Literatura académica sobre el tema "Yemen – Social life and customs – 20th century"

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Artículos de revistas sobre el tema "Yemen – Social life and customs – 20th century"

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Shmelev, Dmitry. "Muslim Immigration to France in the 20th Century: Causes, Cycles, Problems". ISTORIYA 12, n.º 5 (103) (2021): 0. http://dx.doi.org/10.18254/s207987840015636-8.

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The article devoted to the problem of Muslim immigration in France in the 20th century. The focus is on the causes of Muslim immigration, its cycles, specificity and consequences for modern French society. Based on a comparison of various statistical data, it stated that Muslim immigration is an integral part of three large waves of immigration flows that took place from the end of the 19th to the end of the 20th centuries. The article notes the correlation of the number of Muslim immigrants in France with the global numbers of immigrant arrivals to the country. However, if in the first two waves their number depended on the economic needs of the French economy (Muslims came to earn money), then during the third wave other factors came into play — the creation of stable communities, family reunification, going on stage second and third generations of immigrants, social problems of their arrangement and adaptation to French legal norms and customs. The article notes the specificity of the geographical concentration of the Muslim population, which takes place either near large industrial centers and cities (which makes it easier to find work and social protection), or in places of proximity to their native countries (southern France). Special attention paid to the problem of the evolution of state policy in the admission and integration of immigrants, when various methods tired from assimilation, the adoption of quotas to the policy of flexible regulation of immigration and expulsion of illegal immigrants from the country. The article analyzes the position of the Muslim community in France, the role of Muslim associations in its life, the impact on the socio-cultural life of the French. It can stated that Islam has become the second religion in France, which determines its position — a stable presence in socio-economic life (employment, the spread of the social protection system to immigrants), political (the right to vote, the possibility of creating associations, manifestations), religious (the possibility of worship), cultural (the formation of a specific immigrant subculture).
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2

Stoletova, Anna S. "Custom and mentality of production societas in the realities of everyday life in the 1960s-80s (An interpretation of archive materials from the Russian State Archive of Contemporary History)". Vestnik of Kostroma State University 27, n.º 3 (28 de octubre de 2021): 61–70. http://dx.doi.org/10.34216/1998-0817-2021-27-3-61-70.

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Based on the sources of the Russian State Archive of Modern History, the article describes the establishment and operation of customs in the socio-economic life of the second half of the 20th century, which influence the everyday life, attitude and worldview of the production (industrial) part of Russian societas. The question is raised about the consolidation of new features in consciousness, individualistic tendencies as the basis of the worldview. Attention is focused on the fact that the dissonance in the levels of social differentiation, material wealth and social status formed the basis of the mental separation of the production elite, representatives of management and the working class. The author draws attention to the fact that the phenomena of nepotism, clannishness, favours and thuggery that penetrate into everyday life and the labour sphere of life were especially negatively perceived by the workers. The negative reactions of the workers were reinforced by the realities of life – the deficit, the housing issue as a problem of social arrangement, the outdated wage system. It is noted that the public niches in which customs and traditions were firmly rooted, were to a greater extent connected with topical and acute social processes, including the institutions of power, property and trade. The researcher comes to the conclusion that by the 1980s, due to the passage of the stages of further ideological, social and economic differentiation, the separation of the individual from the working collective, the isolation of the elite and a certain isolation of its ordinary members in the production environment, bourgeois aspirations and ideals of hoarding were growing stronger.
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3

Galiana, Mercedes, Salvador Conesa y Aurora Alcaide-Ramírez. "DEVELOPMENT OF SPANISH VILLAGES THROUGH ORAL MEMORY: MID-TWENTIETH CENTURY EL CAMPELLO". JOURNAL OF ARCHITECTURE AND URBANISM 46, n.º 2 (24 de noviembre de 2022): 137–47. http://dx.doi.org/10.3846/jau.2022.16410.

