Thèses : « Archives-Library »

1

Geyer, Andrea. « A TRIBAL SPECIAL LIBRARY AND ARCHIVES PROJECT : ESTABLISHING THE MALKI MUSEUM SPECIAL LIBRARY AND ARCHIVES ». CSUSB ScholarWorks, 2018. https://scholarworks.lib.csusb.edu/etd/752.

Texte intégral

Résumé :

The Malki Museum Tribal Special Library and Archives project is an on-site repository created in order to provide access to information regarding tribal culture and heritage to local tribal members and researchers. The project filled the need for a space dedicated to material related to the history of local Southern California Native American tribes and information regarding the topics of Archaeology, Anthropology and History. The collection includes: books, manuscripts, documents, audio/visual media, and photographs. Bringing together multimedia sources, the Special Tribal Library allows for the preservation and accessibility of these items through cataloging and digitizing the collection. This method allows for the collection to be available to the public while being able to preserve its integrity through limited handling. In order to facilitate the establishment of the Special Library and Archive, the Malki Museum Special Tribal Library and Archives project teamed up with the Malki Museum’s Director, as well as the Malki Museum’s Tribal Board of Directors. Several weeks of organization, assessment, and collaboration helped prepare the Special Library first for user-friendliness. The final product is the Malki Museum Tribal Special Library which provides tribal members and scholars alike a locality where research can be undertaken and acquired. The Malki Museum Tribal Special Library project helps bring important data within reach to its local community.

Styles APA, Harvard, Vancouver, ISO, etc.

2

Yu, Shien-Chiang. « Study on digital archives standard for library automation system ». School of Communication & ; Information, Nanyang Technological University, 2006. http://hdl.handle.net/10150/106097.

Texte intégral

Résumé :

With the development of internet and the trend of information system technology, the object of digital library research has extended to the application of digital archives. Basically, digital libraries store huge amounts of data, including text, image, map audio, video and illustration via electronic formats. Further more, digital libraries could be conveniently accessed through the Internet. As the research intention of network information systems, the critical technology in digital library research could be how to let users effectively harvest correct information from the digital library. Digital library users could discover, present, and organize knowledge among these data of digital libraries. The traditional library automation system, related applying technologies and protocols, such as MARC, Z39.50 and ISO 2709, could not totally match the requirement of digital archives. The purpose of this research is to find out how to effectively manage and apply the related technology of digital archive to handle the existing operation processes in library and the management requirement of digital archives. This paper discusses an evolution model of the related technology of library automation systems.

Styles APA, Harvard, Vancouver, ISO, etc.

3

Morris, Alan. « Digital technologies and photographic archives Birmingham Central Library : a case study ». Thesis, University of Wolverhampton, 2001. http://hdl.handle.net/2436/126505.

Texte intégral

Résumé :

This thesis considers the use and potential of digital technologies for those responsible for photographic collections in public libraries. Using the Birmingham Central Library as a case study, the research has explored how information comn1unication technologies have impacted on the way in which photographic in1ages are created, stored and disseminated. The study provides an overview of both the British library service and the role of archives within this public provision. Following an examination of the characteristics of digital media and a range of issues relating to the preservation, dissemination and economic exploitation of photographic il1aterials in digital form, the thesis goes on to adopt a variety of research strategies, including a number of empirical projects used to assimilate information relating to the practical application of information communication technologies by those working in public libraries. The major outcome of the research, identified in the later sections of the thesis, has been to n1ake a unique contribution to the field of knowledge relating to the provision of digital resources by those responsible for photographic collections residing in archives within public libraries in the United Kingdom. The conclusions to emerge from the theoretical and empirical research contribute to knowledge by providing current information about the utilisation of digital technologies for the purposes of enhancing access to photographic material held within public library archives, whilst also considering possible future developments relating to the area of investigation.

Styles APA, Harvard, Vancouver, ISO, etc.

4

Vermont, Ernest L. « Tactics of truth : military principles for waging spiritual warfare / ». [Longwood, Fla.] : Xulon, 2006. http://library.fuller.edu/library/archives/bookplates/kraft_charles_h.asp.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

5

Chŏng, Pyŏng-gwan. « That they all may hear : a case for receptor-oriented contextual communication with the younger generation in Korea / ». Institute of Christian Culture, 1993. http://library.fuller.edu/library/archives/bookplates/kraft_charles_h.asp.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

6

Medjkoune, Leïla Hill Halison Metzger Jean-Paul. « Archivage du Web à la British Library ». [S.l.] : [s.n.], 2007. http://www.enssib.fr/bibliotheque-numerique/document-1876.

Texte intégral

Résumé :

Mémoire de master en sciences de l'information et des bibliothèques : services documentaires numériques : Villeurbanne, ENSSIB : 2007.
Texte intégral. Résumé en français et en anglais. Bibliogr. f. 89-93.

Styles APA, Harvard, Vancouver, ISO, etc.

7

Cox, Richard J., Mary K. Biagini, Toni Carbo, Tony Debons, Ellen Detlefsen, Jose-Marie Griffiths, Don King et al. « The Day the world changed : Implications for archival, library, and information science education ». University of Illinois at Chicago Library, 2001. http://hdl.handle.net/10150/105956.

Texte intégral

Résumé :

The terrorist attacks of September 11th on the World Trade Center and the Pentagon have had profound implications for many aspects of American and global society. This essay explores the many implications for library and information science schools educating the next generation of information professionals. The essay considers an array of opinions by the faculty located in one such school regarding how to reflect on the aftermath of the attacks for basic aspects of teaching, research, and curriculum design in library and information science schools. Topics examined include disaster preparedness and recovery, knowledge management, workplace design and location, technology and the human dimension, ethics and information policy, information security, information economics, memorializing and documenting the terrorist attacks, the role of the Internet, and preservation.

Styles APA, Harvard, Vancouver, ISO, etc.

8

Kumbier, Alana. « Ephemeral Material : Developing a Critical Archival Practice ». Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1236198205.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

9

Lemmers, Frédéric. « Digitizing Sound Archives at Royal Library of Belgium : Challenges and difficulties encountered during a major digitization project ». De Gruyter, 2018. https://slub.qucosa.de/id/qucosa%3A36385.

Texte intégral

Résumé :

Music in general and recorded music in particular are rarely a priority for libraries’ digitization policies, although wax cylinders and 78rpm discs might be digitized for preservation and accessibility reasons. The respect of the original recording technique during the digitization process will ensure the scientific and artistic credibility of the digitized sources. The Royal Library of Belgium started in 2016 the digitization of its whole collection of 78rpm. Realized by subcontracting, this project of about 4,000 hours will constitute a large corpus of sources for the digital musicology upcoming needs.
Musikalien im Allgemeinen und Tonträger im Besonderen erhalten in bibliothekarischen Digitalisierungsstrategien häufig nur wenig Beachtung, obwohl gerade für Wachszylinder und Schellackplatten sowohl aus Gründen der Bestandserhaltung als auch zur Verbesserung der Zugänglichkeit ihre Digitalisierung dringend geboten wäre. Um bei der Retrodigitalisierung von historischen Tonaufnahmen künstlerisch und wissenschaftlich zuverlässige Ergebnisse zu erreichen, ist den originalen Aufnahmetechniken große Aufmerksamkeit zu schenken. Die Königliche Bibliothek Belgiens lässt seit 2016 ihre vollständige Sammlung an Schellackplatten digitalisieren. Mithilfe eines Dienstleisters werden ca. 4 000 Stunden Tonaufnahmen produziert, die für aufkommende Forschungsfragen der digitalen Musikwissenschaft einen gewichtigen Quellenkorpus darstellen.

Styles APA, Harvard, Vancouver, ISO, etc.

