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Libros sobre el tema "Works Progress Administration (WPA)"

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Publicado: 20 de abril de 2024

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1

Posters of the WPA. Los Angeles: Wheatley Press, in association with the University of Washington Press, Seattle, 1987.

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2

DeNoon, Christopher. Posters of the WPA. Los Angeles: Wheatley Press in association with University of Washington Press, 1987.

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3

United States. Works Progress Administration. y Fine Arts Program (United States. Public Buildings Service), eds. WPA artwork in non-federal repositories. 2a ed. [Washington, DC]: U.S. General Services Administration, Public Buildings Service, Historic Buildings and the Arts Center of Expertise, Fine Arts Program, 1999.

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4

United States. Works Progress Administration. y Fine Arts Program (United States. Public Buildings Service), eds. WPA artwork in non-federal repositories. 2a ed. [Washington, DC]: U.S. General Services Administration, Public Buildings Service, Historic Buildings and the Arts Center of Expertise, Fine Arts Program, 1999.

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5

United States. Works Progress Administration y Fine Arts Program (United States. Public Buildings Service), eds. WPA artwork in non-federal repositories. 2a ed. [Washington, DC]: U.S. General Services Administration, Public Buildings Service, Historic Buildings and the Arts Center of Expertise, Fine Arts Program, 1999.

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6

Carter, Ennis. Posters for the people: Art of the WPA. Editado por DeNoon Christopher y Peltz Alexander M. Philadelphia, PA: Quirk Books, 2008.

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7

Carter, Ennis. Posters for the people: Art of the WPA. Editado por DeNoon Christopher y Peltz Alexander M. Philadelphia, PA: Quirk Books, 2008.

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8

Carter, Ennis. Posters for the people: Art of the WPA. Editado por DeNoon Christopher y Peltz Alexander M. Philadelphia, PA: Quirk Books, 2008.

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9

Taylor, Nick. American-made: The enduring legacy of the WPA : when FDR put the nation to work. New York: Bantam Book, 2008.

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10

Taylor, Nick. American-made: The enduring legacy of the WPA : when FDR put the nation to work. New York: Bantam Book, 2008.

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11

Findlay, James A. The WPA: An exhibition of Works Progress Administration (WPA) literature and art from the collections of the Bienes Center for the Literary Arts : October 6-December 31, 1998. Fort Lauderdale, FL (100 S. Andrews Ave, Fort Lauderdale 33301): Bienes Center for the Literary Arts, the Dianne and Michael Bienes Special Collections and Rare Book Library, 1998.

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12

Baltimore Museum of Art. Art in a day's work: Prints from the WPA. [Baltimore]: The Baltimore Museum of Art, 2000.

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13

1926-, Rhyne Nancy, ed. Before and after freedom: WPA narratives of Lowcountry folklore. Charleston, SC: History Press, 2005.

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14

The Works Progress Administration in Detroit. Charleston, SC: Arcadia Pub., 2008.

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15

Whitworth, Debbie. Works Progress Administration cemetery and Bible records, Cheatham County, Tennessee. Ashland City, TN: Whitworth and Whitworth, 1987.

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16

The nature of resistance in South Carolina's Works Progress Administration ex-slave narratives. [United States]: Dissertation.com, 2002.

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17

Historical Records Survey of North Carolina., North Carolina. Division of Archives and History. y Beaufort County Genealogical Society, eds. Beaufort County, North Carolina, Works Progress Administration cemetary records, North Carolina State Archives. Washington, N.C: Beaufort County Genealogical Society, 1988.

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18

Faulkner, John. Men working: A novel. Athens: University of Georgia Press, 1996.

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19

Carpenter, Virginia L. An indexed guide to the Works Progress Administration project #3105, 1936: A history of Orange County, California. Santa Ana, Calif: Orange County Historical Society, 1988.

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20

Taylor, Nick. American-Made. New York: Random House Publishing Group, 2008.

