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Literatura académica sobre el tema "Zanzotto, Andrea (1921-2011)"
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Artículos de revistas sobre el tema "Zanzotto, Andrea (1921-2011)"
Marcato, Gianna. "Il riflesso della diglossia italiana nella produzione letteraria: la complessità sociolinguistica del Veneto riflessa nei testi letterari di Ruzante e Zanzotto". Annales Universitatis Paedagogicae Cracoviensis | Studia de Cultura 9, n.º 3 (28 de junio de 2018): 14–23. http://dx.doi.org/10.24917/20837275.9.3.2.
Texto completoVenturi, Francesco. "PER L’ANNIVERSARIO DI UN GRANDE POETA: ANDREA ZANZOTTO E I SUOI AUTOGRAFI". Istituto Lombardo - Accademia di Scienze e Lettere • Rendiconti di Lettere, 4 de julio de 2023. http://dx.doi.org/10.4081/lettere.2022.809.
Texto completoTesis sobre el tema "Zanzotto, Andrea (1921-2011)"
Giardina, Diego. "Réalité et langage dans l'oeuvre poétique de Andrea Zanzotto". Lyon 3, 1997. http://www.theses.fr/1997LYO3A001.
Texto completoNimis, Jean. "Un "processus de verbalisation du monde" : perspectives du sujet lyrique dans la poésie d'Andrea Zanzotto". Montpellier 3, 2002. http://www.theses.fr/2002MON30032.
Texto completoVolpato, Silvia. "Dans les archives d'Andrea Zanzotto : analyse de la correspondance entre Andrea Zanzotto et Vittorio Sereni". Thesis, Université de Lorraine, 2020. http://www.theses.fr/2020LORR0276.
Texto completoThe thesis’work is based on the surveys of the private archives of the poet Andrea Zanzotto in his residence in Pieve di Soligo in Northern Italy. We especially concentrated on the large correspondence preserved there, which allows us to reconstruct the relationships forged by Zanzotto with the leading intellectuals of his day. We further focused on Zanzotto's intense thirty-five years correspondence with the poet Vittorio Sereni, which we could reconstruct almost in its full entirety. We obtained a riveting and detailed photograph of the interaction between the two poets, showing how Sereni was fundamental for the public affirmation of the young poet Zanzotto, whom Sereni much supported and motivated in his early literary career. The relations between the two later evolved in form and intensity, becoming a professionally very active friendship enriched by mutual confidence and respect, and showing the two poets in the most human aspects of their profession and life
Bongiorno, Giorgia. "L'Histoire à l'œuvre : lecture d'Andrea Zanzotto (1938-1978)". Poitiers, 2011. http://www.theses.fr/2011POIT5011.
Texto completoThe present research intends to explore the complex relationship between poetry and history in the work of the Italian poet Andrea Zanzotto (1921-). His activity covers a very long period, extending from the influence of Hermetic poetry during the 1940s to the Post-Modern experiments of the first decade of the XXIth c. . The length of this period justifies the need to frame Zanzotto’s poetic diction within the relationship with the most relevant historical events of the XXth c. , as well as with the various attitudes towards history promoted by Italian and European poetic movements. Especially with regard to Zanzotto’s poetical work between 1938 and 1978, it is necessary to investigate the literary outcomes of the relationship with history, for a long time ignored by many in literary criticism, but peculiarly represented in his poetry as an active source of inspiration. The present research is based on the close and attentive investigation of Zanzotto’s poetry and prose, as well as his critical work, stressing the importance of the vast cultural landscape detected in his works, where philosophy, psychoanalysis and science are combined. Following an initial chronological perspective, and later a chronology as well as a theme-based view, it is possible to appreciate the shift from a position of mutual exclusion between literature and history in Zanzotto’s first poems and especially in Dietro il Paesaggio (1951), to a position of open conflict in his collection IX Ecloghe (1962) and in the debate with I Novissimi and Edoardo Sanguineti. The final outcome of such a controversial relationship reveals a third dimension of poetic writing deeply connected to history, emerging in La Beltà (1968) and eventually clarified in Il Galateo in Bosco (1978)
Cadel, Francesca. "La langue de la poésie : langue et dialecte chez Pier Paolo Pasolini (1922-1975) et Andrea Zanzotto (1921)". Paris 4, 1999. http://www.theses.fr/1999PA040038.
