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Osterling, Jorge. « San Agustin de Pariac : su tradicion oral ». Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/115183.
Texte intégralGriboul, Françoise. « José Agustin et la contre-culture mexicaine (1964-1978) ». Montpellier 3, 2003. http://www.theses.fr/2003MON30071.
Texte intégralThis thesis presents an analysis of the Mexican author José Agustín's counter-cultural works -novels, theatre plays and short-stories- as well as their social, political, musical and literary background from 1964 to 1978. It aims at understanding how the rupture elements in Onda ‘s literature are related to the increasing demand for democracy especially among the young. This work underlines the importance of rock music in Agustin's literature and the creation of a new literary language influenced by colloquialism and English
Salvato, Amy Baker. « Recasting a nation : The reburial of Agustin de Iturbide ». Thesis, The University of Arizona, 1999. http://hdl.handle.net/10150/291380.
Texte intégralFURTADO, ALEX CAMPOS. « LA MÉTAPHYSIQUE DU LANGAGE DANS DE MAGISTRO DE SAINT AGUSTIN ». PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=6854@1.
Texte intégralLe De Magistro ne figure pas seulement à l´intérieur de l ´histoire da la philosophie mais aussi dans l´histoire de la linguistique comme une oeuvre d´ importance fondamentale au moins en ce qui concerne son originalité. La brièveté du dialogue constitue, au détriment d´une oeuvre philosophique- théologique vaste, une base importante pour l´édification de la doctrine posterieure de Saint Augustin. Quelques unes de ses intuitions plus fondamentales comme, par exemple : « le maitre intérieur », reapparaitront plusieures fois au cours de ses oeuvres. Pour élucider la question de la métaphysique du langage, nous avons recherché d´abord le livre même dans ses nuances argumentatives, car comme le De Magistro est un dialogue entre Augustin et son fils Adeodate, il présente une difficulté par son mouvement dialectique. Il a fallu faire un rélèvement des sources augustiniennes avec l´objectif de mieux nous aprofondir dans la pensée du saint, pour mesurer les réelles influences de celles-ci. De cette forme, les questions pertinentes au De Magistro, comme la transmission de connaissance entre maitre et élève, sont innéficientes et la fonction du signe linguistique n´est que d´ avertir et admonester, en amenant le discliple à chercher la vérité en lui, Agustin propose, en se basant sur les Saintes Écritures, que seulement le Christ enseigne véritablement à l´homme dans son intérieur, c´est à dire, le Christ illumine l´intérieur de l´homme.
O De Magistro se afigura não somente no interior da história da filosofia, como também na história da lingüística como uma obra de fundamental relevância ao menos no que concerne a sua originalidade. A brevidade do diálogo constitui em detrimento de uma obra filosófico-teológica vasta, um importante alicerce para a edificação da doutrina posterior de Agostinho. Algumas de suas intuições mais fundamentais como, por exemplo: o mestre interior, irá reaparecer repetidas vezes no percurso de suas obras. Para elucidar a questão da metafísica da linguagem foi necessário percorrer toda uma trajetória de pesquisar primeiro o próprio livro em suas nuances argumentativas, pois como o De Magistro é um diálogo entre Agostinho e seu filho Adeodato apresenta uma dificuldade pelo seu movimento dialético. Foi necessário fazer um levantamento das fontes agostinianas no intuito de aprofundarmos melhor no pensamento do santo as reais influências destas fontes. Assim, as questões pertinentes ao De Magistro de como a transmissão de conhecimento entre mestre e o discípulo são ineficientes e que a função do signo lingüístico somente é o de advertir e admoestar fazendo com que o discípulo encontre a verdade nele mesmo conduzem ao que Agostinho propõe de que somente Cristo ensina verdadeiramente o homem em seu interior, isto é, Cristo ilumina o interior do homem.
Liotta, Agustin [Verfasser]. « Impact of disinhibition and neuromodulation in hippocampal oscillations and LTP / Agustin Liotta ». Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2012. http://d-nb.info/1026991412/34.
Texte intégralLara, Bores-Alengrin Alba Rosa. « La quête identitaire dans l'oeuvre narrative de l'écrivain mexicain José Agustin (1964-1996) ». Aix-Marseille 1, 2003. http://www.theses.fr/2003AIX10007.
Texte intégralRivero, Carlos Alfredo Vacaflores [UNESP]. « La disputa territorial campesina : estudio en la region de San Agustin en Tarija - Bolivia ». Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/96688.
Texte intégralCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
A disputa camponesa pelo território é uma questão que se destaca com muita força no processo constituinte boliviano contemporâneo. Neste quadro, o sujeito social mobilizado constitui-se sobre a identidade indígena, “originaria” e camponesa, que disputa no imaginário do Estado-Nação o sentido da sua constituição como sujeito, ainda, a sua articulação institucional e territorial buscando a sua legitimidade na constituição do estado e, assim, questionando os princípios da modernidade capitalista eurocêntrica. Tem-se como referência que este Estado-Nação eurocêntrico dilui as identidades étnicas para constituir a identidade nacional do estado-nação moderno. O debate sobre a rearticulação das identidades indígenas coloca um desafio nas identidades camponesas, cuja origem colonial está na expropriação do direito do índio sobre a terra e o território, pra manter sua condição subalterna e, assim, explorar sua força de trabalho nas terras e nos territórios que anteriormente lhes perteneciam. A recuperação da terra e do território constitui-se no eixo central da luta camponesa e indígena na Bolívia, mas requer que o camponês construa um argumento da sua natureza societal expressa na dimensão territorial para articular-se plenamente em um novo esquema: o estado plurinacional
The peasant strugle for territory is a matter that emerges clearly in the contemporary bolivian constituent process, where the mobilized social subject builds up around the indigenous and peasant people and nations, that disputes the hegemonic political imaginary of the nation-state in the sense of constitution of the social subject and his linkage to the territorial and institutional legitimacy of the state, questioning the principles of the capitalistic eurocentric modernity that places a disappearance of ethnic identity to build a national identity of the modern state-nation. The debate about reconstituting indigenous identities points out a challenge over the peasant identities, where its colonial origin in the dispossession of land and territory to exploit their working force in their own ancestral territories. Taking back the land and territories is nowadays a central issue in the peasant and indigenous struggle for emancipation in Bolivia, but requires from them to build an convincing argument of their society nature with territorial attributes for a plenty linkage to the new scheme of the plurinational state
La disputa campesina por el territorio es una cuestión que emerge con contundencia en el proceso constituyente boliviano contemporáneo, donde el sujeto social movilizado se constituye en torno a la identidad de pueblo y nación indígena, originaria y campesina, que le disputa al imaginario político hegemónico del estado-nación el sentido de la constitución del sujeto y su articulación institucional y territorial a la legitimidad del estado, cuestionando los principios de la modernidad capitalista eurocéntrica que postula la dilución de las identidades étnicas para constituir la identidad nacional del estado moderno. El debate sobre la rearticulación de las identidades indígenas plantea un desafío a las identidades campesinas, cuyo origen colonial es el despojo del indio a un derecho sobre la tierra y el territorio, de manera que manteniéndolo en la condición subalterna del conquistado, se le explota la mano de obra para explotar las tierras y territorios que antes de la conquista les pertenecían. La recuperación de la tierra y del territorio se constituye en un eje central de la lucha campesina e indígena en Bolivia, pero requiere del campesino construir un argumento de su naturaleza societal con dimensión territorial para articularse plenamente en el esquema del nuevo estado plurinacional
Rivero, Carlos Alfredo Vacaflores. « La disputa territorial campesina : estudio en la region de San Agustin en Tarija - Bolivia / ». Presidente Prudente : [s.n.], 2011. http://hdl.handle.net/11449/96688.
