Thèses sur le sujet « Africa – Maps – History »

By focusing on the “nature” of mapping, this thesis falls under the category of critical cartography closely associated with the work of Brian Harley in the 1980s and early 1990s. As such the purpose of this research is to highlight the historical context of British maps, map-making and map-reading in relation to West Africa between 1749 and 1841. I argue that maps lie near the heart of Britain’s interactions with West Africa though their appearance, construction and use evolved dramatically during this period. By beginning this study with a prominent French example (Jean Baptiste Bourguignon d’Anville’s 1749 “Afrique”) I show how British map-makers adapted cartography from France for their own purposes before circumstances encouraged the development of new materials. Because of the limited opportunities to make enquiries in the region and the relatively few people involved in affecting change to the map’s content, this thesis highlights the episodes and manufactured narratives which feature in the chronology of evolving cartographies. This study concludes with the failure of the 1841 Niger Expedition, when Britain’s humanitarian agenda saw the attempted establishment of a model farm on banks of the Niger River and the negotiation of anti-slave trade treaties with nearby Africans. The cartography and geographical knowledge which supported this scheme is in stark contrast with what existed in the mid-eighteenth century. More than simply illustrating geographical and ethnographical information though, these maps helped inform Britons about themselves and I argue that much of what occurs here features prominently in national discourses about identity, civilization and the justification of British efforts to improve Africa.

Cette étude aborde la conception de l'espace tunisien depuis l'Occident au croisement des notions territoriales Africa et Tunis, à travers la représentation cartographique à l'époque moderne du XVIe siècle au XVIIIe siècle, d'après des sources issues principalement des collections de la Bibliothèque nationale de France. Cette étude a pour ambition de proposer un travail d'investigation de l'image cartographique de l'espace tunisien en privilégiant deux approches : une approche structurale historiographique et une approche quantitative. L'objectif principal de la présente étude est de détecter les grandes phases historiques dans la représentation de l'espace tunisien, à partir d'un corpus assez dense. Je propose d'individualiser trois groupes d'images cartographiques caractérisées par des déformations similaires, qui me paraissent correspondre à des étapes importantes de l'évolution cartographique moderne ou encore à de grandes ruptures dans sa construction. Ces étapes correspondent à chaque fois à de nouveaux récits de voyages et par la suite à une évolution du regard. L'ensemble des cartes est représentatif non pas de l'édition cartographique mais de l'évolution des techniques et des connaissances géographiques. Les « cartes-modèles » ou encore les « cartes-mères » que j'identifie dans un premier temps, sont ensuite l'objet d'une expérimentation à partir de méthodes quantitatives. Cette approche, qui porte sur les déformations des surfaces, vise à une comparaison entre deux surfaces : une surface-source supposée « exacte » et une surface-image correspondant aux exemples historiques analysés
This study deals with the concept of the Tunisian space, seen from the West as an intersection of the territorial concepts of Africa and Tunis, throughout the cartographical representation of the modern period, from the 16th to the 18th century. The study is essentially based on cartographic material from the collections of the French National Library. This thesis aims to investigate the cartographic representation of the Tunisian space through two main approaches: the first one is historiographical and structural at heart while the second is quantitative. The main objective of this present study is to detect the essential historical steps in the cartographic representation, from wide sources. So far, I suggest identifying three groups of cartographic images, which are characterized by similar deformations. These images correspond with important stages of the modern cartographical image or even major breaks in its construction, connected with new travel accounts and an evolving representation. Ali maps are not only representative of the cartographical edition but also of the development of technology and geographical knowledge. The « model-maps » along with « mother­maps », once identified, are subsequently subjected to experiments, through a quantitative approach. This approach, which centers on surfaces deformations, is meant to establish a comparison between two types of surfaces: one, the source-surface, which is presumed to be accurate and the other, the image-surface, which corresponds with the historical examples we consider

African American Studies
Ph.D.
Rethinking Our Outlines/ Redrawing Our Maps: Representing African Agency in the Antebellum South 1783-1829 The lenses through which our common perceptions of African/Black agency in the antebellum period are viewed, synthetic textbooks and maps, rarely reveal the tremendous number of liberating acts that characterized the movements of Black people in the South from 1783 to 1829. During the American Revolution, 80,000 to 100,000 such enslaved Africans threw off their yokes and escaped their bondage. Subsequently, large numbers embarked on British ships as part of the Loyalist exodus from the United States, while others fled to the deep South, to Native lands, to the North, or held their ground right where they were, attempting, as maroons, to establish themselves and survive as free persons. While recent historical scholarship has identified many of the primary sources and themes that characterize such massive levels of proactivity, few have tried to present them as a synthetic whole. This applies to maps used to illustrate the African American history of those regions and times as well. Illustrating these movements defines the scope of this scholarly work entitled Rethinking Our Outlines/ Redrawing Our Maps: Representing African Agency in the Antebellum South 1783-1829. This work also critically looks at several contemporary maps of this period published in authoritative atlases or textbooks and subsequently creates three original maps to represent the proactive movements and relationships of Africans during this period.
Temple University--Theses