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Oral memory is one amongst the most valuable sources of human knowledge, even more so nowadays when the COVID-19 pandemic has taken so many of our elders out. The personal narratives of our towns’ dwellers during the past century let us know not only their way of life, customs, and traditions, but also the morphology of the city, its layout and urban evolution, its architecture –both for family homes and monuments–, and most significant of all, the way of using said spaces. The researchers behind this paper, in partnership with Grup Salpassa and the Council of El Campello, have chosen a methodology based on the oral history to expand the knowledge of the mid-20th century village by means of a series of interviews with some octogenarian locals –shaped as thematic “micro-histories”, published on social media, and orthophotos, which are subject to urban analysis with the location of streets, public buildings, facilities, and commercial areas. All this is accompanied by moving and previously unpublished images of everyday life and festivities, which set up a stronger emotional bond and stronger terrain roots for current societies.
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Svenungsson, Jayne. "The return of religion or the end of religion? On the need to rethink religion as a category of social and political life". Philosophy & Social Criticism 46, n.º 7 (7 de febrero de 2020): 785–809. http://dx.doi.org/10.1177/0191453719896384.

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During the last decades of the 20th century, Western philosophy saw a renewed interest in religion, often referred to as ‘the return of religion’. At about the same time, a growing number of anthropologists and historians began to draw attention to the cultural and ideological bias of the category of religion, revealing its roots in a particular phase of early modern European history. This article gives an overview of these significant theoretical developments and explores both the tensions and similarities between the different scholarly traditions. Drawing on both discourses, it argues that we need to rethink the way we use religion as a category for organizing social and political life. If religion can no longer be taken as a purely descriptive category but rather should be seen as part of specific discursive practices, then we need to critically ponder the implications of the ways in which we map certain customs, behaviours and motifs as ‘religious’ and others as ‘secular’.
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Amelia, Pidia, Lukitaningsih Lukitaningsih y Ika Purnamasari. "Tipologi Batang Tubuh Pisau Tumbuk Lada: Sebuah Analisis Makna pada Pusaka Melayu". Warisan: Journal of History and Cultural Heritage 4, n.º 3 (12 de diciembre de 2023): 97–107. http://dx.doi.org/10.34007/warisan.v4i3.1986.

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This article discusses the meaning contained in the body of a Malay heritage weapon called the "Pisau Tumbuk Lada". In the past, pisau tumbuk lada were weapons that were very close to the lives of Malay people. Because it not only functions as a marker of social status, but also as a component of customs, traditions, religion, and completeness of daily life. Therefore, this weapon was used by everyone from kings, nobles, traditional leaders to ordinary people. The pisau tumbuk lada is also considered a symbol of the glory of the pepper trade in the Malay world which existed in the 15th – 20th century AD. The body of the pisau tumbuk lada consists of the upstream, karah, blade, and sheath. Each part of the body has a special meaning related to aesthetic, functional, and philosophical aspects. The manufacturing materials and decorative motifs contained therein also have great philosophical values.
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Yemelyanova, Olena, Svitlana Baranova y Iryna Kobyakova. "Genre and stylistic markers of Ukrainian folk jokes". European Journal of Humour Research 11, n.º 4 (31 de diciembre de 2023): 14–30. http://dx.doi.org/10.7592/ejhr.2023.11.4.868.

