Tesis:

1

Cloke, Tsui Ho-ning. "The world around Suzie Wong". Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38698353.

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2

Cloke, Tsui Ho-ning y 徐皓寧. "The world around Suzie Wong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38698353.

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3

Ševčík, Julius. "Wong Kar-Wai - Celovečerní filmy". Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2007. http://www.nusl.cz/ntk/nusl-78769.

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Wong Kar-Wai one of today´s most highly acclaimed directors. In the first chapter of the thesis I analyze each of Wong´s formal techniques individually. These techniques involve "mysterization" of reality, specific screen-writing technique, fragmental story-telling, montage, inner monologues and the visual world Wong together with his long term collaborators DoP Christopher Doyle and set designer and editor William Chang create. In the second chapter I analyze each of Wong´s films individually. These films include As tears go by, Days of being wild, Ashes of time, Chungking express, Fallen Angels, Happy together, In the mood for love and 2046. With each film I describe the genesis of the project, its narrative content and most of all it´s formal specifics and style. I also follow the genesis of the techniques Wong uses to tell his theme of love, time and loss which is the key theme of his entire filming carrier.

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4

Wong, Hoi-Ming [Verfasser]. "Upward planarization and layout / Hoi-Ming Wong". Dortmund : Universitätsbibliothek Technische Universität Dortmund, 2011. http://d-nb.info/1018124470/34.

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5

Chiese, Luca. "Teorie di gauge ed equazioni di Wong". Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/16364/.

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In questa tesi si vuole studiare la teoria elettromagnetica nella sua formulazione covariante e la sua interpretazione come teoria di gauge abeliana, a partire dalla quale si costruiranno le teorie di gauge non abeliane, dette anche teorie di Yang-Mills. Inizialmente si introducono alcuni concetti di relatività ristretta che saranno utilizzati nella formulazione covariante della teoria elettromagnetica, in particolare verranno scritte le equazioni di Maxwell in un formalismo che le rende invarianti in forma rispetto alle trasformazioni di Lorentz. Si ricavano le equazioni della meccanica relativistica attraverso il principio di minima azione dopo aver costruito una lagrangiana per la particella relativistica. Vengono analizzati il caso della particella libera e della particella in un campo elettromagnetico esterno. Infine vengono trattate le teorie di gauge e si vedrà come la teoria elettromagnetica sviluppata può essere interpretata come una teoria di gauge abeliana. Si ricaveranno le equazioni del moto per i campi e l'equazione di Dirac, per la quale si studieranno alcune proprietà. Si estenderanno questi risultati per la formulazione di teorie di gauge non abeliane e si ricaveranno le equazioni di Wong, equazioni che generalizzano le equazioni del moto di una particella carica in un campo elettromagnetico e soggetta alla forza di Lorentz al caso di una particella accoppiata ad un campo di gauge non abeliano.

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6

Wong, Shan-shan Amy. "Public life resurrection in Wong Tai Sin". Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B31987333.

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7

Protsenko, Viktoriia. "The Emotional cinema of Wong Kar-wai". Doctoral thesis, Universitat Pompeu Fabra, 2019. http://hdl.handle.net/10803/667114.

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This thesis seeks to explain the affective appeal of Wong Kar-wai’s oeuvre in terms of emotional marketing. Although his working method and storytelling principles are most atypical of Hong Kong film industry, the director has actively exploited local strategies of genre, stardom, and hybridization throughout his career. Contrary to his well-crafted image of improvisational artist, recurrent stylistic tropes and narrative strategies in Wong’s films evidence a conscientious organization. . I argue that Wong Kar-wai deliberately caters to the tastes of a transcultural, multilingual and cinema-savvy spectatorship, and that his films encourage affective investment and repeated viewings.
La presente tesis busca explicar el atractivo emocional de la obra de Wong Kar-wai. Aunque su forma de trabajar y estrategia de narración son muy atípicas en la industria cinematográfica de Hong Kong, el director ha recurrido con frecuencia a las convenciones del género, star system e hibridismo del cine hongkonés. Los elementos estilísticos y estrategias narrativas de sus películas contradicen la imagen del artista improvisador, difundida por el propio Wong, y en cambio afirman una minuciosa organización del relato. Sostengo que Wong Kar-wai busca satisfacer los gustos de un público cosmopolita, multilingüe e ilustrado, fomenta un compromiso emocional y hace que los espectadores quieran volver a ver sus películas.

