Bibliografías temáticas / Yoshihisa

Literatura académica sobre el tema "Yoshihisa"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 27 de julio de 2024

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Artículos de revistas sobre el tema "Yoshihisa"

1

Mori, Tadashi, Gaku Fukuhara y Takehiko Wada. "Yoshihisa Inoue—A researcher’s quest for photochirogenesis". Journal of Photochemistry and Photobiology A: Chemistry 331 (diciembre de 2016): 2–7. http://dx.doi.org/10.1016/j.jphotochem.2016.08.006.

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Funato, Yosuke, Kazuharu Furutani, Yoshihisa Kurachi y Hiroaki Miki. "Rebuttal from Yosuke Funato, Kazuharu Furutani, Yoshihisa Kurachi and Hiroaki Miki". Journal of Physiology 596, n.º 5 (31 de enero de 2018): 751. http://dx.doi.org/10.1113/jp275706.

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Hui-Mei, Chen. "Les sources d’inspiration et les influences dans la musique de Yoshihisa Taira". Cipango, n.º 15 (1 de enero de 2008): 294–97. http://dx.doi.org/10.4000/cipango.449.

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Credi, Alberto. "Supramolecular Photochemistry. Controlling Photochemical Processes. Herausgegeben von V. Ramamurthy und Yoshihisa Inoue." Angewandte Chemie 124, n.º 26 (15 de junio de 2012): 6417–18. http://dx.doi.org/10.1002/ange.201202588.

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Credi, Alberto. "Supramolecular Photochemistry. Controlling Photochemical Processes. Edited by V. Ramamurthy and Yoshihisa Inoue." Angewandte Chemie International Edition 51, n.º 26 (15 de junio de 2012): 6311–12. http://dx.doi.org/10.1002/anie.201202588.

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Morooka, Hiroyo. "méditation comme moyen de synthèse culturelle dans les œuvres du compositeur Yoshihisa Yaïra". ALTERNATIVE FRANCOPHONE 2, n.º 9 (13 de abril de 2021): 72–85. http://dx.doi.org/10.29173/af29425.

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Le compositeur Yoshihisa Taïra (1937-2005) cherche – dans sa composition – à réaliser une synthèse culturelle entre la France, où il s’est formé et a vécu, et le Japon, son pays d'origine. Il utilise alors la méditation comme thème musical pour se libérer de l’intellectualisation et de la verbalisation de la musique, et ce, dans le but de revenir à l’écoute en tant qu’essence musicale. En utilisant le concept du ma (vide), en s’inspirant de la pensée bouddhiste zen, Taïra réussit à trouver une position équilibrée avec le contexte esthétique de la postmodernité française représentée par Jean-François Lyotard. Cet article creuse donc ce en quoi la méditation est la synthèse culturelle pour Taïra, en analysant du point de vue musical et philosophique, la possibilité de l’existence d’un croisement idéologique entre ces deux cultures qui inciterait le compositeur à retourner vers l’inspiration de la culture japonaise, à l’aide de la pensée issue de Logique du lieu de Kitarô Nishida.
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TAMURA, SAYA, TOMOKO FUKUDA, ELENA A. PIMENOVA, EKATERINA A. PETRUNENKO, PAVEL V. KRESTOV, SVETLANA N. BONDARCHUK, OLGA A. CHERNYAGINA et al. "Molecular and cytological evidences denied the immediate-hybrid hypothesis for Saxifraga yuparensis (sect. Bronchiales, Saxifragaceae) endemic to Mt. Yubari in Hokkaido, northern Japan". Phytotaxa 373, n.º 1 (23 de octubre de 2018): 53. http://dx.doi.org/10.11646/phytotaxa.373.1.2.

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SAYA TAMURA, TOMOKO FUKUDA, ELENA A. PIMENOVA, EKATERINA A. PETRUNENKO, PAVEL V. KRESTOV, SVETLANA N. BONDARCHUK, OLGA A. CHERNYAGINA, YOSHIHISA SUYAMA, YOSHIHIRO TSUNAMOTO, AYUMU MATSUO, HAYATO TSUBOI, HIDEKI TAKAHASHI, KEN SATO, YOKO NISHIKAWA, TAKASHI SHIMAMURA, HIROKO FUJITA & KOH NAKAMURA An alpine plant Saxifraga yuparensis is endemic to a scree consisting of greenschist of Mt. Yubari in Hokkaido, Japan and it has been proposed as an immediate hybrid derived from two species of the same section Bronchiales based on morphological intermediacy: namely S. nishidae, a diploid species endemic to a nearby cliff composed of greenschist and tetraploid S. rebunshirensis comparatively broadly distributed in Japan and Russian Far East. Saxifraga yuparensis is red-listed and it is crucial for conservation planning to clarify whether this is an immediate hybrid and lacks a unique gene pool. The immediate-hybrid hypothesis was tested by molecular and cytological data. In nuclear ribosomal and chloroplast DNA trees based on maximum parsimony and Bayesian criteria, S. yuparensis and S. rebunshirensis formed a clade with several other congeners while S. nishidae formed another distinct clade. Genome-wide SNP data clearly separated these three species in principal coordinate space, placing S. yuparensis not in-between of S. rebunshirensis and S. nishidae. Chromosome observation indicated that S. yuparensis is tetraploid, not triploid directly derived from diploid-tetraploid crossing. Additionally, observation of herbarium specimens revealed that leaf apex shape of S. yuparensis fell within the variation of S. rebunshirensis. These results indicate that S. yuparensis is not an immediate hybrid of S. rebunshirensis and S. nishidae but a distinct lineage and an extremely narrow endemic species, that deserves for intensive conservation.
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8