Die vorliegende Arbeit zeigt einerseits überblicksartig, gleichzeitig aber auch ins Detail gehend, vor allem die kartographische Entwicklung von Namibia von den Anfängen im 18. Jh. bis zur Unabhängigkeit im Jahr 1990. Dabei werden neben der eigentlichen Kartographie auch die wichtigsten damit im Zusammenhang stehenden Entwicklungen der Forschungsreisen, des Vermessungswesens, der allgemeinen Verwaltung des Landes und der Organisation des Karten- und Vermessungswesens im Gebiet des heutigen Namibia, im Deutschen Reich und in Südafrika dargestellt. Diese Ausweitung des Themas erwies sich als notwendig, um die Hintergründe und das geschichtliche und politische Umfeld mancher kartographischen Entwicklung deutlich und verständlich machen zu können. Damit liegt erstmals eine umfassende Dokumentation über die Kartographie von Namibia vor. Die Gliederung der Arbeit in die drei großen Zeitabschnitte der vorkolonialen, der deutschen Kolonial- und der südafrikanischen Mandatszeit ermöglicht die genaue Differenzierung von politischen und verwaltungstechnischen Abhängigkeiten bei der Kartenherstellung. Allerdings muss auch berücksichtigt werden, dass unterschiedliche Entwicklungsstadien nicht nur vom Herrschaftsträger abhängig waren. Der Vergleich zu anderen Kolonien des südlichen und zentralen Afrika, aber auch der weiterreichende Blick auf alle europäischen Afrikakolonien zeigt, dass Fortschritte im jeweiligen Karten- und Vermessungswesen neben der politischen und wirtschaftlichen Wertschätzung der Kolonie und der Macht des Mutterlandes (Deutschland, Portugal, Großbritannien, Frankreich) vor allem auch von der Größe, der Lage, der sehr verschiedenartigen Natur und dem Klima des entsprechenden Gebietes bestimmt wurden. Im Gegensatz zu der relativ langsamen, aber kontinuierlichen Entwicklung der Vermessungsmethoden und der kartographischen Darstellung in Europa sind in den Kolonien eher ruckartige Veränderungen zu verzeichnen, die mit dem Import der europäischen Methoden und Instrumente in infrastrukturell unterentwickelte Gebiete einhergingen. Die Entwicklung afrikanischer und im Besonderen südwestafrikanischer Karten zeigt drei Phasen: Zunächst erfolgte die Aufnahme der Küsten während der Entdeckungsreisen des 15. und 16. Jhs. und durch spezielle Forschungsreisen vor allem im 17. und beginnenden 18. Jh. Die Erforschung und kartographische Darstellung des Landesinnern begann dagegen zögernd erst Ende des 18. und Anfang des 19. Jhs. In SWA ist der Grund dafür vor allem in den schlechten Zugangsmöglichkeiten auf Grund der Wüstengebiete zu suchen. Träger dieser Aufnahmen waren hauptsächlich Missionare und Forschungsreisende. Innerhalb der nächsten 100 Jahre konnte in Südwestafrika ein grobes topographisches Grundwissen aufgebaut werden, das zur Orientierung im Land meist ausreichte. Mit der Eroberung Afrikas durch europäische Kolonialmächte Ende des 19. Jhs. begann die dritte Phase. Diese war in Südwestafrika durch die deutsche Kolonialherrschaft bestimmt und ist vor allem geprägt durch die Suche nach geeigneten Aufnahmemethoden und Darstellungswegen, um die riesigen, teilweise menschenleeren Gegenden in wirtschaftlich verantwortbarer, aber auch militärisch und verwaltungstechnisch nutzbarer Form kartographisch darzustellen. Ihren Höhepunkt erreicht diese Phase jedoch erst nach dem Zweiten Weltkrieg, in Südwestafrika sogar erst in den 1970er Jahren mit dem Einsatz moderner Aufnahmetechniken. In gleichen Phasen vollzog sich auch der Übergang von Kontinentkarten über lineare Routenaufnahmen mit stark wechselnden Maßstäben hin zu flächendeckenden topographischen Abbildungen. Mit diesen Veränderungen war auch eine Wandlung des Aussagewertes der Karten verbunden. Wie in Europa war die Kartenherstellung in Südwestafrika seit 1904 vor allem durch das Militär und dessen Bedürfnisse geprägt. Damit besaß das Land gegenüber den anderen deutschen Afrikakolonien eine Sonderstellung. Im Gegensatz zu den anderen deutschen Kolonien, aber in Anlehnung an das landschaftlich und klimatisch vergleichbare Südafrika wurde seit dem Hererokrieg 1904 eine großzügige und möglichst flächendeckende geodätische Vermessung durch Triangulation durchgeführt. Dagegen lagen die Katastervermessung und alle damit in Zusammenhang stehenden Arbeiten wie im Deutschen Reich in den Händen der zivilen Behörden. Allerdings war die Trennung der Aufgaben, bedingt durch die alleinige Zuständigkeit der Zivilverwaltung für alle Vermessungs- und Kartierungsangelegenheiten in Südwestafrika vor 1904, nicht ganz so deutlich wie im Deutschen Reich. Die dadurch bedingten regelmäßigen Kompetenzstreitigkeiten und die mangelnde Anerkennung der Arbeiten der Gegenseite verursachten die Behinderung zügiger Fortschritte in der Kartenherstellung sowie erhebliche zusätzliche Kosten. Die Koordinierung und Organisation der Arbeiten in Südwestafrika während der deutschen Kolonialzeit zeigt deutliche Mängel. Trotzdem kann das kartographisch Erreichte als positiv bewertet werden. Natürlich können aus heutiger Perspektive verschiedene Entscheidungen und Vorgehensweisen kritisiert werden. Für die damalige Zeit, die vorhandenen Mittel, Instrumente und Methoden, die Anzahl des Personals und im Wissen um die infrastrukturellen und Lebensbedingungen sind die erzielten Ergebnisse, ob das die Einzelkarten, räumlich definierte Kartenwerke oder solche des ganzen Landes betrifft, eine große Leistung. Das zeigt sich umso mehr im Vergleich zu den Nachbarstaaten, von denen beim Beginn des Ersten Weltkrieges keines so zahlreiche und gute Kartenmaterialien vorweisen konnte. Aber auch während der südafrikanischen Mandatszeit seit 1920 waren die Kompetenzen und Zuständigkeiten nicht eindeutig geregelt. Zunächst besaß Südwestafrika eine Sonderstellung gegenüber den Provinzen der Südafrikanischen Union, indem das Vermessungsamt in Windhuk für alle Vermessungs- und Kartierungsarbeiten des Landes zuständig war. Damit war das Mandatsgebiet in gewisser Weise aber auch von den methodischen und technischen Fortschritten, vor allem des Trigsurvey, abgekoppelt. Andererseits nutzte man diese Unabhängigkeit in Windhuk für eigene Wege, vor allem beim Druck der Karten in Southampton. Spätestens seit dem Beginn der Herstellung der landesweiten Kartenwerke in den Maßstäben 1:50 000, 1:250 000 und kleiner in den 1960er Jahren wurden die kartographischen Arbeiten dann aber von Südafrika bestimmt und kontrolliert. Trotz dieser Probleme lässt sich sowohl für die deutsche Kolonialzeit als auch für die südafrikanische Mandatszeit eine Vielzahl guter und von unterschiedlichen Autoren stammender Karten als Einzelwerke, als Beilage zu diversen Berichten oder als Kartenwerke feststellen. Flächendeckende Triangulationen stellen daneben eine bedeutende Entwicklung für die lagerichtige Wiedergabe der Topographie auf der Karte dar. Dass die deutsche Kolonialzeit in der vorliegenden Arbeit ein starkes Übergewicht gegenüber den anderen beiden Zeitabschnitten aufweist, liegt auch an den zahlreichen Aktivitäten und Produkten dieser Zeit, vor allem aber an der Quellenlage, die für die Zeit zwischen 1890 und 1915 qualitativ und quantitativ wesentlich umfangreicher ist, als beispielsweise für die Zeit nach 1920
This work gives an overview over the cartographic development of Namibia from the beginnings in the early 18th century up to the independence of the country in 1990. At the same time there is also a detailed view to the cartography, the maps and map series possible. Besides the most important developments of the large expeditions, the surveying, the general administration and the organization of the surveying and mapping in the area of today’s Namibia are shown. Additionally also the most important developments of surveying and mapping in the German Empire and in South Africa are presented because of there relevance for some historical and political decisions in relation to the surveying and mapping of Namibia. For the first time this work presents a comprehensive documentation about the cartography and the map-products of Namibia. Such a work does not exist for any of the neighbour countries in Southern Africa. The work is structured into three main periods, the Precolonial time up to 1884, the time of the German colony German South West Africa between 1884 and 1915/20 and the time of the South African mandatory power between 1920 and 1990. These periods allow to show in detail the different political and administrative obediences for the map making. But not only the colonial power (Germany, Great Britain, France, Portugal) is responsible for different developments. In comparison especially with other countries of Southern Africa but also with countries all over Africa it could be shown that advances in surveying and mapping also depend on the dimension, the location, the different nature, relief and the climate of an area. In contrast to the mostly slow but continuous development of the surveying methods and the cartographic design in Europe the colonies show steplike changes. This is because of the import of the European methods and instruments into areas with very low infrastructure. The development of the South West African cartography shows three main phases. During the age of discoveries in the 15th and 16th centuries but also through special expeditions in the 17th and the beginning 18th centuries the coasts were surveyed and mapped. The exploration and mapping of the inner parts of the country began late (end of 18th century) and slowly. The main reason for this are the large coastal deserts and the large waterless areas that made travelling very difficult and dangerous. The first travellers in South West Africa were missionaries and researchers. Within the next about 100 years the travellers could map an approximate topographic structure of the land. This was more or less satisfactory for an overview and the safe travelling in the country. The third phase began with the European, here German colonisation at the end of the 19th century. This phase began with the search for useful recording and mapping methods. Especially the huge but deserted areas of the colony had to be mapped in an economic arguable but also for the military and the administration usable way. The culmination of this phase was reached only after World War II, in South West Africa even only in the 1970th. At this time the modern recording methods allowed an area-wide and economic surveying and mapping of the whole country. In the same phases one can also see the change-over from maps of the continent via linear maps as results of route-mappings to area-wide topographic map series. As in Europe the surveying and mapping of German South West Africa since 1904 was affected by the military and its techniques and demands. This gave the land an exceptional position in comparison to the other German colonies. Like in the scenic and climatic similar South Africa the military survey section built up a large and area-wide geodetic survey by triangulation since the Herero-War in 1904. On the other hand the cadastral survey was in the hands of the civil administration as it was in the German Empire. But the separation of the duties and responsibilities was not that clear and precise like in Germany because the civil land surveyors were responsible for all works in the colony prior 1904 and did not wanted to give up all charges. The constant questions of authority and the partly lack of acceptance of the works of the other side caused a lot of additional costs and the relatively slow mapping progress. The coordination and organization of the surveying and mapping of the German colony South West Africa shows obvious failings. Even so the mapping of the colony can be evaluated positive. For that time, the possibilities, instruments and methods, for the small number of employees and with the knowledge of the infrastructure and the living conditions the results are quite good. Many beautiful and high quality single maps and maps series of special area and for the whole country are known. This is much more astonishing as none of the neighbour countries could reach such an high standard up to the beginning of World War I. During the time of the South African mandatory power the competences and responsibilities of the surveying and mapping were also not clearly defined. After World War I but up to the 1950th South West Africa had an exceptional position compared to the South African provinces. The surveying office in Windhuk was responsible for all surveyings and mappings in South West Africa. For this the country was partly cutted from the latest methodic and technic developments of the South African Trigsurvey. On the other hand Windhuk could use his independence for own ways. For this the SWA-maps produced in the 1930th were printed in Southampton and not at the South African Government Printer in Pretoria and show a much better printing quality than the South African maps of that time. At the latest with the beginning of the production process of the map series in 1:50 000, 1:250 000 and smaller in the 1960th the mapping process of South West Africa/Namibia was fully controlled and affected by the South African Trigsurvey. Despite a lot of problems there are both for the Precolonial period, for the German and for the South African time a lot of good maps from many different authors and for different objections produced known. An analysis of the geometric accuracy of four maps, made between 1879 and 1980 (Chapter 6) shows additionally the high importance of area-wide triangulations for high quality maps. The reason for the overweight of the German colonial time in this work depends on the one side on the many maps and other cartographic products and activities of that time but on the other side it depends also on the high quantity and quality of resources about surveying and mapping in the German time