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21

Welles, Orson. Orson Welles on Shakespeare: The W.P.A. and Mercury Theatre playscripts. New York: Routledge, 2001.

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22

LaVanway, Paul. The Brockway Mountain Drive story. Wasau, WI: P. La Vanway, 2008.

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23

LaVanway, Paul. The Brockway Mountain Drive story. Copper Harbor, MI: Paul LaVanway, 2010.

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24

Aaron, Johanson, ed. Timberline Lodge: The history, art, and craft of an American icon. Portland: Timber Press, 2009.

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25

Welles, Orson. Orson Welles on Shakespeare: The W.P.A. andMercury Theatre playscripts. New York: Greenwood Press, 1990.

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26

Welles, Orson. Orson Welles on Shakespeare: The W.P.A. and Mercury Theatre playscripts. New York: Greenwood Press, 1990.

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27

Office, General Accounting. Aviation safety: Progress limited with self-audit and safety violation reporting programs : report to the Chairman, Subcommittee on Aviation, Committee on Public Works and Transportation, House of Representatives. Washington, D.C: U.S. General Accounting Office, 1992.

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28

Works Progress Administration (WPA) Records of Prince William County, Virginia. Heritage Books, Inc., 2001.

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29

District, Norwalk Transit. Norwalk's Collection of WPA Era Art (Works Progess Administration) Commissioned for Public Buildings 1935-1941. Norwalk Transit District, 2001.

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30

American-Made: The Enduring Legacy of the WPA: When FDR Put the Nation to Work. Bantam, 2008.

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31

New Deal Art in the Northwest: The WPA and Beyond. Tacoma Art Museum, 2020.

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32

Weir, Jean B. Timberline lodge: A WPA experiment in architecture and crafts / by Jean Burwell Weir. 1986.

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33

Williams, Sonja D. Radio Beckons. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039874.003.0004.

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This chapter focuses on Richard Durham's involvement with the Works Progress Administration's (WPA) Illinois Writers' Project (IWP). Created by the federal government in 1935, the WPA funded construction and other public works projects, as well as programs for writers, musicians, and theater and visual artists. By the time Durham applied to the WPA, several of his poems had been published in the Chicago Defender newspaper, as well as in Youth and New Masses magazines. Under Arna Bontemps's supervision, the IWP undertook The Negro In Illinois study, a comprehensive examination of black life throughout the state. In 1941, Durham met Clarice Davis, and they married on June 19, 1942. He also began writing scripts for the WMAQ radio station's weekly program called Art for Our Sake, renamed At the Foot of Adams Street in February 1943.
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34

Kipen, David y Federal Writers Federal Writers Project of the Works Progress Administration. California in The 1930s: The WPA Guide to the Golden State. University of California Press, 2013.

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35

Federal Writers Federal Writers Project of the Works Progress Administration. California in The 1930s: The WPA Guide to the Golden State. University of California Press, 2013.

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36

Regnier, Amanda L., Scott W. Hammerstedt y Sheila Bobalik Savage. Ritual Landscape of Late Precontact Eastern Oklahoma: Archaeology from the WPA Era until Today. University of Alabama Press, 2019.

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37

Ritual Landscape of Late Precontact Eastern Oklahoma: Archaeology from the WPA Era until Today. University of Alabama Press, 2019.

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38

Writers, Plumbers, And Anarchists: The WPA Writers' Project in Massachusetts. University of Massachusetts Press, 2006.

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39

Bold, Christine. Writers, Plumbers, And Anarchists: The Wpa Writer's Project in Massachusetts. University of Massachusetts Press, 2006.

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40

Gough, Peter y Peggy Seeger. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039041.003.0001.

