Littérature scientifique sur le sujet « Ants – Songs and music »
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Articles de revues sur le sujet "Ants – Songs and music"
Anderson, Martin. « Estonian Composers (combined Book and CD Review) ». Tempo 59, no 232 (avril 2005) : 60–66. http://dx.doi.org/10.1017/s0040298205210161.
Texte intégralMacLachlan, Heather. « Music and Incitement to Violence : Anti-Muslim Hate Music in Burma/Myanmar ». Ethnomusicology 66, no 3 (1 octobre 2022) : 410–42. http://dx.doi.org/10.5406/21567417.66.3.05.
Texte intégralStallings, Stephanie N. « Aesthetic Wit(h)nessing in Anti-lynching Songs by Silvestre Revueltas and Carlos Chávez ». Journal of the American Musicological Society 76, no 2 (2023) : 463–501. http://dx.doi.org/10.1525/jams.2023.76.2.463.
Texte intégralMutch, Caleb. « ‘Something else is possible’ : transcultural collaboration as anti-apartheid activism in the music of Juluka ». Popular Music 40, no 3-4 (décembre 2021) : 450–69. http://dx.doi.org/10.1017/s026114302100043x.
Texte intégralSubekti, Arif, et Hervina Nurullita. « Singing the Memories : Songs about the 1965 Anti-communist Violence in Banyuwangi ». Indonesia 116, no 1 (août 2023) : 153–70. http://dx.doi.org/10.1353/ind.2023.a910155.
Texte intégralIngram, Paul. « Songs, Anti-Symphonies and Sodomist Music : Dadaist Music in Zurich, Berlin and Paris ». Dada/Surrealism 21 (17 juillet 2017) : 1–33. http://dx.doi.org/10.17077/0084-9537.1334.
Texte intégralPutra, Yonarius Widyo, et I. Gusti Ayu Mahatma Agung. « Interpersonal Meaning Analysis of Taylor Swift’s Song “Anti-Hero” ». J-Lalite : Journal of English Studies 4, no 2 (31 décembre 2023) : 83. http://dx.doi.org/10.20884/1.jes.2023.4.2.8919.
Texte intégralMoon, Krystyn R. « "There's no Yellow in the Red, White, and Blue" : The Creation of Anti-Japanese Music during World War II ». Pacific Historical Review 72, no 3 (1 août 2003) : 333–52. http://dx.doi.org/10.1525/phr.2003.72.3.333.
Texte intégralMigeon-Lambert, Camile. « Translations, adaptations, quotations from Baudelaire’s poetry into metal music : an anti-alchemy ? » Punctum. International Journal of Semiotics 06, no 01 (16 octobre 2020) : 221–42. http://dx.doi.org/10.18680/hss.2020.0011.
Texte intégralde, Almeida. « The anti-war voice of Buffy Sainte-Marie ». New Sound, no 58-2 (2021) : 161–72. http://dx.doi.org/10.5937/newso2158161f.
Texte intégralThèses sur le sujet "Ants – Songs and music"
Souza, Paula Leme de. « Músicas da infância, de tradição oral : um relato das experiências expressivas, a partir de uma intervenção pedagógica com crianças de 6 a 7 anos ». Universidade Presbiteriana Mackenzie, 2014. http://tede.mackenzie.br/jspui/handle/tede/1915.
Texte intégralThis dissertation consists of the report of the pedagogical experiment conducted with children 6-7 years, involving children's songs from oral tradition understood as cultural event at school in classes Art / Music EMEF Minister Aníbal Freire, located in São Paulo. This is a case study that seeks to uncover the teaching career from the look of peculiar expressions in each of the songs, games and singing games by group of children. The research aimed to find what kind of repertoire that best watched musical encounters with children. Due to the diversity of musical manifestations found in our culture and in order to emphasize the value of their presence in educational spaces, it became necessary to choose some songs divided in: Toys melodic, rhythmic Toys, Toys and Toys Rhythmic-melodic Melodic- rhythmic. Therefore, it was essential to understand the nature, historical trajectory and the presence of these elements today. The objectives of the research focused on: conceptualizing the importance of games and singing games in childhood pedagogical actions from the perspective of cultural and implicated etnopesquisa; pointing their diversity in educational practices; characterize its defining elements; point to it as a cultural manifestation modified by the phenomenon of cultural circularity. We conclude the dissertation with analysis and meeting the pedagogical practice experienced with documents that guide the teaching of music and projects to current Municipal Education in São Paulo. The theoretical foundation of the research was based on studies of Violet Gainza, Marisa Fonterrada, Lydia Hortélio, among others. The research indicated the musical pedagogical practice and the music of oral transmission of childhood as a manifestation blowing different languages and triggers rational and sensible instances of its participants, representing expression of harmony and individual and collective joy. The importance of practice in the construction of personal and cultural identity of the students, these should be better known, publicized and practiced in school spaces and teacher training.