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8

Wong, Shan-shan Amy y 黃珊珊. "Public life resurrection in Wong Tai Sin". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31987333.

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9

Tsui, Kin-chung y 徐建忠. "Wong Kar-wai: the filmmaker of solitude". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953748.

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10

Tsui, Kin-chung. "Wong Kar-wai : the filmmaker of solitude /". Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262257.

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11

李雅詩 y Nga-sze Sabrina Li. "Postmodernism and globalization in Wong Kar Wai's films". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B42576349.

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12

Alosilla, Velazco Cáceres Vanessa, Melo Nataly Edhylayde Córdova, Zevallos Giancarlo André Hijar y Carmona Rosa Elvira Portugal. "Optimización de la estrategia CRM de supermercado Wong". Trabajo aplicativo final, Universidad Peruana de Ciencias Aplicadas - UPC. Escuela de Postgrado, 2014. http://hdl.handle.net/10757/311175.

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El presente trabajo de tesis tiene por objetivo desarrollar el análisis y mejora en el diseño del sistema de información que implemente la estrategia de gestión de la relación con los clientes, estrategia conocida como CRM – Customer Relationship Management que emplea la empresa de Supermercados Wong. CRM es una estrategia integral de negocios que propone medir el éxito en la gestión de clientes de una empresa tanto a través de la venta de productos y servicios así como por la satisfacción, retención y desarrollo de los mejores clientes, o clientes TOP a través del conocimiento y entendimiento de su comportamiento y preferencias de compra. Sabemos que una estrategia de CRM correctamente implementada traerá como consecuencia clientes leales que permitirán elevar la rentabilidad de la empresa. Por tal motivo consideramos de suma importancia centralizar el negocio en el cliente y observarlo de cerca de tal forma que se generen segmentaciones orientadas a identificar aquellos clientes que generan utilidades al negocio. Una de las principales fortalezas con las que cuenta actualmente Wong es que tienen una trayectoria de calidad en el servicio al cliente lo que les ha permitido generar fidelidad en los mismos y a su vez mantener su poder de negociación con los proveedores para no verse perjudicado logística y comercialmente. Hemos encontrado que los consumidores actuales de Wong encuentran interesante el programa de fidelidad Bonus, sin embargo consideran que podrían realizarse mejoras que permitieran presentar medios de acumulación más simples, así como también indican que recibir beneficios personalizados les motivaría a incrementar su consumo. Wong tiene la principal ventaja de haber logrado que el desarrollo de su marca se vea reforzada en una eficiente estrategia de segmentación de sus clientes asociada a un posicionamiento exitoso. Finalmente plantemos que a través de una transformación en el software de recopilación de información de clientes, así como la afiliación automatizada al programa les permitirá a través de una estrategia de marketing relacional mucho más activa, es decir ofrecerles beneficios en el momento exacto en que está en la línea de cajas, permitirá aumentar la fidelidad de los clientes generándole mayores ingresos a la empresa.

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13

Li, Nga-sze Sabrina. "Postmodernism and globalization in Wong Kar Wai's films". Click to view the E-thesis via HKUTO, 2002. http://sunzi.lib.hku.hk/hkuto/record/B42576349.

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14

Pun, Betty Oi-Kei School of Modern Language Studies UNSW. "Intersemiosis in film: a metafunctional and multimodal exploration of colour and sound in the films of Wong Kar-Wai". Awarded by:University of New South Wales. School of Modern Language Studies, 2005. http://handle.unsw.edu.au/1959.4/22922.

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This study explores two stylistic features in the films of contemporary Hong Kong film-maker Wong Kar-Wai: colour and sound. In particular, it focuses on how transitions in colour palettes (e.g. from a natural colour spectrum to a monochromatic effect of black-and-white) and specific sound resources (such as silence) function as important semiotic resources in the films, even when they appear to create a disjunctive effect. The study draws on two perspectives on communication to explore film. The first is the metafunctional hypothesis of Systemic-Functional Linguistics, which theorises that the communicative dimensions of texts can be explored from three simultaneous ???macro-functions???: the ideational, the interpersonal and the textual metafunction. The second is multimodal communication, which stresses that multiple semiotic resources are used for meaning-making purposes and that meanings created multimodally are multiplicative in essence. From this theoretical basis the study aims to illuminate two inter-related objectives. First, that the meaning potentials of colour transition and sound are construed and enabled by the co-ordinations of meanings across different co-present semiotic resources ??? known as intersemiosis in the study. Second, that the semiotic capacities of the two resources can be usefully explored from a functional perspective. Drawing especially the notions of intersemiosis and resemiotisation the study shows that colour transition and sound are multivalent resources in Wong???s films. In other words, their meaning potentials are metafunctionally complex and are never static. The thesis argues that colour transition and sound should not be seen as having ???a??? meaning, but rather, that it is the semiotic complexities among the co-patterned resources that shape the meaning-making potential of the resources, and in turn, help contribute meaning potentials to the films.

