Littérature scientifique sur le sujet « Architettura in pietra »
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Articles de revues sur le sujet "Architettura in pietra"
Nobile, Marco Rosario. « Rinascimento alla francese : Gabriele Licciardo, architettura e costruzione nel Salento della metà del Cinquecento ». Artigrama, no 30 (9 décembre 2022) : 193–219. http://dx.doi.org/10.26754/ojs_artigrama/artigrama.2015308140.
Texte intégralMurtinho, Vitor. « Arquitetura e romance em Antonio di Pietro Averlino ». Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online) 19 (28 juillet 2021) : 41–61. http://dx.doi.org/10.11606/1984-4506.risco.2021.166249.
Texte intégralSanfilippo, Matteo. « Pietro Consagra en Gibellina. » Revista Eviterna, no 10 (28 septembre 2021) : 128–41. http://dx.doi.org/10.24310/eviternare.vi10.12822.
Texte intégralDe Divitiis, Bianca, et Fulvio Lenzo. « Parole di pietra. Epigrafia, studio dell’antico e nuove architetture nel Rinascimento meridionale ». Opus Incertum 8, no 1 (26 novembre 2022) : 18–37. http://dx.doi.org/10.36253/opus-14065.
Texte intégralD'Amelio, Maria grazia. « «Il bello, il proprio, il necessario» nel colonnato di San Pietro a Roma : architettura, economia, cantiere ». Mélanges de l’École française de Rome. Italie et Méditerranée 119, no 2 (2007) : 375–85. http://dx.doi.org/10.3406/mefr.2007.10369.
Texte intégralChamoux, Francois, et Gilbert Hallier. « Un Colombier en Pierre de Taille pres d'Apollonia ». Libyan Studies 25 (janvier 1994) : 119–24. http://dx.doi.org/10.1017/s0263718900006270.
Texte intégralTuttle, Richard J. « Review : Trattati, con l'aggiunta degli scritti di architettura di Alvise Cornaro, Francesco Giorgi, Claudio Tolomei, Giangiorgio Trissino, Giorgio Vasari by Pietro Cataneo, Giacomo Barozzi Da Vignola ». Journal of the Society of Architectural Historians 51, no 1 (1 mars 1992) : 97–98. http://dx.doi.org/10.2307/990649.
Texte intégralSommaini, Fabrizio. « IL LAVORO E L'ORGANIZZAZIONE DEL CANTIERE NELLA ROMA PAPALE E IMPERIALE. LA BASILICA DI SAN PIETRO E IL COMPLESSO DI DOMIZIANO : FONTI MODERNE PER RICOSTRUIRE PROGETTI ANTICHI ». Papers of the British School at Rome, 27 juillet 2021, 1–46. http://dx.doi.org/10.1017/s0068246221000052.
Texte intégralThèses sur le sujet "Architettura in pietra"
Bertolazzi, Angelo. « Modernismi litici (1922-1942) : la pietra nell' Architettura moderna ». Thesis, Paris Est, 2013. http://www.theses.fr/2013PEST1047.
Texte intégralReading the project of the Modern and its constructive cultures in relation to the historical conditions and the technology, allows exploring some aspects of Modern Architecture in Europe. Besides the traditional, more studied and known triad of "moderns" materials, steel, concrete and glass, the stone also played an important role, in the definition both of "modern construction and modern style". The construction in stone was always associated with the tradition and then forgotten by the Modern Movement, during the crucial phase of society's "modernization" and therefore its architecture and construction. The stone however explains this delicate transition from the traditional art of building in stone to the new technologies
Bertolazzi, Angelo <1978>. « Modernismi Litici 1922-1942. La pietra nell'Architettura Moderna ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/5416/1/bertolazzi_angelo_tesi.pdf.
