Littérature scientifique sur le sujet « 1954-2012 »
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Articles de revues sur le sujet "1954-2012"
Wilmut, I. « Keith Campbell (1954-2012) ». Science 338, no 6114 (20 décembre 2012) : 1553. http://dx.doi.org/10.1126/science.1233495.
Texte intégralCampbell, Philip. « Maxine Clarke (1954-2012) ». Nature 493, no 7430 (janvier 2013) : 13. http://dx.doi.org/10.1038/493013b.
Texte intégralOlivier, Gerrit. « Colin Richards (1954–2012) ». de arte 48, no 87 (janvier 2013) : 4–6. http://dx.doi.org/10.1080/00043389.2013.11877177.
Texte intégralHetherington, Stephen, et Mark Colyvan. « Alan Saunders (1954–2012) ». Australasian Journal of Philosophy 90, no 4 (décembre 2012) : 823–24. http://dx.doi.org/10.1080/00048402.2012.726505.
Texte intégralDarling, Eliza Jane. « Neil Smith 1954–2012 ». Dialectical Anthropology 36, no 3-4 (29 novembre 2012) : 353–68. http://dx.doi.org/10.1007/s10624-012-9285-7.
Texte intégralBomfim, Paulo, Clarissa Maciel Cavalcante et Rosana de Campos Fernandes. « Neil Smith, 1954-2012 ». Revista Geografias 17, no 1 (15 avril 2022) : 145–94. http://dx.doi.org/10.35699/2237-549x.2021.34402.
Texte intégralSmith, Angela K. « Mary Elizabeth Jacobs, 1954-2012 ». Journal of the Sylvia Townsend Warner Society 13, no 1 (1 décembre 2012) : 51–54. http://dx.doi.org/10.14324/111.444.stw.2012.05.
Texte intégralLong, D. Stephen. « Ralph Del Colle† 1954–2012 ». Pro Ecclesia : A Journal of Catholic and Evangelical Theology 22, no 3 (août 2013) : 249–54. http://dx.doi.org/10.1177/106385121302200302.
Texte intégralTrounson, Alan. « Keith H. Campbell (1954–2012) ». Nature 491, no 7423 (novembre 2012) : 193. http://dx.doi.org/10.1038/491193a.
Texte intégralEdwards, Kevin J., Rowan Ellis et Lorna J. Philip. « An Appreciation : Neil Smith (1954–2012) ». Scottish Geographical Journal 129, no 1 (mars 2013) : 54–56. http://dx.doi.org/10.1080/14702541.2012.739197.
Texte intégralThèses sur le sujet "1954-2012"
Robic-Diaz, Delphine. « La guerre d'Indochine dans le cinéma français (1945-2006) : image(s) d'un trou de mémoire ». Paris 3, 2007. http://books.openedition.org/pur/91438.
Texte intégralThe Indochina War is not merely the topic of several movies directed by former soldiers who enrolled in the “Army movie department” (Service cinématographique des armées) such as Pierre Schoenderffer or Claude Bernard-Aubert. For more than half a century, it has also been a mass phenomenon which tenuous but recurring presence can be felt in French fictions from all genres directed by such acclaimed filmmakers as Louis Malle, Claude Chabrol, Georges Lautner, Pierre Granier-Deferre, Yves Boisset, Gérard Corbiau, Bertrand Tavernier, Régis Wargnier, etc. The Indochina War is never clearly expressed in these films but it is never totally hushed as if it were a kind of cinematic repressed always attempting to return onscreen. As a cinematic blank mind, this conflict has been turned into a myth inherited from colonial cinema and renewed by the stakes of postcolonial representations. The many references to the Indochina War are thus often cryptic and always haunting. They point at a lapse or at a lack not only for the characters who tend to stigmatize this War (Indochina veterans) but also within the narratives that allude to it without staging it. To paraphrase the title of a book by Paul Ricoeur, the representation of the Indochina War in French cinema may be the perfect example of a potential link between History and Memory through Forgetfulness/Forgetting
Roussel, Noëllie. « Mike Kelley, stéréotypes et "the uncanny" : vers une anti-esthétique ». Paris 1, 2003. http://www.theses.fr/2003PA010670.
Texte intégralOltra, García Héctor. « EL COMPOSITOR VALENCIANO VICENTE RAMÓN RAMOS VILLANUEVA (1954-2012) : BIOGRAFÍA, CATÁLOGO DE OBRA Y FUNDAMENTOS ESTÉTICOS A TRAVÉS DEL ANÁLISIS MUSICAL DE SU OBRA CAMERÍSTICA ». Doctoral thesis, Universitat Politècnica de València, 2017. http://hdl.handle.net/10251/90471.
