Articles de revues sur le sujet « Académie française. – History »

The National Institute of Science and the Arts, founded in 1795, consists of parallel academies, concerned with science, literature, the visual arts and so on. In the nineteenth century it represented a unique government-sponsored intellectual authority and a supreme court judgement, a power which came to be resented by innovators of all kinds. The Académie des sciences held a virtual monopoly in representing French science but soon this came to be challenged. In the period of the Second Empire (1852–70) we find a group of men carving out a new career for themselves as professional popularizers of science, commissioned to write regular articles in newspapers and journals. Although they had begun by simply reporting the meetings of the Académie des sciences, they soon widened their scope and even began criticizing the august Académie. Thus they represented the alternative voice of science, distinct from ‘official science’. These independent writers had their counterpart in painting and literature, both of which were developing radical new approaches in mid-century. When the very traditional Fine Art Academy refused to consider their paintings, painters like Cézanne and Manet found an alternative outlet. Writers too asserted their independence from the Académie française. There were not only many parallels between the independent practitioners in science, painting and literature but also new schools of ‘naturalism’ in painting and literature which looked to science as a model.

The early-modern French translations of Erasmus’ Praise of Folly show an astonishing adaptability to its ever changing readerships. Much attention has been paid recently to the two sixteenth-century translations (1518 and 1520) and their intended readers—royal and bourgeois respectively. The three French translations of the seventeenth and eighteenth centuries are less known but all the more intriguing. In 1642 Folly addresses herself to the French pre-classicist readers, adepts of Richelieu’s new Académie Française—although her translator, Hélie Poirier, was a Protestant refugee, recently settled in the Netherlands. In 1671 Folly seeks her readers in the Parisian salons, satirizing the same societal wrongs as her great contemporary Molière in Tartuffe and Les femmes savantes. The successful translation by Nicolas Gueudeville (22 editions from 1713 onward) is also a chameleon: originally translated and printed in Leiden, the text gradually becomes more Parisian with each passing edition. Folly’s language is bowdlerized according to the principles of bienséance, and Vianen’s illustrations, based on Holbein, are discarded as rude and old-fashioned. In 1751 they are replaced by Charles Eisen’s elegant, long-limbed, periwigged figures, dressed to the latest fashion. Although she changes her name (Moria/Stultitia—Dame Sottise—Dame Folie), her language (from humanist Latin to Parisian French), her appearance and attire (from Holbein to Eisen), Folly remains much the same through the ages—everlasting and omnipresent, just as the vices she laughs at.

In the long history of French translations of Vergilian Eclogues, the work of M. Pagnol (1895-1974) has a special place. The novelist, playwright and filmmaker (the first one of them elected to Académie Française) published his version of pastoral poems in 1958, two years after the highly artistic edition of P. Valéry. In a sociocultural approach, Pagnol’s translation is usually considered as a sophisticated tool of marketing used to remodel the image of the author. The popular and rich star of French theatre and cinema is not really accepted neither by academic literature nor by the movements of literary radicalism because of his regional features and his cheap sentimentalism. By translating Virgil in a quasi-academic way, by editing a text with a preface, commentary and notes, Pagnol would highlight his erudition and postulate a place for himself among the Classics. Nevertheless, his very funny and personal way to interpret Virgil, his cultural commentaries, and his ethical remarks based on the norms of modern urban society make the Latin poet accessible for a very wide audience. The current paper focuses on the aesthetic features of his work. Being born in Provence, passionate of the Mediterranean landscape and highly influenced by classical mythology, Pagnol appears to emphasize the Latin origins of his homeland, the cultural and ethnical continuity between the Antiquity and the 20th century, with a strong apparent wish to revive thousand-year-old traditions.

