Bibliographies thématiques / Arabic poetrystory and criticism

Littérature scientifique sur le sujet « Arabic poetrystory and criticism »

Auteur : Grafiati
Publié le 25 juillet 2024

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Articles de revues sur le sujet "Arabic poetrystory and criticism"

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Musgamy, Awaliah, Muhammad Rusydi et Kurniati Kurniati. « Gender Mainstreaming in Arabic Literature ». Jurnal Al Bayan : Jurnal Jurusan Pendidikan Bahasa Arab 12, no 2 (2 septembre 2020) : 245–62. http://dx.doi.org/10.24042/albayan.v12i2.6468.

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Arabic literature is a means of gender mainstreaming which is very rich in gender issues. This is based on the social fact that Arab society in its historical footsteps has a stereotype as a community that is very thick with its patriarchal culture. Consequently, the social condition which is less responsive to gender influences the birth of Arabic literary works in various types in which gender issues such as marginalization of women, subordination of women to men, violence, negative stereotypes, and others. This article is qualitative research by using feminist Arabic literary criticism as a perspective, gender mainstreaming in Arabic literature is carried out by tracing the gender issues that exist in Arabic literature in its various forms. Through feminist Arabic literary criticism, various theories of feminist literary criticism consisting of ideological criticism, gynocritical criticism, socialist criticism, psychoanalytic criticism, ethnic criticism, and lesbian criticism, are applied in transforming and reconstructing gender-responsive relations between men and women.
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Khan, Yahya. « The Classical and Modern Concept of Unity in Arabic Poem ». Journal of Islamic and Religious Studies 1, no 2 (1 juillet 2016) : 99–112. http://dx.doi.org/10.36476/jirs.1:2.12.2016.14.

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The issue of harmony and unity in the Arabic criticism and poem is of prime concern, which gained the great importance in modern criticism; as various critiques are of the different opinions regarding its existence, significance, applications and concepts even; in both ancient Arabic criticism and modern poetry. The present study will investigate to find out its roots in the ancient Arabic criticism and poetry; and to prove its references in modern Arabic criticism and poetry while indicating how this issue is kept alive by contemporary poets.
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Latifa, Zuhra, Tatik Mariyatut Tasnimah et Muhammad Iwan Burhani. « Perkembangan Kritik Sastra Arab Pada Masa Kontemporer : Faktor Kemakmuran, Metode Kritik, dan Kritikus ». Jurnal Adabiya 25, no 2 (10 octobre 2023) : 160. http://dx.doi.org/10.22373/adabiya.v25i2.17165.

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Abstract: The development of literary criticism in the Arab world has gone through a long process, where some methods also changed and developed along with the development of literary works in the Arab world. Not much different from the world of Arabic literature which has been echoed since the jahiliyah era, since that time also literary criticism began to surface. In the realm of Arabic literary criticism, classical literary criticism is the root that exerts an influence on contemporary literary criticism. The popularity of Arabic poetry became a stimulus for the birth of criticism to the point of giving birth to several figures with their own styles of criticism. This article aims to provide a glimpse into the journey of literary criticism in the contemporary period, by presenting some of the figures who struggled and were directly involved in the develoment process of contemporary literary criticism.Keywords: Contemporary, Literary, Criticism, Arabic
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M. Himeidi, Assist Prof Dr Sundus. « Plagiarism in Arabic Criticism Heritage ». ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 223, no 1 (1 décembre 2017) : 33–56. http://dx.doi.org/10.36473/ujhss.v223i1.318.

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The phenomenon of plagiarism has been commonly dealt with in Arabic criticism heritage,and many traditional Arab critics have written a specific part in their books covering this phenomenon under the title of "literary thefts". Literary thefts have been condemned in Arabic heritage as one poet takes some expressions or phrases from his predecessors, and such a tendency leads to the underestimation of the poet’s status. This phenomenon is called "citation" in Arabic rhetorics when the cited materials are extracted from the Glorious Qur'an or the Prophetic Traditions. This phenomenon has been given different names in Arabic heritage depending on the source of taken materials like sayings, poetry, etc.The phenomenon of plagiarism can be found in the poetic antithesis. Accordingly, plagiarism is the focus of this study. This study is organized around an introduction and three sections. Section one presents the concept of plagiarism from linguistic and terminological perspectivesa long with its history. Section two is limited to the different types of plagiarism in Arabic criticism heritage. Section three deals with the construction patterns of Arabic criticism heritage. Finally, conclusions are drawn out.
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Haikal, Yusuf. « The Actualization of Characters and References in The Classic Arabic Literature Criticism ». Jurnal CMES 14, no 1 (20 juin 2021) : 24. http://dx.doi.org/10.20961/cmes.15.1.48323.