Texte intégralLa presente Tesis Doctoral centra su investigación monográficamente en la figura del compositor valenciano D. Vicente Ramón Ramos Villanueva (1954-2012), considerado uno de los compositores más relevantes del panorama musical contemporáneo valenciano de los últimos treinta años. Ante la inexistencia de estudios profundos sobre el autor, escaso tiempo tras su prematuro fallecimiento, los objetivos del presente trabajo están enfocados a alumbrar los diferentes planos que componen la figura del compositor valenciano: biográfico, catalográfico y analítico estético. La estructura y el contenido de la Tesis se define del siguiente modo: -I. INTRODUCCIÓN: Incluye la justificación del tema, el estudio detallado del estado de la cuestión, la definición de los objetivos y la planificación de la metodología y fuentes para la investigación. -II. RESULTADOS: Donde se expone el cuerpo de las investigaciones, dividido en tres planos que interaccionan acerca del autor. ·Plano biográfico: Donde se trata el lado humano del compositor situándonos en la comprensión de las coyunturas sociales, vitales y personales que condicionaron su desarrollo artístico (formación, influencias recibidas, labor desarrollada y evolución estética). Para ello se expone una breve descripción de los contextos socio-musicales, seguido de una amplia biografía cronológica dividida en etapas artístico-vitales, narrada detalladamente e ilustrada, y exponiendo una final aproximación a la personalidad del autor. ·Plano catalográfico: Se lleva a cabo la catalogación detallada del corpus completo del autor, hasta ahora inexistente, así como la crucial recuperación de las partituras de su grave situación de dispersión, reuniéndolas aquí en un Archivo Digital. ·Plano analítico y estético musical: A partir de las partituras recuperadas para el Archivo Digital se realiza en primer lugar un análisis musical de la producción camerística del autor, abordando un total de 56 obras analizadas que abarcan los 32 años de producción musical del autor. Para posteriormente, a partir de la observación y estudio global de los análisis realizados, establecer los fundamentos estéticos, estilísticos y temáticos del lenguaje musical de Ramón Ramos, pudiendo además en última instancia determinarse a lo largo de sus diferentes etapas artísticas la línea evolutiva de su estética musical. -III. CONCLUSIONES: Se exponen las conclusiones finales alcanzadas tras las investigaciones llevadas a cabo en los tres planos acerca del autor, así como los informes sobre los resultados obtenidos. Además, se apuntan las posibles tareas pendientes y las perspectivas de investigación que se abren a partir de la presente Tesis Doctoral. La Tesis finaliza con la enumeración de la IV. BIBLIOGRAFÍA consultada, y seguida por los ANEXOS documentales y en formato digital.
La present Tesi Doctoral centra la seua investigació monogràficament en la figura del compositor valencià D. Vicente Ramón Ramos Villanueva (1954- 2012), considerat un dels compositors més rellevants del panorama musical contemporani valencià dels últims trenta anys. Davant de la inexistència d'estudis profunds sobre l'autor, escàs temps després de la seua prematura defunció, els objectius del present treball estan enfocats a il¿luminar els diferents plans que componen la figura del compositor valencià: biogràfic, catalogràfic i analític estètic. L'estructura i el contingut de la Tesi es definix de la manera següent: -I. INTRODUCCIÓ: Inclou la justificació del tema, l'estudi detallat de l'estat de la qüestió, la definició dels objectius i la planificació de la metodologia i fonts per a la investigació. -II. RESULTATS: On s'exposa el cos de les investigacions, dividit en tres plans que interaccionen sobre l'autor. ·Pla biogràfic: On es tracta el costat humà del compositor situant-nos en la comprensió de les conjuntures socials, vitals i personals que van condicionar el seu desenrotllament artístic (formació, influències rebudes, labor desenrotllada i evolució estètica). Per a això s'exposa una breu descripció dels contextos sociomusicals, seguit d'una àmplia biografia cronològica dividida en etapes artisticovitals, narrada detalladament i il¿lustrada, i exposant una final aproximació a la personalitat de l'autor. ·Pla catalogràfic: Es du a terme la catalogació detallada del corpus complet de l'autor, fins ara inexistent, així com la crucial recuperació de les partitures de la seua greu situació de dispersió, reunint-les ací en un Arxiu Digital. ·Pla analític i estètic musical: A partir de les partitures recuperades per a l'Arxiu Digital es realitza en primer lloc un anàlisi musical de la producció camerística de l'autor, abordant un total de 56 obres analitzades que comprenen els 32 anys de producció musical de l'autor. Per a posteriorment, a partir de l'observació i estudi global dels anàlisis realitzats, establir els fonaments estètics, estilístics i temàtics del llenguatge musical de Ramón Ramos, podent a més en última instància determinar-se al llarg de les seues diferents etapes artístiques la línia evolutiva de la seua estètica musical. -III. CONCLUSIONS: S'exposen les conclusions finals aconseguides després de les investigacions dutes a terme en els tres plans sobre l'autor, així com els informes sobre els resultats obtinguts. A més, s'apunten les possibles tasques pendents i les perspectives d'investigació que s'obrin a partir de la present Tesi Doctoral. La Tesi finalitza amb l'enumeració de la IV. BIBLIOGRAFIA consultada, i seguida pels ANNEXOS documentals i en format digital.
