intégralAnderson, Virginia de Vere. « Aspects of British experimental music as a separate art-music culture ». Thesis, Royal Holloway, University of London, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408200.
Texte intégralBruseker, A. « No neutral fantasy : women, gender and music in Britain 1880-1920 ». Thesis, University of Liverpool, 2016. http://livrepository.liverpool.ac.uk/3001633/.
Texte intégralMcHale, Katherine Jean. « Ingenious Italians : immigrant artists in eighteenth-century Britain ». Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/13854.
Texte intégralFrackenpohl, David J. (David John). « Analysis of Nocturnal op. 70 by Benjamin Britten ». Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500442/.
Texte intégralDeepwell, Catherine Naomi. « Women artists in Britain between the two world wars ». Thesis, Birkbeck (University of London), 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282800.
Texte intégralKroeter, Chloe Melinda. « Art and activism : promoting change through British periodical illustration, 1893-1914 ». Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648341.
Texte intégralShasore, Neal Ethan. « Architecture and the public in interwar Britain ». Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:37b6f51a-8b0e-4e29-96d5-ba478251913b.
Texte intégralWood, Kenneth Edward. « An investigation and analysis of selected Victorian art songs / ». Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004204.
Texte intégralShaw, G. « Sights of battle, art and war in Britain, c.1885-1919 ». Thesis, University of Nottingham, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.489696.
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