10

Morrison, Heather, Coll Imma Subirats, Norm Medeiros et Robbio Antonella De. « E-LIS : the open archive for library and information science ». Charleston Advisor, 2007. http://hdl.handle.net/2429/941.

Texte intégral

Résumé :

E-LIS is an open access archive for library and information science. With over 5,800 documents as of June 2007 (over 5,000 in February 2007 when the archive was investigated in-depth), E-LIS is the world’s largest archive for LIS. Over half the documents in ELIS are peer-reviewed. E-LIS is particularly strong in English and Spanish language documents, but supports over 22 languages. With this multilingual support and a global team of volunteer editors, E-LIS has significant diversity in content, an advantage over traditional, english-based LIS resources. Not surprising, this tool designed by and for librarians features robust and user friendly search options. Lack of phrase searching, and pointing to a cross-archiving searching tool no longer supported when much better options are available, are identified as areas for improvement.

Styles APA, Harvard, Vancouver, ISO, etc.

11

Tansley, Robert, Mick Bass, David Stuve, Margret Branschofsky, Daniel Chudnov, Greg McClellan et MacKenzie Smith. « The DSpace Institutional Digital Repository System : Current Functionality ». Institute of Electrical and Electronic Engineers, 2003. http://hdl.handle.net/1721.1/26705.

Texte intégral

Résumé :

In this paper we describe DSpaceâ¢, an open source system that acts as a repository for digital research and educational material produced by an organization or institution. DSpace was developed during two years’ collaboration between the Hewlett-Packard Company and MIT Libraries. The development team worked closely with MIT Libraries staff and early adopter faculty members to produce a âbreadth-first’ system, providing all of the basic features required by a digital repository service. As well as functioning as a live service, DSpace is intended as a base for extending repository functionality, particularly to address long-term preservation concerns. We describe the functionality of the current DSpace system, and briefly describe its technical architecture. We conclude with some remarks about the future development and operation of the DSpace system.

Styles APA, Harvard, Vancouver, ISO, etc.

12

Roggia, Sally. « William James Barrow a biographical study of his formative years and his role in the history of Library and archives conservation from 1931-1941 / ». [Stanford, Calif. : Conservation OnLine, 2002. http://palimpsest.stanford.edu/byauth/roggia/barrow/.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

13

Lee, Jamie Ann. « A Queer/ed Archival Methodology : Theorizing Practice through Radical Interrogations of the Archival Body ». Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/556236.

Texte intégral

Résumé :

This project uses the body as a framework to understand and re-imagine the archives (here referring to the professionally managed repository). It argues that the archives as a body of knowledge, like the human body, does not and cannot fit into normative stable categories. Tracing the shift in archival paradigms from modern to postmodern, I employ the posthuman to argue for a concomitant shift in understanding of the archival body, which I conceive of as comprising both human and non-human corpora of knowledge and knowledge-making practices. These corpora are simultaneously becoming and unbecoming as multiply-situated identities, technologies, representations, and timescapes. Using temporality as a key element in analyzing archival productions, I consider how this body might sediment. This research, written from my insider perspective as an archivist, implements a transdisciplinary approach that draws from the disciplines of archival and queer studies as well as from somatechnics, embodiment and affect studies, and decolonizing methodologies to advocate for a proposed Queer/ed Archival Methodology, Q/M, that is designed to trouble the concepts of archival theory and production. It also employed on-site observation and interviews at the Transgender Archives in Victoria, British Columbia, Canada, observation and narrative analysis of recordings held by the Arizona Queer Archives and the Arizona LGBTQ Storytelling Project, and online interviews with the developer of the Skeivt Arkiv, Norway's first state-sanctioned queer archives. Three overarching questions guided the research: 1) How can archives simultaneously hold normative and non-normative stories, materials and practices together as both complementary and also contradictory without subordinating or otherwise invalidating either and so that each can still be considered worthy of archival attention? 2) How might a Q/M be a radical intervention into normative archival practices and structures and to what ends? 3) What might it mean and look like for a queer/ed archives to be a radically open space? For whom? As we encounter multiply-situated subjects in the postmodern approach and follow traces in order to interrogate the force and function of respectability politics within the archival body, the modern and anthropocentric Cartesian statement 'Je pense, donc je suis' (I think, therefore I am) can no longer support the human and records as the central theme of archival endeavors. The posthuman approach offers many possibilities. Through the understanding that human bodies are relational and contingent in complex ways to non-human bodies and each to bodies of knowledges, human and non-human bodies come together in complex relations and assemblages within the archives. Archival productions can thus represent new and emerging thoughts on lived experiences as these are situated in various structures and systems. The Q/M offers a way of thinking and acting with, about, through, among, and at times in spite of traditional as well as emerging archival practices and processes in order to facilitate new, imaginative, irrational, and unpredictable re-configurations of bodies and archives and the many histories and records therein. Its flexible foundation in the theories employed in the research support Q/M's seven key approaches: 1) Participatory Ethos, 2) Connectivity, 3) Storytelling, 4) Intervention, 5) Re-framing, 6) Re-imagining, and 7) Flexibility & Dynamism.

Styles APA, Harvard, Vancouver, ISO, etc.

14

Borden, Sara. « An Examination of How Archives Have Influenced the Telling of the Story of Philadelphia's Civil Rights Movement ». Master's thesis, Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/145626.

Texte intégral

Résumé :

History
M.A.
This paper examines the way that history and the archive interact with an examination of the civil rights movement in Philadelphia in the 1960s. Lack of accessibility may detrimentally affect historians' analyses. This paper is an assessment of what both writers and archivists can do to help diminish oversights. Included is an investigation of the short-lived Black Coalition and the way the organization is represented in scholarship. How do the representations differ from the story the primary sources tell? Also examined is the relationship between Cecil B. Moore and Martin Luther King, Jr. What primary sources exist that illuminate their friendship? How has their friendship been portrayed in secondary works? The paper outlines the discovery of video footage of the two men and how this footage complicates widely-held perceptions of their association. Lastly, this thesis offers remedies to allow for greater accessibility of primary source documents, most notably the role of digitization within the archive. Included in these suggestions are analyses of existing digital initiatives and suggestions for future projects. Digitization initiatives may be the means by which to bridge the gap currently facing archivists and historians today.
Temple University--Theses

Styles APA, Harvard, Vancouver, ISO, etc.

15

Drexhage, Glenn. « A scholar’s perspective ». British Columbia Library Association, 2009. http://hdl.handle.net/2429/10936.

Texte intégral

Résumé :

This article, written by Glenn Drexhage, Communications Officer – UBC Library/Irving K. Barber Learning Centre, appeared in the BCLA Browser: Linking the Library Landscape online newsletter (vol.1, no.3 2009). BCLA Browser website: http://bclabrowser.ca.

Styles APA, Harvard, Vancouver, ISO, etc.

16

Lidman, Roger. « Forskningsbibliotek och elektronisk publicering ». Thesis, Umeå University, Sociology, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-292.

