Littérature scientifique sur le sujet « Angelic sin »
Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres
Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Angelic sin ».
À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.
Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.
Articles de revues sur le sujet "Angelic sin"
Toner, Christopher. « Angelic Sin in Aquinas and Scotus and the Genesis of Some Central Objections to Contemporary Virtue Ethics ». Thomist : A Speculative Quarterly Review 69, no 1 (2005) : 79–125. http://dx.doi.org/10.1353/tho.2005.0036.
Texte intégralKhetia, Vinay. « THE NIGHT JOURNEY AND ASCENSION OF MUHAMMAD IN TAFSIR AL-TA BARI ». Al-Bayān – Journal of Qurʾān and Ḥadīth Studies 10, no 1 (26 avril 2012) : 39–62. http://dx.doi.org/10.1163/22321969-90000033.
Texte intégralPutt, Sharon L. « The foundational efficiency of love : reconciling with Aquinas ». Scottish Journal of Theology 68, no 2 (1 avril 2015) : 143–63. http://dx.doi.org/10.1017/s0036930615000022.
Texte intégralÁvila Vivar, Mario. « LA ICONOGRAFÍA DE SAN MIGUEL EN LAS SERIES ANGÉLICAS ». Laboratorio de Arte, no 28 (2016) : 243–58. http://dx.doi.org/10.12795/la.2006.i.01.13.
Texte intégralDi Cosmo, Antonio Pio. « Santa Brigida ed il Monte Gargano : un paesaggio dell’anima. La descrizione dell’ambiente come stratagemma d’ammaestramento morale ». Espacio Tiempo y Forma. Serie III, Historia Medieval, no 34 (12 juillet 2021) : 263–92. http://dx.doi.org/10.5944/etfiii.34.2021.30046.
Texte intégralRosenberg, Stanley P., Michael Burdett, Michael Lloyd et Benno van den Toren. « Finding Ourselves after Darwin : Conversations on the Image of God, Original Sin, and the Problem of Evil ». Perspectives on Science and Christian Faith 72, no 4 (décembre 2020) : 241–43. http://dx.doi.org/10.56315/pscf12-20rosenberg.
Texte intégralCaron, Linda, et William Hood. « Fra Angelico at San Marco. » Sixteenth Century Journal 25, no 4 (1994) : 1005. http://dx.doi.org/10.2307/2542338.
Texte intégralHUERGA, A. « La antropologia mistica del Doctor Angelico ». Studies in Spirituality 1 (1 janvier 1991) : 57–73. http://dx.doi.org/10.2143/sis.1.0.2014712.
Texte intégralWinkelmes, Mary-Ann. « Fra Angelico at San Marco.William Hood ». Speculum 70, no 1 (janvier 1995) : 155–57. http://dx.doi.org/10.2307/2864735.
Texte intégralKaufmann, Robert. « FRA ANGELICO AT SAN MARCO. William Hood ». Art Documentation : Journal of the Art Libraries Society of North America 12, no 4 (décembre 1993) : 174–75. http://dx.doi.org/10.1086/adx.12.4.27948599.
Texte intégralThèses sur le sujet "Angelic sin"
D'Ercole, Angela Federica. « Il Peccato dell’Angelo. I dibattiti scolastici tra la fine del XIII e gli inizi del XIV secolo ». Doctoral thesis, Universita degli studi di Salerno, 2017. http://hdl.handle.net/10556/2677.