Texte intégralBanca: Clifford Andrew Welch
Banca: Luis Tapia Mealla
Resumo: A disputa camponesa pelo território é uma questão que se destaca com muita força no processo constituinte boliviano contemporâneo. Neste quadro, o sujeito social mobilizado constitui-se sobre a identidade indígena, "originaria" e camponesa, que disputa no imaginário do Estado-Nação o sentido da sua constituição como sujeito, ainda, a sua articulação institucional e territorial buscando a sua legitimidade na constituição do estado e, assim, questionando os princípios da modernidade capitalista eurocêntrica. Tem-se como referência que este Estado-Nação eurocêntrico dilui as identidades étnicas para constituir a identidade nacional do estado-nação moderno. O debate sobre a rearticulação das identidades indígenas coloca um desafio nas identidades camponesas, cuja origem colonial está na expropriação do direito do índio sobre a terra e o território, pra manter sua condição subalterna e, assim, explorar sua força de trabalho nas terras e nos territórios que anteriormente lhes perteneciam. A recuperação da terra e do território constitui-se no eixo central da luta camponesa e indígena na Bolívia, mas requer que o camponês construa um argumento da sua natureza societal expressa na dimensão territorial para articular-se plenamente em um novo esquema: o estado plurinacional
Resumen: La disputa campesina por el territorio es una cuestión que emerge con contundencia en el proceso constituyente boliviano contemporáneo, donde el sujeto social movilizado se constituye en torno a la identidad de pueblo y nación indígena, originaria y campesina, que le disputa al imaginario político hegemónico del estado-nación el sentido de la constitución del sujeto y su articulación institucional y territorial a la legitimidad del estado, cuestionando los principios de la modernidad capitalista eurocéntrica que postula la dilución de las identidades étnicas para constituir la identidad nacional del estado moderno. El debate sobre la rearticulación de las identidades indígenas plantea un desafío a las identidades campesinas, cuyo origen colonial es el despojo del indio a un derecho sobre la tierra y el territorio, de manera que manteniéndolo en la condición subalterna del conquistado, se le explota la mano de obra para explotar las tierras y territorios que antes de la conquista les pertenecían. La recuperación de la tierra y del territorio se constituye en un eje central de la lucha campesina e indígena en Bolivia, pero requiere del campesino construir un argumento de su naturaleza societal con dimensión territorial para articularse plenamente en el esquema del nuevo estado plurinacional
Abstract: The peasant strugle for territory is a matter that emerges clearly in the contemporary bolivian constituent process, where the mobilized social subject builds up around the indigenous and peasant people and nations, that disputes the hegemonic political imaginary of the nation-state in the sense of constitution of the social subject and his linkage to the territorial and institutional legitimacy of the state, questioning the principles of the capitalistic eurocentric modernity that places a disappearance of ethnic identity to build a national identity of the modern state-nation. The debate about reconstituting indigenous identities points out a challenge over the peasant identities, where its colonial origin in the dispossession of land and territory to exploit their working force in their own ancestral territories. Taking back the land and territories is nowadays a central issue in the peasant and indigenous struggle for emancipation in Bolivia, but requires from them to build an convincing argument of their society nature with territorial attributes for a plenty linkage to the new scheme of the plurinational state
Mestre
Lamanna, Maury Martha Patricia <1987>. « Turismo sostenibile e promozione dei luoghi in Colombia : il caso di San Agustin (Huila) ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1967.
Texte intégralMoreno, Agustin [Verfasser], Kai [Gutachter] Cieliebak, Chris [Gutachter] Wendl et Klaus [Gutachter] Mohnke. « Algebraic Torsion in Higher-Dimensional Contact Manifolds / Agustin Moreno ; Gutachter : Kai Cieliebak, Chris Wendl, Klaus Mohnke ». Berlin : Humboldt-Universität zu Berlin, 2019. http://d-nb.info/118906863X/34.
Texte intégralCarregaro, Ana Carolina Costa. « Análise da arbitragem internacional de ivestimento estrangeiro : Emilio Agustín Maffezini vs. O Reino da Espanha e os acordos para promoção e proteção do investimento estrangeiro na Argentina ». Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/84/84131/tde-10112009-160227/.
Texte intégralForeign investment is the major form of capital exchange between countries. The best way to protect the flow of capital between exporting and importing countries is to conclude Bilateral Investment Treaties. Usually these framework agreements outline a structure in order to protect foreign investment in the host State. Among the provisions of these agreements are the rules establishing the settlement of disputes. One of the forms that is outlined is the possibility of international arbitration at the International Centre of Settlement of Investment Disputes (ICSID) between Contracting States and nationals of other Contracting States. Considering the financial crisis that struck in Argentina in recent years, it has been assiduous Part of investment arbitrations. The present work aims to comment on the review of investment arbitration between Mr. Emilio Agustín Maffezini against the Government of Spain and the Bilateral Investment Treaties of Argentina. Not only because the arbitration is of great importance in the international community but especially by addressing the issue of extensive application of most favored nation clause, to cover the procedures for solutions of disputes contained in these agreements.
Arriaga, Valenzuela Luis. « Contributions of the Jesuits to Human Rights in Mexico| A Case Study of Center Miguel Agustin Pro Juarez ». Thesis, Loyola Marymount University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10106156.
Texte intégralIn Mexico, as in other parts of the world, human rights violations have deep historical roots. In the forty years before this study, these violations had been increasing, especially with respect to excluded populations and vulnerable groups, such as women, indigenous peoples, migrants, and victims of repression (Center Prodh, 2013). To reverse or at least decrease these conditions, disenfranchised people needed to become aware of their rights within civil society. Toward that end, diverse non-governmental organizations (NGOs) had taken on the task of providing education and strategic practices to disenfranchised people and communities. The Society of Jesus (the Jesuits) had contributed to this work. The defense of human rights was a fundamental task in any country that sought democracy. Recognized by international law, academics, and civil society, the growing field of human rights combined the ideas of liberal democracy with other traditions.
This case study utilized a critical analysis to examine the outcome of the work of one NGO dedicated to the defense and promotion of human rights in Mexico: the Center of Human Rights Miguel Agustin Prodh Juarez (Center Prodh). Center Prodh was founded by the Society of Jesus in 1988 and has maintained a political presence within the field of human rights organizations in the region. The study utilized the characteristics of the social apostolate of the Society of Jesus and provided a critical conceptual framework for cultural democracy formulated by Darder (2003) to investigate the importance of a Jesuit social institution in theory and practice within the field of human rights. Apart from this critical process of analysis, an important objective of the study was to develop greater understanding of the Jesuit orientation to social action work in Mexico. A key aspect of this study was to examine the successes and limitations of the human rights approach utilized by Center Prodh in assisting individuals and communities to consolidate their collective agency toward a more just and participatory political process of social change.
