Littérature scientifique sur le sujet « Alberto Savinio »
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Articles de revues sur le sujet "Alberto Savinio"
Roić, Sanja. « Alberto Savinio i Balkan ». Italica Belgradensia 2023, Speciale (2023) : 53–65. http://dx.doi.org/10.18485/italbg.2023.ns_vuco.4.
Texte intégralGordon, Mel. « Alberto Savinio and the Teatro Metafisico ». Performing Arts Journal 9, no 1 (1985) : 83. http://dx.doi.org/10.2307/3247819.
Texte intégralEpstein, Mark. « Book Review : Alberto Savinio : Lo psichismo delle forme ». Forum Italicum : A Journal of Italian Studies 34, no 2 (septembre 2000) : 594–96. http://dx.doi.org/10.1177/001458580003400231.
Texte intégralRicci, Roberta. « Grecità (e romanticismo) nella "mitologia moderna" di Alberto Savinio ». Quaderni d'italianistica 17, no 1 (1 avril 1996) : 33–59. http://dx.doi.org/10.33137/q.i..v17i1.10319.
Texte intégralZudini, Claudia. « La presenza degli animali nell’opera narrativa di Alberto Savinio ». Italies, no 12 (1 décembre 2008) : 299–318. http://dx.doi.org/10.4000/italies.1322.
Texte intégralHeyd, Milly. « ALBERTO SAVINIO : THE PHOTOGRAPH AND THE MIRROR IMAGE, PART II ». Source : Notes in the History of Art 8, no 2 (janvier 1989) : 32–36. http://dx.doi.org/10.1086/sou.8.2.23202534.
Texte intégralLizza, Marinella. « Il mito di Alcesti in Alberto Savinio e Corrado Alvaro ». Italian Culture 22, no 1 (janvier 2004) : 47–69. http://dx.doi.org/10.1179/itc.2004.22.1.47.
Texte intégralGiammei, Alessandro. « Stratigraphy of Andromeda : Giorgio de Chirico, Alberto Savinio, Origins, and Originality ». Modernism/modernity 25, no 1 (2018) : 21–43. http://dx.doi.org/10.1353/mod.2018.0001.
Texte intégralGutiérrez, María Elena. « LA POETICA DEL LAPSUS : INCONSCIO E LINGUAGGIO NELL'OPERA DI ALBERTO SAVINIO ». Forum Italicum : A Journal of Italian Studies 31, no 2 (septembre 1997) : 439–57. http://dx.doi.org/10.1177/001458589703100207.
Texte intégralTramuta, Marie-José. « Alberto Savinio, scénariste de la vie de saint François : la tentation épique ». Double jeu, no 13 (31 décembre 2016) : 37–45. http://dx.doi.org/10.4000/doublejeu.333.
Texte intégralThèses sur le sujet "Alberto Savinio"
Bernet, Thomas. « L'ironie d'Alberto Savinio à la croisée des discours : lecture sémiotique de l'"Introduction à une vie de Mercure" et d'"Achille énamouré mêlé à l'Evergète / ». Bern : P. Lang : Éd. scientifiques européennes, 1999. http://catalogue.bnf.fr/ark:/12148/cb38877915h.
Texte intégralCarbone, Rocco. « Alberto Savinio et la France ». Paris 3, 1993. http://www.theses.fr/1994PA030154.
Texte intégralThe first chapter of this thesis, images of paris, examines the numerous texts in wich savinio evokes the city that most influenced his artistic and literary formation. The second chapter, french friends, lays out the importance of the arguments he is concerned with. The tendency towards autobiographical writings causes savinio to blend the france he knew with the people he met; however this assimilation has only a limited documentary face value : savinio's 'french friends' are by all means the counterparts with whom he discussed his own artistic and creative world. Although maintaining a thematic argumentation, in the third chapter (avant-gardes), the research outlines some specific moments and themes of davinio's cultural formation : his relationship with the historical avant-gardes, and his standing in relation to these evolutions of artistic thought. Finally, the fourth chapter (french writers) investigates a littleknown aspect in savinip's literary work : his critical writing dealing with works and authors in french literature. The appendix added tho the thesis collects unpublished and rare texts by the italian writer
LIJOI, LUCILLA. « Il sognatore sveglio - Alberto Savinio 1933-1943 ». Doctoral thesis, Università degli studi di Genova, 2019. http://hdl.handle.net/11567/943915.
Texte intégralGrewe, Andrea. « Melancholie der Moderne : Studien zur Poetik Alberto Savinios / ». Frankfurt am Main : V. Klostermann, 2001. http://catalogue.bnf.fr/ark:/12148/cb39259459x.