Die vorliegende Arbeit zeigt einerseits überblicksartig, gleichzeitig aber auch ins Detail gehend, vor allem die kartographische Entwicklung von Namibia von den Anfängen im 18. Jh. bis zur Unabhängigkeit im Jahr 1990. Dabei werden neben der eigentlichen Kartographie auch die wichtigsten damit im Zusammenhang stehenden Entwicklungen der Forschungsreisen, des Vermessungswesens, der allgemeinen Verwaltung des Landes und der Organisation des Karten- und Vermessungswesens im Gebiet des heutigen Namibia, im Deutschen Reich und in Südafrika dargestellt. Diese Ausweitung des Themas erwies sich als notwendig, um die Hintergründe und das geschichtliche und politische Umfeld mancher kartographischen Entwicklung deutlich und verständlich machen zu können. Damit liegt erstmals eine umfassende Dokumentation über die Kartographie von Namibia vor. Die Gliederung der Arbeit in die drei großen Zeitabschnitte der vorkolonialen, der deutschen Kolonial- und der südafrikanischen Mandatszeit ermöglicht die genaue Differenzierung von politischen und verwaltungstechnischen Abhängigkeiten bei der Kartenherstellung. Allerdings muss auch berücksichtigt werden, dass unterschiedliche Entwicklungsstadien nicht nur vom Herrschaftsträger abhängig waren. Der Vergleich zu anderen Kolonien des südlichen und zentralen Afrika, aber auch der weiterreichende Blick auf alle europäischen Afrikakolonien zeigt, dass Fortschritte im jeweiligen Karten- und Vermessungswesen neben der politischen und wirtschaftlichen Wertschätzung der Kolonie und der Macht des Mutterlandes (Deutschland, Portugal, Großbritannien, Frankreich) vor allem auch von der Größe, der Lage, der sehr verschiedenartigen Natur und dem Klima des entsprechenden Gebietes bestimmt wurden. Im Gegensatz zu der relativ langsamen, aber kontinuierlichen Entwicklung der Vermessungsmethoden und der kartographischen Darstellung in Europa sind in den Kolonien eher ruckartige Veränderungen zu verzeichnen, die mit dem Import der europäischen Methoden und Instrumente in infrastrukturell unterentwickelte Gebiete einhergingen. Die Entwicklung afrikanischer und im Besonderen südwestafrikanischer Karten zeigt drei Phasen: Zunächst erfolgte die Aufnahme der Küsten während der Entdeckungsreisen des 15. und 16. Jhs. und durch spezielle Forschungsreisen vor allem im 17. und beginnenden 18. Jh. Die Erforschung und kartographische Darstellung des Landesinnern begann dagegen zögernd erst Ende des 18. und Anfang des 19. Jhs. In SWA ist der Grund dafür vor allem in den schlechten Zugangsmöglichkeiten auf Grund der Wüstengebiete zu suchen. Träger dieser Aufnahmen waren hauptsächlich Missionare und Forschungsreisende. Innerhalb der nächsten 100 Jahre konnte in Südwestafrika ein grobes topographisches Grundwissen aufgebaut werden, das zur Orientierung im Land meist ausreichte. Mit der Eroberung Afrikas durch europäische Kolonialmächte Ende des 19. Jhs. begann die dritte Phase. Diese war in Südwestafrika durch die deutsche Kolonialherrschaft bestimmt und ist vor allem geprägt durch die Suche nach geeigneten Aufnahmemethoden und Darstellungswegen, um die riesigen, teilweise menschenleeren Gegenden in wirtschaftlich verantwortbarer, aber auch militärisch und verwaltungstechnisch nutzbarer Form kartographisch darzustellen. Ihren Höhepunkt erreicht diese Phase jedoch erst nach dem Zweiten Weltkrieg, in Südwestafrika sogar erst in den 1970er Jahren mit dem Einsatz moderner Aufnahmetechniken. In gleichen Phasen vollzog sich auch der Übergang von Kontinentkarten über lineare Routenaufnahmen mit stark wechselnden Maßstäben hin zu flächendeckenden topographischen Abbildungen. Mit diesen Veränderungen war auch eine Wandlung des Aussagewertes der Karten verbunden. Wie in Europa war die Kartenherstellung in Südwestafrika seit 1904 vor allem durch das Militär und dessen Bedürfnisse geprägt. Damit besaß das Land gegenüber den anderen deutschen Afrikakolonien eine Sonderstellung. Im Gegensatz zu den anderen deutschen Kolonien, aber in Anlehnung an das landschaftlich und klimatisch vergleichbare Südafrika wurde seit dem Hererokrieg 1904 eine großzügige und möglichst flächendeckende geodätische Vermessung durch Triangulation durchgeführt. Dagegen lagen die Katastervermessung und alle damit in Zusammenhang stehenden Arbeiten wie im Deutschen Reich in den Händen der zivilen Behörden. Allerdings war die Trennung der Aufgaben, bedingt durch die alleinige Zuständigkeit der Zivilverwaltung für alle Vermessungs- und Kartierungsangelegenheiten in Südwestafrika vor 1904, nicht ganz so deutlich wie im Deutschen Reich. Die dadurch bedingten regelmäßigen Kompetenzstreitigkeiten und die mangelnde Anerkennung der Arbeiten der Gegenseite verursachten die Behinderung zügiger Fortschritte in der Kartenherstellung sowie erhebliche zusätzliche Kosten. Die Koordinierung und Organisation der Arbeiten in Südwestafrika während der deutschen Kolonialzeit zeigt deutliche Mängel. Trotzdem kann das kartographisch Erreichte als positiv bewertet werden. Natürlich können aus heutiger Perspektive verschiedene Entscheidungen und Vorgehensweisen kritisiert werden. Für die damalige Zeit, die vorhandenen Mittel, Instrumente und Methoden, die Anzahl des Personals und im Wissen um die infrastrukturellen und Lebensbedingungen sind die erzielten Ergebnisse, ob das die Einzelkarten, räumlich definierte Kartenwerke oder solche des ganzen Landes betrifft, eine große Leistung. Das zeigt sich umso mehr im Vergleich zu den Nachbarstaaten, von denen beim Beginn des Ersten Weltkrieges keines so zahlreiche und gute Kartenmaterialien vorweisen konnte. Aber auch während der südafrikanischen Mandatszeit seit 1920 waren die Kompetenzen und Zuständigkeiten nicht eindeutig geregelt. Zunächst besaß Südwestafrika eine Sonderstellung gegenüber den Provinzen der Südafrikanischen Union, indem das Vermessungsamt in Windhuk für alle Vermessungs- und Kartierungsarbeiten des Landes zuständig war. Damit war das Mandatsgebiet in gewisser Weise aber auch von den methodischen und technischen Fortschritten, vor allem des Trigsurvey, abgekoppelt. Andererseits nutzte man diese Unabhängigkeit in Windhuk für eigene Wege, vor allem beim Druck der Karten in Southampton. Spätestens seit dem Beginn der Herstellung der landesweiten Kartenwerke in den Maßstäben 1:50 000, 1:250 000 und kleiner in den 1960er Jahren wurden die kartographischen Arbeiten dann aber von Südafrika bestimmt und kontrolliert. Trotz dieser Probleme lässt sich sowohl für die deutsche Kolonialzeit als auch für die südafrikanische Mandatszeit eine Vielzahl guter und von unterschiedlichen Autoren stammender Karten als Einzelwerke, als Beilage zu diversen Berichten oder als Kartenwerke feststellen. Flächendeckende Triangulationen stellen daneben eine bedeutende Entwicklung für die lagerichtige Wiedergabe der Topographie auf der Karte dar. Dass die deutsche Kolonialzeit in der vorliegenden Arbeit ein starkes Übergewicht gegenüber den anderen beiden Zeitabschnitten aufweist, liegt auch an den zahlreichen Aktivitäten und Produkten dieser Zeit, vor allem aber an der Quellenlage, die für die Zeit zwischen 1890 und 1915 qualitativ und quantitativ wesentlich umfangreicher ist, als beispielsweise für die Zeit nach 1920.
This work gives an overview over the cartographic development of Namibia from the beginnings in the early 18th century up to the independence of the country in 1990. At the same time there is also a detailed view to the cartography, the maps and map series possible. Besides the most important developments of the large expeditions, the surveying, the general administration and the organization of the surveying and mapping in the area of today’s Namibia are shown. Additionally also the most important developments of surveying and mapping in the German Empire and in South Africa are presented because of there relevance for some historical and political decisions in relation to the surveying and mapping of Namibia. For the first time this work presents a comprehensive documentation about the cartography and the map-products of Namibia. Such a work does not exist for any of the neighbour countries in Southern Africa. The work is structured into three main periods, the Precolonial time up to 1884, the time of the German colony German South West Africa between 1884 and 1915/20 and the time of the South African mandatory power between 1920 and 1990. These periods allow to show in detail the different political and administrative obediences for the map making. But not only the colonial power (Germany, Great Britain, France, Portugal) is responsible for different developments. In comparison especially with other countries of Southern Africa but also with countries all over Africa it could be shown that advances in surveying and mapping also depend on the dimension, the location, the different nature, relief and the climate of an area. In contrast to the mostly slow but continuous development of the surveying methods and the cartographic design in Europe the colonies show steplike changes. This is because of the import of the European methods and instruments into areas with very low infrastructure. The development of the South West African cartography shows three main phases. During the age of discoveries in the 15th and 16th centuries but also through special expeditions in the 17th and the beginning 18th centuries the coasts were surveyed and mapped. The exploration and mapping of the inner parts of the country began late (end of 18th century) and slowly. The main reason for this are the large coastal deserts and the large waterless areas that made travelling very difficult and dangerous. The first travellers in South West Africa were missionaries and researchers. Within the next about 100 years the travellers could map an approximate topographic structure of the land. This was more or less satisfactory for an overview and the safe travelling in the country. The third phase began with the European, here German colonisation at the end of the 19th century. This phase began with the search for useful recording and mapping methods. Especially the huge but deserted areas of the colony had to be mapped in an economic arguable but also for the military and the administration usable way. The culmination of this phase was reached only after World War II, in South West Africa even only in the 1970th. At this time the modern recording methods allowed an area-wide and economic surveying and mapping of the whole country. In the same phases one can also see the change-over from maps of the continent via linear maps as results of route-mappings to area-wide topographic map series. As in Europe the surveying and mapping of German South West Africa since 1904 was affected by the military and its techniques and demands. This gave the land an exceptional position in comparison to the other German colonies. Like in the scenic and climatic similar South Africa the military survey section built up a large and area-wide geodetic survey by triangulation since the Herero-War in 1904. On the other hand the cadastral survey was in the hands of the civil administration as it was in the German Empire. But the separation of the duties and responsibilities was not that clear and precise like in Germany because the civil land surveyors were responsible for all works in the colony prior 1904 and did not wanted to give up all charges. The constant questions of authority and the partly lack of acceptance of the works of the other side caused a lot of additional costs and the relatively slow mapping progress. The coordination and organization of the surveying and mapping of the German colony South West Africa shows obvious failings. Even so the mapping of the colony can be evaluated positive. For that time, the possibilities, instruments and methods, for the small number of employees and with the knowledge of the infrastructure and the living conditions the results are quite good. Many beautiful and high quality single maps and maps series of special area and for the whole country are known. This is much more astonishing as none of the neighbour countries could reach such an high standard up to the beginning of World War I. During the time of the South African mandatory power the competences and responsibilities of the surveying and mapping were also not clearly defined. After World War I but up to the 1950th South West Africa had an exceptional position compared to the South African provinces. The surveying office in Windhuk was responsible for all surveyings and mappings in South West Africa. For this the country was partly cutted from the latest methodic and technic developments of the South African Trigsurvey. On the other hand Windhuk could use his independence for own ways. For this the SWA-maps produced in the 1930th were printed in Southampton and not at the South African Government Printer in Pretoria and show a much better printing quality than the South African maps of that time. At the latest with the beginning of the production process of the map series in 1:50 000, 1:250 000 and smaller in the 1960th the mapping process of South West Africa/Namibia was fully controlled and affected by the South African Trigsurvey. Despite a lot of problems there are both for the Precolonial period, for the German and for the South African time a lot of good maps from many different authors and for different objections produced known. An analysis of the geometric accuracy of four maps, made between 1879 and 1980 (Chapter 6) shows additionally the high importance of area-wide triangulations for high quality maps. The reason for the overweight of the German colonial time in this work depends on the one side on the many maps and other cartographic products and activities of that time but on the other side it depends also on the high quantity and quality of resources about surveying and mapping in the German time.