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15

Lin, Hoi-to Maurice y 練海濤. "Time, space and femininity in Wong Kar-wai's films". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953657.

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16

Tang, Yui-che Gigi y 鄧叡孜. "The representation of memory in Wong Kar Wai's movies". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953724.

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17

Tang, Yui-che Gigi. "The representation of memory in Wong Kar Wai's movies". Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262580.

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18

Lin, Hoi-to Maurice. "Time, space and femininity in Wong Kar-wai's films". Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262233.

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19

Childers, Kevin Ronald. "Octahedral Extensions and Proofs of Two Conjectures of Wong". BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5314.

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Consider a non-Galois cubic extension K/Q ramified at a single prime p > 3. We show that if K is a subfield of an S_4-extension L/Q ramified only at p, we can determine the Artin conductor of the projective representation associated to L/Q, which is based on whether or not K/Q is totally real. We also show that the number of S_4-extensions of this type with K as a subfield is of the form 2^n - 1 for some n >= 0. If K/Q is totally real, n > 1. This proves two conjectures of Siman Wong.

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20

Song, Jingjing. "Modernist aesthetics in the films of Wong Kar-wai". HKBU Institutional Repository, 2014. https://repository.hkbu.edu.hk/etd_oa/110.

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Wong Kar-wai is a premier avant-garde auteur of Hong Kong cinema. In the existing research, postmodernism is considered as a predominant approach to shed light on Wong’s aesthetics, poetics and politics. Being the iconoclastic ‘poet of time,’ Wong Kar-wai is extolled as a leading figure for his postmodernist style of visually unique and emotional resonant film works. Recurring motifs, such as alienation and rejection, time and memory, pursuit and loss, are regarded as representations of cultural and political anxieties of Hong Kong people in the context of 1980s and 1990s. Wong’s characteristic exoticism and cosmopolitism in his films also distinguishes him from other Chinese-language directors. However, when we expand the scope of the postmodern terrain, we find modernism and its attendant aesthetics are just as relevant and important as postmodernism to the understanding of Wong’s oeuvre. This thesis evokes a comparative perspective of modernism proposed by Eugene Lunn as an aesthetic approach, with an illustrative analysis by using David Bordwell’s and Kristin Thompson’s work on non-Hollywood cinema. This approach emphasizes four major directions of the social and cultural aspects influenced by modernism in art. Using this approach requires researchers to find cinematic representations of modernism in terms of aesthetic self-consciousness, juxtaposition of time, ambiguity and dehumanization within the film. This research takes Wong Kar-wai’sAshes of Time Redux (2008) as a case study to explore the alternative interpretations beyond postmodernism. The investigation of Wong’s uses of modernist approach involves the analysis of his experiments of conventional film techniques and strategic employment of the mise-en-scene, camera angles, lenses, lighting, and music, which constitute his pictorial world. My assertion is that Wong’s juxtaposition of time and space createsan elusive and ambiguous fictional world in response to his reflection on the dehumanization of an integral individual subject in the modernized world.

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21

Au, Siu-lung. "'Nostalgia' and 'Panic' in Huang Biyun's Fiction Huang Biyun xiao shuo de "huai jiu" yu "kong huang" /". Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B40675956.

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22

Ruaulx, de la Tribonnière Xavier. "La dermatomyosite de wong : discussion a propos de deux observations d'enfants". Lille 2, 1992. http://www.theses.fr/1992LIL2M307.

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23

Wong, Ka Kan [Verfasser]. "Interfacial Management for Hybrid Lead Triiodide Perovskite / Ka Kan Wong". Konstanz : KOPS Universität Konstanz, 2019. http://d-nb.info/1194313140/34.