Texte intégral

Résumé :

Syftet med denna uppsats var att kartlägga de projekt för elektronisk publicering, där forskningsbiblioteken är inblandade. Detta genomfördes genom en studie över vad det är som styr utvecklingen av alternativa publiceringssystem. Det var både svenska och utländska projekt som undersöktes, fast tonvikten lades på situationen i Sverige och det nystartade DiVA-projektet. DiVA-projektet är ett projekt som bygger upp ett gemensamt biblioteksarkiv för vetenskapliga dokument, där man inledningsvis e-publicerar avhandlingar. Forskningsbiblioteken antar i dessa projekt en ny roll, den som förläggare av lärosätenas vetenskapliga information. Undersökningen gjordes dels genom en analys av artiklar, debatter o.d. om DiVA-projektet, dels genom en kvalitativ intervju med den ansvarige för DiVA-projektet vid Umeå universitet och dels genom en analys av artiklar, debatter o.d. om andra projekt för elektronisk publicering. Resultatet visade att det är forskarnas värderingar samt organisatoriska, tekniska och ekonomiska styrmedel, som är tänkbara orsaker till initieringen av projekten och utvecklingen av alternativa publiceringssystem. Forskarsamhällets värderingar för en fullgod vetenskaplig kommunikation, definierade av Robert K. Merton, säger att forskaren utan baktankar ska sprida sina dokument och få dem kritiskt granskade. Forskarsamhället i stort menar emellertid att de alternativa publiceringssystemen som finns brister i beständighet, tillgänglighet och tillförlitlighet. Därför fungerar inte den vetenskapliga kommunikationen som den ska. Detta tvingar mer eller mindre fram utvecklingen av alternativa publiceringssystem och forskningsbiblioteken måste ta sitt ansvar för att bidra till en lösning på problemen. Internet underlättar utvecklingen, i och med att informationssamhället mer och mer utvecklas till ett nätverkssamhälle, något som Manuel Castells poängterar. Nätverksorganisationer kan enligt Castells skapas, som tillsammans kan utveckla mer tekniskt utvecklade alternativa publiceringssystem och på samma gång sänka kostnaderna för spridningen och bevarandet av vetenskaplig information. Av de fyra drivkrafterna bakom utvecklingen av alternativa publiceringssystem verkar den ekonomiska drivkraften vara den allra starkaste ur forskningsbibliotekens synvinkel, eftersom dessa har mycket att vinna ekonomiskt genom denna utveckling och är därför mycket aktiva i utvecklingsarbetet.

Styles APA, Harvard, Vancouver, ISO, etc.

17

Reyes, Brenda. « A Grounded Theory of Information Quality in Web Archives ». Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248497/.

Texte intégral

Résumé :

Web archiving is the practice of preserving websites as a historical record. It is a technologically-challenging endeavor that has as its goal the creation of a high-quality archived website that looks and behaves exactly like the original website. Despite the importance of the notion of quality, comprehensive definitions of Information Quality (IQ) in a web archive have yet to be developed. Currently, the field has no single, comprehensive theory that describes what is a high-quality or low-quality archived website. Furthermore, most of the research that has been conducted on web archives has been system-centered and not user-centered, leading to a dearth of information on how humans perceive web archives. This dissertation seeks to remedy this problem by presenting a user-centered grounded theory of IQ for web archives. It answers two research questions: 1) What is the definition of information quality (IQ) for web archives? and 2) How can IQ in a web archive be measured? The theory presented is grounded on data obtained from users of the Internet Archive's Archive-It system, the largest web-archiving subscription service in the United States. Also presented are mathematical definitions for each dimension of IQ, which can then be applied to measure the quality of a web archive.

Styles APA, Harvard, Vancouver, ISO, etc.

18

Taliani, Alexandra R. « An Annotated Catalog of the Music of Eusebia Simpson Hunkins in the Music and Dance Library Special Collections Room and the Mahn Center for Archives and Special Collections of Ohio University ». Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1587141633610687.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

19

Jacinto, Irlanda Esteli. « Cultural Competence in the Archive : A Case Study of the University of Houston Hip Hop Collection ». Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/311355.

Texte intégral

Résumé :

Hip hop is a counter cultural movement that emerged in the 1970s in the South Bronx; it has since grown to be a global movement. It is a counter culture that emerges in the post-segregated, post-industrial, and globalized world. Since 2002, archival collections that document hip hop have manifested within academic institutions. Placing hip hop in academic institutions that have historically served as manifestations of hegemony can lead to codification and commodification. This case study examines the University of Houston Hip Hop Collection and explains the establishment of the archive using the cultural competence framework. It concludes that staff at the University of Houston is culturally competent. The case study suggests that building culturally competent archivists can be tool to ensuring representation within an archive of all facets of society.

Styles APA, Harvard, Vancouver, ISO, etc.

20

Nováková, Jana. « Knihovna a archiv v objektech Dolu Hlubina v Ostravě ». Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2011. http://www.nusl.cz/ntk/nusl-215751.

Texte intégral

Résumé :

Due to the location at the gate of the area of Hlubina mine and also representativeness of the "Bathroom" building I decided to design the entrance floor as a public space, opened to everyone. Place, where past, present and future of the area are presented together. There are exhibition places, library, archives, book shop and also some snack bar for visitors.

Styles APA, Harvard, Vancouver, ISO, etc.

21

Brigham, Stephen King 1950. « Architectural archives : Redefining archives as scholastic tools ». Thesis, The University of Arizona, 1992. http://hdl.handle.net/10150/291404.

Texte intégral

Résumé :

Architectural archives contain cultural records that are valuable to researchers and students of architecture. According to a national survey conducted for this thesis, many of these valuable records are not accessible. Architectural records that are not accessible may become neglected, thereby jeopardizing their long term preservation. This thesis proposes that architectural records will become more accessible when the archives containing these records are linked to curricula in schools of architecture. The thesis outlines the change in mission, the educational programs, and the planning criteria required to transform these archives from expensive repositories to centers of education.

Styles APA, Harvard, Vancouver, ISO, etc.

22

Dieye, Mor. « Valorisation et médiation numérique du patrimoine documentaire colonial et de l'esclavage ». Phd thesis, Université Paul Valéry - Montpellier III, 2013. http://tel.archives-ouvertes.fr/tel-00942980.

Texte intégral

Résumé :

La question de la préservation et de la pérennisation du patrimoine documentaire des archives et des bibliothèques a toujours été au centre des préoccupations et des débats des professionnels en information-documention et intéresse maintenant de plus en plus les usagers. Ceci est lié à l'importance que nos sociétés attachent à l'histoire et à la mémoire. Ce retour vers le passé n'est souvent possible que si la preuve qui l'incarne (en l'occurrence les archives) est bien conservée et valorisée. La numérisation a ouvert de nouvelles perspectives pour la sauvegarde du patrimoine, surtout dans le contexte des pays du Sud où les conditions de conservation font défaut en raison d'un climat tropical défavorable et de moyens infrastructurels et matériels qui manquent souvent. Les solutions offertes par la numérisation pour la sauvegarde, la pérennisation et l'accès au patrimoine documentaire sont certes satisfaisantes, mais ne donnent pas toutes les garanties surtout quand il s'agit des documents historiques fragiles et précieux comme les fonds d'archives de l'esclavage et de la colonisation. [etc.]

Styles APA, Harvard, Vancouver, ISO, etc.

23

ISHITA, Emi, et 栄美石田. « 九州大学大学院ライブラリーサイエンス専攻の概要と附属図書館との連携 ». 名古屋大学附属図書館研究開発室, 2012. http://hdl.handle.net/2237/16264.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

24

Chandra, Smita, et Vivek Patkar. « ICTS : A catalyst for enriching the learning process and library services in India ». Elsevier, 2007. http://hdl.handle.net/10150/106060.

Texte intégral

Résumé :

The advances in ICTs have decisively changed the library and learning environment. On the one hand, ICTs have enhanced the variety and accessibility to library collections and services to break the barriers of location and time. On the other, the e-Learning has emerged as an additional medium for imparting education in many disciplines to overcome the constraint of physical capacity associated with the traditional classroom methods. For a vast developing country like India, this provides an immense opportunity to provide even higher education to remote places besides extending the library services through networking. Thanks to the recent initiatives by the public and private institutions in this direction, a few web-based instruction courses are now running in the country. This paper reviews different aspects of e-Learning and emerging learning landscapes. It further presents the library scene and new opportunities for its participation in the e-Learning process. How these ICTs driven advances can contribute to the comprehensive learning process in India is highlighted.

Styles APA, Harvard, Vancouver, ISO, etc.