Esta dissertação consiste no relato da experiência pedagógica realizada com crianças de 6 a 7 anos, envolvendo músicas infantis de tradição oral entendidas como manifestação cultural no ambiente escolar nas aulas de Arte/Música da EMEF Ministro Aníbal Freire, situada na cidade de São Paulo. Trata-se de um estudo de caso, que busca descortinar o percurso docente a partir do olhar das expressões peculiares em cada uma das canções, jogos e brincadeiras cantadas pelo grupo de crianças. A pesquisa pretendeu verificar qual tipo de repertório musical que melhor contemplava os encontros musicais com as crianças. Devido à diversidade de manifestações musicais encontradas em nossa cultura e no intuito de ressaltar o valor de suas presenças nos espaços educacionais, tornou-se necessária a escolha de algumas canções divididas em: Brinquedos Melódicos, Brinquedos Ritmados, Brinquedos Rítmico-Melódicos e Brinquedos Melódico-Rítmicos. Para tanto, foi fundamental compreender a natureza, a trajetória histórica e a presença desses elementos na atualidade. Os objetivos da investigação concentraram-se em: conceituar a importância dos jogos e das brincadeiras cantadas na infância em ações pedagógicas na perspectiva da etnopesquisa implicada e cultural; apontar a sua diversidade nas práticas educacionais; caracterizar seus elementos definidores; apontá-la como uma manifestação cultural modificada pelo fenômeno da circularidade cultural. Concluímos a dissertação com a análise e o encontro da prática pedagógica vivenciada com documentos que norteiam o ensino de música e de projetos para Educação Municipal atual em São Paulo. A fundamentação teórica da pesquisa pautou-se nos estudos de Violeta Gainza, Marisa Fonterrada, Lydia Hortélio, entre outros. A pesquisa indicou a prática pedagógica musical e a música de transmissão oral da infância como manifestação que funde diferentes linguagens e aciona instâncias racionais e sensíveis de seus participantes, constituindo expressão de congraçamento e alegria individual e coletiva. Pela importância das práticas na construção da identidade pessoal e cultural dos educandos, essas devem ser mais conhecidas, divulgadas e praticadas nos espaços escolares e de formação de professores.
Hubbard, Colton M. « Tea Songs ». University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116378208.
Texte intégralLanci, Michael P. « Songs for Joe Hill ». University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin149580760300849.
Texte intégralHung, Justin. « Songs about Words ». Digital Commons @ Butler University, 2020. https://digitalcommons.butler.edu/grtheses/523.
Texte intégralBaron, Michael David. « The songs of Franz Liszt ». Connect to resource, 1993. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1234717504.
Texte intégralHood, Errik M. « Teaching the Songs of Ivor Gurney:An Applied Studio Guide to the Utilization of Fourteen Songs ». The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1448468099.
Texte intégralNguyễn, Xuân-Thaʼo Joseph. « Music ministry the inculturation of liturgical vocal music in Vietnam / ». Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p033-0807.
Texte intégralJones, Reba Pestun. « An examination of coal mining song repertoire in the Virginia elementary music curriculum with the creation and incorporation of a suggested coal mining musical unit of study / ». < ; Digital Thesis and Dissertation Collection > ; Username and password required for access, SU only, 2003. http://www.su.edu/library/digitalthesis/jonesreba.pdf.
Texte intégralWood, Kenneth Edward. « An investigation and analysis of selected Victorian art songs / ». Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004204.