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24

Vizcarra, Chang Mariana Mariella y Spagnol Josell Saifu Wong. "Ana Wong: Gestión y emprendimiento de una marca de moda". Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/656736.

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Mariana Mariella Vizcarra Chang (Perú) - Expositora / Josell Saifu Wong Spagnol (Perú) - Expositor
El mundo de la moda nos permite experimentar un equilibrio perfecto entre el arte de diseñar y los negocios. Si bien es cierto el diseño es parte clave de la ecuación, no podemos descuidar todos los requisitos que necesitamos para hacer de la carrera de moda una empresa sólida y rentable. Es por eso, que para emprender un negocio de este rubro, como en cualquier otro, es preciso conocer a profundidad todas las áreas que son piezas fundamentales con la finalidad de gestionar con éxito nuestra propia marca.

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25

Sutiono, Agustinus. "The roles and significance of Wong Pinter, the Javanese Shaman". Thesis, York St John University College, 2014. http://etheses.whiterose.ac.uk/6879/.

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Exploring the phenomenon of the socio-religio-magico reality in Java called wong pinter which has not been academically examined before, this thesis argues that this social type is a definitely Javanese shaman whose existence has become a cultural system, thus demonstrating that their multidimensional roles reveal a web of significance. Throughout the course of investigation involving anthropological and ethnographical approaches, every discussion on the fundamental aspects of wong pinter is scrutinised within the context of existing study on shamanism. The outcome shows that there is connectivity between Javanese shamanism and Asian or Southeast Asian shamanism. Thus, shamanism is a valid instrument for a study on wong pinters and wong pinters are a valid object for scientific approach. This thesis therefore contributes to the richness of the study on shamanism, the anthropology of shamanism and religious studies since this topic is of interest for these disciplines. Simultaneously it lays claims to be a pioneering academic work on wong pinter, the Javanese shaman, based on first hand study. The roles and significance of wong pinters are a never-was reality for Javanese society because their relevance has embodied with people’s everyday preoccupation with maintaining and enhancing their lives to its maximum possibility. Despite the fact that they have to deal with various challenges, such relatedness to the needs of their community has been expanded to more established institutions and involvements with larger concerns. This has resulted in them engaging more in relationism than in individualism. The application of their knowledge and skill both to their local communities and spheres beyond responds to the spiritual call to partake in the kingly ideology to enhance the beauty of the world. This social type proves itself resilient yet it has to deal with suppression both from the current religious establishment and political authorities.

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26

Shmatkov, Anton. "Rate of convergence of Wong-Zakai approximations for SDEs and SPDEs". Thesis, University of Edinburgh, 2006. http://hdl.handle.net/1842/10314.

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In the work we estimate the rate of convergence of the Wong-Zakai type of approximations for SDEs and SPDEs. Two cases are studied: SDEs in finite dimensional settings and evolution stochastic systems (SDEs in the infinite dimensional case). The latter result is applied to the second order SPDEs of parabolic type and the filtering problem. Roughly, the result is the following. Let Wn be a sequence of continuous stochastic processes of finite variation on an interval [0, T]. Assume that for some a > 0 the processes Wn converge almost surely in the supremum norm in [0, T] to W with the rate n-k for each k < a. Then the solutions Un of the differential equations with Wn converge almost surely in the supremum norm in [0, T] to the solution u of the "Stratonovich" SDE with W with the same rate of convergence, n-k for each k < a, in the case of SDEs and with the rate of convergence n-k/2 for each k < a, in the case of evolution systems and SPDEs. In the final chapter we verify that the two most common approximations of the Wiener process, smoothing and polygonal approximation, satisfy the assumptions made in the previous chapters.

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27

Bettinson, Gary. "The cinema of Wong Kar-wai : style, form and narrative meaning". Thesis, University of Kent, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.443782.

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28

Gallinaro, Angelo Massimo. "Futuristic Violence & Fancy Suits di David Wong: una proposta di traduzione". Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.

