Literatura académica sobre el tema "Works (Terence)"

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Artículos de revistas sobre el tema "Works (Terence)"

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Moldram, Tim. "Terence Ranger's works: a preliminary bibliography." Journal of Southern African Studies 23, no. 2 (1997): 353–61. http://dx.doi.org/10.1080/03057079708708542.

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Duong-Pedica, Anaïs. "REVIEW: A skilful weaving of Teaiwa’s creative legacy." Pacific Journalism Review : Te Koakoa 28, no. 1 & 2 (2022): 252–54. http://dx.doi.org/10.24135/pjr.v28i1and2.1261.

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Sweat and Salt Water: Selected Works: Teresia Kieuea Teaiwa, compiled and edited by Katerina Teaiwa, April K. Henderson and Terence Wesley-Smith. Pacific Islands Monograph Series. Honolulu: University of Hawai'i Press. 2021, 286 words. ISBN 9780824890285.
 Sweat and Salt Water: Selected Works is a collection of texts written by Banaban, I-Kiribati, and African-American Pacific studies scholar and educator Teresia Kieuea Teaiwa, which were put together by her sister Katerina Teaiwa and friends and colleagues April K. Henderson and Terence Wesley-Smith. Described by Katerina as '[a] true la
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Anan’ev, D. A. "THE HISTORY OF THE RUSSIAN ARCTIC DEVELOPMENT IN TERENCE ARMSTRONG’S WORKS." Гуманитарные науки в Сибири 28, no. 4 (2021): 41–49. http://dx.doi.org/10.15372/hss20210406.

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Valiev, Ruslan Z., and Yuntian T. Zhu. "Contribution of early works by Terence G. Langdon to modern materials science." Materials Science and Engineering: A 410-411 (November 2005): 5–7. http://dx.doi.org/10.1016/j.msea.2005.08.105.

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Markov, Alexander V. "Textual Criticism of Ostrovsky’s Translations from Latin. Part 1: Terence’s Hecyra and the French Intermediary Translation." Two centuries of the Russian classics 3, no. 4 (2021): 146–63. http://dx.doi.org/10.22455/2686-7494-2021-3-4-146-163.

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Ostrovsky’s translations of the works of Plautus, Terence, and Seneca, preserved in incomplete drafts, attend to the textual criticism related both to the principles of the work and to its aims. The example of the translation of Terence’s Hecyra in comparison with the earlier translation of Plautus’ Asinaria proves the evolution of Ostrovsky’s translation principles. While Plautus was translated without recourse to an intermediary translation, Terence was translated from the popular bilingual edition, and the translator turned to a French translation in difficult cases. The article explains ho
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Гончаренко, Елла, та Людмила Байсара. "“СТІВЕН ДЖОЙС СЛУХАЄ”: ЦІ СЛОВА ЖАХАЛИ НЕ ОДИН ДЕСЯТОК ЖУРНАЛІСТІВ". Inozenma Philologia, № 134 (15 грудня 2021): 165–71. http://dx.doi.org/10.30970/fpl.2021.134.3520.

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The Ukrainian translation of Terence Killeen’s article “The Words Many a Journalist Dreaded Hearing: «This is Stephen Joyce»” is provided. Terence Killeen is the James Joyce Centre’s research scholar (Dublin). He is the author of numerous publications devoted to James Joyce’s oeuvre. Among them, there are “«Ulysses»’ Unbound: A Reader’s Companion to James Joyce’s «Ulysses»” (2004), an essay on the earliest version of “A Portrait of the Artist as a Young Man” (2020) and others. He is a former journalist although still continues to publish his works on the pages of “The Irish Times”, a leading I
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Morrison, James. "The House of Mirth." Film Quarterly 55, no. 1 (2001): 49–51. http://dx.doi.org/10.1525/fq.2001.55.1.49.

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The great British filmmaker Terence Davies adapts Edith Wharton's American classic, The House of Mirth, and the sensibilities of author and filmmaker mesh unexpectedly, producing a film of uncommon delicacy. Simulating the traditional costume drama as it has been codified by such directors as James Ivory, Davies actually works against the most entrenched conventions of the genre by countering naturalism with artifice. This review of Davies's film examines the aesthetic strategies of this extraordinary adaptation, and places the film in the context of Davies's work and contemporary art cinema m
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Kiebuzinski, Ksenya. "Rare Polonica at the Thomas Fisher Rare Book Library, University of Toronto." Z Badań nad Książką i Księgozbiorami Historycznymi 17, no. 4 (2024): 607–26. http://dx.doi.org/10.33077/uw.25448730.zbkh.2023.820.