25

Drexhage, Glenn. « The future of our past : inside the 2008 B.C. Digitization Symposium ». British Columbia Library Association, 2009. http://hdl.handle.net/2429/8545.

Texte intégral

Résumé :

This article, written by Glenn Drexhage, Communications Officer – UBC Library/Irving K. Barber Learning Centre, appeared in the BCLA Browser: Linking the Library Landscape online newsletter (vol.1, no.1 2009). For more information, please visit the BC Digitization Symposium 2008 website at: http://symposium.westbeyondthewest.ca and the BCLA Browser website at: http://bclabrowser.ca.

Styles APA, Harvard, Vancouver, ISO, etc.

26

Gehr, Susan. « Breath of life| Revitalizing California's Native languages through archives ». Thesis, San Jose State University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1552255.

Texte intégral

Résumé :

This thesis presents an oral history of the Advocates for Indigenous California Language Survival (AICLS) and its Breath of Life Workshop. Held every other year since 1996, the workshop is designed to meet the language revitalization needs of California Indian people whose languages have no living fluent speakers. Breath of Life Workshop organizers arrange visits to four archives on the University of California, Berkeley, campus and connect participants with linguistic mentors to read and interpret archival documents in their language for the purpose of bringing their language back into use.

Through interviews with AICLS founders, Breath of Life Workshop participants, and University of California, Berkeley, linguists and archivists, this study uncovers the role archivists play in the Breath of Life Workshops and in the care of Native language collections more generally. Topics addressed include the selection and use of archival documents in the program and the changes to archival practice and policies that have resulted from archivists’ work with Breath of Life participants. The thesis also examines issues involved in the collection, arrangement, description, preservation, and access to the documentation of California Indian languages. The study concludes with recommendations for future language revitalization programs.

Styles APA, Harvard, Vancouver, ISO, etc.

27

Elenton, Ivona. « Colorado State Archives och det amerikanska arkivväsendets kris ». Thesis, Uppsala University, Department of ALM, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-101451.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

28

Åkerman, Lillemor. « Open Archives Initiative om "öppna arkiv" och den sociala kontextens betydelse ». Thesis, Högskolan i Borås, Institutionen Biblioteks- och informationsvetenskap / Bibliotekshögskolan, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20968.

Texte intégral

Résumé :

There is an ongoing evolution in scholarly communication. The traditional way of communicating scholarly results through scientific journals is beginning to be replaced by other means of dissemination. One new channel for scholars to communicate their results is digital publication in so-called open archives. An open archive is a kind of full text database, where a scholar may archive/publish his or her articles, as a complement or a substitute to publishing in scientific journals. There are discipline-oriented archives and institutional archives. The Open Archives Initiative OAI, set up in 1999, is a major development aimed at heightening interoperability between different open archives. The aim of this thesis is twofold. The first aim is to give an overview of the development of the OAI, mainly from a knowledge organizational perspective. The second purpose is to examine open archives from a historical, social and cultural perspective. The open archives movement has not been the immediate success that many of the advocators had hoped. It is also said that scholars in the humanities and the social sciences are more reluctant to self-archiving than scholars in the natural sciences. This thesis try to find out more about why scholars are reluctant and to examine whether it is true that scholars in the humanities and the social sciences are more reluctant, and if its true, why this is so. This study compiles some weaknesses with the OAI retrieval model that have been observed lately. Many of these weaknesses are related to human aspects of the retrieval model, for example issues related to the creation of metadata. The results show that scholars in the humanities and the social sciences have been slow to accept open archives, as a reliable channel of publication and dissemination and that the reasons for this may be historical, social and cultural. The study compiles different barriers that may prevent or delay a more widespread usage of open archives. Some barriers may affect scholars in all disciplines; other may mostly affect scholars in the humanities and the social sciences. This study proposes that historical, social and cultural issues have to be taken into consideration when new information retrieval systems are developed.
Uppsatsnivå: D

Styles APA, Harvard, Vancouver, ISO, etc.

29

Typltová, Hana. « Městská knihovna, Lausanne ». Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2013. http://www.nusl.cz/ntk/nusl-215986.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

30

Baker, Kim. « Adapting the model for information literacy and cultural heritage in Cape Town : investigating user attitudes and preceptions in libraries, museums and archives ». Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/13646.

Texte intégral

Résumé :

Includes bibliographical references.
Adapting the Model for Information Literacy and Cultural Heritage in Cape Town: investigating user attitudes and perceptions in libraries, museums and archives, by Kim Baker, investigates the attitudes and perceptions of general public adult users of the City of Cape Town public libraries, Iziko Museums of South Africa, and the Western Cape Archives and Records Service in Cape Town towards cultural heritage, information literacy and learning in order to adapt the Model for Information Literacy and Cultural Heritage for Lifelong Learning to the Cape Town context. A generic Model for international use was developed for the book. In formation Literacy and Cultural Heritage: Developing a model for lifelong learning . (Baker, 2013). The adapt at ion of the generic model is a necessary preliminary step before designing courses to teach information literacy and cultural heritage to the general public in a given local context and in an integrated manner, with public libraries, museums and archives collaborating and co - operating to provide the training together. The investigation was conducted by means of survey questionnaires, which applied within-method triangulation of quantitative and qualitative questions, and a combination of Yes/No answers, Likert scale questions and multiple-choice questions. The survey questionnaires included the demographic categories of race, gender, age group, home language, level of education, religion and employment status in order to gain an understanding of the demographic profiles of users necessary to the application of training in cultural heritage to different cultural groups. Questions were grouped into sections, with Section A asking questions pertaining to understandings of cultural heritage, Section B investigating whether users had access to the Internet at home, and if so, how much bandwidth was available to them; Section C explored information seeking and evaluation (information literacy) patterns, and Section D explored learning behaviours and preferences. Section E explored whether users of the public libraries also used museums and archives, why or why not; whether users of the museums used public libraries and archives, and why or why not, and whether users of the Archives used public libraries, and why or why not. At the public libraries, 480 respondents across the branches of Central Library; Athlone; Milnerton; Moses Mahbida; Grassy Park; Bellville; Harare; Somerset West; Brackenfell and Town Centre, Mitchell’s Plain, completed the questionnaires. At Iziko Museums, 220 respondents across the sites of the South African Museum, and the Slave Lodge completed questionnaires. At the Archives , which has only one site, 25 respondents completed the questionnaires. The surveying was conducted using the convenience sampling method. The data was analyzed using Microsoft Excel 2010, by means of non-parametric, descriptive statistics and presented in graphic format. Following the interpretation of the results, and as a result of this study, recommendations were made for the adapt at ion of the Model of Information Literacy and Cultural Heritage for Lifelong Learning to apply to the context of Cape Town.

Styles APA, Harvard, Vancouver, ISO, etc.

31

Forsgren, Tuuli, et Göran Larsson. « The digital infrastructure of the archives : workshop in Umeå and Sandslån 15-19 May 2000 ». Umeå universitet, Umeå universitetsbibliotek (UB), 2002. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-33294.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

32

Senjaya, Rudy. « Web-based library for student projects/theses and faculty research papers ». CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/47.

Texte intégral

Résumé :

The purpose of this project is to make available a Web-based Library, a web application developed for the Department of Computer Science at CSUSB to manage student projects/theses and faculty papers. The project is designed in accordance with Model-View-Controller (MVC) design pattern using the Jakarta Struts framework and iBATIS Data Mapper framework from Apache Software Foundation, JavaServer Pages (JSP), and MySQL database.

Styles APA, Harvard, Vancouver, ISO, etc.

33

Tekfi, Chaffai. « Design of a computer information system for the Algerian National Archives ». Thesis, City, University of London, 1990. http://books.google.com/books?id=uCPhAAAAMAAJ.

