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1

Long, Hilary E. 'Acting good parts well' : Sir Ian McKellen in Shakespeare. Birmingham : University of Birmingham, 2000.

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2

Lim, Ana Valdes. Theater for wellness : Creative techniques to be well and whole. Mandaluyong City, Philippines : Anvil Publishing Inc., 2014.

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3

Cipes, Bret. Will Hollywood love you ? : How to become well paid, part time actors & models, not just in Hollywood, but everywhere ! Tavares, FL : Prudhomme Press, 1992.

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4

Kipnis, Lois. Have you ever-- bringing literature to life through creative dramatics : Easy to use creative dramatics lessons for well-known stories and poems. Hagerstown, Md : Alleyside Press, 1994.

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5

Office, United States Bureau of Land Management Rock Springs Field. Comparative analysis report, Texaco Stagecoach draw unit, revised proposed action. Rock Springs, Wyo : The Office, 1999.

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6

Office, United States Bureau of Land Management Rock Springs Field. Comparative analysis report, Texaco Stagecoach draw unit, revised proposed action. Rock Springs, Wyo : The Office, 1999.

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7

Baxendale, Trevor. Wishing Well. London : Ebury Publishing, 2008.

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8

Wodicka, Tod. All shall be well ; and all shall be well ; and all manner of things shall be well. New York : Vintage Contemporaries, 2009.

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9

Wodicka, Tod. All Shall Be Well ; And All Shall Be Well ; And All Manner of Things Shall Be Well. New York : Knopf Doubleday Publishing Group, 2008.

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10

Wodicka, Tod. All shall be well ; and all shall be well ; and all manner of things shall be well. London : Jonathan Cape, 2007.

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11

Saint-Sernin, Bertrand. L' action politique selon Simone Weil. Paris : Cerf, 1988.

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12

National Outdoor Action Conference on Aquifer Restoration, Ground Water Monitoring, and Geophysical Methods (4th 1990 Las Vegas, Nev.). Proceedings of the Fourth National Outdoor Action Conference on Aquifer Restoration, Ground Water Monitoring, and Geophysical Methods. [Dublin, OH] : National Water Well Association, 1990.

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13

Chalker, Jack L. Echoes of the well of souls : A Well World novel. New York : Ballantine Books, 1993.

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14

Yaeger, Marshall. Acting Well. Circles International, 2001.

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15

Yaeger, Marshall, Rodman Shankle et Roy Scheider. Acting Well to Age Well. Circles International, 2002.

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16

Osnes, Mary Beth. Acting. ABC-CLIO, 2001. http://dx.doi.org/10.5040/9798400606663.

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A groundbreaking, cross-cultural reference work exploring the diversity of expression found in rituals, festivals, and performances, uncovering acting techniques and practices from around the world. Acting: An International Encyclopediaexplores the amazing diversity of dramatic expression found in rituals, festivals, and live and filmed performances. Its hundreds of alphabetically arranged, fully referenced entries offer insights into famous players, writers, and directors, as well as notable stage and film productions from around the world and throughout the history of theater, cinema, and television. The book also includes a surprising array of additional topics, including important venues (from Greek amphitheaters to Broadway and Hollywood), acting schools (the Actor's Studio) and companies (the Royal Shakespeare), performance genres (from religious pageants to puppetry), technical terms of the actor's art, and much more. It is a unique resource for exploring the techniques performers use to captivate their audiences, and how those techniques have evolved to meet the demands of performing through Greek masks and layers of Kabuki makeup, in vast halls or tiny theaters, or for the unforgiving eye of the camera.
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17

Mcgehee, Les. Les McGehee Plays Well With Others : A "Grown-Up" Handbook of Improvisation and Play. Dalton Publishing, 2006.

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18

Petersen, David. The Well-Tempered Body : Expressive Movement for Actors, Improvisers, and Performance Artists. Lulu.com, 2007.

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19

Williamson, Timothy. Acting on Knowledge. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198716310.003.0008.

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This chapter develops and refines the analogy between knowledge and action in Knowledge and its Limits. The general schema is: knowledge is to belief as action is to intention. The analogy reverses direction of fit between mind and world. The knowledge/belief side corresponds to the inputs to practical reasoning, the action/intention side to its outputs. Since desires are inputs to practical reasoning, the desire-as-belief thesis is considered sympathetically. When all goes well with practical reasoning, one acts on what one knows. Belief plays the same local role as knowledge, and intention as action, in practical reasoning. This is the appropriate setting to understand knowledge norms for belief and practical reasoning. Marginalizing knowledge in epistemology is as perverse as marginalizing action in the philosophy of action. Opponents of knowledge-first epistemology are challenged to produce an equally systematic and plausible account of the relation between the cognitive and the practical.
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20

Candido, Kenneth D., et Teresa M. Kusper. Long-Acting Perioperative Opioids. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780190457006.003.0009.

