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Littérature scientifique sur le sujet « Appignanesi, Lisa »

Auteur : Grafiati
Publié le 10 mars 2023

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Articles de revues sur le sujet "Appignanesi, Lisa"

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King, Nicola. « Structures of Autobiographical Narrative : Lisa Appignanesi, Dan Jacobson, W.G. Sebald ». Comparative Critical Studies 1, no 3 (octobre 2004) : 265–77. http://dx.doi.org/10.3366/ccs.2004.1.3.265.

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Baum, Devorah. « Writing Memories : A Jewish Quarterly Conversation with Eva Hoffman and Lisa Appignanesi ». Jewish Quarterly 60, no 3-4 (2 octobre 2013) : 31–35. http://dx.doi.org/10.1080/0449010x.2013.855420.

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André, Willian, et Lara Luiza Oliveira Amaral. « A vida íntima entre as paredes de vidro : uma análise dos diários de Maura Lopes Cançado, Alejandra Pizarnik e Sylvia Plath / Intimate life inside the walls of glass : an analysis of journals by Maura Lopes Cançado, Alejandra Pizarnik and Sylvia Plath ». O Eixo e a Roda : Revista de Literatura Brasileira 28, no 4 (5 décembre 2019) : 395. http://dx.doi.org/10.17851/2358-9787.28.4.395-426.

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Resumo: Partindo de algumas considerações de Leonor Arfuch, Philippe Lejeune e Michel Blanchot sobre a “escrita íntima” relacionada à produção de diários, este artigo tem por objetivo central tecer uma análise comparativa entre os diários de três escritoras: Maura Lopes Cançado, Alejandra Pizarnik e Sylvia Plath. Colocando essas produções lado a lado, intencionamos mostrar algumas características comuns, tanto com relação à forma – como a recorrência à linguagem lírica –, quanto com relação aos conteúdos: relatos de angústias, tentativas de suicídio, experiências de internamento em hospitais psiquiátricos e o medo da loucura (tema que investigamos com o auxílio de Lisa Appignanesi). Esperamos, com essa proposta, não apenas contribuir para a sistematização dos estudos sobre diários de escritoras que se dedicaram ao ofício da literatura, mas, principalmente, considerando os casos específicos aqui em foco, apontar possíveis especificidades da escrita íntima que lida diretamente com experiências de tratamento psiquiátrico e suicídio.Palavras-chave: diários; escrita íntima; loucura.Abstract: Considering some reflections by Leonor Arfuch, Philippe Lejeune and Maurice Blanchot on the “intimate writing” related to the production of diaries, this article aims at building a comparative analysis between the journals by three writers: Maura Lopes Cançado, Alejandra Pizarnik and Sylvia Plath. By placing these productions side by side, we intend to show some common characteristics, related to form – as the recurring lyrical language – as well as to content: accounts of anguish, suicide attempts, hospitalization in psychiatric asylums and the fear of madness (subject we investigate with Lisa Appignanesi’s support). We hope to contribute to a systematization of studies about journals of writers who have dedicated themselves to literature, and, mainly, due to the specific cases we are focusing here, to point possible specificities of the intimate writing that deals directly with experiences of psychiatric treatment and suicide.Keywords: journals; intimate writing; madness.
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Griffin, Malcolm P., et Peter D. Taylor. « Science and Scientists : Where are We Going?Science and Beyond.Steven Rose , Lisa Appignanesi ». Quarterly Review of Biology 62, no 1 (mars 1987) : 52–55. http://dx.doi.org/10.1086/415269.

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Noonan, Caitriona. « Book Review : Lisa Appignanesi (ed.), Free Expression is No Offence. London, Penguin, 2005 ». Media, Culture & ; Society 29, no 4 (juillet 2007) : 697–98. http://dx.doi.org/10.1177/0163443707078431.

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WEBSTER, BRENDA. « An Interview with Lisa Appignanesi, Author ofMad, Bad and Sad : Women and the Mind Doctors ». Women's Studies 38, no 7 (16 septembre 2009) : 791–98. http://dx.doi.org/10.1080/00497870903155972.