In the long history of French translations of Vergilian Eclogues, the work of M. Pagnol (1895–1974) has a special place. The novelist, playwright and filmmaker (the first one of them elected to Académie Française) published his version of pastoral poems in 1958, two years after the highly artistic edition of P. Valéry. In a sociocultural approach, Pagnol’s translation is usually considered as a sophisticated tool of marketing used to remodel the image of the author. The popular and rich star of French theatre and cinema is not really accepted neither by academic literature nor by the movements of literary radicalism because of his regional features and his cheap sentimentalism. By translating Virgil in a quasi-academic way, by editing a text with a preface, commentary and notes, Pagnol would highlight his erudition and postulate a place for himself among the Classics. Nevertheless, his very funny and personal way to interpret Virgil, his cultural commentaries, and his ethical remarks based on the norms of modern urban society make the Latin poet accessible for a very wide audience. The current paper focuses on the aesthetic features of his work. Being born in Provence, passionate of the Mediterranean landscape and highly influenced by classical mythology, Pagnol appears to emphasize the Latin origins of his homeland, the cultural and ethnical continuity between the Antiquity and the 20th century, with a strong apparent wish to revive thousand-year-old traditions.

What are we to do with english? Of all the major languages of the world, it causes the most anxiety. Its words seem to want to invade the citadels of other languages, forcing institutions such as the Académie Française to call for barricades against it; in the enclaves of Englishness, a Celtic fringe struggles to hold on to the remnants of the mother tongue; and in most parts of the world those without the ostensibly anointed language often see themselves as permanently locked out of the spring-wells of modernity. Sometimes the global linguistic map appears to be a simple division between those with English and those without it. In the reaches of the former British Empire, a swath of the globe stretching from Vancouver east to the Malay Peninsula, English has come to be seen as an advantage in the competitive world of global politics and trade; in the emerging powers of East Asia, most notably China and South Korea, the consumption of global English is evident in the huge sale of books on English as a second language; in parts of the world traditionally cut off from English, including eastern Europe, the mastery of the language marks the moment of arrival. Most linguistic research on English is carried out in institutions in the Germanic and Nordic zones of northern Europe. In popular books on language and in serious linguistic studies, a powerful myth of English as the global language has taken hold. We are presented not with a world at the end of history but with one in which English sits at the center of a new global community: “English-speaking people and their culture are more widespread in numbers and influence than any civilization the world has ever seen,” claims Robert McCrum (257).

Michel Serres with Bruno Latour, Conversations on Science, Culture, and Time. Ann Arbor: University of Michigan Press, 1995. Pp. 204. ISBN 0-472-09548-X, £31.50, $44.50 (hardback); 0-472-06548-3, no price given (paperback).Michel Serres (ed.), A History of Scientific Thought. Oxford: Blackwell, 1995. Pp. viii+760. ISBN 0-631-17739-6. £75.00, $100.00.Michel Serres is one of the best-known philosopher-critics in France, and his name is likely to draw many readers to these two books. With sales of 50,000 copies of his La Légende des anges (1993; trans., Paris, 1995), 100,000 copies of Le Contrat naturel (1990; trans., Ann Arbor, 1995) and 300,000 copies of Le Tiers-instruit (1991; trans., forthcoming), Serres's official eminence (he was elected to the Académie Française in 1990) is more than matched by contemporary popularity. Originally trained in mathematics and logic, Serres undertook doctoral research with Gaston Bachelard – and it shows. Even at his most allusive, Serres's dexterous prose often slips into neat axiomatic and Euclidean certainties, while one can see much of both his aggressively anti-epistemological stance and his easy traffic across the science–poetics divide as an effort to distance himself from his former mentor. But, like Bachelard, Serres has a commanding range, is hugely prolific and writes – if one may say this of one of the ‘Immortals’ – with a glee and innocence that one associates with the rank amateur.Serres, a professor of the history of science at the Sorbonne, is no amateur. ‘History of science’, he has said, ‘that's my trade’. So it may be, yet many, hearing of his forays into the history of angelology, the natural rights of trees, the iconography of Tintin and the moral status of airport terminals, are entitled to ask whether Serres is to be trusted. Put another way, should one take Serres seriously? The question is worth asking at the outset, for there is little more aggravating than intellectual energy and enthusiasm one feels with hindsight to have been misplaced. How many readers of Michel Foucault, one wonders, were shocked to find him saying in his last lectures that he admired Diogenes the Cynic, the shameless philosopher who masturbated in the Athenian public square, pour épater les bourgeois, so to speak? Maybe Foucault's oeuvre was a similar snub from a maître-penseur – a kind of masterpation, if you will.