Texte intégralIn the broad setting of the medioeval Scholasticism, between the 13th and the beginning of the 14th centuries, few theologians put the focus on one question: the angelic sin. That is: how is it possible that, according to Aristotle, a perfectly intellectual creature can make an error of judgement and so to fall in sin? This is the most relevant aspect for the authors we have picked in exam, wich, rather than investigate the role and the participation of Lucyfer in human matters, they have an obsession with the possibility itself in the angelic sin. They consider the matter a real enigma to be solved. In fact, Lucyfer is a real exception (almost impossible to be demonstrated) in a universe where the relationship between the retional and the good seems to be undeniable. Furthermore, the fact the an intellectually perfect creature can make a mistake and chose the evil come to be impossible. Ultimately, the question is: how is it possible to an angel to turn into a demon? That is, how is it possible for the Devil to rise? This is the thorny question that the scholastic theologians are trying to answer and in this work we tried to reconstruct the debate upon the matter by a historycal-phylosophical view. The question is particularly intersting in relation with the “Psychology of action” of aristothelic mould and it is linked with the debate between “intellectualists” and “voluntarists”, which found it outburst between the end of the 13th and the beginning of the 14th centuries. This work is based particularly on the analysis of three doctrinal opinions: on one hand the Thomas of Aquinas’ one, on the other hand Richard of Middleton and Peter John Olivi’s ones. Nevertheless, there are many reasons for this choise, but there is one of them particularly worth of notice: in the play of the three mentioned authors we can retrace three threaties or, it would be better to say three sections of vaster plays, which seem to be the only ones that could be defined as “threaties of demonology” in the period between the end of the 13th and the beginning of the 14th centuries. In these texts the question of the angelic sin is directly faced: we are referring to q. 16 of the Quaestiones disputatae de malo of Thomas of Aquinas, to qq. 23-31 of the Quaestiones disputatae of Richard of Middleton (1290-1330) and to qq. 40-48 of the Summa of Peter John Olivi (1288-1295). The attempt was to analyse in detail, starting from a careful study of the texts, the theories of these authors, opportunely comparing them with the theories of the other interlocutors of the debate upon the angelic sin and placing them in their very intellectual context. [edited by Author]
XXIX n.s.
Zambrano, Carla. « “Utrum angeli loquantur et qualiter”. Discussioni sulla locutio angelica tra XIII e XIV secolo:Egidio Romano, Durando di San Porciano e Tommaso di Strasburgo ». Doctoral thesis, Universita degli studi di Salerno, 2013. http://hdl.handle.net/10556/1154.
Texte intégralÉ lecito indagare sulle capacità linguistiche e sulle propensioni comunicative della creatura angelica? Analoga alla natura umana, ma pur sempre superiore ad essa, la sostanza celeste incarna infatti l’ideale gnoseologico a cui l’homo viator tende e aspira: l’intelletto celeste possiede e custodisce ab origine la totalità delle idee e delle species che l’uomo può formulare esclusivamente ab intellectu. Perchè mai dunque gli angeli, che conoscono ogni cosa, dovrebbero avvertire l’esigenza di comunicare? Di cosa dovrebbero mai parlare?Il testo biblico, che riporta di numerosi dialoghi tra interlocutore angelico e terreno, costituisce l’argomentazione più efficace atta ad avvalorare l’ipotesi della lingua angelorum. Il mio lavoro intende analizzare tre tra le più significative riflessioni sviluppate tra i secoli XIII e XIV in merito alla locutio angelica. Uno studio preliminare di carattere puramente introduttivo è dedicato alla lettura del corpus areopagiticum, termine di confronto necessario per chiunque intendesse, nel Medioevo, misurarsi con le tematiche di carattere angelologico. Ampia parte della tesi è inoltre dedicata all’analisi del De cognitione angelorum di Egidio Romano, il quale offrì all’angelologia medievale la più compiuta delle riflessioni che avesse come oggetto di indagine le caratteristiche, le proprietà e le operazioni della natura angelica. Il lavoro procede con l’illustrazione delle considerazioni svolte da Durando di San Porciano e Tommaso di Strasburgo in merito alla filosofia del linguaggio angelico. Sebbene ciascuno dei maestri medievali intenda la nozione di virtus communicativa angelica a proprio modo e la interpreti col supporto dei propri strumenti, sembra emergere, dalla lettura dei testi, un’unica e costante tendenza: più che al confronto col dato biblico l’ipotesi della locutio angelica risponde all’ esigenza di nutrire la speranza che gli angeli si rivolgano a noi per supportarci e accompagnarci in hac vita, e per sottrarci alla mondana solitudine a cui sembreremmo invece altrimenti destinati. [a cura dell'autore]
XI n.s.
Morechand, Laurence. « Le muralisme chicano aux etats-unis : san francisco, los angeles, san diego (1968-1988) ». Paris 3, 1991. http://www.theses.fr/1991PA030071.
