Thèses sur le sujet « Architectural criticism – history »
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Samalavičius, Almantas Liudas. « Ideas and structures in architectural history ». Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2006. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20060210_113316-20103.
Texte intégralArchitektūros istorija Vakaruose ir Lietuvoje yra tyrinėjama įvairiais aspektais. Apie tokius reikšmingus architektūros elementus kaip šviesa, spalva, garsas ir vanduo yra buvę reikšmingų specializuotų studijų šių reiškinių sąveikos su vieno ar kito istorinio laikotarpio architektūros kūriniais aptarti. Tačiau iki šiol tokio pobūdžio tyrimai apsiribodavo siaurais, fragmentiškais, griežtai specializuotais žvilgsniais į atskirų kultūros istorijos tarpsnių architektūrą arba tokio buvo pabrėžiami tik tam tikri, labai specifiniai sąveikos tarp architektūros kūrinių ir to meto pasaulėžiūros aspektai. Todėl nėra pakankamai ištyrinėta atskirais istorijos tarpsniais vyravusių metafizinių, religinių ir filosofinių pažiūrų įtaka meninei architektūros raiškai. Nesant tokių tyrimų, neįmanoma adekvačiai rekonstruoti architektūros istorinės raidos vaizdo. Nagrinėjant architektūros istorijos ir teorijos problematiką Lietuvoje, akivaizdu, kad labiausiai trūksta darbų, kuriuose atskirais kultūros istorijos tarpsniais vyravusių šviesos, spalvos, garso ir vandens sampratų įtaka architektūros meno raidai būtų įvertinta sintetiškai, apibendrintai ir nuosekliai, pasitelkus idėjų istorijos tyrimo metodologiją bei tarpdisciplinių kultūrologinių tyrimų analizės principus. Tai paskatino gilintis į minėtų elementus santykius ir sąveikas su architektūra nuo seniausių iki moderniųjų laikų, pasitelkiant idėjų istorijos atveriamas tyrimo galimybes. Tokios problematikos ir tyrimo perspektyvos pasirinkimas... [to full text]
Orth, Michael D. « Mirages Solidified : Myth, Beautification, and Tourism In The Creation of Santa Barbara’s El Pueblo Viejo Landmark District ». DigitalCommons@CalPoly, 2011. https://digitalcommons.calpoly.edu/theses/615.
Texte intégralWhite, Deborah. « Masculine constructions : gender in twentieth-century architectural discourse : 'Gods', 'Gospels' and 'tall tales' in architecture ». Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phw5834.pdf.
Texte intégralMerwood, Joanna. « Towards the architecture of the future : César Daly and the science of expression ». Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23202.
Texte intégralGiven the separation of architectural form and content, presence and meaning, and the consequent challenge to the possibility of shared experience initiated in the Enlightenment which is still an inherent part of our contemporary architectural thought, it is crucial to re-examine the architectural theory of the 19th century as the origin of the modern condition. This thesis is a critical examination of Daly's collections of polemical articles from the Revue as artifacts of architectural knowledge, through an analysis of their form and content in relation to other significant 19th century architectural texts.
Anderson, Jennifer K. « Dogtrots in New Orleans : An Urban Adaptation to a Rural House Type ». ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1604.
Texte intégralReynolds, Craig A. « Thomas Jefferson’s Designs for the Federal District and the National Capitol, 1776-1826 ». VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3779.
Texte intégralMuhidine, Eléonore. « Reconstruire la ville par les mots : trajectoires et engagements des critiques d’architecture berlinois des années 1950 à 1980 ». Thesis, Rennes 2, 2017. http://www.theses.fr/2017REN20055.
Texte intégralBoth in East and West Berlin, as soon as the mid-fifties, architecture critics have come to the fore and shown that in spite of political pressures imposed on them, they shared a will to reflect upon the urban identity of the divided city. Indeed, the Reconstruction of German towns after WWII refers to a vast project of restoration of the material infrastructures but also the redefinition of a cultural and intellectual landscape bearing the heavy mark of Nazi ideology. Choosing a perspective of cultural and intellectual history, this thesis explores the careers, writings and networks of Ulrich Conrads, Günther Kühne, Julius Posener, Wolf Jobst Siedler, Klaus Duntze, Dieter Hoffmann-Axthelm and Nikolaus Kunhert in West-Berlin and of Kurt Liebknecht, Richard Paulick, Hermann Henselmann, Kurt Junghanns, Bruno Flierl and Wolfgang Kil in East-Berlin. Whether architects or history of art specialists, writers in the specialist press, journalists in the general press but also sometimes publishers and teachers in universities and art schools, those critics committed themselves to making the Berlin architectural culture [Baukultur] known in the XXth century. To a large extent they initiated a redefining of the stakes of architectural and urban criticism in post 1945 Germany
Morgan, Peter Alexander. « The Apparition of Transference ». The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1430915081.