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<p>This study aims to give an overview, review and actualize referral sources in the literary criticism of classical Arabic along with the figures from the source of the referral, which is expected to help and enrich the knowledge and insight for learners criticism in Arabic literature. The method used is descriptive qualitative and the study of literature. Through this method the data and studies taken from various sources of literature are then described and presented in the form of words based on the focus of the book which became the main reference. From the discussion, it could be concluded that the scientific and the development of criticism in Arabic Literature in the classical, more precisely between the eighth century to the twelfth century, is the golden period of development in the scientific criticism in Arabic literature. Moreover, the four centuries was also born to a wide variety of artwork and writing a review or even find a theory and new things related to literary criticism. There are at least four books is the source of the referral (mashdar) literary criticism of classical Arabic that can be actualized and utilized as well as made the object of research to the development of scientific criticism in Arabic literature at the present time. The fourth book is Thabaqāt Fuchūlus-Syu'arā’, al-muwāzanah, al-badi’, and dalā'ilul i'jāz. The fourth book, and its author, is also a testament to the greatness of the development of criticism in Arabic literature in the classic, and has represented a wide range of novelty born of the development of scientific criticism in Arabic literature.</p>
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Ismail, Ismail, Tatik Maryatut Tasnimah et Ridwan Ritonga. « Kritik Sastra Arab pada Masa Yunani ». JURNAL Al-AZHAR INDONESIA SERI HUMANIORA 9, no 1 (27 mars 2024) : 18. http://dx.doi.org/10.36722/sh.v9i1.2747.

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<p><strong>The purpose of this study is to examine the development of literary criticism in the Greek period. The data collection method used in this study is the literature review method. The researcher will search all data related to this study and record the data. The approach used in this study is a historical approach where researchers look for stories related to the history of the development of Arabic literary criticism in the Greek period. From the results of this research can be found out about the understanding and classification of Arabic literary criticism. In addition, this study provides information on Arabic literary criticism in Greek times, Greek influence on Arab criticism through reading, and criticism of orientalist books in the context of Greek influence. In literary criticism, the task of teaching literature with the support of literary theory is literary criticism, especially oral literary criticism, using works of literary criticism to explain abstract literary theories.</strong></p><p><em><strong>Keywords</strong> - Criticism, Arabic Literature, Greek.</em></p>
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Futaqi, Mirza Syauqi. « GENEALOGI KAJIAN PASCAKOLONIALISME DALAM KHAZANAH KRITIK SASTRA ARAB ». LiNGUA : Jurnal Ilmu Bahasa dan Sastra 14, no 1 (29 juin 2019) : 205–12. http://dx.doi.org/10.18860/ling.v14i1.6321.

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This study is a comparative literature study that seeks to investigate postcolonialism study in the Arabic Literary Criticism from the early postcolonialism study to the current postcolonial study. This study uses American comparative literature theory, the diachronic approach, and historical methods. The results of this study are that postcolonialism entered into the Arabic Literary Criticism through postcolonial theory book that was translated to Arabic language, students who studied in America or Europe and then taught at universities in the Arabic world, and also the internet. In addition, the attitude of the Arabs towards postcolonialism study in the Arabic Literary Criticism is still limited as consumers and not theorists.
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Kajeej, Omar Abdullah. « غَ رَ بَ طَ نَ ظَ و هَو زا رَ يَا نَاقدٌ نَقده لَقصيدة "َبحق رَب اَلورىَ" لَلشعر اَلحاج عَمر اَ لَ كَ بَ وَي أَنموذجا ». Yandoto Academic Journal of Arabic Language and Literature 6, no 01 (30 décembre 2022) : 27–41. http://dx.doi.org/10.36349/yajoall.2022.v06i01.003.

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This research in title “Garba Dantsoho Zaria, is Critic his scrutinising the poetry of Alh. Umar Al-Kabawai named "for the sake of mankind’s creator" as model ". The paper intended to highlight the contributions of Garba Dantsoho Zaria, toward the development of Arabic literature and criticism in Nigerian Arabic Literature. The research contained the biography of the author (Critic) Garba Dantsoho Zaria, his struggle for seeking the Arabic language and Islamic studies, his compositions toward the development of Arabic language literature and criticism in the fill of Nigerian Arabic Education, at the end the paper explains the preferment and structure of his book, called the presentation, analysis, and the criticism of the Alh. Umar Al-kabawai poets, finally the conclusion, summary, and recommendations were been given.
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Boudjerra, Samira_. « Modernism Poetic of Abou Tammam from the Perspective of Ancient Arab Criticism. _Language Criticism Model ». Milev Journal of Research and Studies 5, no 2 (31 décembre 2019) : 189–208. http://dx.doi.org/10.58205/mjrs.v5i2.1126.