Texte intégralReading the project of the Modern and its constructive cultures in relation to the historical conditions and the technology, allows exploring some aspects of Modern Architecture in Europe. Besides the traditional, more studied and known triad of "moderns" materials, steel, concrete and glass, the stone also played an important role, in the definition both of "modern construction and modern style". The construction in stone was always associated with the tradition and then forgotten by the Modern Movement, during the crucial phase of society’s "modernization" and therefore its architecture and construction. The stone however explains this delicate transition from the traditional art of building in stone to the new technologies. The research studies this evolution of construction techniques in stone in France and Italy during the '20s and '30s, related to the new industrialized construction and the avant-garde languages. It begins with the study of technical manuals, the reviews and the projects presented on its pages. The stone cladding, in Italy and France, grows as a model of constructive rationality, where "modern" building techniques slowly converge toward to new solutions. The modern cladding in stone during the '20s '30s has a central role, where the dialogue is possible, without contradiction, between the materials so-called "modern" and the stone. The evolution from traditional techniques to new technological systems determined a new construction in stone that is the basis of modernity and that doesn’t reject this traditional material, but transforms it according to the new aesthetic principles.
Bertolazzi, Angelo <1978>. « Modernismi Litici 1922-1942. La pietra nell'Architettura Moderna ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/5416/.
Texte intégralReading the project of the Modern and its constructive cultures in relation to the historical conditions and the technology, allows exploring some aspects of Modern Architecture in Europe. Besides the traditional, more studied and known triad of "moderns" materials, steel, concrete and glass, the stone also played an important role, in the definition both of "modern construction and modern style". The construction in stone was always associated with the tradition and then forgotten by the Modern Movement, during the crucial phase of society’s "modernization" and therefore its architecture and construction. The stone however explains this delicate transition from the traditional art of building in stone to the new technologies. The research studies this evolution of construction techniques in stone in France and Italy during the '20s and '30s, related to the new industrialized construction and the avant-garde languages. It begins with the study of technical manuals, the reviews and the projects presented on its pages. The stone cladding, in Italy and France, grows as a model of constructive rationality, where "modern" building techniques slowly converge toward to new solutions. The modern cladding in stone during the '20s '30s has a central role, where the dialogue is possible, without contradiction, between the materials so-called "modern" and the stone. The evolution from traditional techniques to new technological systems determined a new construction in stone that is the basis of modernity and that doesn’t reject this traditional material, but transforms it according to the new aesthetic principles.
Belemmi, Lucia, Samuele Vaccari et Federica Zauli. « Cavezzo, isola di pietra. Percorsi di identità urbana ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amslaurea.unibo.it/6904/.
Texte intégralCampolucci, Sara, et Marika Leardini. « Educazione sostenibile. Progetto di riqualificazione del complesso scolastico Ponte Pietra a Cesena ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amslaurea.unibo.it/5310/.
Texte intégralZavatta, Giacomo. « Rifunzionalizzazione e recupero di una vecchia falegnameria. La nuova biblioteca del centro Spirituale di Marola (RE) ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.
Trouver le texte intégralSemprini, Alice. « Trattamenti innovativi a base di idrossiapatite per il consolidamento della Pietra leccese : efficacia a confronto su campioni degradati artificialmente e con presenza di sali ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2017.
Trouver le texte intégralBassi, Mattia. « Studio sperimentale su un innovativo trattamento biopolimerico antisale contro il degrado dei materiali nell'architettura antica ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2019.
Trouver le texte intégralGugnali, Silvia. « Il consolidamento di pietre calcaree compatte attraverso un innovativo trattamento a base di idrossiapatite ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2017.
Trouver le texte intégralGuarneri, Cristiano <1979>. « Architettura del sapere : la Kunstkamera di Pietro il Grande ». Doctoral thesis, Università Ca' Foscari Venezia, 2010. http://hdl.handle.net/10579/1029.
