Littérature scientifique sur le sujet « And the Alkazi Collection of Photography »
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Articles de revues sur le sujet "And the Alkazi Collection of Photography"
Choudhury, Deep Kanta Lahiri. « Rosie Llewellyn-Jones, ed., The Alkazi Collection of Photography : The Uprising of 1857 ». History and Sociology of South Asia 12, no 2 (29 mai 2018) : 178–82. http://dx.doi.org/10.1177/2230807518767712.
Texte intégralWagner, Kim. « Rosie Llewellyn-Jones (ed). The Uprising of 1857 : The Alkazi Collection of Photography ». Asian Affairs 50, no 1 (janvier 2019) : 157–59. http://dx.doi.org/10.1080/03068374.2019.1567134.
Texte intégralMukherji, Saradindu. « Book Review : Rosie Llewellyn-Jones, The Uprising of 1857 : The Alkazi Collection of Photography ». Indian Historical Review 45, no 2 (décembre 2018) : 307–10. http://dx.doi.org/10.1177/0376983618804054.
Texte intégralRobinson, Francis. « ROSIE LLEWELLYN-JONES (ed.) : Lucknow – City of Illusion : The Alkazi Collection of Photography. 295 pp. Munich and London : Prestel, 2006. £50. 3 7913 3130 2. » Bulletin of the School of Oriental and African Studies 70, no 1 (février 2007) : 177–79. http://dx.doi.org/10.1017/s0041977x07000213.
Texte intégralBranfoot, Crispin. « George Michell (ed.) : Vijayanagara : Splendour in Ruins. 250 pp. Ahmedabad : Mapin Publishing and The Alkazi Collection of Photography, 2008. ISBN 978 81 89995 03 4. » Bulletin of the School of Oriental and African Studies 72, no 1 (février 2009) : 189–91. http://dx.doi.org/10.1017/s0041977x09000263.
Texte intégralRobinson, Andrew. « Sudeshna Guha (ed.). The Marshall Albums : photography and archaeology. 288 pages, 130 b&w & ; colour illustrations. 2010. Delhi : The Alkazi Collection of Photography in association with Mapin & ; Ocean Township (NJ) : Grantha Corporation ; 978-81-89995-32-4 (Mapin) ; 978-1-890206-45-1 (Grantha) hardback £45. » Antiquity 85, no 329 (août 2011) : 1093–94. http://dx.doi.org/10.1017/s0003598x00068617.
Texte intégralKnight, Lionel. « The Marshall Albums : Photography and Archaeology. Edited by Sudeshna Guha with contributions by Sudeshna Guha, Michael S. Dodson, Tapati Guha-Thakurta, Christopher Pinney, Robert Harding. pp. 288. The Alkazi Collection of Photography in association with Mapin Publishing with support from Archaeological Survey of India. Simultaneously published, Ocean Township, New Jersey and London, 2010. » Journal of the Royal Asiatic Society 21, no 3 (juillet 2011) : 386–88. http://dx.doi.org/10.1017/s135618631100037x.
Texte intégralLugon, Olivier. « Photography and Scale : Projection, Exhibition, Collection ». Art History 38, no 2 (22 mars 2015) : 386–403. http://dx.doi.org/10.1111/1467-8365.12155.
Texte intégralPanzer, Mary. « The George Kendall Warren photography collection ». History of Photography 24, no 1 (mars 2000) : 24–30. http://dx.doi.org/10.1080/03087298.2000.10443357.
Texte intégralŠejbl, Jan. « The Náprstek Museum Photography Collection – An Assessment Based on Collection Records ». Annals of the Náprstek Museum 40, no 2 (2019) : 69–94. http://dx.doi.org/10.2478/anpm-2019-0016.
Texte intégralThèses sur le sujet "And the Alkazi Collection of Photography"
Cleveland, Larissa. « Collector : collection/possession/persona / ». Online version of thesis, 2008. http://hdl.handle.net/1850/6186.
Texte intégralSchrader, Julie Ann. « The Morgan collection of Southwest pottery website : research and photography : a project / ». Click here to view virtual exhibition, 2005. http://www.holmes.anthropology.museum/southwestpottery/index.html.