Oltra García, H. (2017). EL COMPOSITOR VALENCIANO VICENTE RAMÓN RAMOS VILLANUEVA (1954-2012): BIOGRAFÍA, CATÁLOGO DE OBRA Y FUNDAMENTOS ESTÉTICOS A TRAVÉS DEL ANÁLISIS MUSICAL DE SU OBRA CAMERÍSTICA [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/90471
TESIS
Baechtold, Francis. « La violoncelliste est disparue : roman ; suivi de : La narration contrapuntique ou l'art de la fugue en littérature : essai ». Master's thesis, Université Laval, 2012. http://hdl.handle.net/20.500.11794/23656.
Texte intégralFumagalli, Chiara. « Mito e allegoria nel racconto di fine millenio - Antonio Tabucchi, Pierre Michon e László Krasznahorkai ». Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030025.
Texte intégralIn the late 70s, when one begins to wonder about the historical and political changes regarding the two “halves” of Europe, the crisis of the communist bloc and the end of ideology, the reference to Modernity is inevitable: the crisis of modernity is discussed – a modernity accomplished or unaccomplished. How does the literary paradigm change in this “time of mutation”? How is it expressed the search for meaning in the contemporary literature? We are the witnesses, in the literary scene, of the subject’s return and of the anthropological need of narration (the function of the narrator as a mediator of others’ stories). Through the narration of life stories, “fragmented” destinies, reinvented biographies, we can see the intention of resurrecting the “marginalia”, the traces forgotten by history: we try to give meaning to a life or to grasp a life by meaning, we try to represent the quest for a metaphysical centre through the character reliving the conflict and the dissociation between “soul and forms”. The authors use the myth: we will ask the new meaning of the representation of myth in these stories as an allegorical interpretation of contemporary and a new relationship to time; we will question its use as empty and enigmatic allegory
Frackowiak, Jean-François. « Le roman symbolique : étude des œuvres romanesques de Sylvie Germain, Henry Bauchau et Philippe le Guillou ». Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA114/document.
Texte intégralThrough the notion of symbolism in the novel, this thesis deals with a corpus of works written by Sylvie Germain, Henry Bauchau and Philippe Le Guillou. Thanks to fictional and narrative techniques, these authors' approach belongs to a literature between the mythological novel, the initiation rite genre or the psychoanalytical approach. The notion of symbol fits into the directions mentioned above ; however, the three novelists' approach cannot be restricted to one of these notions. The symbolic novel identifies with modern and contemporary questionings about representation in writing which appears through symbolism in the novels, for figuration turns into signification and appeals interpretation : it is both construction and metamorphosis. As a consequence, in these works the world is perceived with its philosophical and spiritual dimensions that are inherent in symbolism : the one of the man in the world seen in his entirety with whom communication is possible and the one of the figuration of the invisible whether it is another dimension of reality or deep inwardness. In these works, the theme of the man confronted to what is beyond him or what escapes from his reality impacts on the poetry of the novel : it is the writing itself that expresses an appearance or an inadequation with its topic and thus reveals an empty transcendance which paradoxal figuration exists in fictional language
Mohand-Amer, Amar. « La crise du front de libération nationale de l'été 1962 : indépendance et enjeux de pouvoirs ». Paris 7, 2010. http://www.theses.fr/2010PA070012.