Rivera, Matthew. "Political Order and Forms of Communication in Medieval and Early Modern Europe ed. by Yoshihisa Hattor". Comitatus: A Journal of Medieval and Renaissance Studies 46, n.º 1 (2015): 284–87. http://dx.doi.org/10.1353/cjm.2015.0048.

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von Zelewsky, Axel. "Chiral Photochemistry. (Series: Molecular and Supramolecular Photochemistry, Vol. 11.). Edited by Yoshihisa Inoue and Vaidhyanathan Ramamurthy." Angewandte Chemie International Edition 44, n.º 23 (6 de junio de 2005): 3515–16. http://dx.doi.org/10.1002/anie.200485261.

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Mori, Tadashi, Gaku Fukuhara y Takehiko Wada. "The themed issue in honor of Prof. Yoshihisa Inoue for his contribution on molecular and supramolecular photochemistry". Journal of Photochemistry and Photobiology A: Chemistry 331 (diciembre de 2016): 1. http://dx.doi.org/10.1016/j.jphotochem.2016.09.029.

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Tesis sobre el tema "Yoshihisa"

1

Chen, Hui-Mei. "Les sources d’inspiration et les influences dans la musique de Yoshihisa Taïra". Paris 4, 2007. http://www.theses.fr/2007PA040085.

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Le style personnel et original du compositeur japonais Yoshihisa Taira (Tokyo 1937 - Paris 2005) montre un exemple parfait d’une fusion de deux cultures, orientale et occidentale. Après une présentation de l’histoire du développement de la composition musicale occidentale au Japon, du parcours personnel du compositeur et de quelques aspects caractéristiques de sa musique, nous étudierons plus profondément cette musique, verrons en quoi elle se différencie et en quoi elle est comparable à la musique d’autres compositeurs. C’est autour des sources d’inspirations et des influences observées dans la pensée et la musique de Y. Taira que nous tenterons de répondre à ces questions. À travers une analyse de détail centrée principalement sur trois des oeuvres les plus représentatives de ses trois époques créatrices, nous en examinerons les particularités et en soulignerons les sources musicales ou extra-musicales. Cette recherche a pour but de fournir quelques clés d’accès à cette musique afin d’en faciliter la compréhension et la réception
The original style of the Japanese composer Yoshihisa Taira (Tokyo 1937 - Paris 2005) demonstrates a perfect example of the fusion of two cultures - Eastern and Western. The present work is organized into three sections : the first examines the musical and personal background of Taira, both in Japan and in France, after a brief presentation of history context of the Western music composition in Japan ; the second is devoted to the exploration of the sources of inspiration and influences for this composer, both musical and extra-musical, after showing some characteristic elements of his musical language, trying to find where the original and personal style of this music came from. In the concluding section, three of Taira’s major works in different representative and creative periods will be analyzed. Specific and peculiar aspects of these works will be underlined while taking in account external musical sources as well as relevant extra-musical ones. This dissertation aims at shedding light on Taira’s style and thus contribute to its approach, understanding, and reception
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2

Tao, Yu. "La poétique de l'océan en musique contemporaine : de Debussy à nos jours". Electronic Thesis or Diss., Paris 8, 2014. http://www.theses.fr/2014PA080015.