Luengo, Lisa A. « Testimony and mythic voyage : Memory and forgetting of the Spanish Civil War (Agustin Gomez-Arcos, Jorge Semprun, Fernando Arrabal) ». Diss., Connect to online resource, 2005. http://wwwlib.umi.com/dissertations/fullcit/3178350.
Texte intégralHERVIOU, NGUYEN MARTINE. « L'espagne dans l'oeuvre romanesque des ecrivains espagnols d'expression francaise : jose luis de vilallonga michel del castillo, agustin gomez arcos ». Paris 3, 1998. http://www.theses.fr/1998PA030039.
Texte intégralOUR research WORK IS BASED ON TWO ASPECTS : A VISION OF SPAIN, WRITTEN BY SPANISH NOVELISTS, JOSE LUIS DE VILALLONGA, MICHEL DEL CASTILLO AND AGUSTIN GOMEZ ARCOS, BUT THESE AUTHORS HAVE DECIDED TO EXPRESS THEMSELVES IN FRENCH. JOSE LUIS DE VILALLONGA, MICHEL DEL CASTILLO AND AGUSTIN GOMEZ ARCOS CHOSE TO LIVE IN FRANCE, IN EXILE FOR POLITICAL REASONS, AFTER THE SPANISH CIVIL WAR FROM 1936 UNTIL 1939 AND THE FRANQUISM ERA WHICH FOLLOWED. HOWEVER, THEIR EXILE IS A CULTURAL EXILE TOO, BECAUSE IT CONTAINS A REJECTION OF THE SPANISH LANGUAGE. OUR STUDY IS BOTH THEMATIC AND LITERARY. WE ANALYSE THE VISION OF SPAIN IN THEIR NOVELS AND THE CHARACTERISTICS OF THEIR STYLE. OUR THEMATIC ANALYSIS IS COMPARATIVE AND THE THESIS IS DIVIDED IN FOUR CHAPTERS. THE FIRST CHAPTER "LE DRAME DE L'HISTOIRE" EVOCATES THE VISION OF THE CIVIL WAR AND THE STAKES OF WRITING ABOUT THESE EVENTS. THE SECOND CHAPTER, "DES GUERRES FAMILIALES" CONCERNS THE SPANISH FAMILY. THE THIRD CHAPTER, "AU-DELA DES MAUX" IS AN INVESTIGATIONS OR THEIR STYLE. WAR IS PRESENT IN EACH CHAPTER OF THE NOVELS OF THE STUDIED AUTHORS BUT FINALLY THE SPANISH THEMATIC IS EXCEEDED IN THEIR LAST NOVELS WHILE THEY CONTRIBUTE TO ENRICH THE FRENCH NOVEL WITH INNER VISIONS OF SPAIN
Reyna, Agustin [Verfasser]. « What Place for Fairness in Digital Content Contracts ? : An Assessment of the Interplay between EU Copyright and Consumer Law / Agustin Reyna ». Baden-Baden : Nomos Verlagsgesellschaft mbH & ; Co. KG, 2020. http://d-nb.info/1222361221/34.
Texte intégralLange, Charlotte. « La parodia en la literatura Cubana y Mexician de los anos sesanta : Guillermo Cabrera Infante, Reinaldo Arenas, Jorge Ibarguengoitia y Jose Agustin ». Thesis, University of Strathclyde, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424220.
Texte intégralEid, Félix Ceneviva [UNESP]. « Música e identidade na América Latina : o caso de Agustín Barrios Mangoré ». Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/91611.
Texte intégralA presente dissertação tem como objeto de estudo a música latino-americana que, estando vinculada a preceitos da música européia ocidental, foi inspirada em músicas populares latinoamericanas, o que a caracteriza como música híbrida. Devido à magnitude deste objeto, foi estudado o caso específico do violonista e compositor paraguaio Agustín Barrios (1885-1944), que compôs, para o violão de concerto, peças inspiradas em expressões musicais populares de diversas regiões e países da América Latina. Com o propósito de compreender melhor as características da música popular que estas peças mantêm quando levadas às salas de concerto, foi analisada uma obra dele, Cueca, a partir de um estudo da dança popular na qual foi inspirada. Na dissertação também foi apresentado, por meio de pesquisa bibliográfica, o contexto sóciocultural e histórico em que surgiu esta música híbrida na América Latina, assim como a sua relevância na atualidade. A partir disto foram propostos alguns elementos de reflexão que podem servir nos campos da interpretação, ensino/aprendizagem, composição e pesquisa de músicas híbridas latino-americanas
The object of study of this dissertation is the music in Latin America that, being linked to precepts of West European music, was inspired by Latin American popular music, which characterizes it as being hybrid. Due to the magnitude of such object, the specific case of Paraguayan guitarist and composer Agustín Barrios (1885-1944) was studied. Barrios composed, for the concert guitar, works inspired by popular music expressions of many different regions and countries of Latin America. Aiming to better understand the characteristics of the popular music that these pieces keep when taken to the concert halls, a piece by this composer, Cueca, was analyzed. This analysis was based on a study of the popular dance that inspired the work. This dissertation also presents, through a bibliographical research, the social, cultural and historical context in which this hybrid music originated in Latin America, as well as its relevance in the present. Finally, some points of reflection were brought forward, aiming to contribute in the fields of interpretation, teaching/learning, composition and research of Latin American hybrid music
Young, Monica Zappia, et Monica Zappia Young. « THE SPANISH COLONIAL EXPERIENCE AND ITS EFFECTS ON THE INDIGENOUS COMMUNITY OF SAN AGUSTIN DEL TUCSON : A CASE STUDY OF SPANISH COLONIAL FAILURE ». Thesis, The University of Arizona, 2010. http://hdl.handle.net/10150/620721.
Texte intégralAhmadi, Samim [Verfasser], Mathias [Akademischer Betreuer] Ziegler, Peter [Akademischer Betreuer] Jung, Giuseppe [Gutachter] Caire, Peter [Gutachter] Burgholzer et Agustin [Gutachter] Salazar. « Super resolution laser thermography using spatially and temporally structured heating / Samim Ahmadi ; Gutachter : Giuseppe Caire, Peter Burgholzer, Agustin Salazar ; Mathias Ziegler, Peter Jung ». Berlin : Technische Universität Berlin, 2021. http://d-nb.info/1238143164/34.
Texte intégralPinkall, Bryan Robert. « A technical and historical analysis for selected art songs and arias for tenor voice by George Frederic Handel, Jules Massenet, Roger Quilter, Stefano Donaudy, Gabriel Faure, and Agustin Lara ». Manhattan, Kan. : Kansas State University, 2010. http://hdl.handle.net/2097/4091.