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Questa tesi è una proposta di traduzione dall’inglese all’italiano per il romanzo Futuristic Violence & Fancy Suits di David Wong. Contiene la traduzione e analisi traduttologica di alcuni estratti del libro, oltre a un’analisi letteraria della collocazione culturale e le tematiche dello stesso, e un’analisi contrastiva della traduzione italiana di John Dies at the End, un altro romanzo dello stesso autore. La tesi è divisa in cinque capitoli. Il primo capitolo consiste di una breve biografia dell’autore, Jason “David Wong” Pargin, e una sinossi del romanzo. Il secondo fornisce una panoramica della corrente letteraria nota come cyberpunk, partendo dai suoi inizi negli anni ‘80 del secolo scorso, fino alla sua modesta rinascita nella seconda metà dell’ultimo decennio, per poi passare a un’analisi letteraria dei temi del romanzo e le modalità in cui sono connessi al cyberpunk e ai suoi epigoni. Il terzo capitolo consiste nella traduzione italiana di cinque estratti dal romanzo. I brani sono stati selezionati in modo da fornire una visione d’insieme dello stile usato da Wong, e includono dialoghi, sequenze descrittive e scene d’azione. Il quarto capitolo descrive le scelte effettuate nel processo di traduzione, partendo dalla macrostrategia traduttiva, basata sull’individuazione di dominante, sottodominanti e lettore modello, per poi passare alla discussione di specifiche sfide traduttive. Il quinto e ultimo capitolo della tesi consiste di una breve analisi comparata che mette a confronto la traduzione di Futuristic Violence & Fancy Suits effettuata in questa tesi e quella di John Dies at the End (Alla fine John muore), l’unico romanzo di Wong a essere stato tradotto in italiano.

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29

Curtis, Richard A. "People, poets, puppets: popular performance and the wong cilik in contemporary Java". Curtin University of Technology, School of Social Sciences and Asian Languages, 1997. http://espace.library.curtin.edu.au:80/R/?func=dbin-jump-full&object_id=11257.

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Many studies have analysed the ways in which the dominant forces of state and capital are shaping contemporary Indonesian political economy, social relations and cultural production. More and more of such studies have evaluated the significance of the "middle class(es)" as a burgeoning social force. Few studies specifically address the social agency of the subordinated classes, the bulk of Indonesia's population, identified as the wong cilik in this study. Only recently have some scholars begun to take seriously the rapid formation of an urban working class as an increasingly important component in Indonesian social dynamics. An underlying assumption of this study is that cultural production, in particular, popular performance, is an important window on, and component of, wong cilik social agency. This assumption is pursued by observing three principal sites of cultural contestation, poetry, the shadow play, wayang kulit, and "modem" theatre. These three, often overlapping sites, are set within a broad survey of popular performance in Java, followed by a regional focus on Tegal, located on the north west coast of Central Java.A bias in analysis towards the more formal and visible aspects of cultural production, such as performance text and conventions, has led to a distortion and insufficient recognition of wong cilik social agency. The first task of this study, therefore, is to develop a better approach to identifying and evaluating wong cilik cultural agency. The approach for which we are looking demands attention be given to the less formal aspects and social context of popular performance. Here, the relationship between performance and audience is central to identifying the cultural agency of the wong cilik. Depending on the surrounding social relations which constitute the performance, space can exist for wong cilik control over cultural production and meaning ++
through audience participation.During the course of a performance the social significance of its changing nature is closely associated with changes in audience composition and involvement. An absent, indifferent, sometimes hostile, wong cilik audience can undermine the potential of formal moments to reinforce dominant ideologies and social relations. Conversely, heightened audience participation often characterises the informal moments of a performance. The possibility of social potency is greatest in these moments of close affinity between wong cilik audience and performance. This is apparent in the relationship between audience and dalang (puppeteer) in many local performances of wayang kulit. The informal 'comic interlude', in particular, can provide opportunity for the articulation of shared meanings and concerns between the predominantly wong cilik audience and sympathetic dalang, dependent on their patronage and coming from a similar socio-economic background.As part of the intelligentsia, the dalang, as with other cultural workers, has an important, often ambiguous, role in determining the significance of cultural production for the wong cilik. Here, it is important to recognise that the cultural workers, themselves, and their performances are socially constituted. In a study on theatre in Tegal observations of audience participation assist greatly in evaluating the effectiveness or sincerity in representing or asserting wong cilik sentiment in "modern" theatre and populist wayang mbeling. In general, this focus on audience participation helps situate popular performances in their surrounding social relations. This approach helps avoid elitist or essentialist tendencies that may occur from an over emphasis on the idealised characteristics and conventions of cultural forms or genres.