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Dans la création contemporaine, les musiciens s'inspirent parfois de l’océan dans leur pratique de la composition. Cette thèse a pour but d'observer leur façon de faire à travers l’analyse d'oeuvres dont le titre ou le sujet évoquent l'environnement océanique. Elle part de l’hypothèse que la poétique, c’est-À-Dire l’inspiration à partir de la mer, sert la poïétique, donc sert les manières de faire la musique, de l'écrire, sans pour autant servir nécessairement le rendu esthésique. Dans le chapitre I, l’analyse est basée sur des oeuvres de Claude Debussy, André Boucourechliev, Kaija Saahario et Yoshihisa Taira. Le chapitre II consacre une importante partie de son développement à l’étude des oeuvres de Tristan Murail inspirées de l'océan. Enfin, dans le chapitre III, deux des propres compositions de l'auteur sont analysées. Finalement, cette thèse révèle l'existence de cycles partant de l'esthésique, c'est à dire le ressenti devant la mer vers la poétique puis la poïétique et enfin l'esthésique, c'est à dire le ressenti du rendu musical. Par ailleurs, le travail d'analyse réalisé au cours de cette thèse a permis de mettre en valeur l'importance de la notion d'objet, c'est à dire une pensée de la composition orientée par la manipulation de l'objet musical. L'approche de Debussy, telle qu'interprétée par Barraqué, ouvre le siècle. Le modèle de la mer au sens des objets sur le plan dynamique est très cohérent avec la notion d'objet musical. Nous ne pouvons que constater cette présence et c'est en cela que la conclusion de la thèse est un peu ouverte. C'est avec cela que nous allons composer nos futures pièces. La thèse nous a servi finalement aussi à formaliser notre musique
In the genre of contemporary music, musicians sometimes take their inspiration from the ocean when addressing take their compositions. The goal of this thesis is to observe method of these composers by analyzing works which evoke the ocean's environment in their subject. This study claims that the poetic inspiration which is engendered by the ocean ends up by providing the poietics of the projects themselves, which is to say, ways of creating music, of writing it, without necessarily treating the aesthesic of the final product. In Chapter I the analysis is based on the works of Claude Debussy, André Boucourechliev, Kaija Saahario and Yoshihisa Taira. Chapter II consecrates a large part of its development to the study of works by Tristan Murail which are inspired by the ocean. Finally, in Chapter III, two of the compositions of the thesis' author are taken into analytical consideration. This thesis reveals the existence of cycles coming from the aesthesic, which then moves towards poietics and returns to aesthesic. It also needs to be taken into account that the analyses produced during the course of this study focus on the musical object itself. This is to say that the study is geared towards the manipulation of the musical object. Debussy's approach, as it is interpreted by Barraqué, serves as the overture of the century. The model of the sea as a dynamic objet coincides with the notion of the musical object. We can only propose this stated presence and this is why the conclusion of the thesis is somewhat open-Ended. Nonetheless, it is this point of departure which allows us to compose future works. It is thesis, in the end, that formalizes our music
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3

Tao, Yu. "La poétique de l'océan en musique contemporaine : de Debussy à nos jours". Thesis, Paris 8, 2014. http://www.theses.fr/2014PA080015.

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Dans la création contemporaine, les musiciens s'inspirent parfois de l’océan dans leur pratique de la composition. Cette thèse a pour but d'observer leur façon de faire à travers l’analyse d'oeuvres dont le titre ou le sujet évoquent l'environnement océanique. Elle part de l’hypothèse que la poétique, c’est-À-Dire l’inspiration à partir de la mer, sert la poïétique, donc sert les manières de faire la musique, de l'écrire, sans pour autant servir nécessairement le rendu esthésique. Dans le chapitre I, l’analyse est basée sur des oeuvres de Claude Debussy, André Boucourechliev, Kaija Saahario et Yoshihisa Taira. Le chapitre II consacre une importante partie de son développement à l’étude des oeuvres de Tristan Murail inspirées de l'océan. Enfin, dans le chapitre III, deux des propres compositions de l'auteur sont analysées. Finalement, cette thèse révèle l'existence de cycles partant de l'esthésique, c'est à dire le ressenti devant la mer vers la poétique puis la poïétique et enfin l'esthésique, c'est à dire le ressenti du rendu musical. Par ailleurs, le travail d'analyse réalisé au cours de cette thèse a permis de mettre en valeur l'importance de la notion d'objet, c'est à dire une pensée de la composition orientée par la manipulation de l'objet musical. L'approche de Debussy, telle qu'interprétée par Barraqué, ouvre le siècle. Le modèle de la mer au sens des objets sur le plan dynamique est très cohérent avec la notion d'objet musical. Nous ne pouvons que constater cette présence et c'est en cela que la conclusion de la thèse est un peu ouverte. C'est avec cela que nous allons composer nos futures pièces. La thèse nous a servi finalement aussi à formaliser notre musique
In the genre of contemporary music, musicians sometimes take their inspiration from the ocean when addressing take their compositions. The goal of this thesis is to observe method of these composers by analyzing works which evoke the ocean's environment in their subject. This study claims that the poetic inspiration which is engendered by the ocean ends up by providing the poietics of the projects themselves, which is to say, ways of creating music, of writing it, without necessarily treating the aesthesic of the final product. In Chapter I the analysis is based on the works of Claude Debussy, André Boucourechliev, Kaija Saahario and Yoshihisa Taira. Chapter II consecrates a large part of its development to the study of works by Tristan Murail which are inspired by the ocean. Finally, in Chapter III, two of the compositions of the thesis' author are taken into analytical consideration. This thesis reveals the existence of cycles coming from the aesthesic, which then moves towards poietics and returns to aesthesic. It also needs to be taken into account that the analyses produced during the course of this study focus on the musical object itself. This is to say that the study is geared towards the manipulation of the musical object. Debussy's approach, as it is interpreted by Barraqué, serves as the overture of the century. The model of the sea as a dynamic objet coincides with the notion of the musical object. We can only propose this stated presence and this is why the conclusion of the thesis is somewhat open-Ended. Nonetheless, it is this point of departure which allows us to compose future works. It is thesis, in the end, that formalizes our music
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4

Watanabe, Yukina. "Queer som doujinshi : En fallstudie av Yonezawa Yoshihiro Memorial Library". Thesis, Uppsala universitet, Institutionen för ABM, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-323868.

