Thèses sur le sujet « Arabic poetrystory and criticism »
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al-Marzūqī, Abd al-Qādir K. « Structuralism in modern Arabic criticism ». Thesis, University of Edinburgh, 1997. http://hdl.handle.net/1842/20931.
Texte intégralDahroj, Fawaz Ahmad. « The effect of modern linguistics on Arabic literary criticism : the stylistic approach and its application to Arabic poetry ». Thesis, University of Glasgow, 1998. http://theses.gla.ac.uk/6494/.
Texte intégralBlackburn, Steven P. « The early Arabic versions of Job (first millennium C.E.) ». Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/970.
Texte intégralJamil, Nadia. « Ethical values & ; poetic expression in early Arabic poetry ». Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670213.
Texte intégralAwwad, Abd al-Hussein M. « The theoretical bases of applied criticism of modern Arabic poetry : a comparative study ». Thesis, University of Exeter, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.280753.
Texte intégralAl-Shamaa, Khaldoun. « Modernism and after : modern Arabic literary theory from literary criticism to cultural critique ». Thesis, SOAS, University of London, 2007. http://eprints.soas.ac.uk/28817/.
Texte intégralSamarrai, Ghanim Jasim. « An examination of the critical debate concerning the issue of the influence of T.S. Eliot's 'The waste land' on Badr Shakir as-Sayyab's poetry ». Thesis, University of Portsmouth, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326992.
Texte intégralHamdan, Yousef Hussein Mahmoud. « Impact of Anglo-American new criticism on modern Arabic discourse : the case of Shi 'r (Poetry Magazine) ». Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/9474.
Texte intégralZambelli, Sessona Anna. « Intertextual strategies and the poetics of identity in Imīl Ḥabībī's literary works ». Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711596.
Texte intégralAl-Hassan, Hawraa. « Propaganda literature in Baʻthist cultural production (1979-2003) : the novels of Saddam Hussein as a case study ». Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648424.
Texte intégralSwanson, Maria Lebedeva. « The Russian Influence On The Literary And Critical Writings Of Mikhail Naimy ». Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/332760.
Texte intégralAl-Mutawah, Hoda. « GENDER RELATIONS IN THE ARAB WORLD : A RHETORICAL CRITICISM OF NAGUIB MAHROUZ'S AWLAD HARATINA ». Bowling Green State University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1131392412.
Texte intégralMajali, J. S. « Poetic creativity in Arabic literary criticism : a study of Arab critical views up to the end of the 5th/11th century ». Thesis, University of Manchester, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.233327.
Texte intégralWilliams, Simon J. « Reading between the lines : Arabic fiction in Israel after 1967 ». Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:23a6d929-e16b-4f14-b240-c5cdd2d27933.
Texte intégralKhalifa, Tarek. « Génèse de la critique arabe moderne ». Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE3066/document.
Texte intégralThe research work presented in this manuscript focuses on the evolution of the modern Arab poetry critic. The work is two fold: one diachronic and the other analytical. We detail on one hand the history of such evolution, which, in the space of a century, has been quite impressive, and on the other hand,we analyze this phenomenon, which has never occurred in the world literacy history over such a short time span. The period of the nahda started in the second half of the XIXth century and lasted up to the last years of the XXth century. The history of the Arab literature has been shattered by numerous events, at the same time conservative and modernist. Those events were at times contiguous and at times opposite: poetry in particular, has caught up with a major delayof nearly five centuries, as witnessed by the number of poems and collections published,and as well asby the multiplication of styles and literacy schools.Over the span of a century, and often within the same period, one may discoverand study classical, neoclassical, romantic, symbolic as well as realist poets. Furthermore, the poetry production has also been diversein styles, but at the same time addressed the classical rules related to the measure and the rhymes, while displaying a reversal movement towards the classical form, mainly to show and prove mastering skills. Then, the inspiration of the "muwaššaḥ" appeared and has strayed away from the requirements of the traditional form, with a few attempts to write free poetry as well as prose with new measures, and eventually came to the birth of white poetry,… etc.All those various efforts attempting atreclaiming a main historic literacy flow has definitely not been overlooked by the critic, which at times has brought forward poets, and at times has even preceded the poetic production which has undergone through the modernistic pressure by trying to join that same flow; the critique has drawn in the ancient scripts and at the same time in the opening into the occidental critic. The revolution against traditionalism has been launched with various schools who have claimed a split with the inheritance of the classics.Other currents have resisted to the European influence by pretexting a fight against occidental colonialism. These very resolute currents have defended the attachment to the ancient school by invoking the purity of the language of the Koran, the richness of this heritage and the fact that this modernization can produce ill-adapted theories to the social and cultural reality.We attempt in this work to present and analyze the four stages, through which poetry and the poetry critic have gone through during the past century:1) The stage of mediocre imitation 2) The stage of coherent and eloquent imitation, 3) The stage of innovation linked to a nationalist fervor4) And eventually the stage of innovation linked to a feeling of individual freedom
Buturović, Amila 1963. « Love in the poetry of Ibn Quzmān ». Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63925.