Texte intégralChicano mural painting in the united states was born within cesar chavez movement and the farmworkers movement. The banners of the virgin de guadalupe and the aztec eagle as well as graphic illustration in el malcriado are the signs that foretell the mural movement. On a socio-philosophical and esthetic levels, chicano murals emerged from a cultural nothingness both on the point of view of lack of education for some painters as well as the exclusion of chicano artists from the artistic scenne. That is why they created cultural centers and built up a non-occidental conception of art. In the three cities we studied, chicano murals were very different. In los angeles, chicano murals emerged from graffiti and was initiated in poor housing projects by charles felix. Afterwards, from militant chicano muralism became environmental. In san francisco, chicano muralism was born from unemployment and had a multi-ethnic charcter. In san diego, muralism was born from urban renewal and from the buildin of chicano park to. Struggle against the building of coronado bridge. So, in fact, we have three chicano mural movements. Indigenism is a recurrent theme in the three cities and is linked to the plan espiritua of aztlan
Le, Gall Thierry. « La poétique du voile de Fra Angelico à Nicolas Poussin ». Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3100.
Texte intégralVeils in Sacrifice of Iphigenia by Timanthes and Curtain by Parrhasius signify a problematisation of the Antiquity’s gaze and engender a hereafter which stratifies representation. The silence these works introduce within the image generates a phantastic activity, the founding basis of a visual poetry.Pala di San Marco adapts to a unified pictorial space the structure of Tabernacolo dei Linaioli already borrowed from the Tabernacle of Moses. Separating spaces of increased sacredness and in accordance with the exegetic reading, veils thicken the space and the meaning of the masterpiece, demanding at each stage a transformation of the viewers’ gaze.The exegesis identifying Marie to Arca Dei, the 15th century develops around her numerous forms which are epigones of the Tabernacle’s and become liable to encompass the viewer’s profane space. Deep within Annunciations of the Quattrocento, the veil revealed the thalamus virginis, metonymical belly of the Virgin Mary. This symbolism becomes eroded when the stage design evokes Mystery. The veil conveys metapictorial allusions or reveals vanity, intimacy, flesh. It « sacralizes » them as it did of Arca Dei or of the emperor. Unpredictably, all works become opened up to surprising transgressions, such as the eroticisation of Virgo lactans. Multiple visual metaphors alluding to what is problematic about representation, the veil supports the image of what it is hiding. The surfacing of the concealed becomes the artwork in itself. Skirting around Alberti’s precepts, this trade with the invisible connects the motif with the ancient concept, revived by La Pléiade, of a poetry whose motive is no other than to en-visage the ineffable
Tuza, László. « Fra Angelico, message spirituel et conception esthétique : les fresques à San Marco de Florence ». Paris 4, 2001. http://www.theses.fr/2000PA040272.
Texte intégralRobinson, Jason L. « Improvising California : community and creative music in Los Angeles and San Francisco / ». Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2005. http://wwwlib.umi.com/cr/ucsd/fullcit?p3170218.
Texte intégralLai, Bailey. « Exploring Transit-Based Environmental Injustices in San Gabriel Valley and Greater Los Angeles ». Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/pomona_theses/198.
Texte intégralTownsend, Hugh Gerald. « Developing an associational strategy process with four Los Angeles associations ». Theological Research Exchange Network (TREN) Access this title online, 2006. http://dx.doi.org/10.2986/tren.049-0469.
Texte intégralDeener, Andrew Scott. « Venice, California community, diversity, and the politics of urban change in a Los Angeles beach time / ». Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1678687511&sid=15&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texte intégralCAVENAGO, MARCO. « ARTE SACRA IN ITALIA : LA SCUOLA BEATO ANGELICO DI MILANO (1921-1950) ». Doctoral thesis, Università degli Studi di Milano, 2021. http://hdl.handle.net/2434/829725.