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This thesis investigates how libraries can build a collection of doujinshi – Japanese fanzines – with a focus on the problematic connection between doujinshi, queer sexualities and pornography. Yonezawa Yoshihiro Memorial Library is one of the few libraries collecting and providing access to doujinshi, including those with extreme pornographic imagery. I conducted qualitative interviews with four library employees to study their views and attitudes towards collection, age regulations, shelving and classification of doujinshi. In addition, I apply queer theory to elucidate how sexual norms are reflected in the library's classification system. Findings show that informants consider the preservation of manga culture as the most important reason to collect doujinshi. Other functions of doujinshi, such as being a way for self-expression without social restrains, are also appreciated. Informants’ attitudes towards collecting and providing access to extreme pornographic doujinshi are not particularly negative, instead resisting censorship, but the fact that the library has extreme pornographic doujinshi is taken up as a reason for the library' s age limit. Moreover, I observe sexual norms surrounding women’s consumption of pornography and that women should link sex and love, and a lack of critical perspectives on such issues. Lastly, informants were open for changes of the library’s classification system for doujinshi, but showed reluctance toward user influence, such as social tagging. This is a two years master’s thesis in library and information science.
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Russell, Ginger Suzanne. ""Writing a Picture": Adolph Gottlieb's Rolling and Yoshihara Jiro's Red Circle on Black". VCU Scholars Compass, 1995. http://scholarscompass.vcu.edu/etd/3673.

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Calligraphy and calligraphic elements in abstract art demonstrate the differences between Japanese and American approaches to abstraction. An examination of the use of calligraphy in Japanese art can reveal how its historic tradition in Japan lends depth and meaning to an image, which is not effectively possible for American artists using the same forms. These differences descend from a Japanese writing system that developed as abstracted images in themselves. Though the Western tradition of Abstract Expressionism art sought to make the experience of painting purely visual without the aid of narrative, explanation, or text, both American and Japanese artists used calligraphic forms. In a word and image analysis, this thesis demonstrates how these calligraphic forms can reveal layers of meaning within their appropriate cultural context. Reconciling calligraphy with abstract art presents the conflict of East meeting West in a new form.
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Biserni, Diego <1989&gt. "Esplicitazione intersemiotica nella sottotitolazione interlinguistica del lungometraggio "Jāji no futari" di Nakamura Yoshihiro". Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14248.

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Per ogni tipo di traduzione esistono dei vincoli con le quali il traduttore dovrà necessariamente confrontarsi nel suo lavoro di trasposizione del testo originale in lingua target. La sottotitolazione non fa eccezione, ma anzi, proprio in virtù della sua natura diasemiotica, questa modalità si rivela ricca di insidie per chiunque decida di adottarla come forma di traduzione. Tra le varie possibilità per il sottotitolatore di produrre una traduzione facilmente fruibile nel metatesto, si è scelto di andare ad analizzare la strategia della ‘esplicitazione’ nella sottotitolazione, ovvero quel procedimento innescato da un gap culturale tra il testo source e quello target, che risulterà dunque in un adattamento dell’originale al sistema culturale e linguistico del pubblico di arrivo. Si procederà poi all'analisi della così detta ‘esplicitazione intersemiotica’, la quale si occupa della lessicalizzazione di quegli elementi appartenenti alla sfera extralinguistica e paralinguistica e che necessitano di essere verbalizzati nel sottotitolo. Infine si passerà all’analisi pratica di alcuni passaggi del film "Jāji no futari" (Nakamura Yoshihiro, 2008) che si può sicuramente definire originale in virtù della sua realizzazione che si affida non tanto a dialoghi verbali, quanto ad un tessuto di stimoli iconici e giochi linguistici, e che proprio per questo motivo si confà particolarmente bene allo studio proposto nel qui presente lavoro.
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Nierhoff, Thomas [Verfasser], Sandra [Akademischer Betreuer] Hirche y Yoshihiko [Akademischer Betreuer] Nakamura. "Real-time Robotic Motion Control and Adaptation in Constrained Environments / Thomas Nierhoff. Betreuer: Sandra Hirche. Gutachter: Yoshihiko Nakamura ; Sandra Hirche". München : Universitätsbibliothek der TU München, 2015. http://d-nb.info/1091562202/34.

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Nesensohn, Manuel [Verfasser], Matthias [Akademischer Betreuer] Geißert, Jürgen [Akademischer Betreuer] Saal y Yoshihiro [Akademischer Betreuer] Shibata. "Lp-theory for a class of viscoelastic fluids with and without a free surface / Manuel Nesensohn. Betreuer: Matthias Geißert ; Jürgen Saal ; Yoshihiro Shibata". Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2012. http://d-nb.info/1106117247/34.

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Below, Lorenz von [Verfasser], Matthias [Akademischer Betreuer] Geißert, Matthias [Akademischer Betreuer] Hieber y Yoshihiro [Akademischer Betreuer] Shibata. "The Stokes and Navier-Stokes equations in layer domains with and without a free surface / Lorenz von Below. Betreuer: Matthias Geißert ; Matthias Hieber ; Yoshihiro Shibata". Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2014. http://d-nb.info/1110979495/34.