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linguistic Arabic critics and the modern poetry of Abou Tamam. They were the first to receive the modernity of About Tamam and provide their jujments which contributed in clarifying some critical concepts that are included in the core of hritecal Arabic poetry.
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Hailiyati, Nia. « The terms of contemporary Arabic literary criticism ». Alfaz (Arabic Literatures for Academic Zealots) 6, no 01 (3 octobre 2018) : 31. http://dx.doi.org/10.32678/alfaz.vol6.iss01.1095.

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This study discusses the use of developed terms of literary criticism in the Arab. literature always experiences renewal in terms of science because literary criticism is a cultural product that often interacts with the conditions of the surrounding world, one of which is the terms of literary criticism which is the criterion in its use, so that raises the question, what are the terms of the Arabic literary criticism that are developing now? the purpose of this study is to find out the terms of literary criticism that developed in contemporary times as balancing the transformation of the ever expanding world of external literature. The method used in this research is library research, which is by collecting library data related to terms in Arabic literature. The finding in this study is that in contemporary Arabic literature there are three phenomenal terms, first the inner experience of poets (writers), the second organic unity and the theme in literary works, the third form of poetry.
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Thèses sur le sujet "Arabic poetrystory and criticism"

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al-Marzūqī, Abd al-Qādir K. « Structuralism in modern Arabic criticism ». Thesis, University of Edinburgh, 1997. http://hdl.handle.net/1842/20931.

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Dahroj, Fawaz Ahmad. « The effect of modern linguistics on Arabic literary criticism : the stylistic approach and its application to Arabic poetry ». Thesis, University of Glasgow, 1998. http://theses.gla.ac.uk/6494/.

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The main objective of this study is to show how "the Stylistic Phenomenon" has entered Arabic literary critical life. It aims to examine "Practical Criticism" in Arabic, which adopts a "stylistic approach". In order to achieve this, however, it is essential to have examined a complete picture of this approach in Arabic literary life in all its aspects, most of which are concerned with issues, of stylistic theory rather than practical stylistics. Efforts have been devoted to establishing it as a separate recognised approach: in the theory of translation, in matters of terminology, in traditional Arabic literary criticism, etc. The "Stylistic Approach" in Arabic literary life, as examined here, also illustrates the whole situation of the real relationship of Arabic literary criticism with modern literary criticism in The West. There are various channels of connection with modern Western literary criticism, such as the translation of the most important works relating to this topic into Arabic, either as monographs or as articles in literary journals. There are also Arab writers who have been educated in The West and who are applying the stylistic approach to Arabic literature. This study shows the connection of Arab scholarship with the modern linguistic revolution in the West, from which the stylistic approach is the fruit. It is clear that the most important figures in modern linguistics, particularly those whose works are influenced by modern Western linguistics or have been affected by modern Western literary criticism, are well-known, and the Arab reader is familiar with Althusser, Bakhtin, Bally, Barthes, Brooks, Chatman, Chomsky, Cohen, Derrida, Foucault, Genette, Jakobson, Levi-Strauss, Saussure and many others.
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Blackburn, Steven P. « The early Arabic versions of Job (first millennium C.E.) ». Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/970.

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This work makes a contribution to the history of the interpretation of Hebrew scripture by examining the earlier texts, produced by the linguistically cognate communities of Arabic-speaking Jews, Christians, and Muslims, of one of the more theologically controversial and linguistically difficult texts of the Judeo-Christian canon: the Book of Job. Analysis relates portions of five pre-1000 C. E. Arabic versions to the Masoretic Text as well as to the Targum, Septuagint, Peshitta, Syro-Hexaplaric, and Coptic. Subtleties encountered in the course of translation, including theological emphases, inter-religious and inter-cultural influences, as well as paraphrastics and other form-literary concerns, are treated.
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Jamil, Nadia. « Ethical values & ; poetic expression in early Arabic poetry ». Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670213.

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Awwad, Abd al-Hussein M. « The theoretical bases of applied criticism of modern Arabic poetry : a comparative study ». Thesis, University of Exeter, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.280753.

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Al-Shamaa, Khaldoun. « Modernism and after : modern Arabic literary theory from literary criticism to cultural critique ». Thesis, SOAS, University of London, 2007. http://eprints.soas.ac.uk/28817/.