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This article describes a collection of rare Polonica, numbering over five hundred books, pamphlets, manuscripts, and prints and engravings, donated to the Thomas Fisher Rare Book Library in 2001 by Karol Godlewski and his family. The donor’s uncle, Count Emeryk Hutten Czapski (1897–1979), assembled the extraordinary collection. The material includes works written, edited, or translated by Polish authors. The publication dates range from 1505 to the mid-1970s, with two hundred titles predating 1801. The subject matter ranges from texts written by Terence and Plutarch to biographies of Polish ki
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Hardin, Richard F. "Encountering Plautus in the Renaissance: A Humanist Debate on Comedy*." Renaissance Quarterly 60, no. 3 (2007): 789–818. http://dx.doi.org/10.1353/ren.2007.0276.

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AbstractHistorians of comedy can profit from a study of the sixteenth-century debates regarding the merits of Plautus (ca. 254–184 BCE), most of whose works were unknown before the late fifteenth century. Early performances and editions led to contemporary theories regarding laughter, language, and morality, often in the context of a comparison with the plays of Terence (d. 159 BCE), who was sometimes viewed as superior by upper-class audiences. From the conflicting opinions of Andrea Navagero and Francesco Florido, to the neoclassical strictures of Daniel Heinsius, this study pursues learned
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Denis, Andy. "The revolution that did not happen: Terence Hutchison on the political economy of Jeremy Bentham." Cambridge Journal of Economics 45, no. 4 (2021): 771–86. http://dx.doi.org/10.1093/cje/beab009.

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Abstract The three-volume edition of Jeremy Bentham’s Economic Writings, edited by Werner Stark, was published between 1952 and 1954, and reviewed by Terence Hutchison in the Economic Journal in 1956. Based on the Stark edition, Hutchison argued that there had been a dramatic shift in Bentham’s views and policy recommendations between his earlier and later writings on political economy. With the benefit of a new, five-volume edition of Bentham’s Writings on Political Economy, edited by Michael Quinn, it can now be seen that the revolution in Bentham’s views on political economy proposed by Hut
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Tesis sobre el tema "Works (Terence)"

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Horton, Brian (Saxophonist). "Tone Parallels in Music for Film: The Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra by Brian Horton." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011761/.

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This research investigates the culturally programmatic symbolism of jazz music in film. I explore this concept through critical analysis of composer Terence Blanchard's original score for Malcolm X directed by Spike Lee (1992). I view Blanchard's music as representing a non-diegetic tone parallel that musically narrates several authentic characteristics of African-American life, culture, and the human condition as depicted in Lee's film. Blanchard's score embodies a broad spectrum of musical influences that reshape Hollywood's historically limited, and often misappropiated perceptions of jazz
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Ruy, Maria Lucilia. "Formação de palavras: Livro VIII da gramática de Varrão." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-23082007-125251/.

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Tradução crítica do livro VIII do \"De Lingua Latina\" do gramático Varrão com o propósito de assim estudar parte dessa obra ainda pouco divulgada em português. Nesse livro Varrão trata sobre a maneira de se expressar na escrita, e na fala - mesmo que de uma minoria ilustrada -, mas também lança seu olhar para a disposição das palavras no enunciado conforme as funções que elas aí ocupam. Isso se evidencia por ele demonstrar preocupação com as regras que deveriam ser seguidas em relação a essa disposição das palavras ao apresentar a discussão de sua época entre analogistas e anomalistas no que
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Skalec, Aneta. "Prawo sąsiedzkie w świetle papirusów z Egiptu grecko-rzymskiego." Doctoral thesis, 2015.