This thesis investigates the ways in which British and French imperial heroes involved in the exploration, conquest or administration of Mrica between 1870 and 1939 were selected, packaged and promoted to the various sections of the public of their respective countries. It seeks to unveil the commercial, political and personal interests that lay behind the imperial hero-making business. This research analyses the hidden mechanisms, as well as the reasons that led to the appearance of a new type of hero in the context of the 'new' T Imperialism and the 'Scramble for Mrica': private connections, political lobbies (especially colonial advocates and nationalists), commercial interests (journalists, writers, biographers, hagiographers, publishers, film-makers) and personal ambition, the combination of which underpinned the creation and success ofheroic reputations. The first part of the thesis investigates the process through which imperial heroes progressively became widely known in their homelands, and how it was facilitated by the technical and social improvements of the Second Industrial Revolution. Drawing upon a wide variety of printed and manuscript sources, it shows the ever-increasing commercial success of imperial heroes throughout the period, analyses how they could serve political ends, and explains the values for which 'they were held up as examples. The second part examines the case studies of two military commanders in times of Anglo-French rivalry in Africa (the Sirdar Kitchener and Major Marchand before, during and after the Fashoda confrontation of 1898), in order to compare the modalities of the development of these legends, and the different backdrops against which they took shape. This thesis is the first to combine quantitative evidence (such as print run figures) and qualitative sources (such as police records) to demonstrate conclusively the prevalence and complexity of the hero-making process brought about by the conquest of Mrica, and to evaluate the reception of these heroic myths among the public.

The International, as the weekly newspaper of the International Socialist League, articulated from 1915 to 1919 an ideology which stood opposed both to organised labour and nationalist movements in South Africa. This situation reflected significant historical struggles during this period, which constitutes essential background to the discourse of the International. The International's writers opposed the institution of trade unionism in the labour movement because it was fragmented on the lines of skill and race. They opposed both the National Party and the South African Native National Congress because they advocated racial (and national) rather than working class interests. Instead, these writers, according to their international socialist paradigm, advocated a working class united irrespective of race and skill at the level of industry. To analyse these ideological positions, discourse analysis provides a fruitful method for locating its dynamics in relation to other positions and extra-ideological (contextual) practices: The International's writers g~nerated a socialist position against racism by engaging in an ideological struggle in discourse. They articulated their anti-racist position from international socialism's critique of the 'languages' of both militarism and trade unionism in the discourse of labour. Within the discourse of militarism, the working class was signified as divided between hostile nations. These writers applied this as a metaphor to the division of the local labour movement and criticised the latter accordingly. In their view, just as workers were divided between the nations (nationalism), so they were divided within the nation (racism) in South Africa. One context cohered with the other, and both agreed with imperatives of international capitalism. This was fundamentally opposed to the principles of international socialism which characterised the International's discourse. Within the dominant discourse oflabour, workers were signified as divided between different trade unions on the basis of skills. Furthermore, in the South African context, trade unions organised only white workers, and ignored the far larger proportion of black labour. In this context, the International advocated industrial unionism, and criticised the narrow base of the white trade unions for fragmenting and weakening the working class in South African. The International's writers were thus led by the discourse of international socialism to a new discourse, whereby not white workers alone, but a racially-united working class movement would be the key to a socialist future in South Africa. Their struggle entailed a bid in and over discourse to rearticulate the sign of the 'native worker' within their own discourse as the dominant discourse type. Underpinning their struggle was a fundamental opposition to capitalist class relations.

Seasonality influences life history through its effect on the availability of essential resources, with birds timing breeding to occur during peak food availability. Due to density-dependence, investment in breeding is determined largely by the seasonality of food availability, with an increased investment being traded-off against adult survival. A bird's mass acts as an index of a species' foraging environment, because a bird bases its foraging decisions on a trade-off between the risk of predation and the risk of starvation. Under constant predation risk a bird increases its mass as insurance against increased foraging unpredictability. In tropical savannahs day length and temperature remains relatively constant, and there is not a season of increased density-dependent mortality which acts across all species. Thus species have evolved a broad range of life history traits under the same environmental conditions, although how a species experiences seasonality depends largely on its foraging niche. This thesis shows that most savannah species varied their mass across the year, having a reduced mass in the non-breeding season which suggests that foraging remained predictable. Independent of gonad or egg growth they then increased their mass as they started to breed, with the timing of breeding coinciding with peak food availability. Across species in the same foraging niche mass acts as an index of breeding investment, with females increasing their mass more than males. While across species in different foraging niches an increased mass response was associated with higher adult survival, probably because breeding strategy and subsequently adult survival are governed by food limitation. This thesis shows that birds adaptively manage their mass during breeding and that mass is not a result of energetic stress, thus under constant predation risk a bird's mass is a result of foraging predictability as a function of competition for available food and investment in breeding.