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This article focuses on the study of Ukrainian social and domestic folk jokes that contain information about the life of people, their habits, customs, traditions, and relations, and ridicule the weak sides of Ukrainians. The research material comprises 311 folk jokes that date back to the second part of the 19th century – the beginning of the 20th century. They are selected from the collection by M.V. Nagornyi (1940) and the book of Ukrainian folk satire and humour (1959). The goal of the research is to study the main genre and stylistic markers of Ukrainian folk jokes. It is noted that Ukrainian folk jokes have a form of dialogue. Ukrainians’ longstanding tradition of self-deprecating humour is also mentioned. The stylistic markers of the texts under consideration are the choice of vocabulary with diminutive suffixes, a wide range of expressive means, and stylistic devices that are a basis for achieving humorous effects. Diminutive suffixes are proved to have acquired specific characteristics in folk jokes giving positive or negative evaluation. Ukrainian social and domestic folk jokes, some of which take the form of joke-stories, are distinguished by precision, witty expression, and concise and dynamically constructed plot. The future research might involve the detailed study of the peculiarities of the Ukrainian social and domestic jokes of the third millennium, focusing on their linguistic and extra-linguistic features.
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Максимовић, Горан. "СРПСКА МАКЕДОНИЈА У ПРИПОВЕТКАМА ТОМА СМИЉАНИЋА БРАДИНЕ". ИСХОДИШТА 8, n.º 1 (18 de agosto de 2022): 111–26. http://dx.doi.org/10.46630/ish.8.2022.9.

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The essay analyzes two collections of stories by the forgotten Serbian writer from Macedonia, Tomo Smiljanić Bradina (1888–1969). These are the books On the Mountain and other stories from Macedonia (Skopje, 1924) and Stojna and other stories from Macedonia (Skopje, 1924). In each collection, there are eight stories, which are thematically related to the difficult national and social life of the Serbian people in Macedonia at the end of the 19th and in the early decades of the 20th century. National life is seen through the fight against denationalization and forced bulgarization, through the preservation of folk customs and attachment to the Serbian oral epic and lyrical tradition, and through a deep attachment to the Serbian Orthodox Church and religious rites and holidays. Social life is seen through the depiction of poverty and the painful struggle for survival, through the destiny of the migrant, but also through the plots of love. It is this constant struggle for survival that testifies to the vitality of the Serbian people in Macedonia. Narration is characterized by various artistic procedures: the intersection of narrative prospecting and retrospection, objective and subjective narration, as well as linguistic diglossia and the constant intersection of the Serbian standard language in narrating narrators with dialectal features of local Serbian dialects from Macedonia in the dialogues of heroes.
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Gandecka, Kamila. "“Family. Oh! The Family!” – Portrayals of Family as an Educational Environment in Selected Literary Works from the 19th And 20th Centuries". Pedagogika 112, n.º 4 (23 de diciembre de 2013): 135–39. http://dx.doi.org/10.15823/p.2013.1786.

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The family, as the basic microstructure of social life, constitutes, at the very least by supposition, the first and foremost educational environment of a child; an environment which should correspond to the child’s natural needs, especially psychological ones, such as the need for love, unconditional acceptance, the need for respect and recognition, activity, independence, and self-realization [9]. This why M. Lukšienė states, “A good family home is the basis of human physical and spiritual life; it guarantees one’s efficient, creative activity”. The parents’ worldview plays an important role in education, providing an answer to the fundamental questions concerning our existence: Who am I? What sense does my life have? What is the goal of my life? What ideals and rules of action do I represent? What is the world and my place within it? Undoubtedly, a variety of factors affect the shaping of a young person’s worldview, among them school, religion, ideology, the level of social development, social organization, the particular historical period in which the person lives, as well as certain individual psychological predispositions. Nevertheless, parents have always played the pivotal role in the shaping of children’s worldview. Parents prepare their children for an independent life in society by teaching them values, norms, models of behavior, and cultural customs. In this way, parents fulfil their function as a microstructure, fulfilling aims that support the macrostructure. Beginning with the second half of the 19th century, the notion of the family becomes one of the main themes in Polish literature, appearing in the works of such authors as Bolesław Prus, Henryk Sienkiewicz, Eliza Orzeszkowa, Stefan Żeromski, Władysław Reymont, and Maria Konopnicka. Moreover, the literary representation of the family as an educational environment of a child is also often evoked in the theoretical musings of professionals in the field of education. Thse professionals include Helena Radlińska, Jerzy Ostrowski, Janusz Korczak, and Aleksandra Kamiński. In conclusion, the broadly defined notion of family is, without question, universal and timeless. As an area of scholarly inquiry, it requires an interdisciplinary approach that encompasses all possible perspectives.
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Laužikas, Rimvydas. "Consumption of Drinks as Representation of Community in the Culture of Nobility of the 17th–18th Centuries". Tautosakos darbai 51 (27 de junio de 2016): 11–31. http://dx.doi.org/10.51554/td.2016.28882.