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Celem prezentowanej pracy doktorskiej jest odtworzenie i analiza kształtowania się prawa sąsiedzkiego w Egipcie ptolemejskim i rzymskim (od podboju przez Aleksandra Wielkiego po podbój arabski) w oparciu o źródła praktyki, jakimi są papirusy w kilku językach – przede wszystkim greckim i demotycznym, ale z odwołaniami także do tych napisanych po koptyjsku i arabsku. Wśród nich możemy wyróżnić petycje, akty sądowe, instrukcje oraz raporty urzędników, kilka zbiorów praw i edykty prefektów, a także różnorodne kontrakty – umowy kupna-sprzedaży, najmu czy podziału własności, w których zazwyczaj jedy
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Brasová, Alena Petra. "Dějiny kláštera Kladruby." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-437802.

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This master thesis deals with the history of Kladruby's monastery, about it's establishment and development during centuries. Further, it deals with the change of lifestyle in the monastery, as well as outside of it. This thesis highlights the outstanding architectural beauty of the Baroque Gothic style of Czech architects Jan Blažej Santini Aichel and Kilián Ignác Dientzenhofer.
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Lexová, Alena. "Dějiny kláštera Kladruby." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-353222.

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The significant, cultural heritage, Kladruby's monastery lies n Tachovon in the Western part of the Czech republic. It lies between Pilsen and Tachov, specifically, Thirty kilometres west from Pilsen and five kilometres south from Stříbro. The history of the township and monastery is closely bound. The middle ages brought prosperity and rise to both of them.To this rise of Kladruby contributed it's great place by the Norimberská stezka and the discovery of silver ore nearby. Thanks to this, in 1230, it was raised by Václav I. to township. With this Kladruby gained the rights of a town ( e.g. T
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Libros sobre el tema "Works (Terence)"

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Gower, Terence. Cuidad moderna: Terence Gower video works. A&R Press, 2006.

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Coyle, Terence. Terence Coyle: A retrospective, at 80 : selected works from 1955 to 2005. Jo-An Pictures, 2005.

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1867-1959, Wright Frank Lloyd, ed. Visions of Wright: With excerpts from the writings of Frank Lloyd Wright ; introduction by Terence Riley. Little, Brown, 1997.

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1945-, Brown Peter, ed. The comedies. Oxford University Press, 2006.

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Cathcart, James. The work of James Keyden Cathcart, Frank Fantauzzi, Terence Van Elslander. Cranbrook Academy of Art, 1990.

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Duso, Antonella, editor, translator, writer of added commentary, Varro Marcus Terentius, and Varro Marcus Terentius, eds. M. Terenti Varronis De lingua Latina IX. Georg Olms Verlag, 2017.

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Krężel, Janusz. Szare szeregi na terenie południowo-wschodniej Polski. [s.n.], 1996.

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(Project), Olhares Cruzados, and Imagem da Vida (Organization), eds. Brasil Bolívia: Olhares cruzados : Mãe Terra, Challapampa = Brasil Bolívia : miradas cruzadas : Mãe Terra, Challapampa. Imagem da Vida, 2008.

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1957-, Gryczyński Adam, ed. Czas zatrzymany: Fotografie z lat 1883-1963 z terenów Nowej Huty i okolic oraz wybór tekstów. Nowohuckie Centrum Kultury, 2006.

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Krupa, Piotr. Ektomikoryzy i ich znaczenie dla drzew rosnących na terenach zanieczyszczonych metalami ciężkimi. Wydawn. Uniwersytetu Śląskiego, 2004.

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Capítulos de libros sobre el tema "Works (Terence)"

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Maltby, Robert. "Greek in Donatus’ Terence commentaries." In Words and Sounds, edited by Nigel Holmes, Marijke Ottink, Josine Schrickx, and Maria Selig. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110647587-020.

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Bertolini, John A. "Flare Path: Trapped Words as Mines." In The Case for Terence Rattigan, Playwright. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40997-9_4.

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Bertolini, John A. "The Browning Version: Words Could So Lacerate a Man’s Heart." In The Case for Terence Rattigan, Playwright. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40997-9_7.

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"Guide to Further Reading and Works Cited." In Terence: Andria. Bloomsbury Academic, 2019. http://dx.doi.org/10.5040/9781350020665.0011.

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"Terence Mitchell’s Published Works in chronological order." In Studies in Ancient Persia and the Achaemenid Period. The Lutterworth Press, 2020. http://dx.doi.org/10.2307/j.ctv10vm0td.5.

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Dixon, Wheeler Winston. "Satellite Projects." In The Films of Terence Fisher. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325345.003.0007.