African American Studies
Ph.D.
In the cities of Richmond, Virginia; Charleston South Carolina; New Orleans, Louisiana; and Baltimore, Maryland, this dissertation endeavors to find out what can be learned about the archaeology(s) of Black memory(s) through Africological Epistemic Visual Storytelling (AEVS); their silences, their hauntings, their wake work, and their healing? This project is concerned with elucidating new African memories and African knowledges that emerge from a two-tier Afrocentric analysis of Eurocentric cartography that problematizes the dual hegemony of the colonial archive of public memory and the colonial map by using an Afrocentric methodology that deploys a Black Digital Humanities research design to create an African agentic ritual archive that counters the colonial one. Additionally, this dissertation explains the importance of understanding the imperial geographic logics inherent in the hegemonically quotidian cartographies of Europe and the United States that sanction white supremacist narratives of memory and suppress spatial imaginations and memories in African communities primarily, but Native American communities as well. It is the hope of the primary researcher that from this project knowledge will be gained about how African people can use knowledge gained from analyzing select monuments/sites of memorialization for the purposes of asserting agency, resisting, and possibly breaking the supposed correctness of the colonial map.
Temple University--Theses

Thesis (MPhil)--University of Stellenbosch, 2011.
ENGLISH ABSTRACT: South Africa consists of a vast, culturally diverse population, entrenched in customary tribal influences which are essentially based on stringent patriarchal directives. These spilt over into other societal spheres, one of which is the media, which is part of an existing male hegemonic society. The rationale for this study is essentially to determine the role played by the media in their representation of women, before and shortly after the liberation of South Africa. This study will establish whether the voices of women were represented, or not, in the media, in the period shortly after the unbanning of the African National Congress (ANC) and affiliated organisations in 1990. By interviewing and recording the oral histories of a few female ANC Umkhonto we Sizwe (MK) soldiers, the need is evident to, through this oral tradition process, give a voice to these voiceless women. The theoretical foundations for this study is firstly based on “womanism”. Womanism was born from the shortcomings of feminism (a largely Western concept) that was unable to address the issues unique to the situation of black women. A second theoretical point of departure is the Social Responsibility Theory, a media theory that could, based on research done for this study, play a profound role to the benefit of women. The methodological investigation is based on a mixed method research approach where Content Analysis (CA) and Grounded Theory (GT) are triangulated with the literature review. The GT processes gave a voice to some unknown female MK soldiers by conducting interviews based on in-depth interview questions. The CA process led to the conclusion that the voices of women who contributed to the struggle were largely ignored by the media. The researcher found that given the contributions and sacrifices women have made in democratising South Africa, acknowledgement of these efforts are sorely lacking, especially in the media. This study therefore seeks to contribute to the lost and repressed voices of women, and to redress a history of omission to a history of commission.
AFRIKAANSE OPSOMMING: Suid-Afrika beskik oor 'n kultureel diverse bevolking met tradisionele stam-invloede wat essensieel gebaseer is op streng patriargale riglyne. Dit het oorgespoel na ander sosiale kontekste, waarvan een die media is, en wat deel uitmaak van 'n bestaande manlike hegemoniese gemeenskap. Die rasionaal vir hierdie studie was om vas te stel watter rol die media gespeel het in die representasie van vroue kort ná die eerste stappe tot 'n bevryde Suid-Afrika. Hierdie studie wou vasstel of die stemme van vroue verteenwoordig was, of nie, in die media, in die tydperk kort ná die ontbanning van die African National Congress (ANC) en ander geaffilieerde organisasies in 1990. Die veronderstelling is dat vrouestemme nie in die media waarneembaar was nie, en dat die situasie teengewerk kan word deur die toepassing van mondelinge geskiedenis. In hierdie geval is die verhale van 'n paar vroulike Umkhonto we Sizwe (MK)-soldate geboekstaaf om sodoende deur die mondelinge geskiedenistradisie 'n stem te gee aan stemlose vroue. Die teoretiese grondslag vir hierdie studie is eerstens gebaseer op “Womanism”. Dié teorie het ontstaan weens die tekortkominge van Feminisme (grootliks ‟n Westerse konsep), wat nie in staat was om die kwessies wat uniek is aan die situasie van swart vroue aan te spreek nie. 'n Tweede teoretiese vertrekpunt is die Sosiale Verantwoordelikheidsteorie. Gebaseer op die navorsing vir hierdie studie, kan dit 'n groter rol in die media in die belang van vroue speel. Die metodologie is gebaseer op 'n gemengde metode-navorsingsbenadering waar Inhoudsanalise en Grounded Theory (GT) trianguleer met die literatuurstudie. Die GT-proses gee 'n stem aan 'n paar onbekende vroulike MK-soldate deur onderhoudvoering wat op in-diepte onderhoudvrae gebaseer is. Die inhoudsanalise proses het bevind dat vroue wat bygedra het tot die Vryheidstryd grootliks deur die media geïgnoreer is. Gegewe die bydraes en opofferings wat vroue gemaak het in die demokratisering van Suid-Afrika, ontbreek erkenning van hul pogings in ons geskiedskrywing, en beslis so in die media. Hierdie studie was 'n poging om by te dra tot die omkeer van hierdie situasie, naamlik om 'n “geskiedenis van uitsluiting” te herstel na 'n “geskiedenis van insluiting”.

Published Article
Studies were undertaken in the Limpopo and Free State Provinces of South Africa to understand the beliefs, perceptions and health implications associated with geophagia. Questionnaires administered to 225 geophagic females covered their demographic details, their reasons for ingesting geophagic clayey soils and their perceptions regarding associated health conditions and implications. Respondents ingested clayey soils for body cleansing, craving, nutrient supplementation and weight loss. Some respondents considered the soils harmful, and < 50% of respondents had some knowledge of the contents of soils they ingested. Medical reasons in support of geophagia included lack of knowledge on the health implications of the practice. Medical consequences associated with geophagia may have occurred as a result of a lack of knowledge of the health implications of the practice. A clear need for educating geophagic individuals regarding the health implications of geophagia is called for.

According to the report of the Communications Committee of the Presbyterian Church of East Africa (P.C.E.A.) to the 15th General Assembly, the church is aware of the immensity of information, education and revelation that can be shared and disseminated through the print media in the church. 1 However, to effectively disseminate the Gospel through the print media requires some creativity and administrative initiatives in the national office and particularly in the division of Communications and Publishing. As an initiative proposal, this dissertation examines how the P.C.E.A. has used print media from the missionary period (early 1900) to the mid-1990s, and offers proposals for maximizing print media impact in church development and social transformation. This dissertation is the final stage and result of a Doctor of Ministry project study and research conducted in Kenya and the United States between 1993 and 1997. Four parts comprised of eight chapters compose the dissertation. Part I is the ministry setting, containing chapters One and Two. Chapter One is a brief description of the nation of Kenya in terms of geography, history and politics. It is the wider context of this project. Chapter Two introduces the Presbyterian Church of East Africa as the central setting of the project. The history, the organizational structure and theological stance of this church are here discussed. Part II is the main body of the dissertation. It is the ministry issue, and it is divided into Chapters Three and Four. Chapter Three contains the history of print media in the P.C.E.A., with some remarks on the early beginnings of print media in Europe. Chapter Four is a brief examination of biblical and theological basis for print media use. Part III is the project, containing Chapters Five and Six. Chapter Five includes a review of six key texts which have been helpful in this research. The texts are: Keeping Your Church Informed by Austin Brodie; 2 Let the People Know: A Media Handbook for Churches by Charles Austin;3 Communications Media in the Nigerian Church Today by Boniface Ntomchukwu;4 How to Publicize Church Activities by William J. Barrows, Jr.; 5 Communication for Development by Karl Lundstrom; 6 and Hope for Africa by G. Kinoti.7 This chapter also includes questionnaire responses from a cross section of participants in Kenya and America, including the P.C.E.A. ministers living in Atlanta at the time, and members of the International Class of First Presbyterian Church-Atlanta. Chapter Six includes interviews, briefs from some P.C.E.A. leaders, and workshop proceedings from the P.C.E.A. Nkoroi and Chuka churches and from First Presbyterian Church-Atlanta. Part IV is the project evaluation. This final part contains Chapters Seven and Eight. Chapter Seven discusses recommendations for possible implementation of the proposals or suggestions made in the dissertation. These primarily relate to finance, training and structural innovations and changes. Chapter Eight is the conclusion, restating the purpose of the project. It emphasizes questions of faith and the sense of urgency in doing whatever it takes to maximize the impact of print media in the P.C.E.A. for God's glory and the blessing of the church.