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Wilke, Mathias [Verfasser], Jan [Akademischer Betreuer] Prüß, Matthias [Akademischer Betreuer] Hieber y Yoshihiro [Akademischer Betreuer] Shibata. "Rayleigh-Taylor instability for the two-phase Navier-Stokes equations with surface tension in cylindrical domains / Mathias Wilke. Betreuer: Jan Prüß ; Matthias Hieber ; Yoshihiro Shibata". Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2013. http://d-nb.info/1046563467/34.

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Libros sobre el tema "Yoshihisa"

1

Tsukuba, Hisaharu. Shimazu Yoshihisa. 8a ed. Tōkyō: Kokudosha, 1999.

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Hiramitsu, Yoshihisa. Hiramitsu Yoshihisa shishū. Tōkyō: Doyō Bijutsusha, 1990.

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Rikima, Yoshino y Taiwan Kyōikukai, eds. Kitashirakawa no Miya Yoshihisa Shinnō. Tōkyō: Yumani Shobō, 2010.

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Gera, Kunstsammlung y Villa Wessel (Gallery), eds. Yoshihisa Sankawa: Kunstsammlung Gera, Villa Wessel Iserlohn. Bönen: Kettler, 2003.

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1964-, Karasawa Masahiro y Tōkyō Kokuritsu Kindai Bijutsukan, eds. Garasu, Takahashi Yoshihiko ten =: Takahashi Yoshihito goes to the glass. [Tokyo]: Tōkyō Kokuritsu Kindai Bijutsukan, 2011.

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Matsuoka, Hisato. Ōuchi Yoshihiro. 8a ed. Tōkyō: Ebisu Kōshō Shuppan, 2013.

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Yoshihara, Jirō. Yoshihara Jirō ten =: Jiro Yoshihara : a centenary retrospective. [Tokyo?]: Asahi Shinbunsha, 2005.

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Yoshihara, Jirō. Yoshihara Jirō ten: Botsugo 20-nen = Jiro Yoshihara. Ashiya-shi: Ashiya Shiritsu Bijutsu Hakubutsukan, 1992.

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Miyauchi, Yoshihiko. Miyauchi Yoshihiko keieiron. Tōkyō: Tōyō Keizai Shinpōsha, 2001.

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Inayama, Yoshihiro. Inayama Yoshihiro kaisōroku. Tōkyō: Shin Nihon Seitetsu Kabushiki Kaisha "Inayama Yoshihiro Kaisōroku" Henshū Iinkai, 1988.

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Capítulos de libros sobre el tema "Yoshihisa"

1

Yamada, Toshio. "Introduction to Yoshihiko Uchida". En Civil Society and Social Science in Yoshihiko Uchida, 1–19. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-1138-5_1.

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Amann, Herbert, Yoshikazu Giga, Hisashi Okamoto, Hideo Kozono y Masaso Yamazaki. "The Work of Yoshihiro Shibata". En Recent Developments of Mathematical Fluid Mechanics, 1–12. Basel: Springer Basel, 2016. http://dx.doi.org/10.1007/978-3-0348-0939-9_1.

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Seregin, G. "A Slightly Supercritical Condition of Regularity of Axisymmetric Solutions to the Navier–Stokes Equations". En Collected Papers in Honor of Yoshihiro Shibata, 351–67. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_15.

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Feireisl, Eduard, Christian Klingenberg y Simon Markfelder. "Euler System with a Polytropic Equation of State as a Vanishing Viscosity Limit". En Collected Papers in Honor of Yoshihiro Shibata, 89–110. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_5.

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Kobayashi, Takayuki, Miho Murata y Hirokazu Saito. "Resolvent Estimates for a Compressible Fluid Model of Korteweg Type and Their Application". En Collected Papers in Honor of Yoshihiro Shibata, 165–206. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_9.

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Maekawa, Yasunori y Tatsu-Hiko Miura. "Rate of the Enhanced Dissipation for the Two-jet Kolmogorov Type Flow on the Unit Sphere". En Collected Papers in Honor of Yoshihiro Shibata, 207–57. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_10.

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Piasecki, Tomasz y Ewelina Zatorska. "Maximal Regularity for Compressible Two-Fluid System". En Collected Papers in Honor of Yoshihiro Shibata, 311–33. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_13.

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Denisova, I. V. y V. A. Solonnikov. "Rotation Problem for a Two-Phase Drop". En Collected Papers in Honor of Yoshihiro Shibata, 45–70. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_3.

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Pokorný, Milan. "Steady Compressible Navier–Stokes–Fourier Equations with Dirichlet Boundary Condition for the Temperature". En Collected Papers in Honor of Yoshihiro Shibata, 335–50. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_14.

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Binz, Tim y Matthias Hieber. "Global Wellposedness of the Primitive Equations with Nonlinear Equation of State in Critical Spaces". En Collected Papers in Honor of Yoshihiro Shibata, 1–18. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-19252-4_1.