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This thesis aims to provide the interested reader with a critical account of far-reaching changes in modern Arabic literary theory, approximately since the 1970s, in the light of an ascending paradigm in motion, and of the tendency by subsequent critics and commentators to view literary criticism in terms of a self-elaborating category morphing into cultural critique. The first part focuses on interdisciplinary problems confronting Arab critics in their attempt "to modernize but not to westernize", and also provides a comparative treatment of the terms, concepts and definitions used in the context of an ever-growing Arabic literary canon, along with consideration of how these relate to European modernist thought and of the controversies surrounding them among Arab critics. The second part explores some distinguishable morphological markers whose deployment involves a more or less radical distinction between, on the one hand, renovationist assumptions of cultural change as an uninterrupted process of historical continuity, and, on the other, innovationist assumptions based on discontinuity. The first of these modernizing models, involving revivalist ideas from the age of al-Nahdah, laid the foundation for a double dependency, on the past, serving to compensate, through remembering and reviving, for lack of creativity; and on the European-American West, serving to compensate, through intellectual and technical adaptation and borrowing, for the failure to invent and innovate. However, it is the second, counter-revivalist model that has assumed pride of place through the work of various poets, theorists and critics considered here. By the end of the eighties a self-generating, self-referential modernist theory had become the dominant critique. The third part proffers the case for a new paradigm. Drawing on the arguments and views of numerous scholars, the emphasis here is that "difference" establishes a distinctive mode of autonomy vis-a-vis Western Eurocentric theory.
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Samarrai, Ghanim Jasim. « An examination of the critical debate concerning the issue of the influence of T.S. Eliot's 'The waste land' on Badr Shakir as-Sayyab's poetry ». Thesis, University of Portsmouth, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326992.

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Hamdan, Yousef Hussein Mahmoud. « Impact of Anglo-American new criticism on modern Arabic discourse : the case of Shi 'r (Poetry Magazine) ». Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/9474.

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New Criticism has had a profound impact on Arabic critical thought since the early 1950s. The reasons behind this vary from one critic to another. Some have employed New Criticism to analyse the poetic movement of Shi r al-taf īla, and its new poetic features that required innovative critical tools. Other critics’ use of New Criticism was based on their familiarity with English literary thought and schools of criticism. While some Arab critics, such as Iḥsān Abbās, Izz al-Dīn Ismā īl and Ilyās Khūrī, partially employed New Criticism, others, such as Rashād Rushdī and his students, confined themselves exclusively to New Criticism, viewing it as the only appropriate approach to literature. Members of Majallat Shi r employed many New Critical ideas, deeming them to be the modern concept of poetry. Through an in-depth reading of the articles in Shi r, and a comparative approach based on thorough study of New Critical writings, this thesis demonstrates that the majority of the critical ideas and concepts which appeared in Shi r were based on New Criticism. Additionally, the thesis illustrates that many of Shi r’s critics, particularly Yūsuf al-Khāl who dominated the magazine, showed a great deal of fascination with the New Critics, Eliot in particular. The Shi r critics’ use of New Criticism appeared to be, particularly on the theoretical level, an imitation to such an extent that one cannot find any new critical ideas in al-Khāl’s works. Additionally, the New Critics’ concepts were predominantly theoretical and largely unsupported by examples from Arabic poetry, with the exception of Jabrā’s and Khālida Sa īd’s works. In this way, Shi r critics’ contention that modern Arabic literary thought should be creative while seeking to evade the imitation of classical literary and critical accounts was fallacious as they merely replaced one form of imitation with another. Furthermore, Shi r critics called for many ideas without providing literary justifications or examples. One instance pertains to their encouragement of the use of colloquial Arabic instead of the standardised form. Furthermore, other critical problems, such as issues involving poetic ambiguity and language, were tackled insufficiently. For these reasons, this thesis characterises the relationship of Shi r critics to the New Critics as not only one of fascination and imitation, but also as a parental paradigm similar to a father-child relationship. Initially, I sought to find in Shi r new critical concepts and developments resulting from the use of New Criticism and simultaneously based on modern Arabic literature. However, much to my dismay, I discovered that the magazine’s critical project based itself, to a great extent, on the New Critical concepts without questioning or challenging them. This behaviour appears analogous to children’s imitation of their parents as an ideal form of behaviour.
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Zambelli, Sessona Anna. « Intertextual strategies and the poetics of identity in Imīl Ḥabībī's literary works ». Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711596.

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Al-Hassan, Hawraa. « Propaganda literature in Baʻthist cultural production (1979-2003) : the novels of Saddam Hussein as a case study ». Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648424.