Thesis (MA)--Stellenbosch University, 2014.
ENGLISH ABSTRACT: In this study I analyse the first year of publication of Loslyf, the first and, at the time of its launch in June 1995, only Afrikaans pornographic magazine. The analysis comprises a historical account of its inception as relayed mainly by Ryk Hattingh, the first editor of Loslyf and primary creative force behind the publication. Such an investigation offers valuable insights into an aspect of South African media history as yet undocumented. As a powerful contributor to an Afrikaans imaginary, emerging at a time of political renewal, Loslyf provides a glimpse into the desires, tensions and tastes of and for an imagined community potentially still shaped by a censorial past. The magazine is worth studying, in part, as an example of an attempt at reinvesting the prescriptive and seemingly generic genre of pornography with cultural specificity and political content, with a view to making it more interesting and relevant. The study argues that whilst Loslyf succeeded in fracturing the “simulacrum” (Baudrillard 1990: 35) of pornographic representation, it also demonstrated that this kind of „alternativity‟ is difficult to sustain. An analysis of the written and visual content of the first 12 issues of the magazine, under Hattingh‟s editorship, investigates the basis of Loslyf‟s status as „alternative‟ publication. I conclude that the first year of Loslyf contributed towards the broader project of democratic expression in an expanding South African visual economy, as a simultaneously well considered and underrated (at the time of its publication at least) cultural product.
AFRIKAANSE OPSOMMING: In hierdie studie analiseer ek die eerste jaar van publikasie van Loslyf as 'n baanbrekende en, in die tyd van sy ontstaan in Junie 1995, die enigste Afrikaanse pornografiese tydskrif. Hierdie analise behels ʼn historiese oorsig van die ontstaan van Loslyf soos hoofsaaklik verhaal deur Ryk Hattingh, die eerste redakteur van Loslyf en primêre kreatiewe mag agter die publikasie. So ʼn ondersoek bied waardevolle insig tot ʼn ongedokumenteerde aspek van Suid-Afrikaanse mediageskiedenis. As ʼn kultuurproduk wat ʼn kragtige bydrae gelewer het tot die Afrikaanse samelewing in ʼn tyd van politieke hernuwing, bied Loslyf ʼn weerkaatsing van die begeertes, spanninge en smake vir en van hierdie gemeenskap – begeertes en smake wat grootendeels gevorm is deur ʼn geskiedenis van sensuur. Dit is waardevol om die tydskrif te bestudeer as voorbeeld van 'n poging om die voorskriftelike en skynbaar generiese pornografiese genre met kulturele bepaaldheid en politiese inhoud te herbelê, ten einde hierdie genre meer interessant en relevant te maak. Hierdie studie beweer dat, terwyl Loslyf daarin slaag om die “simulakrum” (Baudrillard 1990: 35) van pornografiese voorstelling te breek, die publikasie ook demonstreer dat hierdie tipe „alternatiwiteit‟ moeilik volhoubaar is. ʼn Analise van die geskrewe en visuele inhoud van die eerste 12 uitgawes van die tydskrif, onder redakteurskap van Hattingh, ondersoek die basis van Loslyf se status as „alternatiewe‟ publikasie. Ek beslis dat Loslyf se eerste jaar bygedra het tot die breër inisiatief van demokratiese uitdrukking in ʼn ontwikkelende Suid- Afrikaanse visuele ekonomie, as gelyktydig goed deurdagte én ondergeskatte (veral ten tyde van sy ontstaan) publikasie.

The purpose of this study was to explore and expose racial stereotypes of African Americans in the mass media. The research was conducted as a historical analysis using historical artifacts from as early as 1619. These historical artifacts include journal articles, books, websites, research papers, and films that are both explanation pieces and examples of black stereotypes. All of the historical artifacts were found through Internet search engines and article databases including the University of the Pacific's library database. Other materials given to pinpoint information for this study were also given by University of the Pacific professors. All of the information was examined and synthesized into this study. In order to expose and uncover past and contemporary African American stereotypes, the historical information collected for this study was organized. The results revealed three categories: (1) the initial stereotypes that blackface created, (2) the extent to which initial racial stereotypes affect today's status of African American depictions and, (3) the occurrences of blackface in today's contemporary media. This historical analysis provides a rich background to past stereotypes of African Americans as well as develops a framework for critiquing the status of black stereotypes in today's contemporary media. The analysis of the historical artifacts found that the initial depiction of blackface (one of the original forms of African American stereotypes) is not necessarily a thing of the past. In addition this study concluded that the initial stereotypes of African Americans have not only influenced the African American depictions of today but also that in many ways the portrayals are the same and just “packaged” differently.

Thesis (MPhil)-- Stellenbosch University, 2014.
ENGLISH ABSTRACT: Pornography in South Africa has only been legal for a mere 16 years, but is preceded by a 126-year history of inutile South African government attempts to suppress and curb it at its borders. To date, pornography as a research field has been largely overlooked by South African researchers, who have either mostly opted to choose fields that are socially more acceptable, or assumed that pornography was not present in the country before the 1980s and 1990s. This research, however, prefers to differ. The study investigates a minute part of a broader scope of pornography history in South Africa, by studying what international and domestic pornographic magazines were first seized and thereafter banned in the country between 1939 and 1989. By theoretically implementing an authoritative theoretical framework, the Annales’s functional structural approach, and applying the historical methodology to unearth unobtrusive historical data, the study compiles a narrative of events that ties a 50-year history of the pornographic magazine in South Africa together. The study eventually identifies 1 033 individual volumes, editions and issues of various pornographic magazine genres, including, among others, pulp and pin-up, naturist and nudist, soft-core, hard-core, male and female homosexual, bisexual, bondage, Asian, female impersonation and biker magazines, of which some, of course, are local South African pornographic magazines.
AFRIKAANSE OPSOMMING: Pornografie is nog net 16 jaar wettig in Suid-Afrika en word voorafgegaan deur ’n geskiedenis van 126 jaar se sensuur wat deur die regering afgekondig is om pornografie buite die land se grense te hou. Tot op hede is pornografie as ’n navorsingsveld deur Suid-Afrikaanse navorsers oorgesien omdat hulle óf studies aanpak wat sosiaal meer aanvaarbaar is, óf aanneem dat daar voor die 1980’s en 1990’s geen pornografie in die land was nie. In dié verband wil hierdie studie met dié aannames verskil. Die navorsing ondersoek ’n klein deeltjie van ’n groter geskiedenis van pornografie in Suid-Afrika deur te kyk na watter buitelandse en binnelandse pornografiese tydskrifte tussen 1939 en 1989 in die land gevind en kort daarna verban is. Teoreties is die outoritêre en die Annales se funksionalisties-strukturalistiese raamwerk ingespan, en die historiese metodologie is gebruik om historiese data na te vors om ’n narratief saam te stel wat 50 jaar se pornografiese tydskrifte in Suid-Afrika saamsnoer. Die studie identifiseer uiteindelik 1 033 uitgawes van verskeie porno-grafiese tydskrifte, wat, onder meer, pulp- en prikkelpop-, nudistiese, sagte, harde, manlike en vroulike homoseksuele, biseksuele, knegskap-, Asiër-, fopdosser- en motorfietstydskrifte insluit; sommige van dié genres is, natuurlik, ook plaaslik in Suid-Afrika gepubliseer.

The thesis seeks to develop a more sophisticated view of the black power movement in twentieth century America by analysing the movement’s cultural legacy. The rise, maturation and decline of black power as a political force had a significant impact on American culture, black and white, yet to be substantively analysed. The thesis argues that while the black power movement was not exclusively cultural it was essentially cultural. It was a revolt in and of culture that was manifested in a variety of forms, with black and white culture providing an index to the black and white world view. This independent black culture base provided cohesion to a movement otherwise severely lacking focus and structural support for the movement’s political and economic endeavours. Each chapter in the PhD acts as a step toward understanding black power as an adaptive cultural term which served to connect and illuminate the differing ideological orientations of movement supporters and explores the implications of this. In this manner, it becomes possible to conceptualise the black power movement as something beyond a cacophony of voices which achieved few tangible gains for African-Americans and to move the discussion beyond traditional historiographical perspectives which focus upon the politics and violence of the movement. Viewing the movement from a cultural perspective places language, folk culture, film, sport, religion and the literary and performing arts in a central historical context which served to spread black power philosophy further than political invective. By demonstrating how culture served to broaden the appeal and facilitate the acceptance of black power tenets it is possible to argue that the use of cultural forms of advocation to advance black power ideologies contributed significantly to making the movement a lasting influence in American culture – one whose impact could be discerned long after its exclusively political agenda had disintegrated.

The purpose of this thesis is to examine to what extent representations of double jeopardy and the stereotypical images of African American females: Mammy, Matriarch, Sapphire, and Strong Black Woman emerge in the blues lyrics of Alberta Hunter, Gertrude "Ma" Rainy, Memphis Minnie, and Victoria Spivey, using the theoretical framework of Black feminist rhetorical critique. The findings in this research entail several meanings regarding the lives of African American women during the 1920s and 1930s. Representations of racism, sexism, and classism also appear in the theme of relationships with various subthemes. The focus of this study is to explore the evolution of Black music and examine the role women have played in both the development and advancement of the blues genre. Additionally, the study will explore various concepts of cultural identity development in order to establish the process of how identity is constructed and negotiated in African Americans specifically African American women.