Texte intégralVan, Rhyn Chris. « Towards a mapping of the marginal : readings of art songs by Nigerian, Ghanaian, Egyptian and South African composers ». Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85813.
Texte intégralENGLISH ABSTRACT: African art music practices of western origin have oftentimes been excluded from general discourses on western art music practices. In this study, close readings of selected art songs by twentieth and twenty-first century Nigerian, Ghanaian, Egyptian and South African composers serve to ‘map’ this music through challenging existing general discourses on art music composition, and genre-specific discourses on art song composition in Africa. The readings also serve to create new discourses, including ones that promote African crossregional engagements. In the first part of this dissertation, the readings take place in the contexts of the selected countries. The second section presents pre-selected discourses and theories as points of departure. Chapter 2 proposes to question how the theory of African vocalism can be expanded, and how animist materialism could serve as an alternative context in which to read the composition of art music in Nigeria and Ghana. Chapter 3 aims to answer which strategies in anti-exotic self-representation have been followed in twentieth-century Egyptian art song. Chapter 4 asks how South African composers of art song have denoted ‘Africa’ in their works, and how these denotations relate to their oeuvres and general stylistic practices. Chapter 5 interrogates how composers have dealt with the requirements of tonal languages in their setting of texts in such languages to music. Chapter 6 probes possible interpretations of composers’ display of the ‘objects’ of cultural affiliation, positing expatriate African composers as diplomats. Chapter 7 asks what the contexts are in which to read specific examples of African intercultural art music, without which the analyst might make an inappropriate (perhaps unethical?) value judgement. The conclusion presents a comparison of trends and styles in African art song to those in certain western song traditions. A discussion on folk and popular song styles as art is followed by a consideration of African vocalism in the context of the dissertation as a whole. A continuation of an earlier discussion on the compositional denotation of ‘Africa’ leads to a consideration of the ‘duty to denote’ in the context of western modernity.
AFRIKAANSE OPSOMMING: Kunsmusiekpraktyke van westerse oorsprong in Afrika is gereeld van algemene diskoerse oor westerse kunsmusiekpraktyke uitgesluit. Stip-lesings van geselekteerde kunsliedere deur Nigeriese, Ghanese, Egiptiese en Suid-Afrikaanse komponiste dien in hierdie studie om die musiek op die ‘kaart te plaas’ deur in gesprek te tree met bestaande algemene diskoerse oor kunsmusiekkomposisie, asook genre-spesifieke diskoerse oor kunsliedkomposisie in Afrika. Die lesings dien ook om nuwe diskoerse te skep, insluitend diskoerse wat gesprekke óór die grense van verskillende streke in Afrika bevorder. Die lesings in die eerste helfde van die proefskrif vind plaas binne die kontekste van die geselekteerde lande. In die tweede deel word vooraf-geselekteerde diskoerse en teorieë as wegspringpunte gebruik. Hoofstuk 2 stel dit ten doel om te vra hoe die teorie van Afrikavokalisme (African vocalism) uitgebrei kan word, en hoe animistiese realisering (animist materialism) as alternatiewe konteks kan dien waarin die komposisie van kunsmusiek in Nigerië en Ghana gelees kan word. In Hoofstuk 3 word gepoog om uit te vind watter strategieë in anti-eksotiese self-uitbeelding gevolg is in twintigste-eeuse Egiptiese kunsliedkomposisie. Die doel van Hoofstuk 5 is om uit te vind hoe komponiste die vereistes van toontale in hul toonsettings van tekste in sulke tale hanteer het. Hoofstuk 6 ondersoek moontlike interpretasies van komponiste se aanbiedings van die ‘objekte’ van kultuuraffiliasie deur die postulering van geëmigreerde komponiste as diplomate. Hoofstuk 7 vra wat die kontekste is waarin spesifieke voorbeelde van interkulturele kunsmusiek uit Afrika gelees kan word, waarsonder die analis ‘n onvanpaste (dalk onetiese?) waardebeoordeling kan maak. Die slot bied ’n vergelyking van tendense en style in Afrika-kunsliedere met dié in sekere westerse liedtradisies aan. ’n Bespreking van volks- en populêre liedstyle as kuns word gevolg deur ’n oorweging van Afrika-vokalisme in die konteks van die proefskrif as geheel. ‘n Voortsetting van ’n vroeëre gesprek oor die komposisionele uitbeelding van ‘Afrika’ lei tot ‘n oorweging van die ‘plig om uit te beeld’ in die konteks van westerse moderniteit.