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Livres sur le sujet "Arabic poetrystory and criticism"

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Muṣṭafá, Badawī Muḥammad, dir. Modern Arabic literature. Cambridge [England] : Cambridge University Press, 1992.

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Starkey, Paul. Modern Arabic literature. Edinburgh : Edinburgh University Press, 2006.

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A, Allen Roger M., dir. Modern Arabic literature. New York : Ungar Pub. Co., 1987.

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Badawī, Muḥammad Muṣṭafá. Early Arabic drama. Cambridge [Cambridgeshire] : Cambridge University Press, 1988.

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Stetkevych, Jaroslav. Arabic poetry & orientalism. Oxford : St. John's College Research Centre, 2004.

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al-Qushayrī, Muslim ibn al-Ḥajjāj. Ṣaḥiḥ Muslim, Arabic-English. Delhi India : Adam Publishers, 1999.

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1933-, Jones Alan, dir. Early Arabic poetry. Reading, U.K : Published by Ithaca Press Reading for the Board of the Faculty of Oriental Studies, Oxford University, 1992.

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Nadvī, Muḥammad Iqbāl Ḥusain. Classical Arabic poetics : An introduction. Hyderabad : Centre for Arabic Studies, Central Institute of English and Foreign Languages, 2003.

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Maróth, Miklós. Problems in Arabic literature. Piliscsaba : The Avicenna Institute of Middle Eastern Studies, 2004.

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Huart, Clément. History of Arabic literature. New Delhi : Goodword Books, 2001.

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Chapitres de livres sur le sujet "Arabic poetrystory and criticism"

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Campbell, Ian. « Criticism and Theory of Arabic SF ». Dans Arabic Science Fiction, 77–117. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91433-6_4.

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Fedwa, Malti-Douglas. « 11. Dangerous Crossings : Gender and Criticism in Arabic Literary Studies ». Dans Borderwork, sous la direction de Margaret R. Higonnet, 224–29. Ithaca, NY : Cornell University Press, 2018. http://dx.doi.org/10.7591/9781501723025-013.

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Biesterfeldt, Hinrich, et Alma Giese. « 1984. Istiʿārah and Badīʿ and their Terminological Relationship in Early Arabic Literary Criticism ». Dans Wolfhart Heinrichs´ Essays and Articles on Arabic Literature, 285–309. London : Routledge, 2024. http://dx.doi.org/10.4324/9781003194026-19.

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« Criticism ». Dans Blowing on Yogurt and Other Egyptian Arabic Expressions, 15–26. The American University in Cairo Press, 2024. http://dx.doi.org/10.2307/jj.5053558.6.

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« IX. Textual Criticism And Editing ». Dans The Arabic Manuscript Tradition, 159–60. BRILL, 2008. http://dx.doi.org/10.1163/ej.9789004165403.i-304.59.

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Fowler, Roger. « Meaning and World-View ». Dans Linguistic Criticism, 210–32. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780192892614.003.0011.

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Abstract In Chapter 2, I argued that language is of great importance in shaping speakers’ classification of experience: as Halliday puts it, language has an experiential or ideational function. Applying this notion to a whole language, one might claim that English as a whole, or French, or Arabic, encodes two sorts of meanings which are accessible to speakers: on the one hand, natural meanings such as ‘red’, ‘greater than’, ‘square’, ‘up/down’ which are necessarily coded because all human beings are biologically equipped to make such discriminations; and on the other hand, social meanings which reflect the organization of a society and its relationship with its environment: ‘Prime Minister’, ‘son’, ‘doctor’, ‘democracy’, ‘landscape’, ‘Spring’, etc. It is obviously in the-vast-area of social meanings that differences between languages are greatest; and, if the ideational theory is correct, speakers’ world-views differ most in this socially constructed field of significances.
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Smyth, William. « Criticism in the post-classical period : a survey ». Dans The Cambridge History of Arabic Literature, 385–418. Cambridge University Press, 2006. http://dx.doi.org/10.1017/chol9780521771603.021.

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« Formal Connections, Literary Criticism, and Political Commitment ». Dans Reorienting Modernism in Arabic and Persian Poetry, 27–47. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781009164467.003.

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« APPENDIX IV al-Ghazzālī’s Classification of the Sciences ». Dans Literary Criticism in Medieval Arabic Islamic Culture, 233. Edinburgh University Press, 1997. http://dx.doi.org/10.1515/9781474471497-013.

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« 5 Against All Odds : The Making of a Tradition ». Dans Literary Criticism in Medieval Arabic Islamic Culture, 166–99. Edinburgh University Press, 1997. http://dx.doi.org/10.1515/9781474471497-008.

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