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Drinks and customs related to their consumption play a special role in the social history (essentially, that of the human community). However, research of the customs of alcohol consumption in Lithuania (along with the history of daily life in general and the culture of the nobility’s daily life in particular) is rather sporadic so far. The article presents a research work in cultural anthropology on the alcohol consumption as means (or prerequisite) of achieving more important aims of religious, social, economic or other kind. Because of the big scope of research and low level of prior investigation, the subject of this article is limited to a single aspect – namely, the custom of drinking from the same glass; to the culture of only one social layer of the Grand Duchy of Lithuania (GDL) – the nobility; and to a distinct period – the 17th–18th centuries. The aim of analysis is revealing sources of this custom, its development and meaning in the social community of the given period.According to the research, the GDL presented a sphere of interaction between the local pre-Christian Lithuanian culture, which had been developing for an incredibly long period – even until the end of the 15th century, and the Western European cultural tradition. The Western European culture, formed in the course of joining together elements of the antique heritage, the Christian worldview and the inculturized “Northern barbarism”, acquired in the 14th–16th century Lithuania one of its essential constituents – namely, the culture of the “Northern barbarism” still alive and functioning. On the other hand, the nobility of the GDL, raised in pre-Christian Lithuanian culture, had no trouble recognizing elements of its local heritage in the Western Christian culture. The local custom of drinking from the same glass characteristic to the higher social layers supposedly stemmed from the drinking horns. Along with Christianity and spread of the wine culture, the local pre-Christian custom of drinking from the same glass should have been abandoned by the nobility, surviving instead solely in the lower social classes. The western custom of drinking from the same glass spread in Lithuania along with Christianity and the wine consumption. However, its influence on the nobility was rather limited. In the 15th–16th centuries, when this custom was still rather widespread in Europe, the Lithuanian nobility was just beginning its acquaintance with the wine culture, while in the 17th–18th centuries, when the wine culture grew popular in Lithuania, the western-like custom of drinking from the same glass had already waned in other European countries. Therefore, the western custom of drinking from the same glass was rather a marginal phenomenon among the Lithuanian nobility, affected by the cultural exchange with the Polish nobility (which grew especially intense following the union of Lublin) and the ideology of Sarmatianism. The custom of drinking from the same glass disappeared in the culture of the Lithuanian nobility at the turn of the 18th–19th century due to the ideas of Enlightenment and the altered notions of healthy lifestyle and hygiene. However, drinking from the same glass, as a distant echo of the ancient customs representing social community was quite popular in the peasant culture as late as the end of the 20th – beginning of the 21st centuries.
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Okolnycha, Tetiana y Serhii Yakovenko. "EDUCATION OF PEASANT CHILDREN IN UKRAINIAN FAMILIES BY GENDER DIFFERENCES (KHERSON GOVERNANCE 19th – FIRST QUARTER OF 20th CENTURY)". Academic Notes Series Pedagogical Science 1, n.º 206 (enero de 2022): 59–65. http://dx.doi.org/10.36550/2415-7988-2022-1-206-59-65.

