Bibliographies thématiques / Architects – great britain

Littérature scientifique sur le sujet « Architects – great britain »

Auteur : Grafiati

Publié le 26 juillet 2024

Mis à jour le 27 juillet 2024

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Articles de revues sur le sujet "Architects – great britain"

Colvin, Howard. « A Biographical Dictionary of British Architects 1600–1840 : Corrections and Additions to the Third Edition (Yale University Press 1995) ». Architectural History 43 (2000) : 334–42. http://dx.doi.org/10.1017/s0066622x00001106.

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This is the fifth list of corrections and additions to the third edition of my Dictionary. For the first time a section of ‘Additional Biographies’ has been included to provide details of some further architects active during the period 1600–1840, of whose careers enough can be reconstructed to justify giving them a place. The remaining sections are as usual lists of bare facts to be added, subtracted or amended.Attention should be drawn to the Biographical Dictionary of Architects at Reading by Sidney M. Gold, privately published at Reading, 1999, and to the Dictionary of Land Surveyors and Local Map-Makers of Great Britain and Ireland 1530–1850 by Sarah Bendall, published by the British Library, 1997.

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Sedlacek, Jozef, Daniel Matějka, Zuzana Fialová et Radim Klepárník. « Spatial aspects of the interpretation of cultural heritage ». Muzeológia a kultúrne dedičstvo 10, n^o 4 (2022) : 89–113. http://dx.doi.org/10.46284/mkd.2021.10.4.6.

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Creating an exhibition is a multidisciplinary task which, besides the work of the authors of the scenario, copywriters and experts in the given topic, involves also the work of architects and landscape architects. Although the paper reflects on various completed exhibitions, the scenario and form of an exhibition cannot be separated. The paper focuses on spatial aspects of outdoor exhibitions from the perspective of an architect and landscape architect and documents them via various completed exhibitions. In terms of architecture they can be classified upon the aspects of form and content, wherein form covers the spatial, i.e. architectural, design of the exhibition and means, and content covers the quantity, complexity, style and chronology of the information communicated. The motivation for the paper is the need to identify the factors influencing the educational quality of exhibitions that the professionals designing the space and form of exhibitions may use in their practice. This covers predominantly those factors that relate to the designing of spaces where exhibitions take place based on the given scenarios, to which the viewers react rather subconsciously.The method used for the research is a spatial and content analysis of three exhibitions presenting cultural and natural heritage, specifically Hardangervidda National Park in Norway, Kongernes Jelling visitor centre in Denmark, and the National Museum of Rural Life at Wester Kittochside – Scottish National Museum in Great Britain. Factors considered include: the connection to the site – landscape context; authenticity; spatial scenario; and so-called warm-up and cool-down spaces that create atmosphere. A scenario, as in a film, connects the environment and content in a defined chronology. By this research we want to follow up on the trend in museums and exhibitions to present information through powerful narrative storytelling.

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Gold, John R. « ‘A Very Serious Responsibility’ ? The MARS Group, Internationally and Relations with CIAM, 1933–39 ». Architectural History 56 (2013) : 249–75. http://dx.doi.org/10.1017/s0066622x00002501.

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In an interview recorded shortly before his death in 1987, Maxwell Fry recalled the birth of Modern architecture in Great Britain around a half-century earlier. In the course of discussing the work of the Modern Architectural Research (MARS) Group — the society that he had helped to establish in February 1933 and of which he was then the last surviving founder-member — Fry highlighted the links between architects in Britain and their continental European counterparts. Observing that MARS was first established on the basis of an invitation that Wells Coates had received to form a British chapter of the Congrès Internationaux d’Architecture Moderne (CIAM), he noted that the Group had immediately gained an entrée into an international forum that functioned as a unique gathering point for the architectural avant-garde. At the same time, he asserted that membership brought with it commitments that conferred ‘a very serious responsibility’.CIAM was not, of course, the only conduit for the links that MARS members had with the wider world, but in many ways it was the MARS Group’s relationship with the ‘international community of modern architects […] made visible in the foundation of CIAM’ which defined it and differentiated it from other architectural groupings of its day. Most other such bodies initially coalesced around a single manifesto or exhibition and then quickly fell apart when their members found that they had little in common apart from an enthusiasm for Modernism. By contrast, MARS retained an enduring purpose through its membership of CIAM.

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Montaner, Josep Maria, et Zaida Muxí Martínez. « Modern Housing : Heritage and Vitality ». Modern Housing. Patrimonio Vivo, n^o 51 (2014) : 10–11. http://dx.doi.org/10.52200/51.a.m3ws825n.