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Actas de conferencias sobre el tema "Yoshihisa"

1

Xiaozhi Wang and Neil Pegg, ISSC 2022 Editors. "Proceedings of the 21st International Ship and Offshore Structures Congress VOLUME 2 Specialist Committee Reports". En 21st International Ship and Offshore Structures Congress, Volume 2. SNAME, 2022. http://dx.doi.org/10.5957/issc-2022-committee-vol-2.

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Table of Contents Preface ..............................................................................................................iii Committee V.1: Accidental Limit States .......................................................1 Bruce Quinton; Gaetano De Luca; Topan Firmandha; Mihkel Körgesaar; Hervé Le Sourne; Ken Nahshon; Gabriele Notaro; Kourosh Parsa; Smiljko Rudan; Katsuyuki Suzuki; Osiris Valdez Banda; CareyWalters; Deyu Wang; Zhaolong Yu Committee V.2: Experimental Methods ......................................................91 Soren Ehlers (Chair); Nagi Abdussamie; Kim Branner; ShiXiao Fu; Martijn Hoogeland; Kari Kolari; Paul Lara; Constantine Michailides; Hideaki Murayama; Cesare Rizzo; Jung Kwan Seo; Patrick Kaeding Committee V.3: Materials and Fabrication Technology ..........................163 Lennart Josefson (Chair); Konstantinos Anyfantis; Bianca de Carvalho Pinheiro; Bai-Qiao Chen; Pingsha Dong; Nicole Ferrari; Koji Gotoh; James Huang; Matthias Krause; Kun Liu; Stephane Paboeuf; Stephen van Duin; Fang Wang; Albert Zamarin Committee V.4: Offshore Renewable Energy ...........................................241 Atanasios Kolios (Chair); Kyong-Hwan Kim; Chen Hsing Cheng; Elif Oguz; Pablo Morato; Freeman Ralph; Chuang Fang; Chunyan Ji; Marc Le Boulluec; Thomas Choisnet; Luca Greco; Tomoaki Utsunomiya; Kourosh Rezanejad; Charles Rawson; Jose Miguel Rodrigues Committee V.5: Special Vessels ................................................................313 Darren Truelock (Chair); Jason Lavroff; Dustin Pearson; Zbigniew (Jan) Czaban; Hanbing Luo; Fuhua Wang; Ivan Catipovic; Ermina Begovic; Yukichi Takaoka; Claudia Loureiro; Chang Yong Song; Esther Garcia; Alexander Egorov; Jean-Baptiste Souppez; Pradeep Sensharma; Rachel Nicholls-Lee Committee V.6: Ocean Space Utilization ..................................................379 Sebastian Schreier (Chair); Felice Arena; Harry Bingham; Nuno Fonseca; Zhiqiang Hu; Debabrata Karmakar; Ekaterina Kim; Hui Li; Pengfei Liu; Motohiko Murai; Spiro J Pahos; Chao Tian; George Wang Committee V.7: Structural Longevity ........................................................445 Iraklis Lazakis (Chair); Bernt Leira; Nianzhong Chen; Geovana Drumond; Chi-Fang Lee; Paul Jurisic; Bin Liu; Alysson Mondoro; Pooria Pahlavan; Xinghua Shi; Ha Cheol Song; Tadashi Sugimura; Christian Jochum; Tommaso Coppola Committee V.8: Subsea Technology ..........................................................503 Agnes Marie Horn (Chair); Tauhid Rahman; Ilson Pasqualino; Menglan Duan; Zhuang Kang; Michael Rye Andersen; Yoshihiro Konno; Chunsik Shim; Angelo Teixeira; Selda Oterkus; Blair Thornton; Brajendra Mishra Subject Index .............................................................................................582 Author Index ...............................................................................................584
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2

Ujita, Hiroshi. "Model, Method, and Data Issues in Human Reliability Analysis (HRA)". En 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004876.