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30

Chaparro, Araujo Christopher, Maldini Jorge Mardini y Medina Wilder Medina. "Plan estratégico de marketing para la comercialización del café orgánico marca Wong". Master's thesis, Pontificia Universidad Católica del Perú, 2017. http://tesis.pucp.edu.pe/repositorio/handle/123456789/8968.

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xv, 201 p. : il. ; 30 cm.
El café orgánico peruano es altamente considerado en el mundo por su calidad y riqueza; a pesar de ello, el consumo per cápita nacional es muy bajo, por lo que existe una oportunidad para posicionarlo como uno de los productos bandera del portafolio de la Corporación Cencosud. Esto va acorde con los objetivos corporativos de responsabilidad social y ecológica que tiene Supermercados Wong, trabajando coordinadamente con la Comunidad de Mazamari, ubicada en la Región Junín. El presente plan de marketing tiene como objetivo demostrar que la comercialización del café orgánico con marca propia es un negocio financieramente viable para la Corporación, enmarcada en la responsabilidad social y ecológica que esta propugna, para lo que se ha estructurado un mix de marketing que considera siete factores: producto, precio, plaza, promoción, personas, procesos y propósito. Esto fue corroborado mediante una investigación de mercado con el consumidor objetivo, alcanzando una aceptación promedio de 85% del concepto y 70% para la propuesta de valor. Asimismo, dado que el producto es nuevo en el mercado, es importante la implementación de la mezcla de marketing en fases, así como la participación activa de los stakeholders para integrarlos en los beneficios de este plan. Por último, a nivel financiero el proyecto es viable, pues genera un VAN de 569,682 soles para el período 2017-2022 y un ROI social de 444% beneficiando directamente e indirectamente a 500 familias productoras de café orgánico de Mazamari, gracias a la generación de empleo y a la implementación de un programa de responsabilidad social y ecológica en la zona
Peruvian organic coffee is highly know in the world for its quality and richness; despite this, the national per capita consumption is very low; this makes a great opportunity to position it as one of the flagship products of the Cencosud Corporation portfolio. This is within the corporate objectives of social and ecological responsibility that Supermercados Wong has working in coordination with the Mazamari Community located in the Junín Region. The present marketing aims to demonstrate that the commercialization of organic coffee with its own brand is a financially viable business for the Corporation. Moreover, this has been framed in the Social and Ecological responsibility that advocates the same, for which a marketing mix has been structured which considers seven factors: product, price, place, promotion, people, processes and, purpose. Furthermore, this was corroborated through a market research with the target consumer, reaching an average acceptance of 85% of the concept and 70% for the value proposition. Also, since the product is new in the market, it is important to implement the marketing mix in phases, as well as the active participation of stakeholders to integrate them into the benefits of this plan. Lastly, at the financial level, the project is viable since it generates a NPV of 569,682 soles for the period 2017-2022 and ROI of 444%, directly and indirectly benefiting 500 families organic coffee Mazamari’s producer upon the generation of employment and the implementation of a Social and Ecological Responsibility Program in the zone
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31

Jones, Norma. "Beyond Suzie Wong? An Analysis of Sandra Oh’s Portrayal in Grey’s Anatomy". Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc84229/.

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In my study, I examine if and how Sandra Oh’s portrayal of Dr. Cristina Yang in Grey’s Anatomy, a primetime network drama, reifies or resists U.S. mediated stereotypes of Asian American females. I situate my intercultural study in an interpretive paradigm because I am want to explore how the evolving characteristics of existing the Asian American female mediated stereotype as they influence Asian American female identity. Additionally, I trace the historical development of Asian and Asian American stereotypes yellow peril to the model minority; and from Dragon Lady, Lotus Blossom, Geisha, and Suzie Wong. From my textual analysis, I suggest that when portrayals simultaneously reify and resist characteristics of existing Asian American stereotypes, they may help to breakdown perceived binaries of existing Asian and Asian American stereotypes.

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32

Wong, Peter. "Biomechanical comparison of lumbar disc replacements". View the abstract Download the full-text PDF version, 2009. http://etd.utmem.edu/ABSTRACTS/2009-014-Wong-index.htm.

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Thesis (M.S.)--University of Tennessee Health Science Center, 2009.
Title from title page screen (viewed on October 8, 2009). Research advisor: Denis DiAngelo, Ph.D. Document formatted into pages (viii, 75 p. : ill.). Vita. Abstract. Includes bibliographical references (p. 34-38).