Texte intégralPinkall, Bryan Robert. « A technical and historical analysis for selected art songs and arias for tenor voice by George Frederic Handel, Jules Massenet, Roger Quilter, Stefano Donaudy, Gabriel Fauré, and Agustin Lara ». Kansas State University, 2010. http://hdl.handle.net/2097/4091.
Texte intégralDepartment of Music
Julie Yu
This report contains an extensive technical and historical analysis of tenor repertoire. It contains modern technical approaches to “Every Valley” and “Thou Shalt Break Them” from Messiah by George Frederic Handel. The report also reviews the history, music theory, and performance techniques of several late Romantic and Neoromantic art songs and arias from Italy, France, and England. The pieces reviewed are the following: “Ouvre tes yeux bleus” by Jules Massenet, “En fermant les yeux” from Manon by Jules Massenet, Three Pastoral Songs by Roger Quilter, Nell by Gabriel Fauré, “Quando ti rivedró” from 36 Arie De Stile Antico by Stefano Donaudy, and “O del mio amato ben” from 36 Arie De Stile Antico by Stefano Donaudy. Finally, this report reviews the popular Spanish art song Granada by Agustin Lara.
Sandoval-Cisternas, Enrique. « A CRITICAL AND PERFORMANCE EDITION OF AGUSTIN BARRIOS’S CUECA : COMPARATIVE ANALYSIS OF FORM, NOTATION, AND PERFORMANCE PRACTICE OF BARRIOS’S WORK TO TRADITIONAL CHILEAN CUECAS FROM THE BEGINNING OF THE TWENTIETH-CENTURY ». UKnowledge, 2018. https://uknowledge.uky.edu/music_etds/120.
Texte intégralPorras, George Yuri. « Musical scenes in the minor, secular, and religious works of Agustín Moreto y Cabaña (1618-1669) ». Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1104116173.
Texte intégralLostaunau, Uchoa Alejandro. « El cronista Agustín de Zárate ». Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/113687.
Texte intégralSutrisno, Agustian Nugroho. « Knowledge transfer through dual degree programs : perspectives from Indonesian universities ». Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/69037/1/Agustian%20Nugroho_Sutrisno_Thesis.pdf.
Texte intégralVillar, Ribera Ricardo Alberto. « Estudio del telégrafo de Agustín de Betancourt ». Doctoral thesis, Universitat Politècnica de Catalunya, 2013. http://hdl.handle.net/10803/116924.
Texte intégralVillar, Ribera Ricardo. « Estudio del telégrafo de Agustín de Betancourt ». Doctoral thesis, Universitat Politècnica de Catalunya, 2013. http://hdl.handle.net/10803/116924.
Texte intégralLentina, Alda. « Agustina Bessa-Luís et l’écriture de l’Histoire ». Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040211.
Texte intégralWhen Agustina Bessa-Luís rewrites History she is guided by the will to show the absence of women in History. Our reading will show the reintroduction of women in Portuguese History through the “descontruction” of its discourse. It’s through questioning the historic objectivity, by the variety of points of view and by an intertextual work with written sources, which reveal that they are human constructions, that the novels become postmodern historiographics metafictions. They elaborate through parody and ambivalence en carnival History, giving a different picture of Portugal. Then the novelist contrasts the official History with a Herstory in order to document the feminine experience and identity in all their multiplicities. The question of memory and phases that are inseparable from woman conditions, reveals a process of identical construction, which gives a report of two ways of feminine inscription into History, one authorize, the other transgressive. Then the principle of masculine domination is questioned through the matter of virility as an impossible model to attain. The men become ambiguous figures, who represent the disorder and decay of society. Fleing but reconciled they reform the masculinity and sign the death of patriarchate. Finally, the last foundations that govern the relation the relation between men and women, and the question of obligatory heterosexuality and the couple, are examined. The writer shows the end of radical otherness between the Other and the One which provokes a resemblance between sexes and questions the notion of the couple. Thus, if the author has shown in her novels, that we can be a man and a woman in different ways, she also shows that in a couple the union is impossible
Straube, Vergara Gabriel. « La noción de participación en San Agustín ». Tesis, Universidad de Chile, 2018. http://repositorio.uchile.cl/handle/2250/147343.
Texte intégralBautista, Flores Yackeline Antonieta, et Pacheco Yuri Christian Romero. « Índice de progreso social del distrito El Agustino ». Master's thesis, Pontificia Universidad Católica del Perú, 2018. http://tesis.pucp.edu.pe/repositorio/handle/123456789/12760.
Texte intégralThe objective of the research is to determine and measure the Social Progress Index (SPI) of the Agustino district, to find out how progress has been made and what is your position in comparison with the national and regional average of Lima. The information will be collected through of surveys to a representative sample households, and calculate the social progress index of the Agustino district. In Peru there is not SPI of the Agustino district, so was realized an investigation of non-experimental quantitative type and powerful descriptive for the district, which marks a point of departure for benefit of citizens. This Social Progress Index will allow to know the components that make up the wellbeing of its population disaggregated way. It will also develop and understand the three dimensions that covers: (a) basic human needs, (b) foundations of welfare, and (c) opportunities. For the classification of the results has been taken the scale defined by the Social progress index, which goes from zero to 100 points range. The result of the SPI of the Agustino district has score of 54.70, which indicates that it has a Social Progress Index classified as low. This score was obtained with the average of the results of their three dimensions which were: (a) need for human basic with a score of 57.95 classed as medium low, (b) fundamentals of wellness with a score of 45.25 classed as medium low, and (c) opportunities with a score of 60.88 classed as low, as you can see the dimension opportunities and basic human needs have the highest score with a low rating for both and finally the basics of well-being dimension classified as low. In order to have these results the district was zoned in three areas whose results were: zone 1 with an SPI of 52.81 points classified as low, zone 2 with an SPI of 51.78 points classified as low and zone 3 with an SPI of 59.50 points classified as medium low. This research will help to objectively see the indicators that the Agustino district in need of improvement by quantifying it through SPI that was obtained, which is classified as low, in addition it will help municipal authorities to make decisions and actions to improve their social and environmental indicators, in this way it can improve their lives and opportunities of the Agustino district citizens.
Tesis
La, Puente Via Luis Damián, Larrea Luis Martín Leyva, Vila Grethi Lessli Ramos et Vásquez Alejandro Orlando Yupari. « Planeamiento estratégico para el Distrito de El Agustino ». Master's thesis, Pontificia Universidad Católica del Perú, 2013. http://tesis.pucp.edu.pe/repositorio/handle/123456789/8577.