Publicamos una pequeña serie de monedas, relacionadas con las piezas conocidas inicialmente como de ejemplares “tipo Auriol”. Se trata de varias imitaciones greco-massaliotas, relacionadas con el ciclo numismático griego del Occidente mediterráneo. La importante novedad de las mismas se fundamenta en el lugar de hallazgo, pues este se ha producido en una zona interior de la Península Ibérica, donde hasta el momento no se había documentado el descubrimiento de numismas de este tipo. Palabras clave: moneda, imitaciones, edetanosTopónimos: Massalia, Emporion, AuriolPeriodo: Edetanos ABSTRACTThe text presents a small series of coins, similar to those initially known as "Auriol type". These are various Greek-Massalian imitations, related to the Greek numismatic cycle of the Western Mediterranean. What makes these coins particularly interesting is their place of discovery, since they were found in an inland area of the Iberian Peninsula, where the appearance of specimens of this type had not previously been documented. Keywords: coin, imitations, AuriolPlace names: Massalia, Emporion,Period: edetans REFERENCIASAmorós, J. V. (1934), Les monedes emporitanes anteriors a les dracmes, Barcelona, Gabinet Numismàtic de Catalunya.Arévalo González, A. (2002), “La moneda griega foránea en la Península Ibérica”, en Actas del X Congreso Nacional de Numismática, Madrid, Museo Casa de la Moneda, pp. 1-15.Babelon, E. C. F. (1901), Traité des monnaies grecques et romaine, vol. 1, Paris, Ernest Leroux Editeur.Benezet, J., Delhoeste, J. Lentillon, J.-P. (2003), “Une monnaie du “type d´Auriol” dans la plaine roussillonnaise”, Cahiers Numismatiques, 158, pp. 5-8.Blancard, M. 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A palavra governança não é nova. Ela perpassa por diversos períodos da história e assume significados específicos em determinadas épocas e países. Atualmente, o conceito de governança designa todos os procedimentos institucionais das relações de poder e das formas de gestão públicas ou privadas, tanto formais como informais, que regem a ação política dos atores. O objetivo deste artigo é problematizar os fatores explicativos das teorias institucionalistas que tratam a governança territorial como uma condição necessária para estabelecer compromissos entre os atores, com vistas ao desenvolvimento econômico, social e político das metrópoles, das cidades e seus territórios locais e regionais. Enfrentar as lacunas do debate acadêmico e coadunar os conceitos da literatura internacional referente à governança territorial, em especial a de matriz francesa, com a nacional, são um dos principais contributos deste artigo. REVISITING TERRITORIAL GOVERNANCE: INSTITUTIONAL DEVICES, INTERMEDIATE NOTIONS AND REGULATORY LEVELS Abstract The word governance is not new. It goes through different periods of history and takes specific meanings in certain times and countries. Currently, the concept of governance can be defined as institutional procedures of power relations and of public or private forms of management, which can be formal as well as informal, that govern political actions of political actors. The purpose of this article is to analyze the explanatory factors of institutionalist theories that approach territorial governance as a necessary condition to establish compromises among actors, seeking an economic, social, and political development of metropolis, cities, and their regional and local territories. One of the main contribution of this paper is to address the gaps in academic debate, and to relate national Brazilian concepts to international literature concerning territorial governance, in particular the French theoretical framework. Keywords: Institutional forms; territorial governance; modes of regulation. LA GOUVERNANCE TERRITORIALE REVISEE: DISPOSITIFS INSTITUTIONNELS, NOTIONS INTERMÉDIAIRES ET NIVEAUX DE RÉGULATION Resumé Le mot gouvernance n'est pas nouveau. Il traverse diverses périodes de l'histoire et prend des significations spécifiques à certains moments et pays. Actuellement, le concept de gouvernance désigne toutes les procédures institutionnelles de relations de pouvoir et de formes de gestion publiques ou privées, formelles ou informelles, qui régissent l'action politique des acteurs. L'objectif de cet article est de problématiser les facteurs explicatifs des théories institutionnalistes qui traitent la gouvernance territoriale comme une condition nécessaire pour établir des compromis entre les acteurs, en vue du développement économique, social et politique de la métropole, des villes et de leurs territoires locaux et régionaux. Faire face aux lacunes du débat académique en accord avec les concepts de la littérature internationale sur la gouvernance territoriale, notamment la matrice française, avec la matrice nationale, sont l'une des contributions majeures de cet article. Mots-clés: Formes institutionnelles; gouvernance territoriale; modes de régulations