Livres sur le sujet "Ants – Songs and music"
Kelly, Martin. The ants came marching... Brooklyn, NY : Handprint Books, 2000.
Trouver le texte intégralKelly, Martin. The Ants Came Marching... Brooklyn, NY : Handprint Books,Inc., 2000.
Trouver le texte intégral1953-, Owen Ann, et D'Antonio Sandra 1956 ill, dir. The ants go marching. Minneapolis, Minn : Picture Window Books, 2003.
Trouver le texte intégralill, Bernal Richard, dir. The ants go marching one by one. Lincolnwood, Ill : Publications International, 1993.
Trouver le texte intégralill, Bernal Richard, dir. The ants go marching one by one. New York : Scholastic Inc., 1999.
Trouver le texte intégralHoose, Phillip M. Hey little ant. Berkeley, Calif : Tricycle Press, 1998.
Trouver le texte intégralHoose, Philip M. Hey little ant. Berkeley, Calif : Tricycle Press, 1998.
Trouver le texte intégralHannah, Hoose, et Tilley Debbie illustrator, dir. Oye, hormiguita. New York : Scholastic, 2003.
Trouver le texte intégralGraham, Philpot, dir. Amazing Anthony Ant. London : Orion Children's Books, 1993.
Trouver le texte intégralPhilpot, Lorna. Amazing Anthony Ant. London : Orion Children's Books, 1996.
Trouver le texte intégralChapitres de livres sur le sujet "Ants – Songs and music"
Salzbrunn, Monika, et Birgit Ellinghaus. « How Does “Migrant” and “World” Music Change Local and National Cultures ? An Insight from the Cologne Carnival, Related Antiracist Networks and Recent Cultural Politics ». Dans IMISCOE Research Series, 117–35. Cham : Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-39900-8_7.
Texte intégralGuéret, Christelle, Nicolas Monmarché et Mohamed Slimane. « Ants Can Play Music ». Dans Ant Colony Optimization and Swarm Intelligence, 310–17. Berlin, Heidelberg : Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-28646-2_29.
Texte intégralAkuno, Emily Achieng’. « Children’s songs ». Dans Music Education in Africa, 299–314. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series : Routledge studies in music education : Routledge, 2019. http://dx.doi.org/10.4324/9780429201592-19.
Texte intégralThomas, Richard K. « Campfire Songs ». Dans Music as a Chariot, 109–32. New York : Routledge, 2018. : Routledge, 2018. http://dx.doi.org/10.4324/9781315145631-6.
Texte intégralAmos, Jonny. « Releasing Cover Songs and Remixes ». Dans The Music Business for Music Creators, 167–68. London : Focal Press, 2024. http://dx.doi.org/10.4324/9781003452119-24.
Texte intégralArcher, W. G. « Steps and Music ». Dans Love Songs of Vidyāpati, 117. London : Routledge, 2021. http://dx.doi.org/10.4324/9781003104216-79.
Texte intégralLal, Ananda. « Note on the Music Scores ». Dans Songs of Tagore, 53–55. London : Routledge India, 2023. http://dx.doi.org/10.4324/9781003276869-5.
Texte intégralAmos, Jonny. « Songwriters Pitching Songs to Recording Artists ». Dans The Music Business for Music Creators, 268–76. London : Focal Press, 2024. http://dx.doi.org/10.4324/9781003452119-41.
Texte intégralFlinn, Caryl. « The Songs of Music46 ». Dans The Sound of Music, 47–93. London : British Film Institute, 2015. http://dx.doi.org/10.1007/978-1-84457-910-5_3.
Texte intégralBolderman, Leonieke. « Sharing songs on Hirakata Square ». Dans Contemporary Music Tourism, 40–57. Abingdon, Oxon ; New York, NY : Routledge, 2020. | : Routledge, 2020. http://dx.doi.org/10.4324/9780429318863-3.