Texte intégralWang, Han-Chih. « The Profane and Profound : American Road Photography from 1930 to the Present ». Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/468625.
Texte intégralPh.D.
This dissertation historicizes the enduring marriage between photography and the American road trip. In considering and proposing the road as a photographic genre with its tradition and transformation, I investigate the ways in which road photography makes artistic statements about the road as a visual form, while providing a range of commentary about American culture over time, such as frontiersmanship and wanderlust, issues and themes of the automobile, highway, and roadside culture, concepts of human intervention in the environment, and reflections of the ordinary and sublime, among others. Based on chronological order, this dissertation focuses on the photographic books or series that depict and engage the American road. The first two chapters focus on road photographs in the 1930s and 1950s, Walker Evans’s American Photographs, 1938; Dorothea Lange’s An American Exodus: A Record of Human Erosion, 1939; and Robert Frank’s The Americans, 1958/1959. Evans dedicated himself to depicting automobile landscapes and the roadside. Lange concentrated on documenting migrants on the highway traveling westward to California. By examining Frank’s photographs and comparing them with photographs by Evans and Lange, the formal and contextual connections and differences between the photographs in these two decades, the 1930s and the 1950s, become evident. Further analysis of the many automobile and highway images from The Americans manifests Frank’s commentary on postwar America during his cross-country road trip—the drive-in theater, jukebox, highway fatality, segregation, and social inequality. Chapter 3 analyzes Ed Ruscha’s photographic series related to driving and the roadside, including Twentysix Gasoline Stations, 1962 and Royal Road Test, 1967. The chapter also looks at Lee Friedlander’s photographs taken on the road into the mid-1970s. Although both were indebted to the earlier tradition of Evans and Frank, Ruscha and Friedlander took different directions, representing two sets of artistic values and photographic approaches. Ruscha manifested the Pop art and Conceptualist affinity, while Friedlander exemplified the snapshot yet sophisticated formalist style. Chapter 4 reexamines road photographs of the 1970s and 1980s with emphasis on two road trip series by Stephen Shore. The first, American Surfaces, 1972 demonstrates an affinity of Pop art and Frank’s snapshot. Shore’s Uncommon Places, 1982, regenerates the formalist and analytical view exemplified by Evans with a large 8-by-10 camera. Shore’s work not only illustrates the emergence of color photography in the art world but also reconsiders the transformation of the American landscape, particularly evidenced in the seminal exhibition titled New Topographics: A Man-Altered Landscape, 1975. I also compare Shore’s work with the ones by his contemporaries, such as Robert Adams, William Eggleston, and Joel Sternfeld, to demonstrate how their images share common ground but translate nuanced agendas respectively. By reintroducing both Evans’s and Frank’s legacies in his work, Shore more consciously engaged with this photographic road trip tradition. Chapter 5 investigates a selection of photographic series from 1990 to the present to revisit the ways in which the symbolism of the road evolves, as well as how artists represent the driving and roadscapes. These are evident in such works as Catherine Opie’s Freeway Series, 1994–1995; Andrew Bush’s Vector Portraits, 1989–1997; Martha Rosler’s The Rights of Passage, 1995; and Amy Stein’s Stranded, 2010. Furthermore, since the late 1990s, Friedlander developed a series titled America by Car, 2010, incorporating the driving vision taken from the inside seat of a car. His idiosyncratic inclusion of the side-view mirror, reflections, and self-presence is a consistent theme throughout his career, embodying a multilayered sense of time and place: the past, present, and future, as well as the inside space and outside world of a car. Works by artists listed above exemplify that road photography is a complex and ongoing interaction of observation, imagination, and intention. Photographers continue to re-enact and reformulate the photographic tradition of the American road trip.
Temple University--Theses
Stead, Sarah. « PLACE, SPACE, AND FORM CAPTURED THROUGH PHOTOGRAPHIC MEDITATION ». Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4193.
Texte intégralM.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
Walton, Elizabeth. « TRUTHS, REALITIES AND THE EASILY TRANSMITTED IMAGE ». Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3922.
Texte intégralM.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
Fullerton, Jeanay. « VISUAL STAMP ». Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4017.