Texte intégralPicciaiola, Samanta. « Recherches sur le théâtre de Alberto Savinio (1891-1952) ». Paris 4, 2008. http://www.theses.fr/2008PA040233.
Texte intégralThis study focuses on the concept fo theatre, as developed by Alberto Savinio since his first theatrical play written in French ("Les Chants de la mi-mort"). The study will, first, highlight the influence of Apollinaire on the work of Savinio and, then, will stress the importance of Pirandello, who can be considered his master on the theatrical subject. "Capitanon Ulisse" and "Alcesti di Samuele" représent the higthest form of his theatrical expression to suche and extent that these two pièces can be considéred as interlinked in an ideal metaphysical diptych. In both plays, Savinio tackles the concept of regeneration of the tragedy : similarly to the story of "Capitano Ulisse", were the adventures of the Homeric hero are reinterpreted, the figure of Alcesti appears anew in the story of Mrs Goerz, an Jewish woman who lives during the period of national socialism. Savinio's work, which is the result of a collection of short stories ("Il suo nome", "La famiglia Mastinu") will be characterised by a revisitation of meta-theatrical factors, which were already present in previous pièces. In "Emma B, vedova Giocasta", Savinio chooses a lighter option : the one act play. This choix leads to a condensation of dramaturgy, since it is composed of one pièce and of one single feverish waiting movement of the main character
Di, Gregorio Roberto <1994>. « Il teatro dei Dioscuri : Giorgio de Chirico e Alberto Savinio ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17945.
Texte intégralCAPOBIANCO, Lillo. « Hermaphrodito di Alberto Savinio tra modernità e tradizione del mito ». Doctoral thesis, Università degli Studi di Palermo, 2014. http://hdl.handle.net/10447/91027.
Texte intégralWeidlich, Martin. « De revolutionibus ordinum caelestium terrestriumque Alberto Savinio zwischen Kopernikus und Ptolemäus ». Wilhelmsfeld Egert, 2003. http://deposit.ddb.de/cgi-bin/dokserv?id=2807048&prov=M&dok_var=1&dok_ext=htm.
Texte intégralFerri, Giulia. « Retour à la terre des pères : sentiment d'appartenance et quete des origines (Giuseppe Ungaretti et Alberto Savinio) ». Thesis, Université Grenoble Alpes, 2020. http://www.theses.fr/2020GRALL016.
Texte intégralDuring the first half of the 20th century in Italy, the theme of national belonging was at the center of the political and cultural debate: the post-unitary discussions on national identity, the patriotism of interventionists, post-World War I, and later fascist, nationalism. Among the Italian intellectuals of the time, many shared double origins: their families were Italian, and yet they were born and raised abroad. Their belonging to the homeland was not automatic. I have looked at the way in which their need for an identity relates to the tensions that were shaking the country, their involvement in the political events of those years, and wondered whether it is possible to isolate any similarities between them that might be connected to their multicultural origins.In November 1927, an interview to Alberto Savinio was published in the Parisian journal “Comœdia.” In it, he criticized Italian art and claimed that he lived in Paris because the mental openness of the French favored artistic development. At the height of Fascism, these declarations bothered a number of Italian intellectuals, who accused him of not loving his homeland. He was therefore excluded from national cultural life for a few years. Giuseppe Ungaretti stood up for him, despite both having declared his Fascism and not sharing a particularly close relationship with Savinio. They had met in Paris in the early 1910s, when they both gravitated around Soffici and his group, especially Apollinaire, who was a fundamental reference: he was their artistic guide, but also someone who shared their uprootedness, since he was French by adoption. His enrollment in the French army was therefore particularly significant for them. Savinio and Ungaretti kept in touch throughout the decade and collaborated to the projects of journals such as “La Vraie Italie” and “Commerce,” whose goal was to make Italian art better known in France. Starting in 1925, their relationship became strained, also due to a general climate of mistrust, but the “Comœdia” affair shows us that their supernational conception of culture surpasses personal issues. Nevertheless, they often seemed to contradict this idea, repeatedly emphasizing Italy’s superiority compared to other countries and displaying growing nationalism, which reached its apex when they adhered to Fascism. They took part in World War I as a way of claiming their belonging to the Italian nation, but it was starting from the following years that they began to show their patriotism by exalting the fighters, criticizing peace agreements that proved unfavorable to Italy, and affirming the idea of Italy’s intellectual primacy. Their support of Fascism was the natural consequence. During the “Ventennio,” Savinio and Ungaretti wrote several articles in journals that were supportive of Mussolini, where they employed many of the rhetorical topoi of those years. This is the extreme point in their search for Italianness: the affirmation of their identity went beyond the individual and found its place within the collective dimension of the “State.” World War II, which they considered madness, brought about a change of heart regarding the regime. Ungaretti and Savinio shared the idea that Fascism had betrayed its principles. Italy’s greatness needed to play within a universal context, rather than an enclosed one. They thought that in order to achieve a collective renaissance, it was necessary to surpass national egotism and come back to Europe’s Christian spirit. Therefore, the need for an Italian identity faded into the background compared to the necessity of a European identity
Zudini, Claudia. « L'artiste "orphelin" : stratégies d'autonomie dans l'écriture d'Alberto Savinio ». Paris 8, 2007. http://www.theses.fr/2007PA083723.