Published in 1936, Margaret Mitchell's Gone with the Wind achieved massive literary success before being adapted into a motion picture of the same name in 1939. The novel and film have amassed numerous accolades, inspired frequent reissues, and sustained mass popularity. This dissertation analyzes evidence of audience reception in order to assess the effects of Gone with the Wind's version of Lost Cause collective memory on the construction of the Old South, Civil War, and Lost Cause in the American imagination from 1936 to 2016. By utilizing the concept of prosthetic memory in conjunction with older, still-existing forms of collective cultural memory, Gone with the Wind is framed as a newly theorized mass cultural phenomenon that perpetuates Lost Cause historical narratives by reaching those who not only identify closely with it, but also by informing what nonidentifying consumers seeking historical authenticity think about the Old South and Civil War. In so doing, this dissertation argues that Gone with the Wind is both an artifact of the Lost Cause collective memory that it, more than anything else, legitimized in the twentieth century and a multi-faceted site where memory of the South and Civil War is still created. My research is grounded in the field of memory studies, in particular the work of Pierre Nora, Eric Hobsbawn, Andreas Huyssen, Michael Kammen, and Alison Landsberg. In chapter one, I track the reception of Gone with the Wind among white American audiences and define the phenomenon as rooted in Benedict Anderson's conception of the nation. I further argue that Gone with the Wind's Lost Causism provided white national subjects with a collective memory of slavery and the Civil War that made sense of continuing racial tensions during Jim Crow and justified white resistance to African American equality. Gone with the Wind, in other words, reconciled the lingering ideological divisions between white northerners and southerners who then were more concerned with protecting white supremacy. In chapter two and three, I analyze Gone with the Wind's continuing popularity throughout the twentieth century and its significant influence on other sites of national memory. Chapter four uses contemporary user reviews of Gone with the Wind DVD and Blu-ray collector's editions to reveal that the phenomenon remains popular. Throughout this study I analyze the history of black resistance to the Gone with the Wind phenomenon. For African Americans, Gone with the Wind's Lost Causism has always been understood as justification for racism, imbuing the white national conscious with a mythological history of slavery and black inferiority. As I argue, black protestors to Gone with the Wind were correct, as the phenomenon has always resonated most during moments of increased racial tension such as during the civil rights era and following the Charleston Church Massacre in 2015.
Ph. D.

Ce travail de recherche examine la représentation de l'expérience des violences extrêmes dans l'espace fictionnel contemporain de l'Afrique subsaharienne francophone. Les nombreuses fictions en prose produites dans le sillage des conflits armés des années 90 et du génocide au Rwanda soulèvent des interrogations liées à la représentation de la douleur, de la cruauté et de la mort ainsi qu’à l'éthique de l'art. Comment le texte littéraire met-il en récit les événements traumatiques ? Comment l'écrivain pense et problématise-t-il des crises extrêmes relevant de l'histoire immédiate ? Selon quelles modalités littéraires sont-elles constituées en un objet de connaissance et de sensibilisation ? Et quelles sont les stratégies langagières et esthétiques privilégiées pour transmettre la mémoire des atrocités dans une visée de témoignage ou de réflexion critique ? Cette thèse explore la mise en écriture de ces drames collectifs qui inaugurent, sur les plans historique et socioculturel, une nouvelle ère de violence en Afrique subsaharienne. Dans ce contexte, nous nous intéressons surtout aux ouvrages qui – en raison des choix formels et stylistiques singuliers adoptés par leurs auteurs – se caractérisent par une radicalisation du discours et des scénographies particulièrement violentes. Cette étude qui, au final, interroge les pouvoirs et les possibles limites de l'art dans la représentation de faits de violence extrême analyse un vaste corpus de romans et de nouvelles parus entre 1998 et 2010 et propose une approche pluridisciplinaire, puisant, à côté des théories littéraires et esthétiques, dans l'histoire, la sociologie, l'anthropologie et la psychiatrie
This research project examines the representation of the experience of extreme violence in the contemporary fictional space of Sub-Saharan Francophone Africa. The numerous works of prose fiction written in the wake of the armed conflicts of the 1990s and the Rwandan genocide raise questions related to the representation of pain, cruelty and death as well as to the ethics of art. How do literary texts put into narrative traumatic events? How do writers think and problematize extreme crises of immediate history? By the means of what literary modalities are these crises constituted into an object of knowledge and awareness? And what esthetic and language strategies have been privileged to convey the memory of the atrocities in order toprovide testimony or aim at critical reflection? This thesis explores the writing of the collective tragedies that, from a historical and socio-cultural perspective, mark the start of a new period of violence in Sub-Saharan Africa. In this context, we are focusing predominantly on texts that are characterized – through the distinctive choices of form and style operated by the authors – by a radicalization of discourse and particularly violent plots and esthetics. This research which interrogates the powers and the possible limits of art in the representation of facts of extreme violence analyses an extensive corpus of novels and short stories published between 1998 and 2010 and suggests a multidisciplinary approach which, next to literary and esthetic theories, draws on history, sociology, anthropology and psychiatry

Cette recherche est née des inquiétudes déclenchées à partir d’une pratique éducationnelle anti-raciste, à travers laquelle j’ai été amené à problématiser l’actuelle formation de professeurs d’Histoire et l’Enseignement de l’Histoire de l’Afrique à l’Université Fédérale de Rio Grande do Sul – UFRGS – pénétrant dans la Loi 10.639/2003 – dans l’enseignement obligatoire de l’Histoire Africaine qui émane de ces Lois et de l’Arrêt 003/2004 du Conseil Nacional d’Education. J’ai aussi étudié la nouvelle Loi 11.645/2008 qui a modifié quelques aspects de la Loi 10.639/2003. J’ai eu pour but, en ce sens, de connaître et de saisir les possibilités produites par la pratique sociale et éducationnelle des étudiants et des professeurs de la Formation en Histoire de la UFRGS, à travers lesquelles se sont produites leurs représentations sociales. À travers l’Etude de Cas, en tant que méthodologie de recherche, en me servant d’interviews demi-structurés, de l’observation demi-dirigée en classe et dans des activités liées à l’Enseignement et à l’Histoire Africaine, de l’analyse de la documentation légale pertinente et du soutien theórico-méthodológique, fondé sur la pensée de Marx, Lukács et Frantz Fanon, je considère que les possibilités de rendre effectif l’enseignement de l’Histoire de l’Afrique à la UFRGS moyennant la Loi 10.639/2003 et la Loi 11.645/2008 restent encore formelles, liées à des aspects contingents et à des actions individuelles. Cependant, les contradictions qui régissent les rapports éducatifs et formatifs des professeurs et des étudiants de la Licence en Histoire de la UFRGS créent les conditions nécessaires à l’objectivation même des pratiques éducationnelles émanées des principes de la Loi, surpassant le cursus à nuances eurocentriques, basé sur le quadripartisme français et qui impute le caractère optionnel/facultatif à l’enseignement de l’Histoire de l’Afrique. Celui-ci s’est développé, mais n’est pas encore structuré. Les représentations sociales des sujets interviewés se sont montrées conflictuelles, car à la fois elles observaient le développement de l’interêt de quelques étudiants concernant la question qui se trouve maintenant renforcé par l’approbation de l’entrée par cotes éthnico-raciales, et manifestaient la méconnaissance de la loi 10.639/2003 par la plupart des étudiants. Les fondements eurocentriques du cursus se manifestent encore dans le processus de formation de professeurs. En ce sens, en suivant la onzième thèse Ad Feuerbach de Marx, en plus d’interpréter et de comprendre le phénomène, je construis des propositions d’effective-action de l’enseignement de l’Histoire de l’Afrique qui ne soient pas uniquement une insertion mécanique de contenus dans l’actuel cursus, mais la construction d’une transversalité de ce sujet, reconnaissant et faisant valoir la contribution fondamentale de la cosmovision africaine au Brésil.
A presente pesquisa surgiu das inquietações catalisadas a partir de uma prática educacional anti-racista, através da qual fui levado a problematizar a atual formação de professores de História e o Ensino de História da África na Universidade Federal do Rio Grande do Sul – UFRGS – adentrando na Lei 10.639/2003 - na obrigatoriedade do ensino de História Africana que emana dessa Lei e do Parecer 003/2004 do Conselho Nacional de Educação. Estudei também a nova Lei 11.645/2008 que modificou alguns aspectos da Lei 10.639/2003. Almejo conhecer e apreender as possibilidades produzidas pela prática social e educativa dos estudantes e professores do Curso de História da UFRGS, através das quais se produziram suas representações sociais. Através do Estudo de Caso, enquanto metodologia de pesquisa, valendo-se de entrevistas semi-estruturadas, da observação semi-dirigida em sala de aula e em eventos ligados ao Ensino e História Africana, da análise da documentação legal afim e do apoio teórico-metodológico, fundamentado no pensamento de Marx, Lukács e Frantz Fanon, considero que as possibilidades de efetivação do ensino de História da África na UFRGS através da Lei 10.639/2003 e da Lei 11.645/2008 ainda são formais, ligadas a aspectos contingenciais e a ações individualizadas. Entretanto, as contradições que movem as relações educativas e formativas dos professores e estudantes do Curso de Licenciatura em História da UFRGS criam as condições necessárias para a própria objetivação das práticas educativas emanadas dos princípios da Lei, superando o currículo com matizes eurocêntricas, baseado no quadripartismo francês e que imputa o caráter opcional/eletivo ao ensino da história da África. O ensino de História africana se desenvolveu, mas ainda não está estruturado. As representações sociais dos sujeitos entrevistados se mostraram conflitantes, pois, ao mesmo tempo, que observavam o desenvolvimento do interesse de alguns estudantes quanto ao tema, que agora é reforçado pela aprovação do ingresso via cotas étnico-raciais, também levavam em conta o desconhecimento da lei 10.639/2003 pela maioria dos estudantes. Os fundamentos eurocêntricos do currículo ainda se manifestam no processo de formação de professores. Neste sentido, seguindo a décima primeira tese Ad Feuerbach de Marx, além de interpretar e compreender o fenônemo, construí propostas de efetiva-ação do ensino de História da África que não sejam apenas uma inserção mecânica de conteúdos no atual currículo, mas a construção de uma transversalidade deste tema, que reconheça e valorize a contribuição fundamental da cosmovisão africana no Brasil.