Texte intégralFried, Spencer J. « Pursuing the Preservation of Place : The Automobile’s Significance to Los Angeles’ Physical Character and the Opportunity for its Continued Existence ». Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/cmc_theses/1152.
Texte intégralGuo, Yuqiao. « Post-disaster Transitional Housing for Displaced People ». Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/pomona_theses/124.
Texte intégralShearer, Katherine. « The "Postmodern Geographies" of Frank Gehry's Los Angeles ». Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1031.
Texte intégralDivision, Johnson City GIS. « An Historic Tour of Johnson City, Tennessee - 2006 ». Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/rare-maps/55.
Texte intégralhttps://dc.etsu.edu/rare-maps/1054/thumbnail.jpg
Thomas, Alexis. « An Analysis of the Physical and Cultural Landscape of Grand Isle, Louisiana ». ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2193.
Texte intégralDivision, Johnson City GIS. « Johnson City Zoning Map - 2003 ». Digital Commons @ East Tennessee State University, 2003. https://dc.etsu.edu/rare-maps/60.
Texte intégralhttps://dc.etsu.edu/rare-maps/1059/thumbnail.jpg
Zúñiga, Sara E. « Deciphering the Cultural Heritage and Function of the Ella Strong Denison Library Complex ». Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/986.
Texte intégralLatimer, Carrie Grace. « The Plots of Alexanderplatz : A Study of the Space that Shaped Weimar Berlin ». Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/430.
Texte intégralHarrison, Tracy Elizabeth. « Visualizing Complexity : A Spatial Analysis of Decorative Geometric Pattern in the Islamic World, 900-1400 AD ». PDXScholar, 2005. https://pdxscholar.library.pdx.edu/open_access_etds/2434.
Texte intégralAlanazi, Naif F. « Successful Urban Design Principles for the Redevelopment of the Historic Seafronts in the Kingdom of Saudi Arabia, along the North Red Sea , Case Study : Yanbu Al-Bahr’s Historic Seafront ». VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3769.
Texte intégralEmond, Matthew W. « Endogenous Process & ; Designing Through Change ». Amherst, Mass. : University of Massachusetts Amherst, 2009. https://scholarworks.umass.edu/theses/300.
Texte intégralJeffroy-Meynard, Marie-Nicole. « FROM BAROQUE TO ROCOCO : PUBLIC TO PRIVATE SPACE IN THE HÔTEL DE SOUBISE ». Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1204.
Texte intégralRamos, Isabella. « Walking in The City : Koji Nakano’s Reimagining and Re-Sounding of The Tale Of Genji ». Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1037.
Texte intégralGaier, Samantha. « Interior Decoration as Fine Art : Rachel Feinstein and The Sorbet Room, 2001 ». Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363604230.
Texte intégralDonley, John Mauck. « COOPERATIVE CONSTRUCTION IN SCHOOLS IN CALIFORNIA ». DigitalCommons@CalPoly, 2014. https://digitalcommons.calpoly.edu/theses/1332.
Texte intégralStergiou, Stavroula. « The concept of the avant-garde in twentieth and twenty-first century architecture : history, theory, criticism ». Thesis, Kingston University, 2014. http://eprints.kingston.ac.uk/32215/.
Texte intégralMoran, Kelly Drum. « Why Not Kinkade ? An Evaluation of the Conditions Effecting an Artists Exclusion from Academic Criticism ». Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/1390.
Texte intégralWinterton, David E. (David Edward). « Toward a natural history of architecture : the vegetal culture of Viel de Saint-Maux ». Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22551.
Texte intégralViel de Saint-Maux sought to resist the threat of an overweening rationality by valuing the wonderment cast by the discoveries of Science. He put his faith in natural science and applied this same compulsion to the ancient primitives who, he believed, knew divinely how to propitiate Nature and its fecundity. Fecundity and Agriculture become metaphors for cultural harmony, enlightenment and a re-fusion of the mystery of vitality into everyday life.