Texte intégralM.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
Van, Camp April. « MEMORIES AND MILESTONES : THE BRIGHTON SEMINOLE TRIBE OF FLORIDA AND THE DIGITIZATION OF CULTURE ». Doctoral diss., University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3415.
Texte intégralPh.D.
Department of English
Arts and Humanities
Texts and Technology PhD
balas, simona. « SERIES OF DISINTEGRATED MEMORIES ». Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3461.
Texte intégralM.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
Kulbaba, Brian. « WITHOUT A CAMERA ». Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4046.
Texte intégralM.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
Ebner, Bonnie. « MANY TELLING MOMENTS:THE ESSENCE OF FRAGMENTED IMAGE CULTURE ». Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3376.
Texte intégralM.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
Livres sur le sujet "And the Alkazi Collection of Photography"
India, National Museum of. Imaging the isle across : Vintage photography from Ceylon. New Delhi : National Museum, 2015.
Trouver le texte intégralDenver Public Library. Western History/Genealogy Dept. et Colorado Historical Society, dir. The photography collection. [Denver] : Western History/Genealogy Department, Denver Public Library, 1995.
Trouver le texte intégralKim, Jee Won. Photo collection. Seoul : MUG Pubishing, 2015.
Trouver le texte intégralLind, Peter. Reverse collection. [Copenhagen] : [Peter Lind], 2018.
Trouver le texte intégralMoynihan, Danny. Private collection. London : Other Criteria, 2008.
Trouver le texte intégralLee, Rotenberg Mark, et Mirsky Laura, dir. The Rotenberg collection. Köln : Taschen, 1999.
Trouver le texte intégralKhatir, Reza. Selections 3 : From Polaroid Collection. Sous la direction de Billeter Erika 1927-, Hitchcock Barbara, Wassermann Peter, Furrer Markus et Polaroid Corporation. Schaffhausen : Verlag Photographie, 1986.
Trouver le texte intégralKyu-hyŏng, Kim. Seoul snap : Seoul photography collection. 8e éd. Sŏul-si : 1984, 2018.
Trouver le texte intégralHaak, Ken. Private collection. New York : Rosehill Press, 1986.
Trouver le texte intégralPenn, Irving. Irving Penn : Collection privée : privatsammlung. Fribourg : Musee d'art et d'histoire, 1994.
Trouver le texte intégralChapitres de livres sur le sujet "And the Alkazi Collection of Photography"
Wells, Liz. « Speaking of this Collection ». Dans Photography, Curation, Criticism, 18–30. London : Routledge, 2023. http://dx.doi.org/10.4324/9781003354680-3.
Texte intégralKingstone, Helen. « Photography Remediated in the Crimean War : Illustration, Exhibition and Collection ». Dans Panoramas and Compilations in Nineteenth-Century Britain, 109–44. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-15684-7_5.
Texte intégralNikielska-Sekula, Karolina. « “Have You Just Taken a Picture of Me?” : Theoretical and Ethical Implications of the Use of Researcher-Produced Photography in Studying Migrant Minorities ». Dans IMISCOE Research Series, 31–49. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67608-7_2.
Texte intégralNikonanou, Niki, Panagiotis A. Kanellopoulos, Elena Viseri et Elina Moraitopoulou. « Educational Commons in Art Museums ». Dans Educational Commons, 151–72. Cham : Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-51837-9_9.
Texte intégralHargis, Kristen. « Practicing Climate Action in a K-12 School Using a Whole Institution Approach ». Dans Sustainable Development Goals Series, 247–59. Cham : Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-56172-6_18.
Texte intégralTsitsovits, Ioannis. « Reproduction as Literary Production : Self-Expression and the Index in Kenneth Goldsmith’s Uncreative Writing ». Dans New Directions in Book History, 291–308. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53614-5_12.
Texte intégralCozzolino, Davide, et Luisa Verdoliva. « Multimedia Forensics Before the Deep Learning Era ». Dans Handbook of Digital Face Manipulation and Detection, 45–67. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-87664-7_3.
Texte intégralLeung, Kei Yan. « Reflections on Doing Cross-Cultural Research Through and with Visual Methods ». Dans Co-Creativity and Engaged Scholarship, 265–97. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84248-2_9.