Texto completoFavaretto, Donatella. "Da Pieve di Soligo a Parigi : Andrea Zanzotto e la poesia moderna francese tra Michaux e Cendrars". Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040156.
Texto completoAndrea Zanzotto (Pieve di Soligo, 1921 – Conegliano, 2011), one of the most outstanding poets of the 20th century, showed from an early age a huge interest towards the French linguistic and cultural heritage, above the others. Our thesis highlights how well present his strong relationship with modern French poetry is, testified by his own critical essays, translations and public statements; a connection bound to last for almost seventy years. Only recently the critics have started a comparative approach to the study of the influence of foreign poetry, and French poetry in particular, upon his œuvre. The literary lineage that Zanzotto follows starts with Rimbaud, crosses Surrealism (Eluard ) and then lingers upon a number of authors defined either as heterodox (Michel Leiris, Antonin Artaud,) or extremely critical (Henri Michaux, and Blaise Cendrars, the latter with his short poem titled Pâques à New York, herewith analysed) towards Breton’s movement. Zanzotto also deals with his contemporaries, although with minor depth (André Frénaud, Alain Borne, Edmond Jabès, Jean Tardieu, Michel Deguy, Yves Bonnefoy, René Char). The present research, backed up by textual comparison and the analysis of unpublished translations and documents, focuses on the pioneering features of Zanzotto’s knowledge of all these French authors compared to the subsequent Italian literature, and the reasons behind his ties with the “heretic” current of Surrealism. At the same time, our work explains the intersection, from the linguistic and thematic point of view, with French poetry and shows the poetic outcome of the literary and existential expressions of the Absolute and all-out of French origin
Russo, Alberto. "La poesia di Andrea Zanzotto e il registro lacaniano del reale". Thesis, Université de Lorraine, 2017. http://www.theses.fr/2017LORR0010.
Texto completoThis research aims to realize a critical reading of the work of the Italian poet Andrea Zanzotto through the perspective of the Lacanian Real. What is Lacan’s Real? The real is a domain that is outside language, “that which resists symbolization absolutely” (Lacan).The work is composed of three parts. In the first one, we shall go through the poetical itinerary in order to describe the relationship of the poet with the fundamental object of his poetical universe: the landscape. In the second part, entitled Textual analysis, we shall verify the hypothesis of the first part on four single texts, describing particularly the typical unstructured textuality of Zanzotto’s poetry.In the last part, we shall both pay attention on Zanzotto’s idea of reading and on the idea of the paratext. At this level, the analysis shows us the changes of the structural shapes facing the void and the lack of meaning from another point of view
Pavan, Emma. "Après le paysage ? : Le paysage dans la poésie de la seconde moitié du XXe siècle". Electronic Thesis or Diss., Université Grenoble Alpes, 2024. http://www.theses.fr/2024GRALL010.
Texto completoThis work aims to study the forms and functions of landscape in Italian poetry of the second half of the twentieth century and the early 2000s. The aim of the research is also to propose a methodological hypothesis for the study of a transdisciplinary object in the Italian literary horizon. With these intentions, the project seeks to place the landscape, understood as a particular unit actively constructed by a subject-observer, at the centre of an investigation designed to show how the gaze contributes to the construction of the poetic text. Given the historical, subjective and artificial nature of landscape, the study aims to identify its particular characteristics within a culturally circumscribed horizon from a formal, temporal and spatial point of view, by examining a corpus of significant works belonging to the Italian poetic production of the second half of the twentieth century. In particular, the corpus includes texts by Giorgio Orelli and Andrea Zanzotto - poets born in the 1920s - and those by Antonella Anedda and Fabio Pusterla, born in the 1950s