Texte intégral

Résumé :

Thesis (Ph. D.)--City University (London, England), 1990.
"DX-95400." eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 412-428).

Styles APA, Harvard, Vancouver, ISO, etc.

34

Woolfrey, Lynn. « Archiving social survey data in Africa : an overview of African microdata curation and the role of survey data archives in data management in Africa ». Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/8989.

Texte intégral

Résumé :

Includes bibliographical references (p. 124-157).
This study examines current practice in the curation of social survey data in African countries and makes suggestions for future improvements in this regard. Curation of data refers to its preservation and management for reuse. Utilising survey data for the study of social phenomena other than those for which the original survey was initiated is a relatively new research approach in Africa. Thus best practice for this type of research is still being put in place by African organisations. This involves the development of optimal means of processing and storing the data for re-use. Of concern to this study is what constitutes the most effective way of managing and sharing the information garnered from these surveys as a resource for economic and social development in Africa. Social survey data refers to both the statistical information which is the final product of censuses or sample surveys, and the documentation provided with the data to facilitate its reuse. Documentation includes technical notes and questionnaires used in the survey process, as well as meta data (detailed information about the data) and reports produced concerning the final survey findings. The research looks at the history of the management of social survey data worldwide and in African countries, and the policies and processes involved in curating survey information in these countries. The comparative component of the study examines developments in this field internationally and compares these to practices on the African continent. International best practice in the field has been used to evaluate current methods of survey data archiving in African countries. The study presents strategies to ensure the optimal preservation and effective sharing of survey data among countries of the region. Strategies for the establishment of a Pan African network of data sharing organisations are suggested to support future repurposing of African census and survey data.

Styles APA, Harvard, Vancouver, ISO, etc.

35

Lauvernier, Julie. « Classer et inventorier au XIXe siècle : administration des fonds et écriture de l'histoire locale dijonnaise par l'archiviste Joseph-François Garnier 1815-1903 ». Phd thesis, Université de Bourgogne, 2012. http://tel.archives-ouvertes.fr/tel-00808073.

Texte intégral

Résumé :

Située au carrefour de l'histoire des archives, de la construction des savoirs, de l'histoire des sciences et du pragmatisme, cette thèse se propose dans la double optique de la biographie intellectuelle de l'archiviste et historien dijonnais Joseph Garnier (1815-1903) et d'une généalogie des pratiques et des méthodes de l'archivistique de s'attacher à étudier la place de l'archive et du traitement qui lui fut réservé dans le courant du XIXe siècle aux Archives et dans l'écriture de l'histoire. En opposant l'archivable à l'éditable la rénovation des archives locales provoque une perturbation des cadres méthodologiques et un sentiment d'urgence technique et scientifique : l'inventorisation devait impérativement prendre le pas sur l'édition exhaustive des richesses paléographiques de la France. Ce réaménagement des représentations archivistiques offre la possibilité d'un chassé-croisé entre science des documents et administration des fonds. Ces deux nécessités réussissent une conciliation par le réajustement des objectifs assignés aux inventaires sommaires via leur normalisation. Obligées de faire de l'inventaire-sommaire et de la description des actes préalables à l'utilisation et à la publication des documents historiques, les Archives locales manifestent qu'il existe des savoirs et des pratiques spécifiques à la gestion des documents. En normalisant et en institutionnalisant les " arts de faire " de la classification, le monde des archives élabore de nouvelles technologies intellectuelles induisant à chaque étape de nouveaux rapports à l'archive et à l'histoire dont l'historiographie a su mesurer toute l'inventivité.

Styles APA, Harvard, Vancouver, ISO, etc.

36

Buys, Frederick Jacobus. « (De)constructing the archive : an annotated catalog of the Deon van der Walt Collection in the NMMU Library ». Thesis, Nelson Mandela Metropolitan University, 2014. http://hdl.handle.net/10948/d1020585.

Texte intégral

Résumé :

Deon van der Walt was, at the height of his career, considered the leading lyric tenor of his generation. In a career that spanned more than 25 years he performed in the great opera houses of the world and sang for the leading conductors of the time, sharing the stage with the best singers in the world. He was the first male South African to accomplish the so-called “grand slam” of opera, having sung in the Royal Opera House, Covent Garden (London), Wiener Staatsoper (Vienna), La Scala (Milan) and the Metropolitan Opera House (New York). He was also a prolific oratorio and lieder singer, collaborating with the best artists the musical world had to offer. In addition he left a large recorded legacy, both published and unpublished. His untimely death on 29 November 2005 was extensively reported on both locally and abroad - a fact which again highlighted the importance of his personal and professional contribution to the international opera world.The Deon van der Walt Collection is the single most important key to unlocking the life and career of one of the most successful South African opera singers of all time. It was bequeathed to the Nelson Mandela Metropolitan University (NMMU) Library the Deon van der Walt Trust in 2007. The collection is made up of an arbitrary assortment of books, documents, sound and video recordings that were left in van der Walt’s Zürich accommodations at the time of his death in 2005. It is housed in separate section on the lower level of the South Campus Library of the NMMU. The collection has been partially catalogued by the NMMU Library but left largely unattended for the last 6 years. The compiling of an annotated catalogue of this collection is the vital first step in connecting the dots of an extraordinary musical career that was hailed as one of the greatest of his time.

Styles APA, Harvard, Vancouver, ISO, etc.

37

Grigoriadou, Eirini. « El archivo y las tipologías fotográficas. De la Nueva Objetividad a las nuevas generaciones de fotógrafos en Alemania : 1920-2009 ». Doctoral thesis, Universitat de Barcelona, 2011. http://hdl.handle.net/10803/53533.

Texte intégral

Résumé :

El presente estudio se centra en aquellos métodos de trabajo que desde la década de los sesenta ciertos artistas desarrollaron mediante un procedimiento singular que se inscribe en la lógica de archivo. Dicha lógica se examina en relación con la fotografía y su uso. Las prácticas fotográficas desarrolladas en Alemania y concretamente las de la llamada “Escuela de Düsseldorf” se asocian con procesos y métodos que apuntan a una visión analítica y sistemática de la fotografía. El proceso de acumulación, los principios de organización y clasificación de materiales de acuerdo con criterios que pueden ser rigurosos o más flexibles, así como la presentación de dichos materiales en formaciones reticuladas nos permiten hablar de usos metodológicos que sustentan sus proyectos tipológicos y de la idea de archivo como un marco conceptual. Es la posición analítica del procedimiento artístico a la hora de emplear sistemas tipológicos y comparativos para la organización y comprensión del conocimiento de las cosas la que esta investigación pretende estudiar. El objetivo central es examinar e identificar las condiciones que prefiguran el uso y la función de la fotografía como medio de archivo. Partiendo de las cuestiones que conciernen a la fidelidad, a la versatilidad y a la objetividad de la fotografía y de los interrogantes que se plantean a través de dichas cuestiones, intentaremos ver la condición histórica y actual del documento fotográfico en relación con los sistemas de saber.
The present investigation is centred at those methods of study that since the decade of the 1960s certain artists developed through a singular procedure that is inscribed in the logic of the archive. This logic examined in relation with the photography and its use. The photographic practices developed in Germany and specifically those from the “School of Düsseldorf” are associated with processes and methods that point to an analytical and systematic vision of the photography. The process of accumulation, the principles of organization and classification of materials in accordance with criteria that can be rigorous or much flexible, just as the presentation of these materials in grid formations permit us to talk of methodological uses that sustain their typological projects and the idea of the archive as a conceptual frame. This investigation pretends to study the analytical position of the artistic procedure, the employ of typological and comparative systems in the organization and comprehension of the knowledge of things. Furthermore it intends to examine and identify the conditions that prefigure the use and the function of photography as a medium of archive. Taking as a starting point the questions related to the fidelity, versatility and objectivity of photography and the interrogations raised through these questions, we will try to see the historical and actual condition of the photographic document in relation with the systems of knowledge.