Texte intégralSnegireva, Ekaterina. « Notes on the Photography Collection ». Dans Russian Modernism in the Memories of the Survivors, 225–26. University of Toronto Press, 2021. http://dx.doi.org/10.3138/9781487527266-010.
Texte intégral« Analyzing the Presentation of a Fashion Collection ». Dans Fashion Photography Archive. Bloomsbury, 2015. http://dx.doi.org/10.5040/9781474260428-fpa008.
Texte intégralActes de conférences sur le sujet "And the Alkazi Collection of Photography"
Holm, Jack. « Survey of developing electronic photography standards ». Dans Critical Review Collection. SPIE, 1996. http://dx.doi.org/10.1117/12.229259.
Texte intégralArnold, Taylor, Nathaniel Ayers, Justin Madron, Robert Nelson et Lauren Tilton. « Visualizing a Large Spatiotemporal Collection of Historic Photography with a Generous Interface ». Dans 2020 IEEE 5th Workshop on Visualization for the Digital Humanities (VIS4DH). IEEE, 2020. http://dx.doi.org/10.1109/vis4dh51463.2020.00010.
Texte intégralTruyen, Frederik, et Sofie Taes. « THE EUROPEANA THEMATIC COLLECTION ON PHOTOGRAPHY - AN OPEN RESOURCE FOR EDUCATION FROM PHOTOCONSORTIUM ». Dans International Conference on Education and New Learning Technologies. IATED, 2017. http://dx.doi.org/10.21125/edulearn.2017.2146.
Texte intégralRodriguez, Paul, Sandeep Puthanveetil, Jeffrey Will, Elizabeth Wuerffel et Alan Craig. « Extracting, Assimilating, and Sharing the Results of Image Analysis on the FSA/OWI Photography Collection ». Dans PEARC17 : Practice and Experience in Advanced Research Computing 2017. New York, NY, USA : ACM, 2017. http://dx.doi.org/10.1145/3093338.3093365.
Texte intégralWeiderhold, Joseph, David E. Lambert et Michael Hopson. « Experimental Design and Data Collection for Dynamic Fragmentation Experiments ». Dans ASME 2010 Pressure Vessels and Piping Division/K-PVP Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/pvp2010-25163.
Texte intégralSakamoto, Haruo, Yoshiya Takemura et Yukari Yanamoto. « Design and Manufacturing of Radio-Controlled Motor Glider for Information System ». Dans ASME 2007 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/detc2007-34369.
Texte intégralDAVIDENKO, Pavel. « Creation of multimedia didactical tools for the development of students’ research abilities ». Dans Inter/transdisciplinary approaches in the teaching of the real sciences, (STEAM concept) = Abordări inter/transdisciplinare în predarea ştiinţelor reale, (concept STEAM). Ion Creangă Pedagogical State University, 2023. http://dx.doi.org/10.46727/c.steam-2023.p401-404.
Texte intégralWolken, Jerome J. « The design of an optical scope for the visually impaired ». Dans OSA Annual Meeting. Washington, D.C. : Optica Publishing Group, 1990. http://dx.doi.org/10.1364/oam.1990.tus6.
Texte intégralCarabal-Montagud, María Ángeles, Virginia Santamarina Campos, María Del Val Segarra Oña et María Blanca De Miguel-Molina. « Desarrollo de la competencia tecnológica en el marco STEAM para la docencia universitaria : experiencia en el Museu de Belles Arts de València ». Dans IN-RED 2020 : VI Congreso de Innovación Educativa y Docencia en Red. Valencia : Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/inred2020.2020.11971.
Texte intégralVicente, José. « Vernacular Products : An Example to Circular Design ». Dans 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002026.
Texte intégralRapports d'organisations sur le sujet "And the Alkazi Collection of Photography"
Taverna, Kristin. Vegetation classification and mapping of land additions at Richmond National Battlefield Park, Virginia : Addendum to technical report NPS/NER/NRTR 2008/128. National Park Service, septembre 2022. http://dx.doi.org/10.36967/2294278.
Texte intégral