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The publication reveals patterns and components of the process of gender-age education of children in a Ukrainian peasant family. The importance of studying folk pedagogy in terms of the objectively existing features of individual regions, which differ in their specifics of socio-pedagogical, economic and cultural development, is emphasized, among which the Kherson province occupies a prominent place. It is emphasized that the period of the 19th - the first quarter of the 20th century is of particular interest, which is represented by a variety of means and forms of education, reflected in folklore, folk traditions, customs, beliefs, folk games, etc. Among the regularities of gender-age education of children in the Ukrainian peasant family of the 19th - the first quarter of the 20th century the following things are singled out: dependence on a set of interconnected educational methods, means and forms; the results of the process of gender-age education were determined by the level of children's assimilation of specific knowledge, the formation of their views and beliefs about social roles and responsibilities of women and men; the effectiveness of gender-age education was achieved through the influence of parents on the world perception of children. Characteristic features of the process of gender-age education of children in the Ukrainian peasant family of the 19th – the first quarter of the 20th century. were: imitating, copying and reproducing the experience of relationships between a husband and a wife, father and mother with children, considering their gender; the unity of the purpose, methods and means of gender-age education of children; variability, consistency and continuity of parents' educational actions in the process of raising children from their birth till 14 years of age. The components of the gender-age education of children in the Ukrainian peasant family of the 19th and the first quarter of the 20th centuries are singled out: purpose, principles, tasks, organization of educational influence and specific results. The purpose of gender-age education was carried out by solving the tasks: helping the child to associate himself herself with one of the gender groups; the child's awareness of his\her own social role; mastering women's or men's spheres of activity through the transfer of labour knowledge , abilities, skills, getting used to managing and organizing a household, ensuring awareness in a certain craft or industry. The analysis of the sources made it possible to conclude that the transfer of specific knowledge, practical skills and social experience of the interaction of the genders to children was achieved through the use of parenting methods (persuasion, suggestion, example, habituation, demand, request, order, prohibition, public opinion) that highlighted the process of children correlating themselves with one of the gender groups and awareness of their own social roles and tasks in the main spheres of Ukrainian peasant life; revealed and actualized patterns of activity and behavior that were traditionally characteristic of men and women; contributed to the consolidation of practical knowledge, skills and behavioral patterns of children, considering their gender. In traditional society, family upbringing was carried out according to the principle of differentiation of genders, which is based on the socio-economic status of the family itself and the nature of family relationships.
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Tesis sobre el tema "Yemen – Social life and customs – 20th century"

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Singley, William Blake. "Recipes for a nation : cookbooks and Australian culture to 1939". Phd thesis, 2013, 2013. http://hdl.handle.net/1885/109392.

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Cookbooks were ubiquitous texts found in almost every Australian home. They played an influential role that extended far beyond their original intended use in the kitchen. They codified culinary and domestic practices thereby also codifying wider cultural practices and were linked to transformations occurring in society at large. This thesis illuminates the many ways in which cookbooks reflected and influenced developments in Australian culture and society from the early colonial period until 1939. Whilst concentrating on culinary texts, this thesis does not primarily focus on food; instead it explores the many different ways that cookbooks can be read to further understand Australian culture in the nineteenth and early twentieth century. Through cookbooks we can chart the attitudes and responses to many of the changes that were occurring in Australian life and society. During a period of dramatic social change cookbooks were a constant and reassuring presence in the home. It was within the home that the foundations of Australian culture were laid. Cookbooks provide a unique perspective on issues such as gender, class, race, education, technology, and most importantly they hold a mirror up to Australia and show us what we thought of ourselves.
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McNeil, Charles A. "Carved from stone? : community life and work in Barre, Vermont, 1900-1922". Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61921.

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Charpentier, Marc 1965. "Broadway north : musical theatre in Montreal in the 1920s". Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35990.