Styles APA, Harvard, Vancouver, ISO, etc.

38

Du, Toit Jaqueline Susann. « The organization and use of documentary deposits in the near east from ancient to medieval times : libraries, archives, book collections and genizas ». Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38480.

Texte intégral

Résumé :

A multidisciplinary approach is utilized to assess the organization and use of ancient and medieval Near Eastern textual deposits. An elaborate survey of the published material in ancient Near Eastern studies and library and archival studies indicates a general and pervasive insensitivity to and misuse of key terminological constructs. The indistinct portrayal of the nature of ancient libraries and archives is identified as of particular concern; as well as a widespread disregard for the recognition of textual collections older than the famed Library of Alexandria. This dissertation endeavours to indicate the presence of distinct textual collective units in the ancient Near Eastern context on equal footing with their much later counterparts and more broadly defined than the traditional library and archive, to include entities such as the geniza, building and foundation deposits, and so forth. Furthermore, the ancient temple library, as a restricted and well-regulated collective entity, is suggested as representative of literary standardization in the Near East, and the canonization process of the Hebrew Bible, in particular. Ancient archives are attested as equally prevalent textual units, clearly distinguishable from adjunct textual deposits, often loosely, but incorrectly, termed "archives" in modern scholarly discourse. In conclusion, this dissertation reconsiders the status of the two traditionally most valued ancient textual entities, the Library of Assurbanipal and the Library of Alexandria, and concludes that these entities are atypical examples of ancient textual collections. As closest claimants to the improbable and often religiously imbued ideal of universal collection of information, these libraries erroneously became the impossible standards by which all ancient collections were measured and found wanting. As alternate, the applicability of the theoretical constructs proposed in the earlier part of this dissertation, such as the introduction of an in

Styles APA, Harvard, Vancouver, ISO, etc.

39

Krbeček, Daniel. « Digitální knihovna ». Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2008. http://www.nusl.cz/ntk/nusl-217318.

Texte intégral

Résumé :

The thesis contains basic information about image documents digitalization. A brief list of common used standards in Czech republic is shown. The standards can be used in description of digitalized documents by institutions such as libraries, scientific departments and universities. The thesis specifically solves the dilemma of the preservation and the accessing of B.P.Molls large map collection stored in Moravian Library in Brno city. It analyses step by step the characteristics of the saved documents, style of their interlacing and data representation. In terms of deposition and manipulation it comes with description list of open-source digital libraries and it chooses the Fedora repository. It solves methods of object-model implementation while using this digital library. The functional parts are web presentation of the mentioned map collection and an effectiveness test showing large-scale maps using the flash Zoomify browser. Web presentation uses the repository services as often as possible, and thus allows searching and searching through the bibliographic records of the presented documents. The end of the thesis sums up the obtained results and presents the incoming development course of presentation and popularization of the map collection.

Styles APA, Harvard, Vancouver, ISO, etc.

40

Bailey-Shimizu, Pamelalee. « First Nations Tribal Library and Social Research Center ». CSUSB ScholarWorks, 2000. https://scholarworks.lib.csusb.edu/etd-project/1952.

Texte intégral

Styles APA, Harvard, Vancouver, ISO, etc.

41

Kubik, Cécile. « Penser l’interprétation des sonates françaises pour piano et violon au XIXe siècle (1800-1870) : des sources au concert ». Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040145.

Texte intégral

Résumé :

La thèse considère la double inconnue d’un répertoire et d’un jeu violonistique encore inexplorés. Elle dévoile les sonates françaises pour piano et violon de la période 1800-1870, mais questionne aussi leur interprétation. Une étude historique est menée sur le jeu des violonistes français : la base de données Mélos, deux inventaires inédits, l’analyse de maintes sources et témoignages, notamment un imposant corpus de traités pédagogiques de violon publiés en France au XIXe siècle et les partitions annotées du fonds Baillot de la Bibliothèque nationale de France (BnF), apportent des éclairages originaux sur ce sujet. L’ambition est de construire aujourd’hui, violon en main, une interprétation de ces sonates méconnues et, avec la création d’outils destinés aux interprètes et aux scientifiques, d’œuvrer à leur diffusion
This dissertation addresses the twofold issue of a violin repertoire and a performance practice, both of which had yet to be explored. French sonatas for piano and violin ranging from the 1800s to the 1870s are unveiled. Their interpretation is also discussed. The performance practices of French violinists are studied from a historical perspective. The Melos database, two previously unpublished inventories, the analysis of numerous sources and testimonies, including an extensive corpus of 19th-century French violin methods and the annotated scores from the French National Library’s Baillot collection are used to tackle this question in the light of multiple criteria. The final purpose of this thesis is to combine theory and practice to bring about an interpretation of these little-known sonatas and to foster new tools for interpreters and scientists with a view to promulgate these works

Styles APA, Harvard, Vancouver, ISO, etc.

42

Sá, Cecilia Gomes de. « Setor cultural de Brasília : contradições no centro da cidade ». reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/101894.

Texte intégral

Résumé :

A seguinte pesquisa trata das origens e projetos arquitetônicos do Setor Cultural de Brasília e busca compreender os antagonismos e similitudes existentes entre o Plano Piloto realizado por Lucio Costa e as diversas propostas elaboradas por Oscar Niemeyer e outros arquitetos para o local, algumas das quais construídas e consolidadas. A Esplanada dos Ministérios em Brasília é o ponto mais representativo do urbanismo e arquitetura da cidade e após cinquenta e três anos da inauguração da capital o Setor Cultural é o único trecho da Esplanada ainda não executado plenamente. Essa situação associada ao tombamento do conjunto urbanístico de Brasília em 1991 e à portaria 314/92 que estabelece exclusividade de intervenção aos dois arquitetos autores de Brasília fortalece a preocupação entre arquitetos, cidadãos e Estado em conciliar os propósitos de Costa e Niemeyer. Apesar da referência afirmativa de ambos sobre o modelo progressista na idealização do plano urbanístico e ainda um consenso e maturação dos conceitos e críticas ao urbanismo moderno, associados a uma postura respeitosa dos arquitetos em relação aos precedentes arquitetônicos, há contradições explícitas entre projetos executados de Oscar Niemeyer e o plano-‐piloto levando até hoje a diversos projetos inconclusos e à polêmicas discussões sobre o Setor. A compreensão do desenvolvimento desse processo resulta da análise crítica dos projetos concebidos confrontados ao Plano Piloto de Lucio Costa e seus precedentes históricos, além da organização do inventário de projetos para o setor.
This research deals with the origins and architectural projects of the Cultural Sector of Brasília and pursues to understand the antagonisms and similarities between the Pilot Plan conducted by Lucio Costa and the various proposals made by the architect Oscar Niemeyer and other architects to the site, many of them built and consolidated. The Esplanade of Ministries in Brasilia is the most representative site of the urbanism and architecture of the city and fifty-‐three years after the foundation of the capital, the Cultural Sector is the only part of the Esplanade that has not yet completely implemented. This situation associated with the legally protection of the urban site of Brasilia sanctioned in 1991 and the decree number 314/92 establishing exclusivity of architectural intervention to the two authors of Brasilia signs the concern among architects, citizens and government to conciliate the purposes of Costa and Niemeyer. Despite the positive reference of both architects about progressive urbanism model in the idealization of the urban plan of Brasília and even a consensus and maturation of concepts and critiques of modern urbanism, associated with a respectful attitude towards the architectural precedents, there are explicit contradictions between projects executed by Oscar Niemeyer and the pilot plan designed by Lucio Costa that leave until today many unfinished projects and controversial discussions about the sector. The understanding of this process development results in the critical analysis of architectural projects confronted to the Pilot Plan of Lucio Costa and its historical precedents, beyond the inventory organization of the Cultural Sector projects.