Texte intégralActes de conférences sur le sujet "Ants – Songs and music"
Folorunso, S. O., O. O. Banjo, J. B. Awotunde et F. E. Ayo. « Machine Learning Analysis of Music Based on Music Information Retrieval Tasks ». Dans International Workshop on Social Impact of AI for Africa 2022. AIJR Publisher, 2024. http://dx.doi.org/10.21467/proceedings.157.3.
Texte intégralSoleymani, Mohammad, Micheal N. Caro, Erik M. Schmidt, Cheng-Ya Sha et Yi-Hsuan Yang. « 1000 songs for emotional analysis of music ». Dans the 2nd ACM international workshop. New York, New York, USA : ACM Press, 2013. http://dx.doi.org/10.1145/2506364.2506365.
Texte intégralCheng, Zhiyong, Jialie Shen, Lei Zhu, Mohan Kankanhalli et Liqiang Nie. « Exploiting Music Play Sequence for Music Recommendation ». Dans Twenty-Sixth International Joint Conference on Artificial Intelligence. California : International Joint Conferences on Artificial Intelligence Organization, 2017. http://dx.doi.org/10.24963/ijcai.2017/511.
Texte intégralSridhar, Rajeswari, et T. V. Geetha. « Music Information Retrieval of Carnatic Songs Based on Carnatic Music Singer Identification ». Dans 2008 International Conference on Computer and Electrical Engineering (ICCEE). IEEE, 2008. http://dx.doi.org/10.1109/iccee.2008.118.
Texte intégralHishida, Hirotoshi, Yoshihiro Komatsu, Tomohiro Nomura, Yasuhiro Hishida et Keiko Hishida. « Music Database for Earphone Hearing Loss Prevention and Music Therapy - American Musical Songs - ». Dans 13th International Multi-Conference on Complexity, Informatics and Cybernetics. Winter Garden, Florida, United States : International Institute of Informatics and Cybernetics, 2022. http://dx.doi.org/10.54808/imcic2022.02.40.
Texte intégralDas, Nikhil, Esther Ramdinmawii, Ajit Kumar et Sanghamitra Nath. « Vocal Singing and Music Separation of Mizo Folk Songs ». Dans 2023 4th International Conference on Computing and Communication Systems (I3CS). IEEE, 2023. http://dx.doi.org/10.1109/i3cs58314.2023.10127457.
Texte intégralGarcia-Garcia, Dario, Jeronimo Arenas-Garcia, Emilio Parrado-Hernandez et Fernando Diaz-de-Maria. « Music genre classification using the temporal structure of songs ». Dans 2010 IEEE International Workshop on Machine Learning for Signal Processing (MLSP). IEEE, 2010. http://dx.doi.org/10.1109/mlsp.2010.5589240.
Texte intégralLiu, Yi, et Yue Gao. « Acquiring Mood Information from Songs in Large Music Database ». Dans 2009 Fifth International Joint Conference on INC, IMS and IDC. IEEE, 2009. http://dx.doi.org/10.1109/ncm.2009.311.
Texte intégralKuusi, Tuire, Ivan Jimenez et Matthew D. Schulkind. « Identifying Beatles songs from their chord progressions : New evidence of the effect of specialized harmonic familiarity, melodic cues, and transposition on the identification of songs from chord progressions ». Dans Future Directions of Music Cognition. The Ohio State University Libraries, 2021. http://dx.doi.org/10.18061/fdmc.2021.0035.
Texte intégralOliveira, Gabriel P., et Mirella M. Moro. « Mining Exceptional Genre Patterns on Hit Songs ». Dans Symposium on Knowledge Discovery, Mining and Learning. Sociedade Brasileira de Computação - SBC, 2023. http://dx.doi.org/10.5753/kdmile.2023.232412.
Texte intégralRapports d'organisations sur le sujet "Ants – Songs and music"
Berrian, Brenda F. Chestnut Women : French Caribbean Women Writers and Singers. Inter-American Development Bank, juillet 2001. http://dx.doi.org/10.18235/0007945.
Texte intégralManhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse et Mariz Tadros. Alternative Expressions of Citizen Voices : The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), novembre 2020. http://dx.doi.org/10.19088/ids.2020.001.
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