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This introductory chapter provides an overview of the Federal Music Project (FMP). Initiated in 1935 as a part of President Franklin Roosevelt's New Deal plan for fiscal recovery, the FMP composed one of several cultural programs—designated Federal Project Number One, or Federal One—of the Works Progress Administration (WPA). California and dozens of other states reaped the benefits of New Deal music—including the employment of performance groups, music teachers, folksong collectors, and others—for nearly eight years. Indeed, federal funding continued well after the United States entered World War II, providing musical entertainment for the military troops through the summer of 1943. By January 1936, music programs were being presented in larger metropolitan areas; by September of the next year, the FMP was operating in forty-two of the forty-eight states.
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41

Pillen, Cory. WPA Posters in an Aesthetic, Social, and Political Context: A New Deal for Design. Taylor & Francis Group, 2020.

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42

Pillen, Cory. WPA Posters in an Aesthetic, Social, and Political Context: A New Deal for Design. Taylor & Francis Group, 2020.

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43

Pillen, Cory. WPA Posters in an Aesthetic, Social, and Political Context: A New Deal for Design. Taylor & Francis Group, 2020.

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44

Pillen, Cory. WPA Posters in an Aesthetic, Social, and Political Context: A New Deal for Design. Taylor & Francis Group, 2020.

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45

Covey, Herbert C. y Dwight Eisnach. How the Slaves Saw the Civil War. ABC-CLIO, LLC, 2014. http://dx.doi.org/10.5040/9798400666742.

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Drawing from narratives of former slaves to provide accurate and poignant insights, this book presents descriptions in the former slaves’ own words about their lives before, during, and following the Civil War. Examining narratives allows us to better understand what life was truly like for slaves: “hearing” history in their own words brings the human aspects of slavery and their interpersonal relationships to life, providing insights and understanding not typically available via traditional history books. How the Slaves Saw the Civil War: Recollections of the War through the WPA Slave Narratives draws upon interviews collected largely during the 1930s 1940s as part of the Federal Writers Project of the Works Progress Administration (WPA). Because most slaves could not read or write, their perspective on the unfolding history of the war has been relatively unknown until these narratives were collected in the 1930s and 1940s. This book extracts the most cogent and compelling tales from the documentation of former slaves’ seldom-heard voices on the events leading up to, during, and following the war. The work’s two introductory chapters focus on the WPA’s narratives and living conditions under slavery. The remaining chapters address key topics such as slave loyalties to either or both sides of the conflict, key battles, participation in the Union and/or Confederate armies, the day Union forces came, slave contact with key historical figures, and emancipation and what came after.
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46

Dunbar, Eve y Ayesha K. Hardison, eds. African American Literature in Transition, 1930–1940. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108560665.

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The volume explores 1930s African American writing to examine Black life, culture, and politics to document the ways Black artists and everyday people managed the Great Depression's economic impact on the creative and the social. Essays engage iconic figures such as Sterling Brown, Langston Hughes, Zora Neale Hurston, Dorothy West, and Richard Wright as well as understudied writers such as Arna Bontemps and Marita Bonner, Henry Lee Moon, and Roi Ottley. This book demonstrates the significance of the New Deal's Works Progress Administration (WPA), the Communist Party of the United States (CPUSA) and Black literary circles in the absence of white patronage. By featuring novels, poetry, short fiction, and drama alongside guidebooks, photographs, and print culture, African American Literature in Transition 1930-1940 provides evidence of the literary culture created by Black writers and readers during a period of economic precarity, expanded activism for social justice, and urgent internationalism.
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47

Clemens, Elizabeth. Works Progress Administration in Detroit. Arcadia Publishing, 2008.

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48

Federal Music Project of Massachusetts. Federal Works Agency Work Projects Administration for Massachusetts: Massachusetts Wpa Music Project (Classic Reprint). Forgotten Books, 2018.

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49

Ink, Paper, Politics: WPA-Era Prints from the Needles Collection. University of Chicago Press, 2014.

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50

Butcher, Karyle S. The works progress administration in Oregon: An administrative overview. 1990.

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