Texte intégralMartin, Fernandez Amaya. « National, linguistic, and religious identity of Lebanese Maronite Christians through their Arabic fictional texts during the period of the French Mandate in Lebanon ». Connect to Electronic Thesis (ProQuest) Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/451013418/viewonline.
Texte intégralCohen, Hella Bloom. « Private Affections : Miscegenation and the Literary Imagination in Israel-Palestine ». Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500171/.
Texte intégralViteri, Marquez Elisa Andrea. « Literary masculinities in contemporary Egyptian dystopian fiction : Local, regional and global masculinities as social criticism in Utopia and The Queue ». Thesis, Stockholms universitet, Institutionen för Asien-, Mellanöstern- och Turkietstudier, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184262.
Texte intégralAlaybani, Rasmyah. « Words and Images:Women’s Artistic Representations in Novels and Fine Art in the Kingdom of Saudi Arabia 2005-2017 ». The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1565009668743079.
Texte intégralWhite, James. « Anthologists and the literary market : a comparative study of al-Tha'ālibī's Yatīmat al-dahr and 'Awfī's Lubāb al-albāb ». Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:f1e95949-e509-43a2-a8ac-904bc3ffaa9c.
Texte intégralOersen, Sheridene Barbara. « The representation of women in four of Naguib Mahfouz's realist novels : Palace walk, Palace of desire, Sugar street and Midaq alley ». Thesis, University of the Western Cape, 2005. http://etd.uwc.ac.za/index.php?module=etd&.
Texte intégralLeeke, Jane. « A novel reading : literature and pedagogy in modern Middle East history courses in Canada and the United States ». Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98549.
Texte intégralHill, Peter. « Utopia and civilisation in the Arab Nahda ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:9f6e0ac9-04c9-4f50-b4da-8a933b0c069f.
Texte intégralKchouk, Ayachi Khedija. « L'héritage du soufisme dans la poétique arabe contemporaine ». Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAC018/document.