Texte intégralIn October 1921, the Beato Angelico Higher School of Christian Art was born in Milan. Responsible for the initiative: Don Giuseppe Polvara, the architect Angelo Banfi, the painter Vanni Rossi, flanked by the sculptor Franco Lombardi, by the priests Adriano and Domenico Bernareggi, by the engineer Giovanni Dedè, by professor Giovanni Mamone and by the lawyer Carlo Antonio Vianello . There were nine pupils in the first school year, two of whom (the architects Don Giacomo Bettoli and Fortunato De Angeli) destined to remain in the School for many years as teachers: this also happened with the painter Ernesto Bergagna, who enrolled the following year. Starting from that event, the Italian context of sacred art was able to count on an element of indisputable novelty, destined within a few years to a rapid, widespread and stubborn affirmation in the Peninsula. The foundation of the Beato Angelico School put a stop to the age-old debate on the general decline of sacred art that had been staged for a long time in Italy as well as in major European countries. The formula conceived by Don Polvara put his personal, artistic and professional experiences into a system with the knowledge of the international context, some exemplary models and the comparison with groups and individual figures (artists, critics, men of the Church) animated by the common desire to contribute to the rebirth of sacred art. One hundred years after its birth - and seventy after the death of its founder - the Beato Angelico School (with the workshops of Architecture, Cesello, Embroidery, Painting and Restoration) still continues in the task of serving the Church through the creation of distinctive sacred furnishings and vestments. from a particular care of the artistic and liturgical aspect, object of repeated attestations of merit and acknowledgments in the ecclesiastical sphere. What is missing from the appeal so far is an organic attempt to reconstruct the historical events that marked the genesis and developments of this singular artistic and religious reality. The purpose of this thesis is therefore the return of a profile as detailed and reasoned as possible of the history of the Beato Angelico School, such as to bring this story back to the center of a historical situation and a complex cultural context, through an original work perspective conducted on thread of clarifications and rediscoveries. Given the "pioneering" nature of this research, the vastness of the materials and sources available and the consequent need to assign a recognizable chronological cut to the work, it was decided to limit the survey to the decades between 1921 and 1950, or between the foundation of Beato Angelico and the death of Giuseppe Polvara. As will be seen, the initial term is in a certain sense anticipated by the need to better outline the background and context from which the School originates (between the end of the 19th and the first decades of the 20th century). The year assumed at the end of the research, on the other hand, seemed an almost obligatory choice, coinciding with the first change in the direction of Beato Angelico as well as the desire to exclude from the discussion what started in the 1950s and 1960s, that is a new and different season in the field of sacred art (destined, among other things, to pass through the junction represented by the Second Vatican Council and by the action of St. Paul VI), which is however much investigated by historical-artistic studies. What made the drafting of this thesis possible is the fact that it relies, in large part, on unpublished archival materials or, at least, never examined before in a structured way. Access to the most historicized archive materials and their consultation (thanks to the availability shown by the direction of the Beato Angelico School) have decisively conditioned the discussion of the topics, the reconstruction of which, in some cases, is supported exclusively by documents found. The birth of the Beato Angelico School was not an isolated event in the panorama of European artistic production of the time nor an episode unrelated to what was being debated in the ecclesiastical world at the same time. The Polvara School was born in an era marked by great ecclesial ferment: think of the Ateliers d'Art Sacré founded by Maurice Denis and George Desvallières in Paris in 1919, only two years before the Milanese School, whose adherents - all lay people - they professed an intense and devoted religiosity. But, above all, the decisive and best known model by Polvara was the Beuron School (Beuroner Kunstschule), born in the homonymous German Benedictine abbey in the last quarter of the nineteenth century by father Desiderius Lenz and on whose example workshops specialized in the production of sacred art (furnishings and vestments for liturgical use) in many Benedictine communities in central Europe. Polvara's affinity with Benedictine spirituality is a key element of the School he founded: in fact, the (analogous) concept of "represented prayer" (orando labora) derived from the rule of the ora et labora. The very organization of the School, set up as in an ideal medieval workshop where teachers, apprentices and pupils collaborate and coexist, takes up the monastic lifestyle of the Benedictine monasteries. Precisely in order to preserve the character of the medieval workshop as much as possible, the number of students admitted to the School was never too high, so as to maintain an adequate and effective numerical ratio between disciples and masters. Again, from Beuron Fra Angelico drew the particular and unmistakable graphic form of the letter "e", recognizable in the numerous and long epigraphs present in many of his works. The last element in common between the Milanese and the German schools - but which can be