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This thesis examines the professional musical stage of Montreal in the decade following the First World War. Throughout the 1920s, almost all of the city's musical theatre attractions were foreign in origin, and were staged by American, French, and British roadshow companies, arriving mainly from New York City. Analysis of Montreal's musical theatre entertainment and satellite relationship with Broadway highlights the growing cultural influence of the United States upon Quebec society in the interwar period. As a northern outpost of Broadway, Montreal was directly affected by the profound transformation of the entertainment industry of the United States. After peaking in the second half of the decade, the musical stage of Montreal was gradually supplanted by the decline of the roadshow system, the advent of the sound film, the onset of the Great Depression, and the resurgence of local stock theatre companies.
The northern extension of Broadway into Montreal heightened divisions within Montreal society between a growing middle class of businessmen, managers, and other professionals who embraced modernity and cultural change, and more conservative forces who favoured the traditional Quebec based on religious and nationalist values. While the musical attractions sent northwards from Broadway were a popular divertissement for a large proportion of Montrealers from all social classes and linguistic backgrounds, they were abhorred by the province's clerical and nationalist elites and their supporters who regarded them as a threat to the survival of traditional French Canadian values and culture.
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4

Little, Roger C. "Transition and memory : London Society from the late nineteenth century to the nineteen thirties". Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60054.

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The attitudes of selected memoir authors are surveyed with regard to their commentary on London Society ranging from the late Nineteenth century to the Nineteen Thirties. The experience of these Society participants is divided between aspects of continuity and change before and after the First World War. During this time-frame, London Society, as the community of a ruling class culture, may be seen to have undergone the transition from having been an aristocratic entity dominated by the political and social prestige of the landed classes, to that of an expanded body, more reflective of democratic evolution and innovation. The memoir testimony treated in this inquiry affords a means of reflecting not only Society's passage of experience but also more pointedly, its evaluation, shedding light on the values and vulnerability of a hitherto assured, discreet and otherwise adaptive class character at a time of accelerated change and challenge.
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Rudy, Robert Jarrett. "Manly smokes : tobacco consumption and the construction of identities in industrial Montreal, 1888-1914". Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37910.

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This dissertation explores the cultural practice of smoking and its connection to social relations from the beginning of cigarette mass production in Montreal in 1888 to the First World War. It uncovers the norms of smoking etiquette and taste, their roots in gender, class and race relations and their use in reproducing these power relationships. It argues that these prescriptions reflected and served to legitimize beliefs about inclusion, exclusion and hierarchy that were at the core of nineteenth century liberalism. Liberal ideals of self-control and rationality structured the ritual of smoking: from the purchase of tobacco; to who was to smoke; to how one was supposed to smoke; to where one smoked. These prescriptions served to normalize the exclusion of women from the definition of the liberal individual and to justify the subordination of the poor and cultural minorities. Furthermore, even while these prescriptions were at their height, an emergent group of beliefs began to recast notions of respectable smoking around new ideals of speed and ungendered universality. This challenge was not only part of the transition from bourgeois to mass consumption, it was the roots of a transformation of the liberal order in the years previous to the First World War.
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Podmore, Julie. "St. Lawrence Blvd. as third city : place, gender and difference along Montréal's 'Main'". Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36682.