Styles APA, Harvard, Vancouver, ISO, etc.

43

Uhlemann, Silvia. « Ein Geben und Nehmen ». Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-25699.

Texte intégral

Résumé :

Wie in BIS 2/2009 bereits angekündigt, fand im vergangenen September die Jahrestagung 2009 der AIBM-Gruppe Deutschland in Dresden statt. Die in Paris gegründete Association Internationale des Bibliothèques Musicaux vereinigt alle Arten von Musikbibliotheken, -archiven und -dokumentationszentren wie z.B. Musikhochschulbibliotheken, kommunale Musikbibliotheken, Orchesterbibliotheken oder Rundfunkarchive. Die Vereinigung ist in 22 Ländergruppen weltweit organisiert, wodurch die Jahrestagung der deutschen Sektion neben dem im Vordergrund stehenden nationalen, stets auch dem internationalen Austausch der Kollegen aus musikbezogenen Spezialbibliotheken dient.

Styles APA, Harvard, Vancouver, ISO, etc.

44

Gilchrist, John Steel. « The government as proprietor, preserver and user of copyright material under the Copyright Act 1968 (CTH) ». Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/62189/1/John_Gilchrist_Thesis.pdf.

Texte intégral

Résumé :

This thesis examines the role of government as proprietor, preserver and user of copyright material under the Copyright Act 1968 (Cth) and the policy considerations which Australian law should take into account in that role. There are two recurring themes arising in this examination which are significant to the recommendations and conclusions. The first is whether the needs and status of government should be different from private sector institutions, which also obtain copyright protection under the law. This theme stems from the 2005 Report on Crown Copyright by the Copyright Law Review Committee and the earlier Ergas Committee Report which are discussed in Chapters 2 and 8 of this thesis. The second is to identify the relationship between government copyright law and policy, national cultural policy and fundamental governance values. This theme goes to the essence of the thesis. For example, does the law and practice of government copyright properly reflect technological change in the way we now access and use information and does it facilitate the modern information management principles of government? Is the law and practice of government copyright consistent with the greater openness and accountability of government? The thesis concludes that government copyright law and practice in each of the three governmental roles recognised under the Copyright Act 1968 has not responded adequately to the information age and to the desire and the ability of individuals to access information quickly and effectively. The solution offered in this thesis is reform of the law and of public policy that is in step with access to information policy, the promotion of better communication and interaction with the community, and the enhanced preservation of government and private copyright materials for reasons of government accountability, effective administration and national culture and heritage.

Styles APA, Harvard, Vancouver, ISO, etc.

45

Weitzel, Simone da Rocha. « Os repositórios de e-prints como nova forma de organização da produção científica : o caso da área das Ciências da Comunicação no Brasil ». Thesis, Universidade de São Paulo, 2006. http://eprints.rclis.org/10714/1/tese_Weitzel_USP.pdf.

Texte intégral

Résumé :

The advent of the internet has revolutionized the way scientists communicate their research results increasing the power to disseminate and to access scientific production. This fact was responsible to restructure the scientific information flow that has incorporated its own characteristics from the digital culture. The Open Archives Initiative constituted the infrastructure that supports this restructuring. It was also responsible for the institutionalization of a model called e-prints repositories (ER), that stores, disseminates and promotes scientific production, published or not, in a place managed by the scientific community itself, that allows the inclusion of their public commmentaries about contents of that production. The hypothesis of this work suggests that the adherence to this model by the scientific communities depends on the level of understanding and acceptance, of the profile of the field interfering with the adoption of the innovation and its legitimation. Through a case study of Brazilian researchers from the Communication Sciences field it had been carried out the electronic focus group technique among 18 researchers, whose profile was formed by researches leaders registered at CNPq with backgroung in the field. The exploratory study identified many questions present in the dynamics of scientific communication of the field leading to proof of the hypothesis. From among results, distinguish low perception of that this model optimized the scientific information flow and strong tendency to not accept the model becauce of field profile. In conclusion, the level of adherence to the model is inserted in a medium to low scale.

Styles APA, Harvard, Vancouver, ISO, etc.

46

Denizart, Jean-Michel. « L'émergence des significations chez le monteur son, au cours de la recherche et de la sélection des sons : une approche communicationnelle et cognitive ». Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0303.

Texte intégral

Résumé :

Il y a plusieurs années, le département SATIS de l'Université d'Aix-Marseille ainsi que le laboratoire ASTRAM ont entamé le développement d’une sonothèque en ligne intitulée « Sons du Sud ». Cette base de données sonores est destinée aux professionnels du son dans les secteurs du cinéma et de l'audiovisuel et, plus particulièrement encore, aux monteurs son. L’objectif à présent est de développer pour Sons du Sud une nouvelle méthode d’indexation en rupture avec les logiques d’indexation causales les plus largement répandues. En effet, dans la perspective d’une exploitation filmique, il apparaît qu’un son n’est que rarement choisi sur la base de critères exclusivement en lien avec son origine ou ses propriétés acoustiques, mais aussi en vertu des significations potentielles que celui-ci est à même de revêtir au contact des autres matières de l’expression filmique, des fonctions qu’il est susceptible de remplir, des liens qu’il entretient avec ce que le film exprime, etc. On peut alors se demander si ce n’est pas plutôt ce « potentiel d’informations » que les descripteurs sémantiques utilisés par les sonothèques actuelles devraient essayer d’expliciter. C’est pourquoi la présente thèse se positionne comme une étape de travail préliminaire à l’élaboration d’une nouvelle méthode d’indexation : afin de répondre aux exigences de la sonothèque Sons du Sud, il semble indispensable d’entièrement nous consacrer à une meilleure appréhension des facteurs contribuant à modifier le « système de pertinences » de son principal usager, en examinant plus avant ce qui guide sa démarche, polarise son écoute et influence ses actions au cours de la recherche et de la sélection des sons
Several years ago, the SATIS department of the University of Aix-Marseille and the ASTRAM laboratory initiated the development of an online sound library entitled "Sons du Sud". This sound database is intended for sound professionals and more specifically, sound editors, in the film and audiovisual sectors. The current objective is to develop a new indexing method of sound for Sons du Sud breaking with the logic of causal indexation most widely used. Indeed, it appears that, from the perspective of a filmic exploitation, a sound is rarely selected based on criteria exclusively related to its acoustic origin but also related to the potential meanings it is able to take on with the other materials of filmic expression, the functions it is likely to fulfill, the links it maintains with what the film expresses, and so on. We can then ask ourselves if it is not rather this "information potential" which the semantic descriptors used by the current sound libraries should try to make explicit. Therefore, this thesis is a preliminary step in the development of a new indexing method: in order to meet the requirements of Sons du Sud sound library, it seems essential to devote ourselves entirely to a better understanding of the contributing factors that change the "system of relevance" of its main users, to examine further what guides their approach, polarizes their listening and influences their searches and selections

Styles APA, Harvard, Vancouver, ISO, etc.

47

Brink, Linda Eugene. « Biografie van die taalstryder F.V. Engelenburg tot met die stigting van die S.A. Akademie in 1909 /deur Linda Eugene Brink ». Thesis, North-West University, 2010. http://hdl.handle.net/10394/6488.