attributed to the more general fascination for the medieval era - is the unity of purpose that must animate all the workers involved in creating a collective and anonymous work ad maiorem. Dei gloriam, where the contribution of the single author remains deliberately hidden in favor of the name of the School. What still differentiates the School from similar centers of production of sacred art is the fact that it rests its foundations on a religious congregation, the Beato Angelico Family, an idea long cultivated by Polvara and officially approved by the diocesan authority between the thirties and forties. From the common vocation to sacred artistic creation (the artist's "priestly mission") descend the practice of community life, the participation in the sacraments and the various daily moments of prayer by master priests, brothers and sisters artists, apprentices, pupils and pupils . The spiritual direction traced by the founder for his family still acts today as a guarantee of a strenuous fidelity in the continuity of a unique artistic and liturgical project, put into practice by a community of men and women linked together by the canonical vows of poverty, chastity. and obedience but above all from a common and higher intent. Precisely to ensure a prospect of survival and future development of his creature, Polvara always had a clear need to keep the training aspect (and therefore the teaching for students, adolescents and young people) united with that of production (due to the work of collaboration between teachers, apprentices and students). From an operational point of view, the artistic disciplines, practiced in the various laboratories in which the School is divided, contribute, without any exception and in the aforementioned anonymous and collective form, to create an organic and unitary artistic product, a "total work of art" which must respond to the address given by the master architect (Polvara himself), to whom devotion, respect and obedience are due. The architectural design is therefore assigned great importance and this means that the best representative works of the Beato Angelico School are those sacred buildings entirely made with the intervention of its laboratories for all or almost all the decorations, furnishings, furnishings and Milanese churches of S. Maria Beltrade, S. Vito al Giambellino, S. MM. Nabore and Felice, or the church of S. Eusebio in Agrate Brianza and the chapel of the religious institute of the daughters of S. Eusebio in Vercelli). As for the expressive languages used by the School (the so-called "style"), the preference for modern architectural rationalism is highlighted - a topic of stringent topicality, to which Polvara did not fail to give his personal theoretical and practical contribution - and that for Divisionism in painting, indebted to the ancient admiration for the work of Gaetano Previati. The interaction of these two forms gives rise to a recognizable language, modern and spiritual at the same time, verifiable in the buildings as in the individual works, the result of a profound sensitivity that combines the thoughtful recovery of some forms of the past (for example early Christian iconography reused in the decorative motifs of the vestments or in the shape of some artifacts, from the chalice to the tabernacle, to the chasuble-chasuble) with the impetus for a modern and functional style appropriate to the times but respectful of tradition.
Livres sur le sujet "Angelic sin"
Martín, Oscar. Angeles sin nombre. Madrid : Emotional Books, 2001.
Trouver le texte intégralWilliam, Hood. Fra Angelico at San Marco. London : BCA, 1993.
Trouver le texte intégral1400-1455, Angelico fra ca, dir. Fra Angelico : San Marco, Florence. New York : G. Braziller, 1995.
Trouver le texte intégralFra Angelico at San Marco. New Haven : Yale University Press, 1993.
Trouver le texte intégralLeakes, Kai. Sin eaters. Deer Park, NY : Urban Renaissance, 2012.
Trouver le texte intégralBrian, Eads, dir. Los Angeles & San Diego. London : M. Beazley, 1993.
Trouver le texte intégral1400-1455, Angelico fra ca, et Museo di San Marco, dir. Fra Angelico : The San Marco frescoes. New York : Thames and Hudson, 1996.
Trouver le texte intégralZimler, Richard. The angelic darkness : A novel. New York : Norton, 1999.
Trouver le texte intégral1954-, Zuccari Alessandro, Morello Giovanni, De Simone Gerardo et Musei capitolini (Rome Italy), dir. Beato Angelico : L'alba del Rinascimento. Milano : Skira, 2009.
Trouver le texte intégralMorachiello, Paolo. Beato Angelico : Gli affreschi di San Marco. Milano : Electa, 1995.
Trouver le texte intégralChapitres de livres sur le sujet "Angelic sin"
Colilli, Paul. « The First and Last Sign of Human Life ». Dans The Angel's Corpse, 110–19. New York : Palgrave Macmillan US, 1999. http://dx.doi.org/10.1057/9780312299668_20.
Texte intégralSchmidt, Katharina, Katrin Singer et Martina Neuburger. « Comics und Relief Maps als feministische Kartographien der Positionalität ». Dans Sozial- und Kulturgeographie, 181–202. Bielefeld, Germany : transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459584-013.
Texte intégralShiloah, Amnon. « Theory of Heavenly Harmony and Angelic Song in Jewish and Islamic Sources ». Dans Sing Aloud Harmonious Spheres, 44–61. New York : Routledge, 2017. | Series : Warwick series in the humanities : Routledge, 2017. http://dx.doi.org/10.4324/9781315161037-4.
Texte intégralFlick, Robbert. « Excerpts from the San Gabriel River Series ». Dans A Companion to Los Angeles, 461–77. Oxford, UK : Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444390964.ch24.
Texte intégralIttner, Lisa, et Florian Novak. « Warum Hansmann nur sein eigenes Geld investiert ». Dans Business Angel Hansi Hansmann, 103–7. Wiesbaden : Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-21382-4_10.