Texte intégralThe first chapter in this study presents the poetic thinkers, poets and critics alike, in the traditional Arabic heritage until the fourteenth century by making a synthesis. The second chapter presents Sufism in outline and in what distinguishes it as an existential approach throughout the Islamic view. These same characteristics are reflected in the third chapter through the poetic production of three of its most famous representatives namely Rabia Al-Adawiyya (d. 725), Umar Ibn Al-Fâridh (d. 1235) and Mohyî Al -Dîn Ibn Arabi (d. 1240). The analysis shows that in their respective works, they also had three different approaches to poetic creation. Rabia with her quest for purification uses it as a catharsis, Ibn Al-Fâridh, with his quest to spread his Sufi faith through his Al-Tâiyya Kubrâ (The Great Tâiyya),tries to impregnate his own Sufi liver faith, and Ibn Arabi, with his plan to refute any writing stable and rigid trough his collection of poems Turjumân Al-Achwaq (the interpreter of desires), seeks to establish an ideal "Text ".Thus we can conclude that these Sufi poets had three different approaches to poetic creation. The analysis of their respective writings demonstrates that "issuer", "receiver" and "message" are the three core interests of these three Sufi poets. In the fourth chapter of this study, three poetic works of three contemporary poets are analyzed to detect the Sufi watermarks of these poems. It is Al-Tufan Al-Aswad (The Black Flood) of Muhammad Miftâh Al-Faytûrî (1936 - ...), Al-Kibrît wa Al-Asâbi (The Match and the Fingers) of Nizar Qabbâni (1923-1998), and Qasîdat Al-Takwîn The Poem of the Genesis of Adonis (1930 - ...). Their analysis proves the influence of Sufism in the practice of the creation of Arabic poetry. The fifth chapter demonstrates this Sufi legacy in poetic theories in contemporary Arab thought and its influence in the establishment of three different poetic approaches constituting the so-called " the Purifying School," " the Impregnator School" and "the Refutation School", these theories take no account of the literary corpus described in the first chapter. Besides the translation of Claudine Chonez of "Great Tâiyya," the poems are cited in Appendix at the end of the study with a personal translation, which, although it does not claim to reflect in any way the depth and beauty of Arabic poems, she does not despair for the many suggest
Hoorelbeke, Mathias. « Se faire poète : le champ poétique dans les premières années du califat abbasside d’après le Livre des chansons ». Thesis, Paris, INALCO, 2013. http://www.theses.fr/2013INAL0020.
Texte intégralThis study deals with the poetic field in the first decades of the Abbassid era. It does not focus on the poets’ individual biographies but on the logics they obey and the constraints that weigh on them as a group. It is based on the analysis of about 70 chapters taken from the Book of Songs by al-Iṣbahānī (d. ca 360/970). The first part examines the most conspicuous and most studied constraint: the connection between the poet and the prince. It assumes that the strength of the poetic word derives from a wider relation: the walā’, which implies enduring mutual obligations. Poetic speech is therefore just a particular aspect of a negotiation of the distance between the patron and his protégé. This negotiation affects the poets’ moves and modes of expression.The second part investigates how poets position themselves when interacting with the multitude of protagonists that claim the right to say what poetry should be. It analyses how the poets’ relations with their peers or with scholars are determined by the cumulated history of the field. Emphasis is then laid on how poets position themselves in the field by playing precoded roles, by “staging” their personae and giving the episodes of their lives a textual expression. As a result, the Book of Songs cannot be seen as a neutral record of these struggles ; it is also the battlefield where they take place
Temsamani, Hafsa. « Par-delà le féminisme, le féminisme musulman ? le cas de l'écriture-femmes en Arabie Saoudite, 1958-2008 ». Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209634.
Texte intégralDans les études sur le féminisme et le genre, l’Arabie Saoudite, il est vrai, constitue « une énigme ». Et c’est précisément ce qui nous a incité à explorer cet univers « voilé » dont nous allons, au gré de notre étude, tenter de « dévoiler » un tant soit peu le mystère.
Nous avons entrepris dans ce but une recherche approfondie à propos de l’écriture-femmes saoudienne romanesque depuis son essor en 1958 jusqu’à 2008. Ce sont donc cinquante années d’écriture-femmes saoudienne sur lesquelles nous nous pencherons au cours de notre étude. Le lecteur l’aura compris :le fil conducteur de notre recherche reposera sur l’écriture en tant que vecteur de prise de conscience féministe.