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According to the results of the HRA comparison study by USNRC and Halden, the evaluation results are significantly different when comparing the method calculations alone, comparing the experiments alone, and further comparing the method and experiment trends [1]. It is considered that human correspondence characteristics have a large context dependency in plant behavior and operator cognitive mechanism variety, however they are not properly captured. It is said that experiments are required to understand cognitive processes and contexts, and models are required to develop evaluation methods that take cognitive mechanisms and context dependencies into consideration. These data and conclusions, which must be true, are still startling facts. Here, we will examine three comparative studies1.Cognitive Process Analysis Experiment (in House): Joint study of Japanese BWR utilities and vendors. When we estimate Human Error Probabilities including Time Reliability Correlation, we must remind its dependency of accident scenario, culture, crew type, etc. Some insights are useful for HRA method consideration [2].2.Three HRA Model Comparison (in House): Two representative HFEs from two types of reactors in Japan, Pressurized Water Reactor (PWR) and Boiling Water Reactor (BWR), were chosen [3]. HRA method to be used are THERP method, Electric Power Research Institute (EPRI) method, and IDHEAS method [4-6] For both PWR and BWR examples, different HEPs were obtained by different HRA methods also. The scenario analysis, qualitative analysis, and task analysis must be reflected into HEPs.3.USNRC & Halden Model & Experiment Comparison: The model is judged to be underestimated compared to the experiment in one accident scenario and another case, to be overestimated. The dispersion of the calculation results by the method and experimental results are close to three digits [1, 7]. The importance of qualitative scenario analysis was widely recognized, and it became clear that the level of analysis depends largely on the knowledge and experience of analysts. This is because the lack of clear guidance in the HRA methodology has led to discrepancies in the analyst's approach [7].References[1] U.S. Nuclear Regulatory Commission, The International HRA Empirical Study, Lessons Learned from Comparing HRA Methods Predictions to HAMMLAB Simulator Data, NUREG-2127, August 2014. [2] Ujita, H., Kawano, R., Yoshimura, S., An Approach for Evaluating Expert Performance in Emergency Situations, Reliability Engineering and Systems Safety, Vol.47, pp.163- 173, 1995.[3] Hiroshi Ujita, Yoshihiro Ide, ASRAM2020, Asian Symposium on Risk Assessment and Management 2020 Online Virtual Conference, November 30 - December 2, Ideal Way of Method and Data Issues in Human Reliability Analysis (HRA) (1) Extraction of HRA Method Issues by Comparison Analysis & (2) Extraction of Method and Data Issues from Research Survey.[4] A. D. Swain, H. E. Guttmann, “Handbook of Human Reliability Analysis with Emphasis on Nuclear Power Plant Applications Final Report”, NUREG/CR-1278, August 1983. [5] S. Lewis, et. al., “EPRI/NRC-RES Fire Human Reliability Analysis Guidelines Final Report”, NUREG-1921, July 2012. [6] USNRC, EPRI, “An Integrated Human Event Analysis System (IDHEAS) for Nuclear Power Plant Internal Events At-Power Application”, NUREG-2199, March 2017. [7] Taylor, Claire. Improving scenario analysis for HRA. Probabilistic Safety Assessment and Management, PSAM. 2012.
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3

Xiaozhi Wang and Neil Pegg, ISSC 2022 Editors. "Proceedings of the 21st International Ship and Offshore Structures Congress VOLUME 3 Discussions". En 21st International Ship and Offshore Structures Congress Volume 3 Discussions. SNAME, 2022. http://dx.doi.org/10.5957/issc-2022-discussion-vol-3.