Texte intégralLomnitz, Cinna. « Mexico, San Francisco, Los Angeles and Kobe : What Next ? » Dans Earthquake and Atmospheric Hazards, 287–96. Dordrecht : Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-011-5034-7_11.
Texte intégralHernández, Paola S., et Analola Santana. « Josefina López (San Luis Potosí, México/Los Angeles, 1969–) ». Dans Fifty Key Figures in Latinx and Latin American Theatre, 109–11. London : Routledge, 2022. http://dx.doi.org/10.4324/9781003144700-24.
Texte intégralKolthoff, Steven H., Michael F. Mills et Roy J. Shlemon. « Neotectonics of the Hollywood Fault, Central Hollywood District, Los Angeles, California, U.S.A. » Dans IAEG/AEG Annual Meeting Proceedings, San Francisco, California, 2018 - Volume 5, 13–20. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93136-4_2.
Texte intégralHart, Michael W. « IGC Field Trip T181 : Engineering geology in San Diego, California ». Dans Engineering Geology of Western United States Urban Centers : Los Angeles, California to Denver, Colorado June 27–July 7, 1989, 22–30. Washington, D. C. : American Geophysical Union, 1989. http://dx.doi.org/10.1029/ft181p0022.
Texte intégralCole, William F., William R. Cotton et William L. Fowler. « IGC Field Trip T181 : Engineering geology of the San Francisco Bay region ». Dans Engineering Geology of Western United States Urban Centers : Los Angeles, California to Denver, Colorado June 27–July 7, 1989, 31–40. Washington, D. C. : American Geophysical Union, 1989. http://dx.doi.org/10.1029/ft181p0031.
Texte intégralActes de conférences sur le sujet "Angelic sin"
Johnson, L. F., E. J. Ashley, T. M. Donovan, J. B. Franck, R. W. Woolever et R. Z. Dalbey. « Scanning Electron Microscopy Studies Of Laser Damage Initiating Defects In ZnSe/ThF 4 And SiH/Si0 2 Multilayer Coatings ». Dans 1985 Los Angeles Technical Symposium, sous la direction de Lionel R. Baker et Harold E. Bennett. SPIE, 1985. http://dx.doi.org/10.1117/12.946354.
Texte intégralMusallam, Hutch, Greg Gould, Mike Fleury, Justin Sutherland et Kevin Krueger. « Emergency Lifeline Water Supply for San Angelo, Texas ». Dans Pipelines 2013. Reston, VA : American Society of Civil Engineers, 2013. http://dx.doi.org/10.1061/9780784413012.012.
Texte intégralVan Weele, Brian J., et Donald D. Treadwell. « Operation, Maintenance, and Repair of Coastal Wastewater Outfalls : San Francisco, Boston, Los Angeles County, and San Diego ». Dans Conference on Coastal Engineering Practice 2011. Reston, VA : American Society of Civil Engineers, 2011. http://dx.doi.org/10.1061/41190(422)20.
Texte intégralMcGee, T. J., D. Whiteman, Jim Butler, A. Torres, J. Miller, R. Ferrare, J. Burris, M. Owens, R. Barnes et R. Nagatani. « Lidar Observations of Upper Atmosphere Temperatures During the Stoic Campaign at Table Mountain ». Dans Optical Remote Sensing of the Atmosphere. Washington, D.C. : Optica Publishing Group, 1990. http://dx.doi.org/10.1364/orsa.1990.wd20.
Texte intégralLindvall, Scott, Scott Kerwin, Stephen Thompson, Patricia Thomas, Arash Zandieh, Craig Davis et Christopher Heron. « San Andreas Fault Displacement Hazard Characterization of the Los Angeles Aqueduct at the Elizabeth Tunnel ». Dans Lifelines 2022. Reston, VA : American Society of Civil Engineers, 2022. http://dx.doi.org/10.1061/9780784484449.001.
Texte intégralRakuljic, George A., Amnon Yariv et Ratnakar R. Neuraaonkar. « Photorefractive Properties Of Ferroelectric BaTiO 3 and SBN:60 ». Dans O-E/LASE'86 Symp (January 1986, Los Angeles), sous la direction de Pochi Yeh. SPIE, 1986. http://dx.doi.org/10.1117/12.960397.