Lee, Dongeon. « Phenomenology, hermeneutics, and existentialism as sources of an inquiry into the meaning of modern architecture ». Diss., Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/21807.
Texte intégralDedecca, Paula Gorenstein. « Sociabilidade, crítica e posição : o meio arquitetônico, as revistas especializadas e o debate do moderno em São Paulo(1945-1965) ». Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-10072012-130257/.
Texte intégralThis work intends to discuss the unity and plurality of the architectonic environment of São Paulo, through their social networks, professional spaces and critical movements, using as primary source some specialized magazines, published in the city between 1945 and 1965. The study will investigate the relationship between an intellectual group - a parcel of architects working in São Paulo - and its manifestations, seeking to understand the particular space in which some of its professional ties, cultural and ideological exchanges, and projetual attitudes were developed. The first chapter seeks to outline the social networks of those architects, through the intersection of urban space, cultural, professional and academic institutions. The second chapter studies the local criticism - their intellectual approaches, disarticulations, fractures and dislocations - across their inner dialogues and their different looks launched on Brazilian contemporary architecture, especially the one produced in Rio de Janeiro. Finally, the third chapter aims to approach the projectual dialogues between the local architects through the analysis of some architectural competition held in São Paulo in the period and that found an echo in local architecture magazines.
Krūgelis, Linas. « Relation between novation and tradition in contemporary Lithuanian sacred architecture ». Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20130207_143156-00377.
Texte intégralDarbe keliamos ir tiriamos dvi Lietuvos sakralinės architektūros problemos – tradicija ir novacija, jų tarpusavio santykis šiuolaikinėje sakralinėje architektūroje. Tradiciją lemia istorija, per šimtmečius susiformavę įpročiai ir papročiai. Taip pat nemenką įtaką daro tokie svarbūs veiksniai kaip karai, okupacijos ir svetima ideologija. Lietuvoje ilgą laiką buvo draudžiama ir varžoma religinės minties ir praktikos sklaida. Tokiomis sąlygomis sakralinės architektūros tradicija neišliko gyvastinga, buvo trukdoma visavertiškai jos raidai. Platesnė ir išsamesnė šios architektūros analizė padėtų nustatyti, kokios tradicijos ryškėja projektuojant katalikų kulto pastatus, kas išliko sena sakralinėje architektūroje. Nagrinėjant bažnyčių architektūrą, be istorinių veiksnių, susiduriama su novacijomis, jų raiškos problema. Sovietmečiu Lietuvoje architektai nebuvo rengiami projektuoti sakralinius statinius, o ir pačių bažnyčių nebuvo statoma dėl valdžios vykdomos ateistinės politikos: tikintieji buvo persekiojami, kunigams taikomos įvairios represijos. Bažnyčios okupacinės valdžios nurodymu buvo sąmoningai niokojamos – verčiamos sandėliais ar gamyklomis arba paliekamos griūti be priežiūros. Atgavus nepriklausomybę, pradėta padėtį taisyti – imta paskubomis projektuoti ir statyti bažnyčias. Netrukus pastebėta, kad patirties ir išmanymo stoka atvėrė kelią klaidoms ir nepamatuotiems sprendimams. Bažnyčios tuo metu dažnai buvo projektuojamos neprofesionaliai, neatsižvelgiama į subtilius... [toliau žr. visą tekstą]
Pasholok, Maria. « Imaginary interiors : representing domestic spaces in 1910s and 1920s Russian film and literature ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:c9d47ca1-6164-48fb-99f1-67ef37c77c4a.
Texte intégralKrūgelis, Linas. « Tradicijų ir novacijų santykis šiuolaikinėje Lietuvos sakralinėje architektūroje ». Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20130207_143150-41950.