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One of the main subjects in contemporary architecture is how to deal with the physical and intellectual requirements of transforming modern housing. Joan Busquets points out in his contribution to this issue, that the special effort made by modern architects and progressive housing politics during the 20th century must be reinterpreted and followed today. Intentionally, this issue brings a special focus on the Iberoamerican world, specifically Spain, Portugal and Latin America, with the aim of relocating it in a cultural world of predominantly Anglo-American historiography. In any case, it presents a very wide spectrum, including North America, Switzerland and Great Britain. For this reason the projects are presented as case studies, both housing politics in different countries, and paradigmatic architectural examples, either positive or negative.

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Daria, Ostrikova, Bodnar Taras et Yasinskyi Maksym. « INFLUENCE OF THE GREAT FIRE OF LONDON IN 1666 ON SPECIFICS OF CREATING BAROQUE STYLE OF CHURCHES IN ENGLAND ». Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 4, n^o 1 (30 mars 2022) : 108–18. http://dx.doi.org/10.23939/sa2022.01.108.

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At the same time, when Baroque became the dominant style in Italy, in English architecture in the 17th century architects continued using the Classical forms. After that, in the architecture of England appeared a style called Palladian architecture and Jacobean architecture. Style of Baroque became prevalent just at the end of this century. After the Great Fire of London on 5 September 1666 most of the city's buildings were destroyed, all these constructions had to be restored or built new ones. The 17th and 18th centuries were a painful period, not only for the history of Britain but also affected religion. London was full of immigrants from the Continent who brought a part of their culture and religion to English culture. So, during that period, there was a problem of the persistence of the leading position of the Anglican Church of England. Through the hard work of the British architects who have fully dedicated themselves to the work, positions were strengthened. 310 years passed since the intensified struggle against the Anglican Church of England and Catholicism with another popular at that time sects. It started with creating the Act establishing the Commission for Building Fifty New Churches in the Cities of London and Westminster and or the Suburbs thereof. The fact that the Act was passed because of overcrowded with worshipers in the non-conformist chapels around London. In the end, it did not achieve its goal, just twelve churches were built under the tutelage of the Commissioners. A number of these churches became known as the Queen Anne Churches. However, these churches became the main building of Baroque Style in London.

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Peck, L. V. « Uncovering the Arundel Library at the Royal Society : changing meanings of science and the fate of the Norfolk donation ». Notes and Records of the Royal Society of London 52, n^o 1 (22 janvier 1998) : 3–24. http://dx.doi.org/10.1098/rsnr.1998.0031.

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Thomas Howard, Earl of Arundel, was the most important collector in early 17th Century Britain. Much attention has been paid to his collections of painting and sculpture, his patronage of painters such as Rubens and Van Dyck and architects such as Inigo Jones, and his search through Greece and Turkey for antiquities. Little, however, has been written on the Arundel Library, which was equally famous. The cause is not hard to find: the library has been dispersed whereas the marbles and antiquities have found a home at Oxford, the manuscripts at the British Library and the College of Arms, and the paintings and sculpture remain identifiable whether at Arundel Castle or in British, continental or American museums. Yet the Arundel Library is of great significance: to the history of book–collecting by the great bibliophiles Willibald Pirckheimer and Arundel himself; to the study of the reading practices and libraries of members of the Howard family, possibly including Henry Howard, Earl of Surrey, and, certainly, his son, Henry Howard, Earl of Northampton; and, more generally, to the history of the book in the Renaissance and early modern Europe and the concomitant study of communities of readers.

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Gosseye, Janina. « The Janus-Faced Shopping Center : The Low Countries in Search of a Fitting Shopping Paradigm ». Journal of Urban History 44, n^o 5 (1 avril 2016) : 862–86. http://dx.doi.org/10.1177/0096144216641374.

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When in the mid-1950s, the shopping center typology reached the Low Countries, it confronted governments, policy makers, architects, and planners with the question of how to introduce and adapt this novel commercial typology to the local context. To respond to this question, several “missions” were organized to study this phenomenon abroad. The conclusion was that two distinct shopping center paradigms existed: the American model, as it could be observed in the United States and Canada, and the European model, as it had emerged in Sweden, France, and Great Britain. This article investigates what these missions identified as the distinctive characteristics of these two shopping center models, and which specific recommendations regarding urban and suburban retailing and distribution were derived from them. Finally, the article examines how these suggestions were implemented in or translated into the first shopping center designs in the Low Countries: “Shopping 1” in Genk (Belgium) and Amstelveen shopping center in the Netherlands.

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Hopkin, Jonathan. « Party Matters ». Party Politics 15, n^o 2 (mars 2009) : 179–98. http://dx.doi.org/10.1177/1354068808099980.