This dissertation explores issues of gender politics, market segmentation, and taste through an examination of the contributions of several artists who have achieved Adult Contemporary (AC) chart success. The scope of the project is limited to a period when many artists who figured prominently in both the broader mainstream of American popular music and the more specific Adult Contemporary category were most commercially viable: from the mid-1980s through the 1990s. My contention is that, as gender politics and gendered social norms continued to change in the United States at this time, Adult Contemporary – the chart, the format, and the associated music – was an important, if overlooked or even trivialized, arena in which these shifting gender dynamics played out. This dissertation explores the significance of the Adult Contemporary format at the end of the twentieth century through analysis of chart performance, artist image, musical works, marketing, and contextual factors. By documenting these relevant social, political, economic, and musical factors, the notable role of a format and of artists neglected by scholars becomes clear. I explore these issues in the form of lengthy case studies. Examinations of how Adult Contemporary artists such as Michael Bolton, Wilson Phillips, Matchbox Twenty, David Gray, and Mariah Carey were produced and marketed, and how their music was disseminated, illustrate record and radio industry strategies for negotiating the musical, political, and social climate of this period. Significantly, musical and lyrical analyses of songs successful on AC stations, and many of their accompanying promotional videos highlight messages about musical genre, gender, race, and age. This dissertation ultimately demonstrates that Adult Contemporary-oriented music figured significantly in the culture wars, second and third wave feminism, expressions of masculinity, Generation-X struggles, postmodern identity, and market segmentation. This study also illustrates how the record and radio industries have managed audience composition and behavior to effectively and more predictably produce and market music in the United States. This dissertation argues that, amid broader social determinations for taste, the record industry, radio programmers, and Billboard chart compilers and writers have helped to make and reinforce certain assumptions about who listens to which music and why they do so. In addition, critics have weighed in on what different musical genres and artists have offered and for whom, often assigning higher value to music associated with certain genres, socio-political associations, and listeners while claiming over-commercialization, irrelevance, aesthetic insignificance, and bad taste for much other music.

Defence date: 17 October 1997
Examining Board: Prof. Michael Brett, S.O.A.S. (University of London) ; Prof. Kirti N. Chaudhiri, Supervisor (European University Institute, Florence) ; Prof. Laurence Fontaine (European University Institute, Florence) ; Prof. José Luis Urteaga, Co-supervisor (Universitat de Barcelona)
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
Abstract extracted from the beginning of the introduction.
The existence of Africa was widely appreciated in southern Europe since Antiquity. Its proximity to the coasts of Greece and Italy on the one hand, and the wide-ranging expansion of the Roman Empire on the other, had indeed revealed the existence of African territories on the other side of the mare nostrum. From the earliest times then, the southern shores of the Mediterranean were easily integrated into the classical ecumene, defined as a mental continuum of inhabitable space not fragmented into continents. No independent idea of Africa could thus arise in Classical Antiquity, nor did it appear in the Middle Ages. As shall be argued throughout this work, it is not until the Renaissance that the idea of Africa finally emerged.

This dissertation investigates the impact of the New York City-based Liberator magazine on the expansion and dissemination of African American political outlooks in the decade between 1960 and 1971. This study explores the history of this magazine as a critical political and cultural formation of these years. Growing out of the tradition of labor, Left-oriented radicalism as well as earlier forms of Black Nationalism at the turn of the 20th century, the Liberator provided an indispensable forum where many of the national and international concerns facing Black people could be discussed and debated. In its early days as the organ of the short-lived Liberation Committee for Africa and after, Liberator delivered cutting-edge political, social and cultural analyses of Black radicalism. Therefore, in accounting for the transition period between the Civil Rights Movement and Black Power radicalism, I argue that Liberator represents an important example of the strategic efforts of African American intellectuals, artists, and activists to shape autonomous political spaces through the establishment of a radical print culture.

The study investigates the educational role of the public service broadcaster in post-apartheid South Africa. The aim was to investigate the educational role of the programme Shift as part of the content offering of the public broadcaster and the extent to which it satisfies the educational needs of its audiences. The main objective of the study is to investigate factors that influence the educational role of the SABC. The study focused on three different forms of educational television which are the formal, informal and no-formal education. The theoretical point of departure is the critical political economy theory, and the public interest theory which focuses on the interests of the public. A content analysis of Shift was conducted to determine the educational role of this programme. The study also investigates how political and economic factors influence the educational role of the SABC in the post-apartheid South Africa. The study also examines the impact that media funding can have on the educational role of the public broadcaster. The episodes of Shift are analysed in order to understand if political and economic factors can influence the educational role of the SABC. The study critically analysed whether the relevant media policies are driven by profit making motives.
Communication Science
M.A. (Communication)

This Thesis is an analytical investigation of the i mpact of the 1994 Rwandan genocide in the Great Lakes Region of Africa. It focuses on the vio lent conflicts and instability that marked the Democratic Republic of Congo (DRC), particularl y the eastern DRC region since 1996- 2006. The DRC hosted about 1.25 million Rwandan Hut u refugees (including the ex-Forces Armeés Rwandaises and Hutu militiamen) following the hundred atrocio us days of the 1994 genocide under Hutu-led government in Rwanda. This study assesses rigorously the role of the 1994 Rwandan Hutu refugees in the eastern DRC c onflicts. The theoretical framework of this research is the E rvin Staub’s Basic Needs perspective. This theoretical model provides an analytical tool to ex amine a myriad of factors underlying mass violence and genocide. Factors such as difficult li fe conditions, group cultural history, social psychological factors and context create an enhance d potential for movement along a path of violent conflicts with hallmarks including moral ex clusion, stigmatization, dehumanization and impunity. The tool of qualitative textual analy sis of relevant scholarly and non-scholarly documents in the subject area is used. A whole rang e of issues comprising the conflicts in Rwanda, Burundi and DRC before and after the 1994 R wanda genocide is assessed: ethnicity, ideologies, refugees, rebel groups in DRC conflicts , socio-economical contexts. In analyzing the data I have employed content analysis. The results of this study point out that, factors s uch as difficult life conditions, ideologies of hatred, economical and political crises that marked the Great Lakes Region of Africa have created a climate conducive to conflicts. Furthermo re, the research shows that the 1994 Rwandan Hutu refugees, particularly the ex-FAR and Hutu militiamen, contributed in the escalation of violent conflicts in eastern DRC. Thi s corroborates the scholars finding that refugees are not only the unfortunate victims of co nflict and the by-product of war; they are also important political actors who can play an act ive role in conflict dynamics and instability (Salehyan 2007: 127; Collier in Furley 2006:2). The study ends with recommendations for peace and sustainable stability and development in the Great Lakes Region of Africa: comprehending and addressing thoroughly the roots c auses of conflicts, promoting and implementing policies and mechanisms for good gover nance, economic development, respect of human rights and justice, addressing effectively the issue of refugees and reconciliation.
Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2009.