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Opioid medications are extensively utilized in the management of acute and chronic pain in the outpatient and inpatient clinical settings, as well as being used worldwide during both routine and complex surgeries. They have a long-standing, proven history of providing pain control during the perioperative period and have become an indispensable element of postsurgical analgesia. This chapter describes perioperative application of opioid medications, with a special focus on the long-acting opioids, morphine and hydromorphone. Most common side effects engendered using these agents and the remedies available for the treatment of those side effects are briefly discussed. Finally, the chapter provides a concise summery of various factors influencing the effectiveness of opioid analgesics, as well as analgesic considerations for special patient populations.
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21

Rushe, Sinéad. Michael Chekhov’s Acting Technique. Bloomsbury Publishing Plc, 2019. http://dx.doi.org/10.5040/9781472503459.

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Intended for actors, directors, teachers and researchers, this book offers an exceptionally clear and thorough introduction to the renowned acting technique developed by Michael Chekhov. Sinéad Rushe’s book provides a complete overview of the whole method, and includes illuminating explanations of its principles, as well as a wide range of practical exercises that illustrate, step by step, how they can be applied to dramatic texts. Part One provides an outline of the ideas that underpin the work, which help to prepare practitioners to become responsive and receptive, and to awaken their imagination. Part Two charts a journey through the foundational psychophysical exercises that can both orient an actor's training routine and be applied directly to the development of a role. Part Three focuses on more specific and elaborate methods of scene work, characterisation and the art of transformation. Drawing on the full range of Chekhov's writing in English and French, this book also examines unpublished material from the Dartington Hall archives and features interviews with actors who have worked with the technique, including Simon Callow and Joanna Merlin. It illustrates Chekhov’s approach by referring to Rushe's own productions of Nikolai Gogol's short story Diary of a Madman and Shakespeare's Othello, as well as characters and scenes in Sarah Kane's Blasted and the contemporary American television series Breaking Bad. Michael Chekhov’s Acting Technique is an accessible, comprehensive and contemporary point of reference for those already trained in the method, as well as an initiation and toolkit for practitioners who are just beginning to discover it.
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22

Goodman, Jane E. Acting with One Voice. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190652807.003.0010.

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This chapter offers a critique of the well-worn claim that voluntary civic associations are inherently democratizing, modernizing forces. In 1930s‒1950s urban Algeria, unanimism—monological expression of unanimous group consensus in public rituals such as voting—was both what theater companies portrayed onstage and how they operated offstage. Contrary to theorists from Tocqueville to Habermas to Huntington, civic associations can have monological tendencies in which dialogism and plurality are downplayed. There are three possible sources of Algerian interest in public displays of unanimity. One is the Islamic reformist doctrine of tawḥīd, which holds that Muslims must unite in an emphatic return to principles of monotheism. Another is forms of practice found in traditional Berber village assemblies. The third is the machinations of the colonial state, which grouped all Algerians together as Muslims, “thus making Islam emerge as the single factor around which the indigenous population could unite.”
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23

Maitra, Ishani. Lying, Acting, and Asserting. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198743965.003.0004.

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This chapter defends the intent-to-deceive conception of lying against the challenge posed by bald-faced lies. It argues that bald-faced lies aren’t lies, because they’re not assertions. The chapter begins by arguing that lies must be assertions. Next, it sketches a view of assertion according to which a constitutive rule of asserting is being responsive to evidence in a particular way. Then, focusing on two well-known examples of bald-faced lies, it argues that those speakers don’t assert anything; rather, they do something more like what an actor does. The argument thus removes an important objection to the intent-to-deceive tradition. It also offers a different way of thinking about lying. Defenders of bald-faced lies sometimes describe them as attempts to ‘go on record’. This chapter defends an alternate view according to which lying involves taking a kind of (epistemic) responsibility for the content of one’s utterance.
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24

Mancino, Regina, et Bret Cipes. Will Hollywood Love You ? : How to Become Well Paid, Part-Time Actors and Models, Not Just in Hollywood, but Everywhere ! Prudhomme Press, 1991.

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25

Moore, Arden, et Dale L., M.D. Anderson. Never Act Your Age : Play the Happy Childlike Role Well at Every Age. Beaver's Pond Press, 2002.