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This article addresses the relationship between political decentralization and the organization of political parties in Great Britain and Spain, focusing on the Labour Party and the Socialist Party, respectively. It assesses two rival accounts of this relationship: Caramani's `nationalization of politics' thesis and Chhibber and Kollman's rational choice institutionalist account in their book The Formation of National Party Systems. It argues that both accounts are seriously incomplete, and on occasion misleading, because of their unwillingness to consider the autonomous role of political parties as advocates of institutional change and as organizational entities. The article develops this argument by studying the role of the British Labour Party and the Spanish Socialists in proposing devolution reforms, and their organizational and strategic responses to them. It concludes that the reductive theories cited above fail to capture the real picture, because parties cannot only mitigate the effects of institutional change, they are also the architects of these changes and shape institutions to suit their strategic ends.

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Filippov, Vasily. « Walter Gropius, history of the IV CIAM Congress, the Charter of Athens and some of its results ». Innovative Project 9, n^o 15 (5 juin 2024) : 11–24. http://dx.doi.org/10.17673/ip.2024.9.15.2.

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The history of the emergence of the idea of multi-story housing construction is described, starting with the project of the experimental settlement of Spandau-Haselhorst by Walter Gropius and the subsequent report of Gropius to the third CIAM congress. The conditions under which the IV CIAM Congress met are shown - the world economic crisis, the strengthening of authoritarianism in the world, the absence of German, American and Soviet architects, as well as opponents of Le Corbusier in other delegations. The history of the IV Congress and the appearance, ten years after it, of two versions of the Athens Charter are described. The differences between José Luis Sert's version and Le Corbusier's version are presented, as well as some results of its implementation. The implementation of ideas, both different from the Athens Charter and its followers, in Great Britain and the place that the construction of multi-storey housing eventually took in the country is described. An example of construction regulation in Germany is given, which makes the construction of multi-story housing economically unprofitable.

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Vilcu, Alexandra. « Tendencies of High-Skilled Migration coming from Romania. Favourable Legislation and Social Policies ». European Journal of Social Sciences Education and Research 1, n^o 1 (1 mai 2014) : 65. http://dx.doi.org/10.26417/ejser.v1i1.p65-69.

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The external migration of a significant part of Romania's high-skilled population is a social phenomenon which became increasingly frequent starting from the 1990s, right after the fall of the communist regime. The basis for this phenomenon consists of several causes: globalization, the strengthening of international economic relations, and later on, Romania's adhesion to the European Union. Research has shown that of all high-skilled population, the professionals who emigrate more frequently consist of engineers, teachers, medical staff, scientific researchers, economists and architects. Besides, the chosen destinations have been variable throughout time. The first phase in time took place in the 1990s, when a large part of the high-skilled population chose to emigrate for professional purposes in countries such as The United States of America, Canada, Germany or Israel. The second important phase occurred after year 2000, when the focus was placed on EU countries, especially after Romania's integration. Apart from temporary unqualified migration, the number of high-skilled migrants and those who leave the country to continue their studies also soared. The chosen countries generally include Great Britain, Germany, Belgium, France and Austria. Given these differences in the tendencies of high-skilled migration, this paper will offer an insight on how the phenomenon evolved, and the factors that caused these variations in space and time. Most likely, some of the countries that were preferred have been facilitating the integration of high-skilled immigrants in society, as opposed to unqualified ones, through a selective set of laws and social policies which are meant to favour this social category. Therefore, we will discover and analyze various examples and benefits of legislation and social policies which offered social protection to high-skilledimmigrants in various countries. This paper is made and published under the aegis of the Research Institute for Quality of Life, Romanian Academy, as part of the programme co-funded by the European Union within the Operational Sectorial Programme for Human Resources Development, through the Project for Pluri and Interdisciplinarity in doctoral and post-doctoral programmes. Project code: POSDRU/159/1.5/S/141086

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Thèses sur le sujet "Architects – great britain"

Thomson, Christina. « Contextualising the continental : the work of German émigré architects in Britain, 1933-45 ». Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/34756/.