A palavra governança não é nova. Ela perpassa por diversos períodos da história e assume significados específicos em determinadas épocas e países. Atualmente, o conceito de governança designa todos os procedimentos institucionais das relações de poder e das formas de gestão públicas ou privadas, tanto formais como informais, que regem a ação política dos atores. O objetivo deste artigo é problematizar os fatores explicativos das teorias institucionalistas que tratam a governança territorial como uma condição necessária para estabelecer compromissos entre os atores, com vistas ao desenvolvimento econômico, social e político das metrópoles, das cidades e seus territórios locais e regionais. Enfrentar as lacunas do debate acadêmico e coadunar os conceitos da literatura internacional referente à governança territorial, em especial a de matriz francesa, com a nacional, são um dos principais contributos deste artigo. REVISITING TERRITORIAL GOVERNANCE: INSTITUTIONAL DEVICES, INTERMEDIATE NOTIONS AND REGULATORY LEVELS Abstract The word governance is not new. It goes through different periods of history and takes specific meanings in certain times and countries. Currently, the concept of governance can be defined as institutional procedures of power relations and of public or private forms of management, which can be formal as well as informal, that govern political actions of political actors. The purpose of this article is to analyze the explanatory factors of institutionalist theories that approach territorial governance as a necessary condition to establish compromises among actors, seeking an economic, social, and political development of metropolis, cities, and their regional and local territories. One of the main contribution of this paper is to address the gaps in academic debate, and to relate national Brazilian concepts to international literature concerning territorial governance, in particular the French theoretical framework. Keywords: Institutional forms; territorial governance; modes of regulation. LA GOUVERNANCE TERRITORIALE REVISEE: DISPOSITIFS INSTITUTIONNELS, NOTIONS INTERMÉDIAIRES ET NIVEAUX DE RÉGULATION Resumé Le mot gouvernance n'est pas nouveau. Il traverse diverses périodes de l'histoire et prend des significations spécifiques à certains moments et pays. Actuellement, le concept de gouvernance désigne toutes les procédures institutionnelles de relations de pouvoir et de formes de gestion publiques ou privées, formelles ou informelles, qui régissent l'action politique des acteurs. L'objectif de cet article est de problématiser les facteurs explicatifs des théories institutionnalistes qui traitent la gouvernance territoriale comme une condition nécessaire pour établir des compromis entre les acteurs, en vue du développement économique, social et politique de la métropole, des villes et de leurs territoires locaux et régionaux. Faire face aux lacunes du débat académique en accord avec les concepts de la littérature internationale sur la gouvernance territoriale, notamment la matrice française, avec la matrice nationale, sont l'une des contributions majeures de cet article. Mots-clés: Formes institutionnelles; gouvernance territoriale; modes de régulations