Texte intégralCascio, WE, LC Katwa, WS Linn, DO Stram, Y. Zhu, JL Cascio et WC Hinds. « Effects of Vehicle Exhaust in Aged Adults Riding on Los Angeles Freeways. » Dans American Thoracic Society 2009 International Conference, May 15-20, 2009 • San Diego, California. American Thoracic Society, 2009. http://dx.doi.org/10.1164/ajrccm-conference.2009.179.1_meetingabstracts.a1175.
Texte intégralYuan, Yang Y., Haiying Xu, Youlong Yu, Kebin Xu, Yuhuan Xu, De-Rui Zhu, Huanchu Chen et Qinglun Zhang. « Optical phase conjugation in KNSBN, Pr-doped KNSBN, and Cu-doped SBN ». Dans OE/LASE '90, 14-19 Jan., Los Angeles, CA, sous la direction de Robert A. Fisher et John F. Reintjes. SPIE, 1990. http://dx.doi.org/10.1117/12.18313.
Texte intégralDrennan, Michael, Carl Blum et Eliza Jane Whitman. « The Importance of a Long Range Vision of the Los Angeles and San Gabriel Rivers Watershed Council ». Dans Watershed Management and Operations Management Conferences 2000. Reston, VA : American Society of Civil Engineers, 2001. http://dx.doi.org/10.1061/40499(2000)28.
Texte intégralDrennan, Michael, Carl Blum et Eliza Jane Whitman. « The Importance of a Long Range Vision of the Los Angeles and San Gabriel Rivers Watershed Council ». Dans Joint Conference on Water Resource Engineering and Water Resources Planning and Management 2000. Reston, VA : American Society of Civil Engineers, 2000. http://dx.doi.org/10.1061/40517(2000)128.
Texte intégralRapports d'organisations sur le sujet "Angelic sin"
Olsen, Laurie, Kathryn Lindholm-Leary, Magaly Lavadenz, Elvira Armas et Franca Dell'Olio. Pursuing Regional Opportunities for Mentoring, Innovation, and Success for English Learners (PROMISE) Initiative : A Three-Year Pilot Study Research Monograph. PROMISE INITIATIVE, février 2010. http://dx.doi.org/10.15365/ceel.seal2010.
Texte intégralOlsen, Laurie, Kathryn Lindholm-Leary, Magaly Lavadenz, Elvira Armas et Franca Dell'Olio. Pursuing Regional Opportunities for Mentoring, Innovation, and Success for English Learners (PROMISE) Initiative : A Three-Year Pilot Study Research Monograph. PROMISE INITIATIVE, février 2010. http://dx.doi.org/10.15365/ceel.promise2010.
Texte intégralKwon, Jaymin, Yushin Ahn et Steve Chung. Spatio-Temporal Analysis of Roadside Transportation-Related Air Quality (StarTraq 2021) : A Characterization of Bike Trails and Highways in the Fresno/Clovis Area. Mineta Transportation Institute, novembre 2022. http://dx.doi.org/10.31979/mti.2022.2128.
Texte intégralKim, Joseph J., Samuel Dominguez et Luis Diaz. Freight Demand Model for Southern California Freeways with Owner–Operator Truck Drivers. Mineta Transportation Institute, octobre 2020. http://dx.doi.org/10.31979/mti.2020.1931.
Texte intégralNiles, John, et J. M. Pogodzinski. TOD and Park-and-Ride : Which is Appropriate Where ? Mineta Transportation Institute, janvier 2021. http://dx.doi.org/10.31979/mti.2021.1820.
Texte intégralWatkins, Chris B., Susan Lurie, Amnon Lers et Patricia L. Conklin. Involvement of Antioxidant Enzymes and Genes in the Resistance Mechanism to Postharvest Superficial Scald Development. United States Department of Agriculture, décembre 2004. http://dx.doi.org/10.32747/2004.7586539.bard.
Texte intégralHolocene behavior of the San Gabriel Fault, Saugus/Castaic area, Los Angeles County, California : final technical report. US Geological Survey, 1985. http://dx.doi.org/10.3133/25263.
Texte intégralDistribution and abundance of Least Bell’s Vireos (<i>Vireo bellii pusillus</i>) and Southwestern Willow Flycatchers (<i>Empidonax traillii extimus</i>) at the San Antonio Dam, Los Angeles and San Bernardino Counties, California—2021 Data summary. US Geological Survey, 2022. http://dx.doi.org/10.3133/dr1148.
Texte intégral