En définitive, ce travail se composera donc de trois grandes parties, chacune subdivisée en chapitres. Dans la première partie, nous développerons la question du féminisme en rapport avec l’islam. Le premier chapitre exposera le féminisme et le genre en tant qu’approche méthodologique des discours et des arguments féministes. Le deuxième chapitre traitera de la question de l’islam et de la laïcité. En effet, pour la plupart des pays musulmans, l’islam est une religion d’Etat. La charia est la source principale du droit, voire exclusive dans certains pays, comme en Arabie Saoudite où elle est considérée comme complète, suprême, supérieure à toute loi. Logiquement, une autre question surgira, celle qui sous-tend le troisième chapitre de cette première partie, au cours duquel nous nous demanderons si un « féminisme musulman » représente une réalité vraiment envisageable. La deuxième partie sera censée investiguer le contexte idéologique en vigueur en Arabie Saoudite. Ensuite, nous évoquerons une esquisse de la littérature en Arabie Saoudite et les orientations des écrivains saoudiens et saoudiennes. La troisième partie se centrera sur une analyse thématique de l’écriture-femmes romanesque saoudienne s’étalant sur une période allant de 1958 à 2008. Nous nous étendrons d’abord sur un panorama de cette écriture dans les contrées en général, avant d’aborder les thématiques les plus spécifiques de cette écriture, approuvant qu’il s’agisse d’un pays encore très mystérieux aux yeux des étrangers: l’Arabie Saoudite.
Il apparaîtra qu’une parenté certaine entre « écriture » et « militantisme féministe » sous-tend, à l’évidence, l’univers romanesque des femmes saoudiennes. En clair, l’apport de l’écriture-femmes saoudienne a été considérable :elle nous a offert une peinture vivante de l’Arabie Saoudite et de la condition féminine. Elle contribue à l’émergence d’un style de militantisme marqué par son berceau saoudien et, de ce fait, elle participe à l’avènement d’un féminisme proprement saoudien.
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
Meinster, Magriet Jansje. « Commitment in the poetry of Nizar Qabbani : Mahmoud Darwish and Fadwa Tuqan ». Thesis, 2014. http://hdl.handle.net/10210/11975.
Texte intégralSallis, Eva. « Identity in diversity : the Thousand and one nights in English / E.K. Sallis ». Thesis, 1996. http://hdl.handle.net/2440/18792.
Texte intégralSallis, Eva. « Identity in diversity : the Thousand and one nights in English / E.K. Sallis ». 1996. http://hdl.handle.net/2440/18792.
Texte intégral231 leaves ; 30 cm.
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
Thesis (Ph.D.)--University of Adelaide, Dept. of English, 1997
Amin, Ashraf Mohamed Fouad Mohamed. « Imam Ibn Al-Jazari : his contributions to the discipline of the recitation of the Qur'an and impact on later scholars/works ». Thesis, 2004. http://hdl.handle.net/10413/7449.
Texte intégralThesis (Ph.D)-University of Durban-Westville, 2004.
Jappie, Achmat Ahdiel. « The development of the arabic essay and short story with particular reference to the contributions of Mustafā Lutfī al-Manfalūtī ». Diss., 2007. http://hdl.handle.net/10500/1656.
Texte intégralReligious Studies & Arabic
M.A. (Arabic)
FORCELLA, SARA. « Otherness and the other sex within the frame story of the thousand and one nights : texts and criticism ». Doctoral thesis, 2021. http://hdl.handle.net/11573/1568521.
Texte intégralLorins, Rebecca M. 1970. « Inheritance : kinship and the performance of Sudanese identities ». Thesis, 2007. http://hdl.handle.net/2152/3494.
Texte intégralZahīr, Jamīlat Bānū, et Jameela Banu Zaheer. « Study of foreign hadith words in the first Islamic literature ». Diss., 2008. http://hdl.handle.net/10500/3191.
Texte intégralArabic & Islamic Studies
M.A. (Islamic Studies)
Zaheer, Jameela Banu, et Jamilat Banu Zahir. « Study of foreign hadith words in the first Islamic literature ». Diss., 2008. http://hdl.handle.net/10500/3191.
Texte intégralArabic and Islamic Studies
M.A. (Islamic Studies)
Ismail, Nadia. « Women and political participation : a partial translation of ‘Abd al-Ḥalīm Muhammad Abū Shaqqah’s Taḥrīr al-Mar’ah fī ‘Aṣr al-Risālah (The liberation of women in the prophetic period), with a contextual introduction to the author and his work ». Diss., 2016. http://hdl.handle.net/10500/22256.
Texte intégralReligious Studies and Arabic
M.A. (Arabic)