Texte intégralThis study’s main topic is a building: the Kunstkamera in St. Petersburg, built starting from 1718 by the Tzar Peter the Great. Inside it, besides the exhibition rooms, as the name suggests, also an anatomic theatre, a planetary, an astronomical observatory and the Tzar’s library were arranged, with in mind the idea making it the seat of the Academy of sciences, another Peter the Great’s creation. So not only a kunstkammer but also a scientific research center, not far in intents to a modern museum. This topic is developped into three steps, approaching it with different magnifing lenses: the context, or the city; the content, or the collections; the container, or the building. In the first chapter is analysed the Kunstkamera strategic position in the urban planning of the new capital, St. Petersburg, and the role, equally strategic, played by the Academy of sciences in the reforms plan promoted by Peter the Great. The second chapter, devoted to collections, focus on the figure of Peter the Great as collector. Through the study of the collections different arrangements, before in Moscow and then in St. Petersburg, it was possible to point out the role assigned to Kunstkamera in the Peter the Great’s collecting program, especially drawn in the years 1718-19. Infact, while the ancient and modern statues purchased in Italy were arranged in the Summer Garden and the pictures bought on the Netherlandish and Flamish market found a place in the Peterhof’s pavillions, the kunstkammer’s objects were moved from the Tzar’s residences to their first pubblic settlement, the Kikin Palace. That of the Kikin Palace was only a temporary arrangement, because again in 1718 – and this is the dissertation’s third chapter – the Kunstkamera’s first stone was laid down. The construction was very long and complex and the events are sharply shown through unissued archival documents and drawings. Three architects, the German Georg Johann Mattarnovy, the Swiss Nicolaus Friedrich Härbel, and the Italian Gaetano Chiaveri, one astronomer, the French Joseph-Nicolas Delisle, and many other workers, like masons, carpenters, carvers, painters and decorators, had a part in the project and construction of the Kunstkamera. But not only these were the personalities involved in this architectural and scientific project. Gottfried Wilhelm Leibniz gave the ideas for the Academy of sciences’ project, where kunstkammer, laboratories and libraries played a central role; and again the Peter the Great’s librarian, Johann Daniel Schumacher, was important: before he organised the collections purchase and the scientists enrolment, than he drove the building accomplishment and the exhibition display after the Tsar’s death. The parabola of this singular building experiment ended in 1747, when a fire burned out the Kunstkamera’s upper part and, with it, a part of its precious collections.
Livres sur le sujet "Architettura in pietra"
Pietra su pietra : Architettura in pietra a secco degli Iblei. Palermo : A. Lombardi, 1998.
Trouver le texte intégralTorre, Anna Maria. Pietra piarte : Cilento architettura ambiente. Cilento-Salerno : Centro culturale "Cilento Domani", 1991.
Trouver le texte intégralVincenzo, Pavan, et Mostra internazionale di marmi, pietre e tecnologie (1999 : Verona, Italy), dir. Spazio, pietra, architettura = : Space, stone, architecture. [Faenza] : Gruppo editoriale Faenza, 1999.
Trouver le texte intégralVincenzo, Pavan, dir. Spazio pietra architettura = : Space stone architecture. Faenza (Ravenna) : Edit Faenza, 1999.
Trouver le texte intégralFiorucci, Lorenzo. Ugo La Pietra : Segnale/portale, architettura/natura. Foligno : Editoriale Umbra, 2021.
Trouver le texte intégral1962-, Martignoni Massimo, dir. Illusioni di pietra : Itinerari tra architettura e fascismo. Trento : Museo storico in Trento, 2001.
Trouver le texte intégralAngelo, Ambrosi, Degano E et Zaccaria C. A, dir. Architettura in pietra a secco : Atti del 1⁰ Seminario internazionale "Architettura in pietra a secco" : Noci-Alberobello, 27-30 settembre 1987. Fasano, Br : Schena, 1990.
Trouver le texte intégralAcocella, Alfonso. L' architettura di pietra : Antichi e nuovi magisteri costruttivi. Firenze : Alinea, 2004.
Trouver le texte intégralMy ArchiSign : Architettura e design in pietra - pensieri, opere e visioni. Roma : Gangemi editore SpA international, 2022.
Trouver le texte intégralVincenzo, Pavan, dir. Nuova architettura di pietra in Italia = : New stone architecture in Italy. Faenza (Ravenna) : Faenza, 2002.
Trouver le texte intégralActes de conférences sur le sujet "Architettura in pietra"
Ragosta, Annamaria, et Bianca Gioia Marino. « Close to the volcan. Knowledge, conservation and enhancement of a Vesuvian vernacular heritage. » Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15377.
Texte intégralRossi, Gabriele, Massimo Leserri et Alma Benitez Calle. « Dry stone architecture : the survey as a tool to safeguard the risk of morphological or formal homologation ». Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15606.
Texte intégralVidal Climent, Ciro, Maite Palomares Figueres et Ivo Vidal climent. « Between the heritage and the contemporaneity of the industrial city of Alcoy ». Dans 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia : Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5812.
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