A palavra governança não é nova. Ela perpassa por diversos períodos da história e assume significados específicos em determinadas épocas e países. Atualmente, o conceito de governança designa todos os procedimentos institucionais das relações de poder e das formas de gestão públicas ou privadas, tanto formais como informais, que regem a ação política dos atores. O objetivo deste artigo é problematizar os fatores explicativos das teorias institucionalistas que tratam a governança territorial como uma condição necessária para estabelecer compromissos entre os atores, com vistas ao desenvolvimento econômico, social e político das metrópoles, das cidades e seus territórios locais e regionais. Enfrentar as lacunas do debate acadêmico e coadunar os conceitos da literatura internacional referente à governança territorial, em especial a de matriz francesa, com a nacional, são um dos principais contributos deste artigo. REVISITING TERRITORIAL GOVERNANCE: INSTITUTIONAL DEVICES, INTERMEDIATE NOTIONS AND REGULATORY LEVELS Abstract The word governance is not new. It goes through different periods of history and takes specific meanings in certain times and countries. Currently, the concept of governance can be defined as institutional procedures of power relations and of public or private forms of management, which can be formal as well as informal, that govern political actions of political actors. The purpose of this article is to analyze the explanatory factors of institutionalist theories that approach territorial governance as a necessary condition to establish compromises among actors, seeking an economic, social, and political development of metropolis, cities, and their regional and local territories. One of the main contribution of this paper is to address the gaps in academic debate, and to relate national Brazilian concepts to international literature concerning territorial governance, in particular the French theoretical framework. Keywords: Institutional forms; territorial governance; modes of regulation. LA GOUVERNANCE TERRITORIALE REVISEE: DISPOSITIFS INSTITUTIONNELS, NOTIONS INTERMÉDIAIRES ET NIVEAUX DE RÉGULATION Resumé Le mot gouvernance n'est pas nouveau. Il traverse diverses périodes de l'histoire et prend des significations spécifiques à certains moments et pays. Actuellement, le concept de gouvernance désigne toutes les procédures institutionnelles de relations de pouvoir et de formes de gestion publiques ou privées, formelles ou informelles, qui régissent l'action politique des acteurs. L'objectif de cet article est de problématiser les facteurs explicatifs des théories institutionnalistes qui traitent la gouvernance territoriale comme une condition nécessaire pour établir des compromis entre les acteurs, en vue du développement économique, social et politique de la métropole, des villes et de leurs territoires locaux et régionaux. Faire face aux lacunes du débat académique en accord avec les concepts de la littérature internationale sur la gouvernance territoriale, notamment la matrice française, avec la matrice nationale, sont l'une des contributions majeures de cet article. Mots-clés: Formes institutionnelles; gouvernance territoriale; modes de régulations

Abstract Cet article renouvelle l’étude d’un cas aussi célèbre que singulier de la littérature française, à savoir, les six éditions augmentées des Caractères de Jean de La Bruyère. En replaçant celles-ci dans leur contexte éditorial, on démontre que, contrairement à ce qu’une majorité de la critique a voulu croire depuis le milieu du dix-neuvième siècle, ces rééditions ne constituent pas les brouillons d’une œuvre en cours d’élaboration. Elles correspondent plutôt à une logique de périodicité, révélant Les Caractères comme une plateforme médiatique qui permit à La Bruyère d’intervenir dans la politique et les querelles contemporaines, de proposer une alternative au Mercure galant (le grand périodique à la mode du règne de Louis XIV) et de faire progresser sa carrière. Au fil des rééditions, La Bruyère modifia subtilement sa posture afin d’être élu à l’Académie, transformant opportunément son ouvrage en monument littéraire. Sous le voile vénérable de la philosophie, Les Caractères se révèlent comme un livre dynamique, résolument impliqué dans les querelles contemporaines, conçu selon des stratégies médiatiques sophistiquées et qui constitue, en creux, un cas d’école pour l’historiographie des études littéraires. This article challenges fundamental assumptions about Jean de La Bruyère’s Les Caractères and the eight reissues of the work that were published in just six years — a unique case in canonical French literature. Contrary to critical refrains since the mid-nineteenth century, these editions should not be considered as drafts that preceded a definitive version. Following early modern editorial practices, the reissues are better understood within a concept of periodicity: Les Caractères functioned as a media platform that allowed La Bruyère to compete with the Mercure galant (the fashionable official media outlet of Louis XIV’s reign) to intervene in topical debates and secure election to the Académie française. Throughout the editions, he subtly re-oriented his positioning and moulded his work into a literary monument. Behind its venerable philosophical tone, Les Caractères reveals itself to be a dynamic book, tightly linked to contemporary issues and elaborated from sophisticated media strategies, as well as a textbook case in the historiography of French studies.