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At the end of the nineteenth century, St. Lawrence Boulevard, popularly known as 'the Main', attained mythical status in Montreal. Due to its particular location in the social and cultural geography of Montreal, the Main, which symbolically divides the working-class Francophone east and the Anglophone bourgeois west, has developed as a mixed-use commercial artery, an eclectic border zone of a bilingual, multi-ethnic city. The heterogeneous character of the Main is reflected in its material landscape---with its old and now largely re-used garment sweat-shops and labour halls, theatres of the red-light district, cafes, and the shops and restaurants of the mid-twentieth century immigrant shopping corridor. Shaped by the diversity of the populations that came to live, work, protest, shop or be entertained in these sites, it is an example of the social and cultural diversity of the metropolis. Such heterogeneous sites have often been interpreted as liminal spaces, but this research demonstrates that the construction and experience of the Main as a border zone have rarely been gender neutral. While physical, social and cultural heterogeneity are components of this landscape, these sites also attest to the importance of gender relations in the experience of the Main as a place of work and social life and, ultimately, as a space of representation. Its border status has often been represented through discourses and images of 'marginal' womanhood, articulated in terms of social, occupational, political, sexual and/or ethnic identity. Many of its locales, moreover, have been sites where women entered urban public life in contentious and distinctive ways.
As a place that highlights the social and cultural heterogeneity of a supposedly 'divided' city, the Main is an ideal site from which to explore how ethnicity, language, class, occupation and sexual identity intersect with gender in the experience and representation of urban life. This thesis examines how a multiplicity of female gender identities have been defined and contested along the Main over the past century. It contributes to a broad literature on geographies of gender, difference and urban public cultures through an analysis of the relationships between feminist spatial metaphors and the material production of urban space. Through a series of events that move through time and sections of St. Lawrence, I examine how portions of the landscape of this boulevard have been marked by the enactment of specific sets of gender relations and forms of representation that became central to civic debates regarding gender. I argue that the construction and experience of the Main as a border zone has involved the production of specific relations of gender, alterity and space.
A variety of qualitative methods and archival sources are used to illustrate the importance of representations of gender to the production of this place and to illustrate how women have experienced and made use of material sites to express their specific occupational, cultural, religious, social or sexual identities. This thesis demonstrates the crucial role played by the border zones of urban public cultures in the construction of female identities that depart from dominant gender norms in the expression of social, cultural and sexual differences.
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Stevenson, Greg. "Ceramic design for modern living : an archaeology of British ceramics 1927-37". Thesis, University of Wales Trinity Saint David, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683311.

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Martin, Toby. "Yodelling boundary riders : country music in Australia, 1936-2010". Phd thesis, Department of History, 2011. http://hdl.handle.net/2123/8573.

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Lancaster, Rupert Giles Swinburne. "A small town in the early apartheid era: A history of Grahamstown 1946-1960 focusing on "White English" perspectives". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1013161.

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This Thesis examines the socio-political perceptions of Grahamstown, a small South African City, during the period 1946 to 1960. The ‘White English’ population of Grahamstown is the specific focus, as it formed the dominant social group during the period and consequently provided the majority of information for this work. During this period the majority of Grahamstowns ‘White English’ population thought of their City as holding many attractive features and experiences despite the slum-conditions and poverty that were rife in the Locations. During the British Royal Familie’s tour of the Union of South Africa in 1947, Grahamstown was one of the Cities visited. The loyalty that Grahamstown’s ‘White English’ citizens felt towards the Royal Family and the United Kingdom is explored in connection with the regard that ‘White English’ Grahamstown held for the 1820 Settlers. To highlight the Grahamstown City Council’s activities during this period five events are analysed: The Grahamstown Financial Crisis, The Grahamstown Housing Crisis, The Beer Hall Debate, The establishment of a Tuberculosis Hospital and the granting of Full University Status to Rhodes University College. It is shown, with regard to the politics of the period, that ‘White English’ Grahamstown, unequivocally supported the United Party and were vocally anti-Nationalist. The implementation of Apartheid policies within Grahamstown is explored, with specific focus placed upon the Group Areas Act. Finally the anti-republican sentiment espoused by ‘White English’ Grahamstown is reviewed.
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Le, Febvre Emilie. "Tracing visual knowledge : the presence and value of images for Bedouin history and society in the Negev". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d588d57f-2137-47b2-9ff2-3ac46799f6ad.