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This chapter briefly considers some of Terrence Fisher's less successful projects during the second half of his career, which are not considered wholly accomplished works. It examines films that are outright failures but also not a bad batting average for a director like Fisher. It also mentions The Mummy from 1959, which was Fisher's stylish yet curiously empty remake of the original 1932 Universal film that was directed by Karl Freund. The chapter cites writer Lawrence Alloway, who was impressed by Christopher Lee's makeup as the title character in The Mummy, but also correctly noted that the film concentrated almost solely on the Mummy and excluded all other characters in the film. It discusses how The Mummy is interesting only when the title character is on the screen and how slackens off into production gloss as a substitute for content at other times.
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Wills, Jeffrey. "Gemination." In Repetition in Latin Poetry. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198140849.003.0003.

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Abstract Direct address provides most of the literary evidence for gemination, presumably because gemination is common to conversational discourse (and certainly was in Latin, if comedy is a guide). A hundred instances from Cicero’s speeches can be given, and another hundred from the combined works of Plautus and Terence.
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McLaverty, James. "The Works of 1717: Building a Monument." In Pope, Print and Meaning. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198184973.003.0003.

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Abstract In many ways the Works of Mr Alexander Pope, published on 3June 1717, dignified, decorated, and expensive, is the boldest as well as the most beautiful of Pope’s books, proclaiming both the poet’s youth and his achievement with a confident flourish. The Works gave Pope the status of a classic author, opened up new opportunities for authorial control and self-definition, and set a pattern of publication that persisted until his death. But in June 1717 Pope had only just passed his twenty-ninth birthday, and in publishing a volume of Works he was engaging in an act of self-promotion that any celebrated 79-year-old contemporary would have blenched at. It is true that his action was not altogether unprecedented. In 1616 Ben Jonson had taken a similar step, publishing The Workes of Beniamin Jonson in folio, with a monumental title page and with his plays presented in the manner of the ‘earliest editions of Plautus, Terence, and Aristophanes’.
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Mordden, Ethan. "The 1990s and 2000s." In Gays on Broadway. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780190063108.003.0009.

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Abstract This chapter looks at how gay culture has been featured in theatre plays. It discusses the quality and themes of Terence McNally’s plays, for example Love! Valor! Compassion! (1994) and Kiss of the Spider Woman (1993). Most of his works are either openly or subtly gay. Musicals were becoming very comfortable with gay emancipation by the 1990s. Thus, plays like The Faggot and When Pigs Fly seem to have a strong political leaning but they didn’t contain much in the way of comedy. However, Avenue Q (2003) takes a unique stance with catchy music, clever lyrics, and an extra layer of fun similar to Sesame Street. The chapter also raises the problem of characters being stereotyped and Hollywood homophobia.
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Mordden, Ethan. "The 1960s." In Gays on Broadway. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780190063108.003.0006.

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Abstract This chapter looks into the rise of gay characters on Broadway, especially in plays by Britons. It considers the plays featuring gay people written by John Osborne, Shelagh Delaney, Terence Rattigan, Charles Dyer, and Frank Marcus. The Killing of Sister George (1966), The Best Man (1960), and Advise and Consent (1960) are only some of the few American works that featured a full-scale gay relationship. American artists started creating gay theatre from the inside as the gay culture in the industry has been so highly developed despite being legally sub rosa. The chapter expounds on the rise of gay culture in the West End and Broadway by referencing Oscar Wilde, A Patriot For Me (1969), and The Killing of Sister George.
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Actas de conferencias sobre el tema "Works (Terence)"

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Kazanskaya, Maria N. "THE TERM DIASYRTICUS IN SERVIUS’ COMMENTARY ON THE AENEID (SERV. IN AEN. 2, 80–193)." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.09.

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The article examines a fairly rare term of Greek origin, diasyrticus, that is used four times in Servius’ commentary on Sinon’s speech in the second book of Vergil’s Aeneis (Serv. in Aen. 2, 80–193). Although this term does sporadically appear in scholia to other Roman poets, Servius’ use of it four times over a limited stretch of his commentary, as well as the fact that he does not use either diasyrticus or the adverb diasyrtice in any other passage of his commentary, is remarkable. The article seeks to determine the exact meaning of the term diasyrticus, as well as to describe its usage in w
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