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26

Donovan, Thomas. English Historical Plays V2 : Shakespeare, Marlowe, Peele, Heywood, Fletcher And Ford ; Arranged For Acting As Well As For Reading. Kessinger Publishing, LLC, 2007.

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27

Donovan, Thomas. English Historical Plays V2 : Shakespeare, Marlowe, Peele, Heywood, Fletcher And Ford ; Arranged For Acting As Well As For Reading. Kessinger Publishing, LLC, 2007.

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28

Stone, Doctor Daniel. Truvada : The Fast Acting Prep Medication Used to Effectively Treat Human Immunodeficiency Virus Infection As Well As Reduce the Risk of Contracting HIV. Independently Published, 2019.

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29

Company, Deming. Pumping Machinery : For Operation by Any Power : Single and Double Acting Triplex Pumps for Various Services, Deep Well Power Working Heads, Artesian Well Cylinders, Rotary and Centrifugal Pumps Manufactured by the Deming Company, Salem, Ohio, U. S. a. Creative Media Partners, LLC, 2018.

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30

Company, Deming. Pumping Machinery : For Operation by Any Power : Single and Double Acting Triplex Pumps for Various Services, Deep Well Power Working Heads, Artesian Well Cylinders, Rotary and Centrifugal Pumps Manufactured by the Deming Company, Salem, Ohio, U. S. a. Creative Media Partners, LLC, 2022.

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31

Company, Deming. Pumping Machinery : For Operation by Any Power : Single and Double Acting Triplex Pumps for Various Services, Deep Well Power Working Heads, Artesian Well Cylinders, Rotary and Centrifugal Pumps Manufactured by the Deming Company, Salem, Ohio, U. S. a. Creative Media Partners, LLC, 2018.

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32

Company, Deming. Pumping Machinery : For Operation by any Power : Single and Double Acting Triplex Pumps For Various Services, Deep Well Power Working Heads, Artesian ... by the Deming Company, Salem, Ohio, U.S.A. Franklin Classics, 2018.

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33

Norman, Mitch. Well, Fare Thee Well. FeedARead.com, 2013.

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34

Briley, Mike. Well. AuthorHouse, 2008.

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35

Comparative analysis report, Texaco Stagecoach draw unit, revised proposed action. Rock Springs, Wyo : The Office, 1999.

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36

Beach, Rex. Ne'er-Do-Well. Independently Published, 2019.

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37

Beach, Rex. Ne'Er-Do-Well. Wildside Press, LLC, 2008.

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38

Beach, Rex. Ne'Er-Do-Well. Wildside Press, LLC, 2008.

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39

Beach, Rex. Ne'Er-Do-Well. Wildside Press, LLC, 2008.

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40

Beach, Rex. Ne'Er-Do-Well. Wildside Press, LLC, 2008.

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41

Pinero, Sir Arthur Wing. Trelawny of the "Wells" (Acting Edition). Samuel French Ltd, 1995.

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42

Olfert, C. M. M. Rational Action and Fitting Oneself to the World. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190281007.003.0004.

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In Chapter 4, I argue that a proper understanding of practical truth improves our understanding of the goal of practical reasoning: acting well. It does so, first, by improving our understanding of what it means for rational motives, including wishes (boulêseis) and decisions (prohaireseis), to be “rational.” I argue that these are “rational” motives in that they express a concern for practical truth. Second, my account of practical truth transforms our understanding of rational action itself. I argue that when we act on our rational motives, these actions have a striking and under-appreciated feature: they are attempts to fit ourselves to the world. Just as a concern for truth expressed in thought involves trying to fit our thoughts to the way the world is, a concern for truth expressed in motivation and action involves trying to fit ourselves and our actions to what is good in the world.
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43

Harper, Scott. Well Wishes. Lulu.com, 2006.

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44

Comparative analysis report, Texaco Stagecoach draw unit, revised proposed action. Rock Springs, Wyo : The Office, 1999.

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45

NoWry, T. R. Hell from a Well. Lulu Press, Inc., 2008.

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46

keith, steven ross. Well of Time. Lulu Press, Inc., 2010.

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47

keith, steven ross. Well of Time. Lulu Press, Inc., 2010.

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48

Pennington, Carolyn. Black Gum Well. Dorrance Publishing Company, Incorporated, 2020.

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49

Sarracino, Francesco. Happiness Compass : Theories, Actions and Perspectives for Well-Being. Nova Science Publishers, Incorporated, 2013.

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50

Lindsay-Parkinson, Michael. Bloody Well Bothered. Trafford Publishing, 2007.

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