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Between 1933 and 1940 between sixty and ninety German architects arrived in Britain as émigrés fleeing from Nazi oppression. The Germany which they left had, until Hitler's intervention, been the centre of European architectural modernism. Making their passage into Britain, they encountered a country whose architectural climate was altogether more traditional. When the first German architects arrived in 1933, architectural modernism was only just taking root, but only a few years later Britain's architectural culture boasted a thriving modernist scene. This coincidence has led historians to draw a direct connection between the presence of German architects and the establishment of modernism in Britain. This thesis, however, advances the current historiography by showing that the role of German émigrés was, rather than to initiate British architectural modernism, to support a development which had taken root before their arrival. Through examination of a number of sources - including personal papers, drawings, photographs, archive material, buildings, and personal interviews - it explores processes of acculturation as evidenced by the work of the émigré architects. A number of in-depth case studies reveal that the new environment in Britain provoked a variety of responses among the German architects, whose work frequently digressed into the realms of British architectural traditions (taking particular inspiration from the architecture of the Georgian period). Looking beyond well-known figures such as Mendelsohn and Gropius, the thesis concludes that the story of architectural migration from Germany to Britain cannot be told in terms of modernism alone. It shows that responses to the émigré situation were highly dependent on the individual architect's background, his or her experience, age, standing and time of arrival, but reveals that, disregarding these differences, all émigré architects to some degree adapted to their new working environment, a tendency which has been described as New Contextualism. Although submitted in the field of History of Art, the scope of this thesis is methodologically and epistemologically wider than might usually be associated with this field. Despite being strongly visually based in its main analysis, the work is inter-disciplinary in approach, incorporating elements of biography, history, sociology, and exile studies, therefore expanding the boundaries of art historical study.

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Parissien, Steven. « The careers of Roger and Robert Morris, architects ». Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670324.

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Bigonville, Delphine. « Association des idées et intuition : la réponse des architectes anglais à la Querelle des Anciens et des Modernes ». Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209775.

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Ce travail s’intéresse au problème de la relativisation de l’expression architecturale liée à la remise en question, durant le XVIIe siècle, de l’origine divine et de la valeur des canons proportionnels qui sous-tendent la tradition classique. Emblématique de la Querelle qui opposa Claude Perrault et François Blondel au sein de l’Académie royale de Paris, ce problème recevra une formulation privilégiée dans la tradition théorique anglaise qui se caractérise par la volonté de préserver une forme d’objectivité à l’expression formelle tout en cherchant à y intégrer la valeur subjective de l’usage. A travers l’étude de textes esthétiques et de théories d’architecture produits en Angleterre durant le XVIIIe siècle et le début du XIXe siècle, nous avons cherché à identifier les différentes solutions proposées par les théoriciens pour parvenir à concilier le sujet et l’objet dans la forme architecturale et ainsi aboutir à une expression qui autorise l’appropriation individuelle tout en satisfaisant à l’impératif du consensus.
Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished

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Livres sur le sujet "Architects – great britain"

Anthony, Speaight, et Stone Gregory MA, dir. Architect's legal handbook : The law for architects. 6^e éd. Oxford : Butterworth Architecture, 1996.

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Colvin, Howard Montagu. A biographical dictionary of British architects, 1600-1840. 3^e éd. New Haven : Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1995.

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Anthony, Speaight, et Stone Gregory MA, dir. Architect's legal handbook : The law for architects. 7^e éd. Oxford : Architectural Press, 2000.

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Wells-Thorpe, John. Behind the façade : An architect at large. Sussex, England : Book Guild, 2009.

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Ken, Powell. Powell & Moya : Twentieth century architects. London : RIBA Pub., 2009.

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Anthony, Speaight, et Stone Gregory MA, dir. AJ legal handbook : The law for architects. 4^e éd. London : Architectural Press, 1985.

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Nick, Johnson, Rappaport Nina, Harwell Andrei, Miller Lydia, FAT (Architectural firm) et Yale University. School of Architecture., dir. Urban integration : Bishopsgate Goods Yard : Nick Johnson/FAT Architects. New Haven, Conn : Yale School of Architecture, 2010.

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Architects Registration Board (Great Britain). General rules made by the Architects Registration Board. London : The Board, 1997.

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Builders and Architects (Great Britain). Franklin Watts Ltd, 1986.

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Rykwert, Joseph. Eric Parry Architects. Artifice Press, 2018.

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Chapitres de livres sur le sujet "Architects – great britain"

Larsen, Kristin E. « International Initiatives and Building a Legacy ». Dans Community Architect. Cornell University Press, 2016. http://dx.doi.org/10.7591/cornell/9781501702464.003.0008.

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This chapter considers Clarence Samuel Stein's legacy as a community architect, along with his postwar engagement in international initiatives in town planning. In the years after World War II, Stein found himself turning his attention toward international translations of his new town ideas. Communications with international architects, housers, and planners characterized this period, with a focus on specific projects, such as the new towns of Chandigarh in India and Stevenage in Great Britain, and broader community building concepts with housing and planning experts in places as diverse as Sweden and Israel. This chapter discusses Stein's travels in Europe to new towns as he completed documentation of his own visionary work in what would become Toward New Towns for America. It also describes Stein's involvement in town building projects in India and Israel and concludes with an assessment of his legacy in the areas of investment housing and communitarian regionalism and the influence of his community building concepts ranging from the Regional City to the Radburn Idea.