Texte intégralEn el presente documento, se ha desarrollado el plan estratégico para el distrito de El Agustino del 2012 al 2025. Se utilizó el Modelo Secuencial del Proceso Estratégico, descrito en el libro El Proceso Estratégico: Un Enfoque de Gerencia, de F. A. D´Alessio (2008), el cual sirvió de mapa para la elaboración de este trabajo con la finalidad de que el distrito logre su proyección futura y alcance la visión establecida. Este modelo comprende tres etapas: (a) formulación y planeamiento, en la que se procurará encontrar las estrategias; (b) implementación, en la cual se ejecutarán las estrategias; y, por último, (c) evaluación y control, en la que se monitorearán las etapas. El Agustino posee un territorio no muy extenso, con un alto porcentaje de población económicamente activa que requiere de capacitación para satisfacer la demanda del mercado laboral calificado. También presenta el mayor índice de pobreza a nivel de los distritos de Lima Metropolitana, así como elevados índices de inseguridad ciudadana y del nivel de contaminación ambiental, los cuales dificultan el mejoramiento de la calidad de vida de los pobladores. Durante el proceso de planeamiento, se plantean seis objetivos de largo plazo, agrupados bajo los siguientes temas: (a) seguridad, (b) medio ambiente, (c) desarrollo humano, (d) bienestar, (e) industria y (f) población económicamente activa. Con el fin de lograr estos objetivos, se plantean 11 estrategias. Alcanzar los objetivos que conllevan al logro de la visión del distrito de El Agustino es una tarea conjunta de todas las entidades políticas y de los residentes, tanto de la Municipalidad de Lima como del Gobierno, que sean capaces de crear lineamientos estratégicos para que El Agustino deje de ser uno de los distritos con mayores niveles de pobreza y delincuencia de Lima Metropolitana y que sea un distrito donde las personas tengan una mejor calidad de vida
The present document develops a strategic plan for the district of El Agustino from 2012 to 2025. The sequential model of the strategic process, described in the book The Strategic Process: A Management Approach by F. A. D´Alessio (2008) was used, which served as a map for the elaboration of this work with the end that this district find its future projection and reach its established vision. This model comprises three stages: (a) formulation and planning, in which an attempt will be made to find the strategies; (b) implementation, in which the strategies will be executed and finally, (c) evaluation and control, in which the stages will be monitored. El Agustino has a not very wide territory, with a high percentage of economically active population that requires training to satisfy the demand of the qualified labor market. It also has the highest poverty index of all the districts of Metropolitan Lima, in addition to high levels of public insecurity and environmental contamination, all of which hinder the improvement in the quality of life of the residents. During the planning process six long range objectives are posed, grouped under the following themes: (a) security, (b) environment, (c) human development, (d) welfare, (e) industry, and (f) economically active population. With the objective of achieving these objectives 11 strategies are posed. Reaching the objectives that involve the achievement of the vision of the district of El Agustino is a joint task of all the political entities and the residents, of both the Municipality of Lima as well as the Central Government, in that they be able to create strategic guidelines so that El Agustino is no longer one of the districts with the highest levels of poverty and lawlessness of Metropolitan Lima and become a district where people have a better quality of life
Tesis
Carbonell, i. Manils Joan. « Epigrafia i numismàtica a l'epistolari d'Antonio Agustín (1551-1563) ». Doctoral thesis, Universitat Autònoma de Barcelona, 1991. http://hdl.handle.net/10803/5551.
Texte intégralEudave, Cecilia. « Approche sociocritique du roman "Ciudades desiertas" de José Agustín ». Montpellier 3, 2000. http://www.theses.fr/2000MON30047.
Texte intégralMachado, Jessica de Figueiredo. « Os cálices vazios : tradução e erotismo em Delmira Agustini ». Niterói, 2017. https://app.uff.br/riuff/handle/1/3691.
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A dissertação analisa a poesia da uruguaia Delmira Agustini (1886-1914), a partir da tarefa de tradução para o português brasileiro de seu último livro publicado em vida: Los cálices vacíos (1913). A partir da pesquisa bibliográfica sobre a recepção da sua obra ao longo do século XX, trabalha-se a hipótese de que a poética de Delmira Agustini apresentaria variações significativas em relação à estética modernista hispano-americana (na qual é geralmente afiliada pela historiografia literária), que permitem uma recuperação pelas vanguardas e um sucesso póstumo significativo para a produção literária feminina no resto do século XX. Assim, levando em conta a questão do erotismo (uma das chaves da estética do fin de siècle), a dissertação demonstra em Delmira Agustini uma utilização dos motivos vinculados ao erotismo de forma diferenciada àquela dos poetas (homens) canônicos desta época, cujo resultado seria a construção de uma voz poética feminina. Noutras palavras: da voz de uma poeta. Relendo a fortuna crítica de Agustini (que fundamentalmente enfatiza o erotismo em todas suas fases, p.e. Rubén Darío, Alberto Zum Felde, Emir Rodriguez Monegal, dentre outros) e combinando essa avaliação com a tradução completa de Los cálices vacíos e a análise de alguns dos poemas, a dissertação propõe também que existiria um vínculo entre a tradução cultural e o erotismo em Agustini
La disertación analiza la poesía de la uruguaya Delmira Agustini (1886-1914), a partir de la tarea de traducción para el portugués brasileño de su último libro publicado en vida: Los cálices vacíos (1913). A partir de la búsqueda bibliográfica sobre la recepción de su obra a lo largo del siglo XX, se trabaja la hipótesis de que la poética de Delmira Agustini presentaría variaciones significativas en relación con la estética modernista hispanoamericana (a la cual es generalmente asociada por la historiografía literaria), que permiten una recuperación por las vanguardias y un éxito póstumo significativo para la producción literaria femenina en el fin del siglo XX. Con eso, al tener en cuenta la cuestión del erotismo (una de las claves de la estética del fin de siècle), la disertación demuestra en Delmira Agustini una utilización de los motivos que se vinculan al erotismo de manera diferenciada a la de los poetas (hombres) canónicos de esta época, cuyo resultado sería la construcción de una voz poética femenina. En otras palabras: de la voz de una poeta. Al releer la fortuna crítica de Agustini (que fundamentalmente enfatiza el erotismo en todas sus fases, p.e. Rubén Darío, Alberto Zum Felde, Emir Rodríguez Monegal, entre otros) y al combinar esa evaluación con la traducción completa de Los cálices vacíos y el análisis de algunos de los poemas, la disertación propone también que existiría un vínculo entre la traducción cultural y el erotismo en Agustini
Rossi, Silvia. « Corazón de piedra di Agustín Fernández Paz : proposta di traduzione ». Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amslaurea.unibo.it/13711/.
Texte intégralSaeteros, Pérez Tamara. « Amor y creatio, conversio, formatio en San Agustín de Hipona ». Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/283748.
Texte intégralThis thesis draws the conclusions from Augustine's reflection on Genesis. From an analysis of his repeated attempts to comment on the story of creation through a literal, allegorical and spiritual interpretation, this study emphasizes the fact that Augustine develops an original metaphysical scheme which presents beings in their existential evolution. This scheme also provides a valid key to read Augustine’s own understanding of the finite being. Such a scheme is: creatio, conversio, formatio. Taking this triad as the core of the picture, there is a progressive deepening of the stages of the phenomenon and the pursuit of its ultimate foundation which, as it follows from the same Augustinian works, turns out in love, which becomes the thread that gives meaning to the very articulation of the stages and of the resolution of the process within the framework of free agents. With this approach, the thesis is properly located at the crossroads reached by the current Augustinian studies: first, it had begun to reflect on the phenomenon of creatio, conversio and formatio but it was convenient to make this scheme more explicit in order to more clearly show its presence in the corpus Augustinianum, enriching its understanding with the contribution of the images with which Augustine thinks and transmits his own construct and fitting it consistently in the little-studied ontological dimensions of modus, species and ordo. All this aims, on the other hand, to link the said scheme with the results of the comments on the Augustine’s concept of love. Thus identifying the analog category of ordo with love, with its specific weight that sets primarily the trend of the spiritual creatures but also of the rest of creation, which thus returns to its origin and attains peace, understood as "tranquility of order" and, as such, as a stilling loving break. Augustine himself, in De Genesi ad litteram and in many other parts of the corpus, provides the necessary elements for this task: deepening in the metaphysical scheme creatio, conversio, formatio, and basing it on the pondus amoris, with which a metaphysics of creatureliness is built allowing a more clear envisioning of what kind of being a creature is and also of who its Maker is.