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Kella, Elizabeth. « Suspect Survival : Matrophobia in Postmemory Generational Writing ». American, British and Canadian Studies 33, no 1 (1 décembre 2019) : 89–117. http://dx.doi.org/10.2478/abcsj-2019-0017.

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Abstract Family and kinship carry special significance to Holocaust survivors and their descendants. In autobiographies and family memoirs, writers of what Marianne Hirsch terms the postmemory generation employ different narrative strategies for coming to terms with the ways in which the Holocaust has marked their identities and family ties. This article focuses on women’s writing of the postmemory generation, examining three works in English by daughters of survivors in the UK, the US, and Canada, written during the 1990s. It investigates the narrative strategies used by Anne Karpf, Helen Fremont, and Lisa Appignanesi to represent maternal sexual agency and vulnerability in a survival context. It suggests that these representations are strongly influenced by matrophobia and matrophilia, defined as the conflicting dread of becoming and desire to be one’s mother, which are themselves strongly conditioned by Holocaust history, particularly the gendered history of vulnerability among women in open hiding during the war1.
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Hogan, Susan. « Mad, Bad and Sad : a history of women and the mind doctors from 1800 to the present LISA APPIGNANESI ». Women's History Review 21, no 1 (février 2012) : 164–66. http://dx.doi.org/10.1080/09612025.2011.632925.

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Drewniak, Dagmara. « From Poland to Canada : Memories of Communist Poland and Migration to Canada in Three Texts by Polish-Born Migrant Women Writers ». Porównania 32, no 2 (30 décembre 2022) : 119–37. http://dx.doi.org/10.14746/por.2022.2.7.

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Canadian ethnic literature has been dominated by testimonies of migrant experience for a long time. Writers of Eastern European extraction, such as Janice Kulyk Keefer, Eva Hoffman, Eva Stachniak, Lisa Appignanesi or Elaine Kalman Naves to mention just a few, have contributed to the vast body of Canadian migrant literature, giving voice to the quandaries of white, invisible minority migration. As it turns out, the latest texts published by Polish-born Canadian women writers also address the issues of migration and the memory of Communist Poland, which the writers left in the 1980s and early 1990s. The aim of this paper is to look at three selected texts: Giant (2012) by Aga Maksimowska, Lemons (2017) by Kasia Jaronczyk and Was It Worth It. Columbus in Jeans (2019) by Liliana Arkuszewska, all of which are debut novels, and discuss their perception and rendition of Communist Poland, which the authors left behind physically and simultaneously struggled to free from mentally. The narratives chosen for this study, despite substantial differences, bear certain similarities in their treatment of Poland as well as become important commentaries on the status of migrant discourses in North America.
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Adshead, Gwen. « Trials of Passion : Crimes in the Name of Love and Madness By Lisa Appignanesi. Virago Press. 2014. £16.59 (hb). 448 pp. ISBN 9781844088744 ». British Journal of Psychiatry 210, no 2 (février 2017) : 169–70. http://dx.doi.org/10.1192/bjp.bp.115.178384.

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Thèses sur le sujet "Appignanesi, Lisa"

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Sliwinska, Beata Agnieszka. « ‘Unfolding the self through time’ : travels of memory and twists of identity in the works of Irena F. Karafilly, Lisa Appignanesi and Anne Michaels ». Doctoral thesis, Universita degli studi di Salerno, 2010. http://hdl.handle.net/10556/114.

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2008-2009
Il lavoro approfondisce, attraverso le opere di F. Karafilly, Lisa Appianesi ed Anne Michaels, il rapporto tra nmemoria e identità, sia sul piano umano sia su quello artistico. Il primo capitolo si incentra sull'analisi dell'interrelazione tra storia, memoria e identità nell'opera 'Ashes and Miracles' della scrittrice Irena Friedman Katafilly. Vengono quindi discusse le ambiguità della memoria nel processo di decostruzione e di ricostruzione dell'identità dell'immigrato e anlizzato l'approccio e le considerazioni dell'autrice sul pregiudizio, la tolleranza e la riconciliazione nella società multietnica. Nel secondo capitolo l'analisi si focalizza sull'opera 'The Stranger in a Plumed Hat' esull'analisi dell'impatto della malattia cerebrale di Alzheimer, che aveva colpito la madre della scrittrice sulla memoria e la relativa percezione. Il terzo capitolo riprende l'analisi del rapporto tra memoria e identità sulla scia della guerra, attraverso l'esame dell'opera 'Losing the Dead' di Lisa Appignanesi, scrittrice canadese di origine polacco-ebrea. si esamina, quindi, il gioco delle identità coinvolte nella sopravvivenza della propria famiglia alle atrocità della guerra. La quarta parte del lavoro esamina le opere dell'Appignanesi che riflettoo sul legame tra l'identità, la memoria, la psicoanalisi e l'arte, considerando i vari approcci critici al mito femminile. L'ultimo capitolo analizza il romanzo 'Fugitive Pieces' dei Anne Michaels, in cui viene raccontata la tragedia della Shoa.
VIII n.s.
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Livres sur le sujet "Appignanesi, Lisa"

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Kobylinska-Dehe, Ewa, Pawel Dybel et Ludger M. Hermanns, dir. Wiederkehr des Verdrängten ? Psychosozial-Verlag, 2020. http://dx.doi.org/10.30820/9783837977325.

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Kann die »antidemokratische Wende« in Polen und in anderen postkommunistischen Ländern, die auch in Deutschland und Westeuropa spürbar ist, als Erbe der Totalitarismen des vergangenen Jahrhunderts und als Wiederkehr des Verdrängten verstanden werden? Oder ist sie Ausdruck einer neuen Regression zu archaischen Ängsten und Aggressionen angesichts der Herausforderungen durch die Globalisierungsprozesse? Vor diesem Hintergrund stellen die Autor*innen die Frage nach dem kritischen Potenzial der Psychoanalyse. Verfügt sie über das Erkenntnispotenzial, um die beunruhigenden sozialen Phänomene zu erklären? Mit Beiträgen von Lisa Appignanesi, Jakub Bobrzyński, Bernhard Bolech, Felix Brauner, Paweł Dybel, Lilli Gast, Ewa Głód, Tomas V. Kajokas, Ewa Kobylinska-Dehe, Andrzej Leder, Rosalba Maccarrone Erhardt, Ewa Modzelewska-Kossowska, Małgorzata Ojrzyńska, Katarzyna Prot-Klinger, Annette Simon, Wojciech Sobański, Krzystof Szwajca, Nadine Teuber, Joanna Tokarska-Bakir, Hans-Jürgen Wirth und Anna Zajenkowska
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Chapitres de livres sur le sujet "Appignanesi, Lisa"

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Lassner, Phyllis. « The Transgenerational Haunting of Anne Karpf and Lisa Appignanesi ». Dans Anglo-Jewish Women Writing the Holocaust, 103–28. London : Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230227361_5.

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Hayes, Patrick. « Memory Culture ». Dans The Oxford History of Life-Writing, 224–54. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198737339.003.0009.

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The practice of empathetic engagement with victimised and persecuted people has become established as a widespread form of civic virtue—from the new museums founded to commemorate atrocities such as the Holocaust to the popular consumption of testimony texts. But what problems arise from our increased willingness to learn about the past through such emotionally direct forms of memory? And in return, what are the limits of evidence-based historical reasoning when we try to understand such vast and traumatic experiences as slavery, colonial violence, or the extermination camps? This chapter evaluates these questions across a range of different literary idioms, including some of the most problematic examples of testimony memoir (Alex Haley, Binjamin Wilkomirski), the handling of witnessing in legal processes of historical redress (New Zealand’s Waitangi Tribunal, South Africa’s Truth and Reconciliation Commission), second-generation Holocaust memoir (Eva Hoffmann, Lisa Appignanesi), and the aesthetics of ‘meta-witnessing’ (Claude Lanzmann, W. G. Sebald).
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