Texte intégralThe FLN's crisis in the summer of 1962 was the logical result of the changes that it had undergone since its creation in the autumn of 1954. During the seven and half years of the armed conflict, serious discords had brewed within the organization. Once the goal of Independence had been achieved, the race for control of the country became another war to win for many of the leaders of the FLN or ALN (National Liberation Army). Chronologically, it was the suspension of the National Council of the Algerian Revolution's (CNRA) fifth and last session in Tripoli, during the night between June 5th and 6th 1962, that marked the beginning of the crisis, which ceased on September 5th, when the FLN's political bureau (BP) and the 4th Wilâya's council declared a ceasefire. The crisis of the summer of 1962 ended with hundreds of victims. The political stakes were significant. The setting up of the new Algerian state was closely tied to this historical event. The first leaders of independent Algeria were the winners of this political and military confrontation. As for the vanquished, they either retired from public life or built up political opposition to the new regime
Chéron, Bénédicte. « Le cinéma de Pierre Schoendoerffer, entre fiction et histoire ». Electronic Thesis or Diss., Paris 4, 2010. http://www.theses.fr/2010PA040023.
Texte intégralPierre Schoendoerffer burst into the media landscape in 1965 with La 317ème section (The 317th platoon), a film about a local auxiliary platoon at the end of the First Indochina War. In his next works, till the last one Là-haut – a movie released in 2004 –, the movie maker carried on a tale from Indochina to Algerian, from Vietnam at war to the Arctic Seas. Thus, the destiny of a whole generation has been screened by Pierre Schoendoerffer : officers who were in their teens during the Occupation have become men in Indochina War and, as such, faced decisive choices in Algerian. While no national mythe really emerged during this period, his work takes a special meaning. The very development of the director’s art fascinates critics as well as the audience: war led Pierre Schoendoerffer (he was born in 1928) to cinema as he was a cameraman for the Service Presse-Information des Armées en Indochine, i.e. the Military Information Department in Indochina, in 1952. Captured in Dien Bien Phu, he pledged above all those who were killed around him to testimony. The way his work was welcome and understood is a good illustration of how memory on decolonization evolved. Pierre Schoendoerffer’s cinema undoubtedly reached its audience, even though some movies happened to meet a lesser/minor success. In the context of lack of representations of Indochina War, and while Algerian War remained an open wound in the imagined community, his fresque contributed to build a mythology
Blancard, Marie. « Les spectacles intérieurs de Leonora Carrington, Frida Kahlo, Gisèle Prassinos, Dorothea Tanning et Unica Zürn. : Dialogue entre écriture et arts plastiques ». Cergy-Pontoise, 2006. http://biblioweb.u-cergy.fr/theses/06CERG0296.pdf.
Texte intégralThis dissertation intends to study the creative imaginative worlds of five twentieth-century artists linked to the Surrealist movement : Leonora Carrington, Frida Kahlo, Gisèle Prassions, Dorothea Tanning and Unica Zürn namely. By focalizing on their double practice, i. E. Their literary and visual art practice, our study aims to define the originality of their “inscapes”. Their works, which are focused on self-representation, question the notions of reflection and identity and the fact of belonging to a particular gender. Deeply influenced by traditional or conventional codes and models, these artists emphasize the difficulties to define one’s position in a world still largely dominated by patriarchal discourses
Jugé, Cédric. « Espaces, mythes et récits de la conquête du Nouveau Monde dans la trilogie de l’Amazone de William Ospina : Ursúa (2005), El País de la Canela (2008) et La serpiente sin ojos (2012) ». Thesis, Nantes, 2019. http://www.theses.fr/2019NANT2049.
Texte intégralIn 2005, when William Ospina published Ursúa, his interest in the conquest of America was not new. But with El País de la Canela and La serpiente sin ojos, which completed the trilogy of the Amazon in 2008 and 2012, the stories of the Colombian writer take on another dimension. Indeed, behind this historical approach, William Ospina interprets the event. History is a pretext for rethinking the foundations of the Colombian nation, recreating its imagination and reorienting its identity and collective consciousness. The trilogy of the Amazon thus becomes the space of his poetic and political commitment. The myth of El Dorado is the essential key to its understanding and, by giving it transcendent durability, it even becomes the symbol of a metamorphosed national, historical and cultural project. This image is the culmination of a process that spans onto the three novels. With this in mind, William Ospina first recomposes, under the auspices of Juan de Castellanos, a literary tradition capable of reforming Colombian memory. Then, he returns to the sources of history and rewrites it, in order to lay historical actions on a mixed myth of America. Finally, in a very close relationship to the land and the Amazon, "naturalizing" the Spanish language, William Ospina tries to poetically renovate the Colombian symbolic universe. He fuses the traumas of the past with the challenges of the present and thus legitimizes the affirmation of a mixed national ideal, to which he assigns his humanistic and ecological dreams. Its purpose is in fact the creation of a sensibility specific to Colombia, able of transforming the Western mind
Livres sur le sujet "1954-2012"
Wirkner, Michael, et Lance Anderson. Michael Wirkner 1954-2012 : Erinnerungslandschaften = Landscapes of memory. Neubrandenburg : Kunstsammlung Neubrandenburg, 2014.