Basaldua, Olivares Gladys, et Chavez Juan Carlos Gonzales. « Habilitación urbana en el distrito San Agustín de Cajas Huancayo ». Master's thesis, Pontificia Universidad Católica del Perú, 2016. http://tesis.pucp.edu.pe/repositorio/handle/123456789/12428.
Texte intégralTesis
Palomar, Torralbo Agustín. « Fenomenología, metafísica y deconstrucción : lectura arendtiana de Agustín de Hipona ». Doctoral thesis, Universidad de Murcia, 2015. http://hdl.handle.net/10803/353882.
Texte intégralAbstract In 1929 Arendt’s doctoral dissertation was published under the title Der Liebesbegriff bei Augustin. Versuch einer philosophischen Interpretation. In the 1960s, in the full maturity of her thought, Arendt returned to the text with the intention of rewriting it from a first translation by E.B. Ashton. At the end, however, she left the project. Scott and Stark, from the papers reviewed by Arendt, completed the English edition of the work, which was published in 1996. Taking into account these circumstances, our investigation of Arendt’s texts explores a reading which focuses on the role that Saint Augustine plays in Arendt’s thought with regards to a threefold perspective: phenomenological, metaphysical and deconstructionist. The phenomenological perspective comes from the Augustinian quaestio mihi factum sum as the original phenomenon. The first analysis corresponds to a phenomenology of desire. But from the description of desire arises questions like happiness, death and transcendence. From this point, the phenomenology, which was oriented towards the world, is now oriented towards God. Memory occupies the place where transcendence of the human being is possible. The metaphysical approach appears like an analysis in which the transcendental Being is speculatively thought of as the foundation. But in that return to the Origin, the Self has experience of a double human condition: one which has its origin in creation as natural world and one which has its origin as life of mind, which makes possible that the human being understands himself as the same origin which constitutes the world and also that which has to conduct itself in that very world with reference to God. However, in this ethical experience, a relation between the Self and the Other is achieved, which, in the Augustinian theological thinking, is presented as the question of love of Neighbor. To this matter is addressed the interpretative analysis to which Arendt grants an outstanding place. This conceptual context develops like a phenomenology of the vita socialis in which the Self is understood in regards to the Neighbor and the community. This phenomenology of the social life is described by the correlation between worldliness and plurality. From this point – and from the conditions required for the constitution of a new political space– arises a new interpretation of the Self. Finally, this path to the political space leads to the questioning of the metaphysical tradition that made possible the rise of totalitarianism. The reopening of this space for politics from the original phenomenon is the task assigned in a new project: a political phenomenology. Our work, which follows itself a phenomenological methodology, makes clear the relevance of the early reading of Saint Augustine to Arendt’s thought. Furthermore, it shows how this reading is presented in the main problems that Arendt treated during the maturity of her thought. But, beyond the strict interpretation of Arendtian texts, a new way is charted for the philosophical experience, which comes from the development of the interpretation of the Self required by the original phenomenon. This development takes the research from the phenomenology of desire to the analysis of existence, from the analysis of existence to that of transcendence, from the transcendental to the metaphysical, from the metaphysical to the worldly, and from phenomenology of the world to the phenomenology of life in society.
Ayala, Gallardo Francisco Javier. « Música y poesía en la obra de José Agustín Goytisolo ». Doctoral thesis, Universitat Autònoma de Barcelona, 2021. http://hdl.handle.net/10803/674055.
Texte intégralEl objeto de esta tesis doctoral es estudiar la relación entre la música y la poesía en la obra de José Agustín Goytisolo. La investigación se dirige principalmente hacia el análisis de los recursos rítmicos del poema, partiendo de un corpus de textos que está formado por el conjunto de su obra musicalizada. El importante número de canciones compuestas sobre los poemas del barcelonés evidencia las innegables cualidades líricas de esta parte de su producción poética. La propuesta de análisis que se ofrece en el cuarto bloque, parte central de la tesis, atiende a los aspectos más relevantes de este capítulo del diálogo interdisciplinar. Organizada en cuatro grandes bloques, los dos primeros constituyen el andamio desde el cual se aborda el estudio de la relación con la música en la poética goytisoliana (capítulos tercero y cuarto): el capítulo primero presenta el marco disciplinar en el que se encuadra la tesis, teniendo en cuenta una selección, afín a los objetivos de este trabajo, de los diversos modelos teóricos revisados; en el capítulo segundo, se expone una visión de conjunto de las relaciones que con el cuarto arte mantuvieron algunos de los compañeros de generación de Goytisolo (Ángel González, Jaime Gil de Biedma, José Manuel Caballero Bonald, Claudio Rodríguez, José Ángel Valente), poniéndose de relieve el papel decisivo de la música en la difusión de su obra. El capítulo tercero, que se desarrolla en la línea de lo que Piette denomina «investigación temática», ofrece un análisis de los elementos más representativos de la alusión musical en la poética goytisoliana. Fundadas en la evocación de la música y el canto, estas referencias no se sustentan en la representación de la obra musical, sino más bien en una recreación, abstracta y siempre integrada en la construcción poética, de la música o de la presencia melódica de la voz. Su encarnadura no es, por lo tanto, sonora, sino que parte más bien de una contemplación metafísica. En Goytisolo, son manifestaciones que conectan con la vertiente más popularista de su obra y con la dimensión más amplia, universalista –y, por qué no decirlo, filantrópica– de su creación poética. Ambos son elementos motrices en la asunción de la poesía por parte de la música. El cuarto capítulo se ha organizado en diez secciones, en las que se ha realizado un escrupuloso estudio estilístico de los textos del corpus a la luz de las musicalizaciones (189 piezas clasificadas en números romanos). En paralelo, se exploran también –a partir sobre todo de epistolarios y recortes de prensa– las relaciones profesionales y de amistad entre José Agustín Goytisolo y los intérpretes y compositores que han escrito la historia de la música popular en lengua castellana durante los últimos sesenta años, así como la difusión de su poesía a través de la música.