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Committee I.1: Environment Alexander Babanin (Chair); Mariana Bernardino; Franz von Bock und Polach; Ricardo Campos,; Jun Ding; Sanne van Essen; Tomaso Gaggero; Maryam Haroutunian; Vanessa Katsardi; Alexander Nilva; Arttu Polojarvi; Erik Vanem; Jungyong Wang; Huidong Zhang; Tingyao Zhu Floor Discussers: Florian Sprenger; Carlos Guedes Soares; Henk den Besten Committee I.2: Loads Ole Andreas Hermundstad (Chair); Shuhong Chai; Guillaume de Hauteclocque; Sheng Dong; Chih-Chung Fang; Thomas B. Johannessen; Celso Morooka; Masayoshi Oka; Jasna Prpić-Oršić; Alessandro Sacchet; Mahmud Sazidy; Bahadir Ugurlu; Roberto Vettor; Peter Wellens Official Discusser: Hayden Marcollo Committee II-1: Quasi-Static Response James Underwood (Chair); Erick Alley; Jerolim Andrić Dario Boote; Zhen Gao; Ad Van Hoeve; Jasmin Jelovica; Yasumi Kawamura; Yooil Kim; Jian Hu Liu; Sime Malenica; Heikki Remes; Asokendu Samanta; Krzysztof Woloszyk; Deqing Yang Official Discusser: Prof. T. Yoshikwa Committee II.2: Dynamic Response Gaute Storhaug (Chair); Daniele Dessi; Sharad Dhavalikar; Ingo Drummen; Michael Holtmann; Young-Cheol Huh; Lorenzo Moro; Andre Paiva; Svein Sævik; Rong-Juin Shyu; Shan Wang; Sue Wang; WenWei Wu; Yasuhira Yamada; Guiyong Zhang Floor Discussers: Ling Zhu; Tomoki Takami; Anriette (Annie) Bekker; Bruce Quinton; Robert Sielski Committee III.1: Ultimate Strength Paul E. Hess (Chair); Chen An; Lars Brubak; Xiao Chen; Jinn Tong Chiu; Jurek Czujko; Ionel Darie; Guoqing Feng; Marco Gaiotti; Beom Seon Jang; Adnan Kefal; Sukron Makmun; Jonas Ringsberg; Jani Romanoff; Saad Saad-Eldeen; Ingrid Schipperen; Kristjan Tabri; Yikun Wang; Daisuke Yanagihara Official Discusser: Jørgen Amdahl Committee III.2: Fatigue and Fracture Yordan Garbatov (Chair); Sigmund K Ås; Henk Den Besten; Philipp Haselbach; Adrian Kahl; Dale Karr; Myung Hyun Kim; Junjie Liu; Marcelo Igor Lourenço de Souza; Wengang Mao; Eeva Mikkola; Naoki Osawa; Fredhi Agung Prasetyo; Mauro Sicchiero; Suhas Vhanmane; Marta Vicente del Amo; Jingxia Yue Official Discusser Weicheng Cui Floor Discussers: Robert Sielski; Sören Ehlers; Stephane Paboeuf; Teresa Magoga Committee IV.1: Design Principles and Criteria Matthew Collette (Chair); Piero Caridis; Petar Georgiev; Torfinn Hørte; Han Koo Jeong; Rafet emek Kurt; Igor Ilnytskiy; Tetsuo Okada; Charles Randall; Zbigniew Sekulski; Matteo Sidari; Zhihu Zhan; Ling Zhu Official Discusser: Enrico Rizzuto Committee IV.2: Design Methods Andrea Ivaldi (Chair); Abbas Bayatfar; Jean-David Caprace; Gennadiy Egorov; Svein Erling Heggelund; Shinichi Hirakawa; Jung Min Kwon; Dan Mcgreer; Pero Prebeg; Robert Sielski; Mark Slagmolen; Adam Sobey; Wenyong Tang; Jiameng Wu Official Discusser: Mario Dogliani Committee V.1: Accidental Limit States Bruce Quinton; Gaetano De Luca; Topan Firmandha; Mihkel Körgesaar; Hervé Le Sourne; Ken Nahshon; Gabriele Notaro; Kourosh Parsa; Smiljko Rudan; Katsuyuki Suzuki; Osiris Valdez Banda; CareyWalters; Deyu Wang; Zhaolong Yu Official Discusser: Manolis Samuelides Committee V.2: Experimental Methods Sören Ehlers (Chair); Nagi Abdussamie; Kim Branner; ShiXiao Fu; Martijn Hoogeland; Kari Kolari; Paul Lara; Constantine Michailides; Hideaki Murayama; Cesare Rizzo; Jung Kwan Seo; Patrick Kaeding Official Discusser: Giles Thomas Committee V.3: Materials and Fabrication Technology Lennart Josefson (Chair); Konstantinos Anyfantis; Bianca de Carvalho Pinheiro; Bai-Qiao Chen; Pingsha Dong; Nicole Ferrari; Koji Gotoh; James Huang; Matthias Krause; Kun Liu; Stephane Paboeuf; Stephen van Duin; Fang Wang; Albert Zamarin Official Discusser: Frank Roland Floor Discussers Alessandro Caleo; Agnes Marie Horn; Krzysztof Woloszyk; Robert Sielski Committee V.4: Offshore Renewable Energy Atanasios Kolios (Chair); Kyong-Hwan Kim; Chen Hsing Cheng; Elif Oguz; Pablo Morato; Freeman Ralph; Chuang Fang; Chunyan Ji; Marc Le Boulluec; Thomas Choisnet; Luca Greco; Tomoaki Utsunomiya; Kourosh Rezanejad; Charles Rawson; Jose Miguel Rodrigues Official Discusser: Amy Robertson Committee V.5: Special Vessels Darren Truelock (Chair); Jason Lavroff; Dustin Pearson; Zbigniew (Jan) Czaban; Hanbing Luo; Fuhua Wang; Ivan Catipovic; Ermina Begovic; Yukichi Takaoka; Claudia Loureiro; Chang Yong Song; Esther Garcia; Alexander Egorov; Jean-Baptiste Souppez; Pradeep Sensharma; Rachel Nicholls-Lee Official Discusser: Jaye Falls Floor Discussers: Jasmin Jelovica; Stephane Paboeuf; Sören Ehlers Committee V.6: Ocean Space Utilization Sebastian Schreier (Chair); Felice Arena; Harry Bingham; Nuno Fonseca; Zhiqiang Hu; Debabrata Karmakar; Ekaterina Kim; Hui Li; Pengfei Liu; Motohiko Murai; Spiro J Pahos; Chao Tian; George Wang Official Discusser: Hideyuki Suzuki Floor Discussers: Robert Sielski; Sue Wang; Sarat Mohapatra; Gaute Storhaug; Henk den Besten Committee V.7: Structural Longevity Iraklis Lazakis (Chair); Bernt Leira; Nianzhong Chen; Geovana Drumond; Chi-Fang Lee; Paul Jurisic; Bin Liu; Alysson Mondoro; Pooria Pahlavan; Xinghua Shi; Ha Cheol Song; Tadashi Sugimura; Christian Jochum; Tommaso Coppola Official Discusser: Timo de Beer Floor Discusser: Krzysztof Woloszyk Committee V.8: Subsea Technology Agnes Marie Horn (Chair); Tauhid Rahman; Ilson Pasqualino; Menglan Duan; Zhuang Kang; Michael Rye Andersen; Yoshihiro Konno; Chunsik Shim; Angelo Teixeira; Selda Oterkus; Blair Thornton; Brajendra Mishra Official Discusser: Segen F. 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