Texte intégralThis dissertation will provide a critical approach to the literary works of Alberto Savinio from the perspective of his assertion of an ideal « orfanismo ». In spite of the various references to the ancient literary tradition present in his works, this term refers to Savinio’s will to reject his literary fathers and to establish his own identity as an author. We have explored this notion by looking at strategies of narration ("Angelico o la notte di maggio"), of intertextuality ("La casa ispirata", "Angelico o la notte di maggio", "La nostra anima", "Emma B. Vedova Giocasta"), and linguistic strategies used in the texts ("Hermaphrodito", "La nostra anima", « Scendere dalla collina », « Mia madre non mi capisce », "Tragedia dell’infanzia")
Livres sur le sujet "Alberto Savinio"
Sgroi, Alfredo. Alberto Savinio. [Palermo, Italy] : Palumbo, 2009.
Trouver le texte intégralDell'Arco, Maurizio Fagiolo. Alberto Savinio. Milano : Fabbri, 1989.
Trouver le texte intégralPia, Vivarelli, Baldacci Paolo et Fondazione Antonio Mazzotta, dir. Alberto Savinio. Milano : Edizioni G. Mazzotta, 2002.
Trouver le texte intégralCenter for Italian Modern Art (New York, N.Y.), dir. Alberto Savinio. New York, NY : Center for Italian Modern Art, 2017.
Trouver le texte intégralMastronardi, Gianluca Renato. Alberto Savinio scenografo. Roma : Edizioni Efesto, 2015.
Trouver le texte intégralSavinio, Alberto. Alberto Savinio : Dessins. Les Sables d'Olonne : Musée de l'Abbaye Sainte-Croix, 1987.
Trouver le texte intégralAbbaye Sainte-Croix (Les Sables-d'Olonne, France). Musee., dir. Alberto Savinio : Dessins. Les Sables-d'Olonne [France] : Musée de l'Abbaye Sainte-Croix, 1987.
Trouver le texte intégral1891-1952, Savinio Alberto, Barbero Luca M, Fagiolo dell'Arco Maurizio 1939- et Centro Saint-Bénin (Aosta Italy), dir. Alberto Savinio : Pittore di teatro = Alberto Savinio : peintre de théâtre. Milano : Fabbri, 1991.
Trouver le texte intégral1891-1952, Savinio Alberto, dir. Alberto Savinio alla Scala. Milano : Amici della Scala, 2015.
Trouver le texte intégralVivarelli, Pia. Alberto Savinio : Catalogo generale. Milano : Electa, 1996.
Trouver le texte intégralChapitres de livres sur le sujet "Alberto Savinio"
Wild, Gerhard. « Savinio, Alberto ». Dans Kindlers Literatur Lexikon (KLL), 1. Stuttgart : J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17868-1.
Texte intégralWild, Gerhard. « Alberto Savinio ». Dans Kindler Kompakt Italienische Literatur 20. Jahrhundert, 76–78. Stuttgart : J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05534-7_9.
Texte intégralWild, Gerhard. « Savinio, Alberto : Hermaphrodito ». Dans Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart : J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17869-1.
Texte intégralWeidlich, Martin. « Savinio, Alberto : Tragedia dell'infanzia ». Dans Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart : J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17870-1.
Texte intégralWeidlich, Martin. « Savinio, Alberto : Nuova enciclopedia ». Dans Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart : J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17872-1.
Texte intégralSchultz, Joachim. « Savinio, Alberto : Ascolto il tuo cuore, città ». Dans Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart : J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17871-1.
Texte intégralMeineke, Eva-Tabea. « »Brückenbogen strahlender Rettung«. Musikalität und Gesang in der surrealistischen Rilke-Rezeption (Alberto Savinio und Louis Aragon) ». Dans Rilkes Musikalität, 155–72. Göttingen : V&R unipress, 2019. http://dx.doi.org/10.14220/9783737010320.155.
Texte intégralJordison, Shantel S., et Niloo Hojjati. « Non-Renewable Resource Revenue Savings and Distribution in Canada : Alberta ». Dans Sovereign Wealth Funds, Local Content Policies and CSR, 215–30. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-56092-8_11.
Texte intégralMason, David L. « Albert Wachowski, ‘The Polish Building and Loan Associations’ (1914) ». Dans The American Savings and Loan Industry, 1831-1935 Vol 4, 95–98. London : Routledge, 2024. http://dx.doi.org/10.4324/9781003547303-21.
Texte intégralMason, David L. « Albert Shaw, History of Cooperation in the United States (1888) ». Dans The American Savings and Loan Industry, 1831-1935 Vol 4, 45–58. London : Routledge, 2024. http://dx.doi.org/10.4324/9781003547303-13.
Texte intégralActes de conférences sur le sujet "Alberto Savinio"
RANIS, GUSTAV. « COMMENTS ON ALBERT ANDO'S “DEMOGRAPHY AND AGGREGATE SAVING” ». Dans Proceedings of the Economic Development of ROC and the Pacific Rim in the 1990s and Beyond. WORLD SCIENTIFIC, 1994. http://dx.doi.org/10.1142/9789814440998_0014.
Texte intégralLeijtens, Johan, Dick Broekmans et Frank Stelwagen. « Everything you always wanted to demand from a digital Sunsensor but couldn't get ». Dans ESA 12th International Conference on Guidance Navigation and Control and 9th International Conference on Astrodynamics Tools and Techniques. ESA, 2023. http://dx.doi.org/10.5270/esa-gnc-icatt-2023-003.
Texte intégralVanderSchee, David A. « Field Performance and Surge Testing of Centrifugal Compressors ». Dans 1998 2nd International Pipeline Conference. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/ipc1998-2126.
Texte intégralThomas, Lance N., et Rick A. Marsden. « Buried SAGD Flow Lines ». Dans 2002 4th International Pipeline Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/ipc2002-27121.
Texte intégralDoering, Raymond, et Randy Robertson. « Screw Anchor Buoyancy Control Saves an Estimated $12 Million for Enbridge Pipeline ». Dans 2000 3rd International Pipeline Conference. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/ipc2000-120.
Texte intégral« Controlled experiment for estimating the energy-saving potential and indoor thermal comfort improvement by the use of high albedo surfaces on pitched concrete roofs ». Dans Countermeasures to Urban Heat Islands. BS Publications, 2022. http://dx.doi.org/10.37285/bsp.ic2uhi.19.
Texte intégralOates, Brenden, Erk Kurban, Marilyn Smith et Juergen Rauleder. « Evaluation of High- and Mid-Fidelity Computational Fluid Dynamics for Complex Ship Airwake Analysis with New Experimental Data ». Dans Vertical Flight Society 79th Annual Forum & Technology Display. The Vertical Flight Society, 2023. http://dx.doi.org/10.4050/f-0079-2023-17973.
Texte intégralBeauregard, Yannick, et Andrea Mah. « Assessing Soil Corrosivity for Buried Structural Steel ». Dans 2020 13th International Pipeline Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/ipc2020-9285.
Texte intégralDagnino, Aldo. « An Intelligent Concrete Mix Design System ». Dans ASME 1999 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1999. http://dx.doi.org/10.1115/detc99/eim-9013.
Texte intégralWorthingham, Robert, Tom Morrison et Guy Desjardins. « Comparison of Estimates From a Growth Model 5 Years After the Previous Inspection ». Dans 2000 3rd International Pipeline Conference. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/ipc2000-208.
Texte intégralRapports d'organisations sur le sujet "Alberto Savinio"
Bretz, S. E., et H. Akbari. Durability of high-albedo roof coatings and implications for cooling energy savings. Final report. Office of Scientific and Technical Information (OSTI), juin 1994. http://dx.doi.org/10.2172/10180653.
Texte intégralMuelaner, Jody, dir. Unsettled Issues in Commercial Vehicle Platooning. SAE International, novembre 2021. http://dx.doi.org/10.4271/epr2021027.
Texte intégralQueensland Government Savings Bank - Brisbane (Head Office) - Pass Books - No. 168382 - Brown, Albert J. - 1888-1897. Reserve Bank of Australia, mars 2021. http://dx.doi.org/10.47688/rba_archives_2006/20782.
Texte intégralCOLD FORMED STEEL SHEAR WALL RACKING ANALYSIS THROUGH A MECHANISTIC APPROACH : CFS-RAMA. The Hong Kong Institute of Steel Construction, septembre 2022. http://dx.doi.org/10.18057/ijasc.2022.18.3.2.
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