The purpose of this doctoral thesis is to study the relationship between music and poetry in the work of José Agustín Goytisolo. The research is directed mainly towards the analysis of the rhythmic resources of the poem, starting from a corpus of texts that is formed by the set of his musicalized work. The important number of songs composed on the poems of the Barcelonian poet shows the undeniable lyrical qualities of this part of his poetic production. The analysis proposal offered in the fourth block, the central part of the thesis, addresses the most relevant aspects of this chapter on interdisciplinary dialogue. Organized in four large blocks, the first two constitute the scaffolding from which the study of relationships with music in Goytisolian poetics is approached (chapters three and four): the first chapter presents the disciplinary framework in which the thesis is framed, taking into account a selection –related to the objectives of this work– of the various theoretical models reviewed; in the second chapter, an overview of the relationships that some of Goytisolo’s generation companions had with the fourth art (Ángel González, Jaime Gil de Biedma, José Manuel Caballero Bonald, Claudio Rodríguez, José Ángel Valente) is provided, highlighting the decisive role of music in the dissemination of his work. The third chapter, which is developed along the lines of what Piette calls “thematic research”, offers an analysis of the most representative elements of musical allusion in Goytisolian poetics. Founded on the evocation of music and song, these references are not based on the representation of the musical work, but rather on a recreation –abstract and always integrated in the poetic construction– of the music or of the melodic presence of the voice. This incarnation of music is not, therefore, sound, but rather starts from a metaphysical contemplation. In Goytisolo, these references are manifestations that connect with the most popularist aspect of his work and with the broader, universalistic –and, why not say, philanthropic– dimension of his poetic creation. Both are driving elements in the assumption of poetry by music. The fourth chapter has been organized into ten sections, in which a scrupulous stylistic study of the corpus texts has been carried out in the light of the musicalizations (classified in Roman numerals). In parallel, the professional and friendship relations between José Agustín Goytisolo and the interpreters and composers who have written the history of popular music in the Spanish language during the last sixty years are also explored –mainly from letters and press clippings– as well as the dissemination of his poetry through music.
Universitat Autònoma de Barcelona. Programa de Doctorat en Filologia Espanyola
Telias, Gutiérrez Efraín Alejandro. « Los paisajes de Agustín Abarca : aportaciones a la pintura chilena ». Doctoral thesis, Universitat Politècnica de València, 2009. http://hdl.handle.net/10251/4332.
Texte intégralTelias Gutiérrez, EA. (2009). Los paisajes de Agustín Abarca: aportaciones a la pintura chilena [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/4332
Palancia
Conserotti, Roberto <1964>. « Storia di una identità cercata. Riflessioni su Agustín Barrios Mangoré ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3173.
Texte intégralEPIFANIO, JULIAN NOE 328819, et JULIAN NOE EPIFANIO. « Razón común. Despersonalizando a Agustín García Calvo (lógica, física y política) ». Tesis de doctorado, Universidad Autónoma del Estado de México, 2018. http://hdl.handle.net/20.500.11799/98932.
Texte intégralFundo, Liliana Carla Rei do. « História e ficção em Eugénia e Silvina de Agustina Bessa-Luís ». Master's thesis, Porto : [Edição de Autor], 2005. http://hdl.handle.net/10216/53819.
Texte intégralPiovam, Carolina [UNESP]. « Espaço, Personagem e Memória em "Ana-Não", de Agustín Gómez-Arcos ». Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/141944.
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O presente trabalho tem por objetivo analisar o espaço, a personagem e a memória em "Ana-Não", romance de 1977, escrito em francês por Agustín Gómez-Arcos, autor espanhol autoexilado na França. Esta é uma das obras do escritor que pertence à literatura exilada e, portanto, traça um panorama relacionado à questão da Guerra e, sobretudo, do Pós-Guerra Civil espanhola. A partir dos estudos sobre o espaço, na narrativa, observa-se uma intrínseca relação entre o tempo-espaço ficcional e a Espanha histórica, ditatorial. No percurso de viagem feito pela protagonista Ana-Não, do extremo Sul ao extremo Norte espanhol, verifica-se um espaço caótico que contribuiu para a formação da identidade da personagem. As experiências adquiridas pela protagonista nos espaços pelos quais passa, juntamente com os retornos às suas memórias, apresentam a instauração de uma identidade efetivamente Republicana. Desta forma, a análise visa alcançar uma ressignificação dos valores relacionados aos espaços formais e artísticos propostos pela semiótica russa, bem como indagar a influência destes para a afirmação de uma heroína que vai construindo, por meio desta narrativa, um Bildungsroman feminino e, simultaneamente, a memória individual, coletiva e histórica dos vencidos.
El presente trabajo tiene por objetivo analizar el espacio, el personaje y la memoria en "Ana-Não", novela de 1977, escrita en francés por Agustín Gómez-Arcos, autor español autoexilado en Francia. Ésta es una de las obras del escritor que pertenece a la literatura exilada y que, por lo tanto, establece un panorama relacionado a la cuestión de la Guerra y, sobre todo, a la Posguerra Civil española. A partir de los estudios sobre el espacio, en la narrativa, se observa una intrínseca relación entre el espacio-tiempo ficcional y la España histórica, dictatorial. En el viaje recorrido por la protagonista Ana-Não, del extremo Sur al extremo Norte español, se verifica un espacio caótico que contribuye a la formación de la identidad del personaje. Las experiencias adquiridas por la protagonista en los espacios por los cuales pasa, juntamente con los retornos a sus memorias, presentan la instauración de una identidad efectivamente Republicana. De este modo, el análisis pretende llegar a atribuir nueva significación de los valores relacionados a los espacios formales y artísticos a partir de la semiótica rusa, así como indagar la influencia que éstos ejercen en la afirmación de una heroína que va creando, por medio de la narrativa, un Bildungsroman femenino y, simultáneamente, la memoria individual, colectiva e histórica de los vencidos.
Piovam, Carolina. « Espaço, Personagem e Memória em "Ana-Não", de Agustín Gómez-Arcos / ». Araraquara, 2016. http://hdl.handle.net/11449/141944.
Texte intégralBanca: Maria Augusta da Costa Vieira
Banca: Wilma Patrícia Marzari Dinardo Maas
Resumo: O presente trabalho tem por objetivo analisar o espaço, a personagem e a memória em "Ana-Não", romance de 1977, escrito em francês por Agustín Gómez-Arcos, autor espanhol autoexilado na França. Esta é uma das obras do escritor que pertence à literatura exilada e, portanto, traça um panorama relacionado à questão da Guerra e, sobretudo, do Pós-Guerra Civil espanhola. A partir dos estudos sobre o espaço, na narrativa, observa-se uma intrínseca relação entre o tempo-espaço ficcional e a Espanha histórica, ditatorial. No percurso de viagem feito pela protagonista Ana-Não, do extremo Sul ao extremo Norte espanhol, verifica-se um espaço caótico que contribuiu para a formação da identidade da personagem. As experiências adquiridas pela protagonista nos espaços pelos quais passa, juntamente com os retornos às suas memórias, apresentam a instauração de uma identidade efetivamente Republicana. Desta forma, a análise visa alcançar uma ressignificação dos valores relacionados aos espaços formais e artísticos propostos pela semiótica russa, bem como indagar a influência destes para a afirmação de uma heroína que vai construindo, por meio desta narrativa, um Bildungsroman feminino e, simultaneamente, a memória individual, coletiva e histórica dos vencidos.