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Based on eighteen months fieldwork with Bedouin of the Negev, this thesis explores the varied presence of images as photographs and digital copies for local historicity in order to achieve a greater understanding of representational politics in southern Israel. It emphasizes pictures' ability to transmute, circulate, and acquire value in various social settings in contrast to popular academic treatments, which primarily focus on photographs' iconography and visual history in the Middle East. To do so, the thesis details the biographies of a series of 'significant images' (c. 1906-2010) circulating in this society. It describes their photographic and digital graphic contents as floating referents with the capacity to be coded and recoded by people but also their presence as historical evidence that acquire value in different contexts. The thesis builds on the concept of visual economy as opposed to visual culture in order to landscape images' meanings, material and digital transformations, and their influence for the making of Bedouin history over the last century amid Orientalist, national, and local imaginings. It argues that Bedouin in the Negev possess diverse representational repertoires and utilise a variety of techniques to pursue historical capital. In particular, local representations of the past are selective and instrumental but increasingly reliant on archival mediums such as photographs. Although it may be obvious, anthropologists of the Middle East have yet to adequately account for these occurrences among peripheral peoples and not merely urbanites in the region. Research found that Bedouin spokespersons treat photographs and digital images as evidentiary documentation during self-presentations of historical knowledge in the Negev. As they travel between visual economies, however, images become malleable proof for local history projects alternating between the tribal past, Islamic heritage, and ethnohistory. In conclusion, the thesis develops two theoretical themes in anthropology and visual culture studies of the Middle East: the material and visual efficacy of images for local historicity, and complicating self-representations among Bedouin in the Negev.
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Libros sobre el tema "Yemen – Social life and customs – 20th century"

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Emery, Nancy. Early 20th century. London: Franklin Watts, 2006.

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F, Crowley John, Hurst Norman 1944-, Plimpton Oakes y Arlington Arts Council (Arlington, Mass.), eds. Stories of early 20th century life. Arlington: Arlington Arts Council, 1992.

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Xavier, Jeremy. 20th-century cool. Los Angeles, CA: General Pub. Group, 1998.

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Leach, Beryl Potter. Beryl Potter Leach: A 20th-century life. Aurora, Ill: Cogan Pub. Co., 1995.

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Incorporated, Media Projects, ed. Life and times in 20th-century America. Westport, CT: Greenwood Press, 2004.

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Epstein, Dan. 20th century pop culture. Philadelphia: Chelsea House, 2001.

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Epstein, Dan. 20th century pop culture. Philadelphia: Chelsea House, 2001.

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Cornish, Patrick. Western Australia in the 20th century. Fremantle, W.A: Fremantle Arts Centre Press, 1999.

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Clarke, Margaret Harriman. Chelsea in the 20th century. Charleston, SC: Arcadia, 2004.

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Christian), Reynolds Matthew (Matthew y Sauter Dale, eds. Greenville in the 20th century. Charleston, South Carolina: Arcadia Publishing, 2013.

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Actas de conferencias sobre el tema "Yemen – Social life and customs – 20th century"

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Domenech Rodríguez, Marta, David López López y Còssima Cornadó Bardón. "The role of cultural heritage in urban reuse". En HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14392.

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Cities face the challenge of transforming existing buildings to be reused, particularly those that are underused or not used at all. Tackling this issue, the European Commission approved in 2014 a package of measures to promote a circular economy. According to this agreement, our cities can be more sustainable and resilient by transforming these underused existing buildings with proposals for their adaptive temporary reuse, favoring the citizens’ well-being and quality of life and promoting social inclusion and economic growth with respect for the environment. This paper studies the role of heritage education in adaptive urban reuse, exploring the possibilities and methodologies for the reprogramming of existing buildings for different types of activities to offer citizens and communities the opportunity to participate in the life of the city, favouring their social inclusion. In contrast to the common new-builds or refurbishment commissions, reuse offers a greater possibility of disseminating, transforming and reinventing architectural methodologies and approaches to integrate in the design process forms of citizen participation, favouring the transition towards a model of a circular economy and more sustainable consumption. The paper analyses the possibilities of urban reuse applied to five major public heritage buildings in Barcelona: the Post Office Building, the Old Customs House, the France Train Station, the Martorell Museum and the Castle of the Three Dragons. Each of them has a particular condition regarding current uses and its public owning institution and presents specific characteristics regarding building typology, heritage protection, conservation and construction materials and techniques. The buildings date either from the late 19th century or the early 20th century and are grouped along a 1 km axis on the threshold between the historic center and the port of the city. This unique location represents a great strategic potential for the regeneration and urban reactivation of the city.
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