Trouver le texte intégralPaloque, Gérard. Northrop F-5 : From the NF-156 to the Tigershark, 1954-2012. Paris : Histoire & Collections, 2013.
Trouver le texte intégralRīḥ, Ḥaydar Bābakr. al-Iqtiṣād al-Sūdānī fī (58) ʻāman, 1953-1954-2011-2012 M. [al-Kharṭūm] : [Ḥaydar Bābakr al-Rīḥ Ḥāmid], 2012.
Trouver le texte intégralGarcía, Héctor Oltra. La expresión estructurada : Trayectoria vital y creativa del compositor valenciano Ramón Ramos Villanueva (1954-2012). Valencia (España) : EdictOràlia, 2019.
Trouver le texte intégralBéranger, Bertrand. Le patrimoine, un homme, une passion : Hommage à Dominique Éraud, 1954-2012 : conservateur du patrimoine, chercheur à l'Inventaire, conservateur des antiquités et objets d'art de la Mayenne. Laval : Société d'archéologie et d'histoire de la Mayenne, 2014.
Trouver le texte intégralLiyanagama, Jinadari Deepthi. Bribery Act, no. 11 of 1954 : Incorporating amendments up to 2012, April (English & Sinhala) : with Commission to Investigate Allegations of Bribery, or, Corruption Act, no. 19 of 1994, and case law references. [Colombo] : [Jinadari Deepthi Liyanagama], 2012.
Trouver le texte intégralC, Oellers Adam, Schaefler Christoph, Heymann Bernard, Suermondt-Ludwig-Museum Aachen et Germany Botschaft (Great Britain), dir. Fritz Schaefler (1888-1954) : Verfemt, vertrieben, zurückgekehrt : Fritz Schaeflers wiederentdeckte Werke und die Sammlung Heymann London : Suermondt-Ludwig-Museum Aachen, 7. Juli-7. Oktober 2012 : Embassy of the Federal Republic of Germany, London 2003, 20th March-17th April 2012 [i.e. 2013] = Outlawed, displaced and reinstated : rediscovered works of Fritz Schaefler and the Heymann Collection, London. Petersberg : Michael Imhof Verlag, 2012.
Trouver le texte intégralIndia. Law relating to drugs and cosmetics : Containing Drugs & Cosmetics Act, 1940, Drugs and Cosmetics rules, 1945 alongwith Drugs (Prices Control) Order, 2013, National Pharmaceuticals Pricing Policy, 2012 (NPPP-2012), Pharmacy Act, 1948, Poisons Act, 1919, Drugs and Magic Remedies (Objectionable Advertisements) Act, 1954 and other allied acts, rules etc, with information on herbal formulations, cosmetics and extracts, etc. 2e éd. Delhi : Eastern Book Company, 2013.
Trouver le texte intégralFred, Wilson. Fred Wilson : Works 2004-2011 : December 22, 2012-May 5, 2013, the Cleveland Museum of Art. Cleveland, Ohio : Cleveland Museum of Art, 2012.
Trouver le texte intégralbiugke, zahoratne. Real Legends Are Born In 1954 2012 : The Real Legends Are Born In 1954 2012. Independently Published, 2021.
Trouver le texte intégralChapitres de livres sur le sujet "1954-2012"
Hansen, Annette Skovsted. « Developing Globalization : How Japanese ODA Created Channels for Globalization Processes, 1954–2012 ». Dans Globalization, 527–43. Berlin, Heidelberg : Springer Berlin Heidelberg, 2017. http://dx.doi.org/10.1007/978-3-662-49502-5_21.
Texte intégralRédei, Miklós, et Michael Stöltzner. « Amsterdam Talk about “Problems in Mathematics” September 2, 1954 ». Dans John von Neumann and the Foundations of Quantum Physics, 247–48. Dordrecht : Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-017-2012-0_17.