Texte intégral

Résumé :

Frans Vredenrijk Engelenburg (1863-1938) played a major role in the development and expansion of Afrikaans and the Afrikaans academic culture - especially in the northern part of South Africa. As a Dutch intellectual, lawyer and journalist in the nineteenth century South African Republic (Transvaal), he in particular played an important role as advisor and opinion maker from the 1890s onward. One of his biggest achievements was the key role that he played in the establishment of De Zuid Afrikaanse Akademie voor Taal, Letteren en Kunst in 1909. This study is the first part of a more comprehensive biographical project on the life of Engelenburg and the role he fulfilled in the history of the Akademie and South Africa until the thirties of the twentieth century. Since the 1600s the Engelenburg family has played a prominent role in the community where they lived. Aside from the high positions they had held for centuries before, they had in the fourth and again in the sixth generation married into noble families. This contributed to their important position in the community. Due to circumstances Engelenburg was not raised in the Engelenburg milieu. A family break in 1836 was the cause that Engelenburg's father, as a baby, was spirited away from this family milieu. Engelenburg received an extraordinarily good schooling. The solid intellectual foundation already laid then, to a large extent determined the course of his life. He was at the Stedelijk Gymnasium Arnhem when he met Marie Koopmans-De Wet (1834-1906), an aunt by marriage who lived in Cape Town, when on a visit to Europe. She was his soul mate and acted as a mentor and advisor to Engelenburg. The friendship strengthened with the years. He already at school had the desire to visit South Africa one day. His parents' divorce when he was still a student at the University of Leyden, steered his life in a very different direction than what he had foreseen for himself. The divorce was to a large extent the reason that, although he had studied law, he discarded the notion of a career in law after only a year. His decision to follow a career in journalism affected the rest of his life. The Transvaal War (1880-1881) meant that the Dutch developed an admiration for the Transvaalers for the determination and courage they displayed in their attempts to defeat the British army. President Paul Kruger's call shortly after the war that the Transvaal needed young Dutchmen further encouraged Engelenburg to come to South Africa. Previously Engelenburg had for a year worked for Fred Hogendorp at the Dagblad van Suidholland en s’Gravenhage in The Hague. Circumstances abruptly changed when Hogendorp suddenly became insane. During the same time, the owner of De Volksstem newspaper in Pretoria had committed suicide and Engelenburg seized the work opportunity. Within a matter of three months, he arrived in the Transvaal. Within a month after his arrival he was appointed chief editor of De Volksstem. He had studied the Transvaal situation thoroughly and by means of the newspaper and through tireless efforts, he contributed to improving the farming community’s cultural literacy. The education situation in the Transvaal enjoyed his constant attention. After the Anglo-Boer War (ABW) (1899-1902), he continued to work towards improving the education system in the Transvaal. He early on became involved in the Transvaal University College (later University of Pretoria). Before the ABW he did everything possible to promote the Dutch language to the Boer people. However, after the war he realised that Afrikaans had a rightful place, and he, in addition to Dutch, became a champion for the Afrikaans language. The battle between the proponents of Dutch and Afrikaans respectively, increased after the ABW. To achieve unity of action between the two groups, De Zuid Afrikaanse Akademie voor Taal, Letteren and Kunst was founded in 1909. Behind the scenes Engelenburg was one of the major driving forces to assist with the founding of the organisation. As a board member and later as chairman, he gave impetus to the Akademie. In 2009 the organisation celebrated its centenary. This is an important milestone, especially seen in the light of the current political climate in South Africa. The Akademie can now be regarded as a monument to Engelenburg as the fruit of his labour and perseverance during the first three decades of the Akademie’s existence.
Thesis (M.A. (History))--North-West University, Vaal Triangle Campus, 2010.

Styles APA, Harvard, Vancouver, ISO, etc.

48

Rose, Kathryn Elizabeth. « The Long Reach of War : Canadian Records Management and the Public Archives ». Thesis, 2012. http://hdl.handle.net/10012/6522.

Texte intégral

Résumé :

This thesis explores why the Public Archives of Canada, which was established in 1872, did not have the full authority or capability to collect the government records of Canada until 1966. The Archives started as an institution focused on collecting historical records, and for decades was largely indifferent to protecting government records. Royal Commissions, particularly those that reported in 1914 and 1962 played a central role in identifying the problems of records management within the growing Canadian civil service. Changing notions of archival theory were also important, as was the influence of professional academics, particularly those historians mandated to write official wartime histories of various federal departments. This thesis argues that the Second World War and the Cold War finally motivated politicians and bureaucrats to address records concerns that senior government officials had first identified during the time of Sir Wilfrid Laurier.

Styles APA, Harvard, Vancouver, ISO, etc.

49

Abankwah, Ruth M. « The management of audiovisual materials in the member states of the East and Southern Africa Regional Branch of the International Council on Archives (ESARBICA) ». Thesis, 2008. http://hdl.handle.net/10413/712.

Texte intégral

Résumé :

This research investigated the management of audiovisual materials (AV) in the East and Southern Africa Regional Branch of the International Council on Archives (ESARBICA). The study employed questionnaires, interviews and observation to gather data from a population of fourteen national archives. The response rate from the questionnaires was 64.28%. The observations and interviews were carried out from a sample of three national archives and four national media organisations, as explained in Chapter Three. The study confirmed previous studies that attributed continued dissipation of AV materials to various factors such as climatic and environmental conditions, shortage or lack of skilled AV archivists and lack of a standard legal framework in the ESARBICA region. Most national archives did not cover audiovisual archives in their legislation. The study discovered that most of the national archives did not apply the following policies to AV materials: appraisal, acquisition, access, preservation, retention, digitisation and disposal. The study revealed that most of the national archives had a collaborative relationship with national media organisations, where the latter were required to deposit copies of AV materials in the national archives. However, some national archives relegated the responsibility of managing AV materials to media organisations. Poor infrastructure hindered effective management of AV materials. Most of the national archives did not have equipment to monitor environmental conditions. This could have contributed to the vinegar syndrome in some of the national archives. Poor structural placement of some of the national archives resulted in inadequate allocation of funds to the national archives. This invariably impacted on the way national archives preserved AV materials. The researcher discovered that there were very few training opportunities in AV archiving in the region. The few trained staff had intermediate skills obtained from conferences, seminars and workshops. Most importantly, the study revealed that most of the national archival institutions in the region were not applying the records life-cycle model (or any other model) to the management of AV materials. The major recommendations were a change in the structural placement of the national archives, where the directors of the archives would report to an influential ministry in the government service. Such a position would accord the national archives more recognition and thus more financial resources may be availed to the national archives to enable them manage the nation's heritage more effectively. An Integrated Records Management (IRM) model was recommended. The application of the IRM model requires a paradigm shift from the traditional image of archivists as mere custodians of archives to active participants in the decisions that affect the management of all formats of records, from the creators' organisations or departments before such records (including AV materials) are transferred to the national archives for long-term preservation.
Thesis (Ph.D.)-University of KwaZulu-Natal, Pietermaritzburg, 2008.

Styles APA, Harvard, Vancouver, ISO, etc.

50

Buckwold, Jarad. « Of space, time, and the archives between : the life of Hugh A. Taylor and the redefinition of the archival cosmos ». 2016. http://hdl.handle.net/1993/31725.

Texte intégral

Résumé :

While today, archival theory is permeated with postmodern ideas and philosophies, borrowing from fields as diverse as anthropology and computer science, even just a few decades ago, this was far from the case. This transition was pioneered and strongly influenced by the imaginative and thought-provoking essays of Hugh Taylor, a Canadian archivist who developed a worldview that positioned archives and archivists at centre stage. Taylor was able to do so as a result of his fascination with the works of the media theorist, Marshall McLuhan, whose ideas Taylor found directly applicable to archives and archival theory. This thesis examines the mental state of Hugh Taylor throughout his life and how this mental state shaped his revolutionary concepts, which delved into epistemology and metaphysics, placing archives at the centre of a universal network of connections. These concepts would go on to drastically change archival theory to what it is today.
October 2016

Styles APA, Harvard, Vancouver, ISO, etc.

Thèses sur le sujet « Archives-Library »

Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres