Thèses sur le sujet « Anxiety – Poetry »
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1
Törnqvist, Sara. « Speaking through poetry- Using spoken word poetry to lower speaking anxiety among Swedish EFL learners ». Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-76300.
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This paper presents a qualitative study investigating whether exercises inspired by spoken word poetry can be used as anxiety-lowering speaking exercises for Grade 9 students in Swedish secondary school and increase their motivation for speaking English in class. My initial hypothesis was that the students would feel less anxious to speak English in class when performing spoken word than when doing oral presentations. I also thought that the students would feel less anxious performing found poems, where the words in poems are taken from a model poem. To test my hypothesis, I conducted a lesson study consisting of three research lessons and interviews with an in-service teacher and three case students. The findings show that while some students did feel less anxious speaking English when performing spoken word poetry, most of the students’ motivation to perform was unaffected by the exercises used in the research lessons. Instead, the research showed that giving the students the opportunity to choose between writing and performing in groups or alone had the most impact on their motivation to perform. Understanding the poems was another factor with great impact on the students’ motivation to perform. These findings are discussed, and it is proposed that teachers who want to use spoken word poetry in their classroom practice should focus on accommodating their teaching practice to the students’ needs, and that more lesson time should be spent on analyzing the poems than on writing them.
2
Mazoff, C. D. (Chaim David) 1949. « Allegiance anxiety identity : the rhetoric of legitimation in the early Canadian long poem, from Carey to Crawford ». Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28840.
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The early Canadian long poem has often been faulted for its lack of aesthetic integrity, being seen in many cases as little more than poorly "versified rhetoric," but it has never been submitted to a thorough rhetorical analysis. An investigation of the rhetorical devices at work in the early Canadian long poem, however, reveals them to be highly strategic operations of both the imperial-colonial project in British North America and the emerging national consciousness of the new nation of Canada. These operations may be understood more clearly through the close examination of periodic "ruptures" in the texts--inconsistencies, contradictions, anomalies, and deflections--which underscore the frequently conflictual nature of the "unsaid" (the real historical, economic and social conditions) and the surface level of the narrative (the aesthetic and generic constraints). Such an analysis reveals the extent to which the problems of allegiance, anxiety and identity were inextricably involved in the colonial and national projects, an involvement which the poetry, despite its intentions, could neither mask nor resolve.
3
Ecker, Dylan Joseph. « Super Bloom ». Miami University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=miami1595592033040779.
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Sellas, Alexis B. « Ghost-Jet ». FIU Digital Commons, 2011. http://digitalcommons.fiu.edu/etd/352.
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GHOST-JET is a collection of poems rooted in the lyrical tradition, often juxtaposing images of the natural world--the human body, insects, the Florida terrain--against images of surrealism--ethereal spirits, monsters, dreamscapes--in order to create metaphorical leaps of the imagination. In these poems there is the world as we know it and the world on the peripheral--zombies and babies turning into crocodiles, portraying the anxieties of the contemporary world we face as parents, children, and citizens. Written primarily in free verse, the collection also contains more traditional forms: pantoum, sestina, and haiku. There are no section breaks in this collection. Instead, the poems alternate between the personal and the political; between the particular fears of parenting and the more abstract fears in a new, post-September 11th America; between the violence perpetuated by family members and violence committed by the unknown, faceless aggressors in the world around us.
5
Jones, Adrian Philip. « Resistance, rejection, reparation : Anne Sexton and the poetry of therapy ». Phd thesis, Department of English, 2010. http://hdl.handle.net/2123/8384.
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Straight, Kelly L. « Kitchen Space, Cauldron Calling : Origins of Psychic Shells and the Poetry of Pain ». CSUSB ScholarWorks, 2014. https://scholarworks.lib.csusb.edu/etd/50.
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Cauldron Calling is a compilation of poems ranging in poetic forms from the sonnet to free verse to lyric prose that incorporates a number of processes including: hypnopompic texting, hypnagogic automatic writing, and direct observation. The purpose of this myriad of poetic forms is to peer through the psychic shells we create and examine the workings of the mind so as to give form to the nebulousness found within while most closely recreating physical experiences of pain. In the collection, domestic spaces, particularly kitchens, serve as filters and lenses through which to process anxiety and pain. Conversely, domestic spaces are viewed as areas of both liberation and confinement and the voices of the various speakers throughout the manuscript struggle with this duality/plurality and whether there is a choice to participate in the intergenerational recycling and handing down of these beliefs and behaviors or not. Through sound sense, enjambment, deep image, and the elevation of the mundane, these poems are meant to give insight into the feminine experience as it relates to ritualistic acts of release as opposed to product-driven enterprises for mass consumption.
7
Rees-Jones, Deryn. « Anxiety and role : four postwar women poets ». Thesis, Birkbeck (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366986.
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Suarez, Veronica. « Nights in The City Beautiful ». FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3851.
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Nights in The City Beautiful is a collection of confessional, free verse poems that explores sexual trauma, mental health, the exigencies of marriage, and the complexities of human desire. These interconnected poems are grounded with a braided narrative and tackle taboo themes. In Part 1: Monogamy, the reader journeys into the world of Vincent and Victoria, their profound love, and their anxiety disorders. In Part 2: Polyamory, Victoria gets caught in a love triangle when she meets her publishing coworker, Peter Langley.
The book evokes the movement of Romanticism and first-and-second-generation Romantic poets such as William Blake and Lord Byron. Contemporary influences on this collection include Aaron Smith’s Primer, Stacey Waite’s Butch Geography, and Tracy K. Smith’s The Body's Question.
Nights in The City Beautiful merges lyricism with narrative, the ethereal with the physical. It is a novella in verse that delves into the boundaries of sexuality, love, and intimacy.
9
Davis, Glenn Michael. « Perception and anxiety in Old English poetry ». 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3077521.
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Zala, Julianne. « Translating Anxiety in the Poetry of Maya Abu al-Hayyat ». 2020. https://scholarworks.umass.edu/masters_theses_2/999.
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Maya Abu al-Hayyat (born 1980) is a Palestinian poet who thematizes motherhood, love, war/revolution, grief, and political hypocrisy in her poetry. In the context of Palestinian literature, she fits within a tradition of Resistance Literature, yet redefines it. Given that al-Hayyat has not been widely translated into English, this thesis presents 33 translations of her poems taken from her three poetry collections: Mā qālathu fīhī (Thus Spake the Beloved, 2007), Tilka al-ibtisāma-- dhālika al-qalb (This Smile, That Heart, 2012), and Fasātīn baytīyya wa ḥurūb (House Dresses and Wars, 2016). Throughout these three collections the poet shifts her use of vocalization and her poetic techniques. As argued throughout, translating al-Hayyat into English is important because it marks a shift from resistance as a uniform, collective experience to an individual and multifaceted one.
Additionally, in this thesis I argue that the speakers in al-Hayyat's poetry are anxious agents. I interpret the speakers’ anxiety as manifested in the body and caused in part by living under occupation. The speakers are agents because they criticize patriotic motherhood and gender-based inequality. Finally, I explain how the translation concepts of renarration and the deformation zone inform each other because they force the translator confront their position in society and to the text. These terms are significant because they address the anxiety of translators potentially enacting orientalist violence and catering to American poetry values when translating Arabic women's poetry into English.
11
Irvine, Judith A. « Christ in Speaking Picture : Representational Anxiety in Early Modern English Poetry ». 2014. http://scholarworks.gsu.edu/english_diss/124.
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This dissertation explores the influence of Reformation representational anxiety on early seventeenth-century poetic depictions of Christ. I study the poetic shift from physical to metaphorical portrayals of Christ that occurred after the English Reformation infused religious symbols and visual images with transgressive power. Contextualizing the juncture between visual and verbal representation, I examine the poetry alongside historical artifacts including paternosters, a painted glass window, an emblem, sermons, and the account of a state trial in order to trace signs of sensory “loss” in the verse of John Donne, George Herbert, Aemilia Lanyer, and John Milton.
The introduction provides a historical and poetic overview of sixteenth-century influences on religious verse. The first chapter contrasts Donne’s sermons—which vividly describe Christ—with his poems, in which Christ’s face is often obscured or avoided. In the chapter on George Herbert’s The Temple, I show how Herbert’s initial, physical portraits of Christ increasingly give way to metaphorical images as the book progresses, paralleling the Reformation’s internalization of images. The third chapter shows that Aemilia Lanyer’s Salve Deus Rex Judaeorum makes use of pastoral conventions to fashion Christ as a shepherd-spouse, the divine object of desire. In the final chapter I argue that three poems from John Milton’s 1645 volume can be read as containing signs of Milton’s emerging Arianism.
Depictions of Christ in the poetry of Donne, Herbert, Lanyer, and Milton reveal the period’s contestation over images; the sensory strain of these metaphorical representations results in memorable, vivid verse.
12
Yu-JunWu et 吳昱君. « The Expression to the Anxiety and the Effects of Ye Qing’s Poetry ». Thesis, 2018. http://ndltd.ncl.edu.tw/handle/n5394e.
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碩士國立成功大學
中國文學系
106
This thesis is based on the poetries of the poet Ye Qing (1977-2011) as the research texts analyzed by the anxiety theory of the existentialist psychologist Rollo May and the poetics of Gaston Bachelard. Figuring out the expression to the anxiety of Ye Qing’s poetry make we can grasp not only the poetic values and the mind of Ye Qing. First, discovering the images of rain and light in Ye Qing's poems made to restrain their cosmic imagination caused by the elements of water and fire. The poems contained the elements above seemed to show the normal anxiety; therefore, we further explore the courage to create of Ye Qing and her thoughts of the poems, knowing the self-rescue of Ye Qing. Secondly, the addictive liquor, cigarette , tea and coffee also appeared in a large number in Ye Qing's poetry. The poems contained them above have showed the expression to the neurotic anxiety; however, they have the poetic effect of the addictive things. Besides, the expression to the anxiety of Ye Qing's poetry and Ye Qing had the echo from other poets and the social effects by viewing the acceptability on the new media which attempts to popularized the modern poetry. Ye Qing and her poetry are quite popular with the Internet user and the college students interested in modern poetry. Ye Qing's poetry retains her reveries and provides a melancholy space which readers can enter her creative consciousness as the eternal cosmic.
13
Qian, Jin. « Formation Of The Xikun Style Poetry ». 2009. https://scholarworks.umass.edu/theses/249.
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Capps, Brittany. « Broken for You ». 2019. https://scholarworks.umass.edu/englmfa_theses/97.
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Chen, Chao-yin, et 陳昭吟. « The Study of "The Anxiety of Influence" on Sung(Song) Poets ». Thesis, 2007. http://ndltd.ncl.edu.tw/handle/he3w6d.
Texte intégralRésumé :
博士國立中山大學
中國文學系研究所
95
The author of this dissertation utilizes Harold Bloom''s literary theory, known as "The Anxiety of Influence"(1973) as the theoretical basis and applies it to the study of the phenomena of the Sung poetry. She uses the concepts of "influence" and "misreading" to examine the interaction and relationship between Sung poets and their predecessors. The author chooses five strong Sung poets and observes their creative state of mind while they faced the pressure of influence. Based on their writing strategies, the author inducts "revisionary ratios" that is specific to the Chinese culture and proceeds to shape a new theoretical perspective on the history of Sung poetry.
16
Vrbková, Julie Lien. « Způsoby transcendence básnického bytí Pokus o hermeneutickou interpretaci (Mácha, Březina, Zahradníček) ». Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313483.
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The study Modes of Transcendence of the Poet's Existence: Towards a Hermeneutic Interpretation (Mácha, Březina, Zahradníček) follows the aim: interpretation of the distinctive form of existence in the medium of poetic words of the chosen poets (K. H. Mácha, O. Březina, J. Zahradníček) in the continuity of modern hermeneutic conceptions of poem's language (M. Heidegger, H. G. Gadamer, et al.) and of the philosophy of Romano Guardini and Søren Kierkegaard (especially in the interpretation of Zahradníček's poems). The first chapter deals with poet's existence as "different existence" from the point of view of his unique individual existence who transcends himself in the process of artistic creation. The second chapter copes with the effect of existential anxiety on poet's existence on the basis of Březina's essay Work of death and Heidegger's work Being and Time. The third chapter is dedicated to specific mode of poet's existence, melancholia, which is experienced in consequences of the threat of his existence. This modus of poet's existence is interpreted in the medium of poet's words in bases of Kierkegaard's notes, diaries and Guardini's studies. The final chapter of this study reflects the development of Zahradníček's early work's from the point of view of Kierkegaard's three modes of life. Lyric...