Abstract: El presente trabajo tiene por objetivo analizar el espacio, el personaje y la memoria en "Ana-Não", novela de 1977, escrita en francés por Agustín Gómez-Arcos, autor español autoexilado en Francia. Ésta es una de las obras del escritor que pertenece a la literatura exilada y que, por lo tanto, establece un panorama relacionado a la cuestión de la Guerra y, sobre todo, a la Posguerra Civil española. A partir de los estudios sobre el espacio, en la narrativa, se observa una intrínseca relación entre el espacio-tiempo ficcional y la España histórica, dictatorial. En el viaje recorrido por la protagonista Ana-Não, del extremo Sur al extremo Norte español, se verifica un espacio caótico que contribuye a la formación de la identidad del personaje. Las experiencias adquiridas por la protagonista en los espacios por los cuales pasa, juntamente con los retornos a sus memorias, presentan la instauración de una identidad efectivamente Republicana. De este modo, el análisis pretende llegar a atribuir nueva significación de los valores relacionados a los espacios formales y artísticos a partir de la semiótica rusa, así como indagar la influencia que éstos ejercen en la afirmación de una heroína que va creando, por medio de la narrativa, un Bildungsroman femenino y, simultáneamente, la memoria individual, colectiva e histórica de los vencidos.
Mestre
Denubila, Rodrigo Valverde [UNESP]. « A enciclopédia aberta de Agustina Bessa-Luís : uma escrita entre parênteses ». Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154159.
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Esta pesquisa fundamenta-se na hipótese de entender a obra da escritora portuguesa Agustina Bessa-Luís como uma enciclopédia aberta. Faz-se necessário, em vista disso, discutir o modo pelo qual a enciclopédia se estrutura e quais temas-chave privilegia. Frisa-se, aqui, que o termo “aberta”, no título deste trabalho, especifica a estética da incompletude ou a poética do inacabado. Justificando a segunda parte do título, nossa reflexão tem também por objetivo identificar traços da composição da escritora portuguesa a partir da concepção de uma escrita entre parênteses, representativa da multiplicação como qualificador do seu método composicional. Estruturalmente, identificamos esse fenômeno pela presença de diferentes níveis narrativos e, consequentemente, de cadeias de sentidos. Sendo assim, procura-se refletir sobre a pluralidade, como Agustina Bessa-Luís vale-se deste aspecto para estabelecer a modalização de vozes, de verdades e de conhecimentos e, assim, dar forma a sua enciclopédia ficcional construída em mais de sessenta obras. Esta pesquisa de doutorado toma como corpus três romances, a saber: A Corte do Norte (1987), Um cão que sonha (1997) e A Ronda da Noite (2006), com algumas incursões pelo texto ficcional paradigmático da autora em foco: A Sibila (1954).
This research is based on the hypothesis of understanding the work of the Portuguese writer Agustina Bessa-Luís as an open encyclopedia. It is therefore necessary to discuss the way in which the encyclopedia is structured and which main topics it privileges. It is emphasized here that the term “open”, in the title of this work, specifies the aesthetics of incompleteness or the poetics of the unfinished. Justifying the second part of the title, our reflection also aims to identify traces of the composition of the Portuguese writer from the conception of a writing in parentheses, representative of multiplication as qualifier of its compositional method. Structurally, we identify this phenomenon by the presence of different narrative levels and, consequently, of chains of meanings. Thus, we try to reflect on the plurality, as Agustina Bessa- Luís uses this aspect to establish the modalization of voices, truths and knowledge and, thus, give shape to her fictional encyclopedia constructed in more than sixty works. This doctoral research takes as corpus three novels, namely: A Corte do Norte (1987), Um cão que sonha (1997) and A Ronda da Noite (2006), with some incursions by the paradigmatic fictional text of the author in focus: A Sibila (1954)
Denubila, Rodrigo Valverde. « A enciclopédia aberta de Agustina Bessa-Luís : uma escrita entre parênteses / ». Araraquara, 2018. http://hdl.handle.net/11449/154159.
Texte intégralBanca: André S. D. Corrêa de Sá
Banca: Luci Ruas Pereira
Banca: Maria Lúcia Outeiro Fernandes
Banca: Márcia Valéria Zamboni Gobbi
Resumo: Esta pesquisa fundamenta-se na hipótese de entender a obra da escritora portuguesa Agustina Bessa-Luís como uma enciclopédia aberta. Faz-se necessário, em vista disso, discutir o modo pelo qual a enciclopédia se estrutura e quais temas-chave privilegia. Frisa-se, aqui, que o termo "aberta", no título deste trabalho, especifica a estética da incompletude ou a poética do inacabado. Justificando a segunda parte do título, nossa reflexão tem também por objetivo identificar traços da composição da escritora portuguesa a partir da concepção de uma escrita entre parênteses, representativa da multiplicação como qualificador do seu método composicional. Estruturalmente, identificamos esse fenômeno pela presença de diferentes níveis narrativos e, consequentemente, de cadeias de sentidos. Sendo assim, procura-se refletir sobre a pluralidade, como Agustina Bessa-Luís vale-se deste aspecto para estabelecer a modalização de vozes, de verdades e de conhecimentos e, assim, dar forma a sua enciclopédia ficcional construída em mais de sessenta obras. Esta pesquisa de doutorado toma como corpus três romances, a saber: A Corte do Norte (1987), Um cão que sonha (1997) e A Ronda da Noite (2006), com algumas incursões pelo texto ficcional paradigmático da autora em foco: A Sibila (1954).
Abstract: This research is based on the hypothesis of understanding the work of the Portuguese writer Agustina Bessa-Luís as an open encyclopedia. It is therefore necessary to discuss the way in which the encyclopedia is structured and which main topics it privileges. It is emphasized here that the term "open", in the title of this work, specifies the aesthetics of incompleteness or the poetics of the unfinished. Justifying the second part of the title, our reflection also aims to identify traces of the composition of the Portuguese writer from the conception of a writing in parentheses, representative of multiplication as qualifier of its compositional method. Structurally, we identify this phenomenon by the presence of different narrative levels and, consequently, of chains of meanings. Thus, we try to reflect on the plurality, as Agustina Bessa- Luís uses this aspect to establish the modalization of voices, truths and knowledge and, thus, give shape to her fictional encyclopedia constructed in more than sixty works. This doctoral research takes as corpus three novels, namely: A Corte do Norte (1987), Um cão que sonha (1997) and A Ronda da Noite (2006), with some incursions by the paradigmatic fictional text of the author in focus: A Sibila (1954)
Doutor
Tajadura, Tejada Javier. « El discurso preliminar de Agustín Argüelles a la Constitución de Cádiz ». Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/96379.
Texte intégralBusto, Duthurburu José Antonio del. « El vencedor de Pisagua : Nota biográfica del Coronel Agustín Moreno Vizcarra ». Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/113742.
Texte intégralFundo, Liliana Carla Rei do. « História e ficção em Eugénia e Silvina de Agustina Bessa-Luís ». Dissertação, Porto : [Edição de Autor], 2005. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000175944.
Texte intégral