Texte intégralManning, Jane. « JOHN MUSTO (b. 1954)Summer Stars (2012) ». Dans Vocal Repertoire for the Twenty-First Century, Volume 2, 163–64. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780199390960.003.0051.
Texte intégralJohnson, David S. « A brief history of NP-completeness, 1954–2012 ». Dans Optimization Stories, 359–76. EMS Press, 2012. http://dx.doi.org/10.4171/dms/6/36.
Texte intégral« Afterword. Birdsongs : In Memory of Neil Smith (1954–2012) ». Dans Dispossession and the Environment, 141–52. Columbia University Press, 2016. http://dx.doi.org/10.7312/west17878-008.
Texte intégral« The Alton Estate, Roehampton, London (1954–8)/2012–15 ». Dans The Architecture of Psychoanalysis. I.B.Tauris, 2016. http://dx.doi.org/10.5040/9781350988453.part-003.
Texte intégral« In remembrance of Keith Henry Stockman Campbell (23 May 1954–5 October 2012) ». Dans Principles of Cloning, xvii. Elsevier, 2014. http://dx.doi.org/10.1016/b978-0-12-386541-0.00048-5.
Texte intégral« In Place of a Roman Catholic Assessment : Amos Yong, Pentecostal Scholarship, and Ralph Del Colle (1954–2012) ». Dans The Theology of Amos Yong and the New Face of Pentecostal Scholarship, 259–65. BRILL, 2013. http://dx.doi.org/10.1163/9789004251762_015.
Texte intégral« Aldurazyme. » Dans Drugs Handbook 2012–2013. Bloomsbury Academic, 2011. http://dx.doi.org/10.5040/9781350363595.art-1954.
Texte intégralReimold, Wolf Uwe, et Christian Koeberl. « Dedication of Large Meteorite Impacts and Planetary Evolution VI to Álvaro Penteado Crósta ». Dans Large Meteorite Impacts and Planetary Evolution VI. Geological Society of America, 2021. http://dx.doi.org/10.1130/2021.2550(001).
Texte intégralActes de conférences sur le sujet "1954-2012"
« Dedication : In memory of Luigi Ciminiera 1954-2012 [includes "In memory of Luigi Dadda 1923-2012"] ». Dans 2013 IEEE 21st Symposium on Computer Arithmetic (ARITH). IEEE, 2013. http://dx.doi.org/10.1109/arith.2013.11.
Texte intégralDelebinski, Thaddaeus, Joern Seebode, Lars Henning, Andreas Pfeifer, Adrian Lindner, Claude Kolly, Regis Vonarb, Thorben Philipp, Peter Bauer et Karsten Pietschmann. « Calibration Process for SCR Only TIER4i Engine for Construction Equipment ». Dans SAE 2012 Commercial Vehicle Engineering Congress. 400 Commonwealth Drive, Warrendale, PA, United States : SAE International, 2012. http://dx.doi.org/10.4271/2012-01-1954.
Texte intégralPearson, Ryan M., Jin Woo Bae, Niladri Patra, Suhair Sunoqrot, Sayam Uddin, Lela Vukovic, Petr Kral et Seungpyo Hong. « Abstract 1954 : Synthesis and self-assembly of highly PEGylated dendron-coils : A potential nanocarrier platform ». Dans Proceedings : AACR 103rd Annual Meeting 2012‐‐ Mar 31‐Apr 4, 2012 ; Chicago, IL. American Association for Cancer Research, 2012. http://dx.doi.org/10.1158/1538-7445.am2012-1954.
Texte intégralSen, Millan, Steven Bott, Amanda Kulhawy et Saheed Akonko. « Case Study on Management of a Pipeline Exhibiting Challenging Crack ILI Performance ». Dans 2016 11th International Pipeline Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/ipc2016-64552.
Texte intégralCotrell, D. L., R. Wood, D. Stanley, S. Chaudhary, M. Chavez, R. Hill, R. Hollier et D. Alonso. « Lessons Learned During Sand Control Operations in the Gulf of Mexico where Bridging is a Strong Possibility ». Dans SPE International Conference and Exhibition on Formation Damage Control. SPE, 2024. http://dx.doi.org/10.2118/217880-ms.
Texte intégralSchleicher, Dean M. « Bringing Science and Technology to the Waterfront - Donald L. Blount ». Dans SNAME Chesapeake Power Boat Symposium. SNAME, 2012. http://dx.doi.org/10.5957/cpbs-2012-001.
Texte intégral