Texte intégralThe research involves two problems of Lithuanian sacred architecture – tradition and innovation. Tradition has been preconditioned by history, habits and customs formed within centuries. Such important factors as wars, occupations and foreign ideologies have also made a great influence. Any spread of religious thought and practice was forbidden and restricted quite for a long time in Lithuania. Under such circumstances the tradition of sacred architecture could not stay vital and develop in full-rate. Deeper and more precise analysis of the aforementioned architecture could contribute to identifying the traditions in designing Roman Catholic buildings and what has remained old in this sacred architecture. While analyzing church architecture, innovations and the problem of their expression are faced alongside the historic factors. During soviet times, architects were deprived of getting any training in design of sacred buildings, and churches were not built due to atheistic policy of authorities of the time. Believers were even persecuted and priests underwent various repressions. By the order of occupational authorities, churches were purposely destroyed – turned into storehouses or factories, or simply desolated and condemned to destruction. As soon as Lithuania regained its independence, attempts were made to improve the situation. It was started to design and build churches hastily. Soon it was noticed that lack of experience and knowledge has opened the way to mistakes... [to full text]
Ceylanli, Zeynep. « Sigfried Giedion' ». Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12609934/index.pdf.
Texte intégrals book on modern architecture: Space, Time and Architecture &ndash
The Growth of A New Tradition. Giedion&rsquo
s life, his education, his other writings and his relationships with the pioneers of the era are considered as significant influences on the writing of the book. After giving an informative summary of the book, the key themes of the book are analyzed. While analyzing these themes, the opinions of other architectural historians on these themes are also taken into consideration. The reviews on the book are elucidated in order to grasp the first reactions of architectural history circles, and then they were followed by the later impressions. The claim is that Space, Time and Architecture is an influential resource for the understanding of how modern architecture is written about in the first half of the twentieth century. The proof of this influence is both the written sources on the book and its rule in Manfredo Tafuri&rsquo
s formulation of &lsquo
operative criticism&rsquo
.
Bower, Matthew S. « Catastrophe in Permanence : Benjamin's Natural History of Environmental Crisis ». Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984263/.
Texte intégralSido, Anna E. « Making History : How Art Museums in the French Revolution Crafted a National Identity, 1789-1799 ». Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/663.
Texte intégralMcKnight, Justine. « Redefining The Art Experience : From Static To Temporal Art Forms ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1998. https://ro.ecu.edu.au/theses/1450.
Texte intégralHerrera, Adriana. « Ficción Extrema : Deslizamientos en la Realidad a Través de la Relación Entre Arte y Literatura (Max Aub, Leonora Carrington y Enrique Vila-Matas) ». FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1741.
Texte intégralTAYLOR, SHAWN. « SPEED AND RESOLUTION IN THE AGE OF TECHNOLOGICAL REPRODUCIBILITY ». VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3888.
Texte intégralAndrus, Timothy G. « Stuart Davis's Early Theoretical Writing, 1918–1923 : Realism, Cubism, and Dada ». VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4589.
Texte intégralSimons, Gary. « "Show Me the Money!" : A Pecuniary Explication of William Makepeace Thackeray's Critical Journalism ». Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3347.
Texte intégralMaiden, Shelby. « The Commodity Club : Commodity Fetishism in Modern Art and Tattoos ». Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/honors/467.
Texte intégralBerger, Aimee E. « Dark Houses : Navigating Space and Negotiating Silence in the Novels of Faulkner, Warren and Morrison ». Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2732/.
Texte intégralFox, Peter Holden. « Textual apparitions : power, language, and site in the work of Jenny Holzer ». Pomona College, 2007. http://ccdl.libraries.claremont.edu/u?/stc,10.
Texte intégralMehrmand, Sonia M. « Canonizing the Colosseum : Remembering, Manipulating, and Codifying Memory in the Eternal City ». Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/241.
Texte intégralVines, Jacob L. « Encounters with the American Prairie : Realism, Idealism, and the Search for the Authentic Plains in the Nineteenth Century ». Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2511.
Texte intégralMarianacci, Caitlyn D. « Old Masterpieces, New Mistress-pieces : Cindy Sherman's Reinterpretations of Renaissance Portraits of Women ». Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/840.
Texte intégralDuffy, Owen J. JR. « The Politics of Immateriality and 'The Dematerialization of Art' ». VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4641.
Texte intégralByington, Danielle. « Transmutations of Ophelia's "Melodious Lay" ». Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etd/3203.
Texte intégralFrechette, Mariel. « Danger in Deviance : Colonial Imagery and the Power of Indigenous Female Sexuality in New Spain ». Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/210.
Texte intégralWatts, Chelsea Anne. « Painting Parisian Identity : Place and Subjectivity in Fin-de-siecle art ». Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3403.
Texte intégralJones, Rebecca E. « Catching All Passions in His Craft of Will : Portraits and Pater in Oscar Wilde’s “The Portrait of Mr. W. H.” ». VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4219.
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