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Anderson, Robert. « Universities Scottish, Irish, and European : Lyon Playfair (1818–98) and University Reform ». Dans History of Universities, 157–97. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198865421.003.0005.

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This chapter assesses Lyon Playfair's views on universities. Playfair was a Scottish scientist who became an administrator, a university professor, and a politician. He has been praised as ‘one of the chief architects of the system of technical education in Great Britain as it exists to-day’. As a Member of Parliament (MP), he had to engage with practical university problems, in England and Ireland as well as Scotland, as they arose on the political agenda. But his starting-point was Scotland, and in putting Scottish problems in a wider British and European context, Playfair was part of a distinctive nineteenth-century discourse. Scottish academics and intellectuals were stimulated to think in comparative terms by the obvious contrast between Scottish and English universities; by the need to adapt university education to new social needs; by discussions which surrounded major legislation in 1858 and 1889; and by the widely shared feeling that Scotland had a national system of education closer to continental than to English traditions.

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James, Simon. « Project Context Rediscovery and Exploration ». Dans The Roman Military Base at Dura-Europos, Syria. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198743569.003.0015.

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The ruined city known locally as Salhiyeh was virtually unknown to western scholarship until the twentieth century (Sarre and Herzfeld 1920, 386–95; Kaizer 2017, 64), but its ancient identity remained unknown until the aftermath of the World War I when collapse of the Ottoman empire saw Britain and France divide up much of the Middle East between them (Velud 1988; Barr 2011). As we saw, during operations against Arabs resisting the new western occupation, British-commanded Indian troops bivouacking at the site dug defensive positions and accidentally revealed wall paintings. These were seen and published by visiting American archaeologist James Henry Breasted (Breasted 1922; 1924), who first identified the ruins as those of the historically attested but unlocated ‘Dura . . . called Europos by the Greeks’ (Isidore of Charax, Parthian Stations, 1). The site thereafter fell inside the newly imposed borders of French-controlled Syria (Velud 1988). More substantial excavations were conducted and published with exemplary speed by Franz Cumont in 1922–3 (Cumont 1926), paving the way for the great Yale University/French Academy expedition overseen by Mikhail Rostovtzeff. This ran over ten seasons: (Dates from the Preliminary Reports, and Hopkins 1979, xxii–xxiv, except ninth and tenth seasons from information in Yale archives provided by Megan Doyon and Richard A. Grossmann.) With a Roman military presence attested from the outset, further traces were encountered throughout the city’s exploration, with the heart of the military base area being identified and excavated in the fifth season, and the great ‘Palace of the dux ripae’ in the ninth. While masterminded by Rostovtzeff, and more nominally Cumont, these giants actually only briefly visited the excavations on a couple of occasions. The dig was conducted under a series of field directors: Maurice Pillet, Clark Hopkins, and finally Frank Brown. These led a small team of American and European architects, artists, and archaeologists, mostly male (although women occupied prominent places on the team, including Yale graduate student Margaret Crosby and most notably Hopkins’s wife Susan); they were mostly young and inexperienced (including Hopkins and Brown).

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Madden, Kirsten, et Joseph Persky. « Robert Owen’s Cooperative Vision ». Dans Building a Social Science, 17–46. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197693735.003.0002.

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Abstract After his successful experimentation in industrial organization to the benefit of his workforce at New Lanark, Robert Owen became an architect and proselytizer of cooperation. He is the first cooperative theorist in Great Britain. Assuming the desire for happiness and the plasticity of human nature, Owen deduces the major propositions in his new social science. Cooperation—a cordial, other-centered working together by all for the benefit of each—is the only structure that promises superabundance and the achievement of meaningful human development. Success in cooperation requires a fundamentally restructured rational-ethical program of education. Owen also drew institutional blueprints for villages, schools, and workplaces. Perhaps the most fundamental contradiction of Owen’s cooperation lies in his penchant for paternalistic authority to lead cooperative organizations.

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Actes de conférences sur le sujet "Architects – great britain"

Gaessler, Stéphane, Ksenia Malich, Ilya Pechenkin et Anna Vyazemtseva. « Architects in Motion — Reasons, Conditions, and Consequences of Professional Migration from Russia and the Soviet Union to Italy, France, and Great Britain in 1905 – 1941 ». Dans 3rd International Conference on Architecture : Heritage, Traditions and Innovations (AHTI 2021). Paris, France : Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211125.163.

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