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33

Wong, Yat-kwong. "Postmodernity in Wong Kar Wai's films : a postmodern and postcolonial discourse in Hong Kong /". Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B17983435.

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34

Sann, Vanna. "Authorship in transnational cinema Pedro Almodovar, Wong Kar-wai, and the Star-Auteur /". CONNECT TO ELECTRONIC THESIS, 2007. http://dspace.wrlc.org/handle/1961/4270.

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35

Wong, Joanne [Verfasser]. "Designing New Heterometallic [2 x 2] Grids using Pyrazolate-bridged Ligands / Joanne Wong". Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2020. http://d-nb.info/1220080616/34.

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36

Ng, Chung-kwan Wallace y 吳仲君. "Building as an incomplete urban topography: apublic terrain at Wong Tai Sin Temple". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31985373.

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37

Lee, Chun-leung Lawrence y 李振良. "Between the aged and the agelessness: an elderly home in Wong Tai Sin". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983479.

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38

Lee, Chun-leung Lawrence. "Between the aged and the agelessness : an elderly home in Wong Tai Sin /". Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25955482.

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39

Gama, Veridiana Fernandes Nogueira da. "Manuel Puig e Wong Kar-Wai:: os imbricamentos do kitsch e da memória". Universidade Federal de Minas Gerais, 2006. http://hdl.handle.net/1843/ALDR-6WENVQ.

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Um estudo comparativo entre literatura e cinema a partir de dois objetos culturais que, inseridos no contexto da alteridade, permite-nos visualizar certas características do Kitsch, campo e memória - e a relação de complementariedade com o esquecimento. Observar a relação metonímica de elementos culturais tomados de empréstimo por Wong Kar-Wai da literatura de Manuel Puig. Perceber a importância da memória na dimensão de ambas as obras e em contexto mais amplo, como arquivo cultural.

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40

Ng, Chung-kwan Wallace. "Building as an incomplete urban topography : a public terrain at Wong Tai Sin Temple /". Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25947448.

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41

Wong, Gillian [Verfasser]. "Human Paleoecology during the Magdalenian in the Swabian Jura of Southwestern Germany / Gillian Wong". Tübingen : Universitätsbibliothek Tübingen, 2020. http://d-nb.info/1215569149/34.

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42

Wong, Yat-kwong y 黃日光. "Postmodernity in Wong Kar Wai's films: a postmodern and postcolonial discourse in Hong Kong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31951120.

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43

Wong, Gillian L. [Verfasser]. "Human Paleoecology during the Magdalenian in the Swabian Jura of Southwestern Germany / Gillian Wong". Tübingen : Universitätsbibliothek Tübingen, 2020. http://d-nb.info/1215569149/34.

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44

Ramírez, Wong Régulo Miguel [Verfasser]. "Injector and Vacuum Pump in MEMS for a Micro Mass Spectrometer / Régulo Miguel Ramírez Wong". München : Verlag Dr. Hut, 2013. http://d-nb.info/1031845046/34.

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45

Pryce, T. O. "Prehistoric copper production and technological reproduction in the Khao Wong Prachan Valley of central Thailand". Thesis, University College London (University of London), 2009. http://discovery.ucl.ac.uk/18573/.

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Employing a technological approach derived from the ‘Anthropology of Technology’ theoretical literature, this thesis concerns the identification and explanation of change in prehistoric extractive metallurgical behaviour in the Khao Wong Prachan Valley of central Thailand. The ‘Valley’ metallurgical complex, amongst the largest in Eurasia, constitutes Southeast Asia’s only documented industrial-scale copper-smelting evidence. The two smelting sites investigated, Non Pa Wai and Nil Kham Haeng, provide an interrupted but analytically useful sequence of metallurgical consumption and production evidence spanning c. 1450 BCE to c. 300 CE. The enormous quantity of industrial waste at these sites suggests they were probably major copper supply nodes within ancient Southeast Asian metal exchange networks. Excavated samples of mineral, technical ceramic, and slag from Non Pa Wai and Nil Kham Haeng were analysed in hand specimen, microstructurally by reflected-light microscopy and scanning electron microscopy (SEM), and chemically by polarising energy dispersive x-ray fluorescence spectrometry ([P]ED-XRF) and scanning electron microscopy with energy dispersive x-ray fluorescence spectrometry (SEM-EDS). Resulting analytical data were used to generate detailed technological reconstructions of copper smelting behaviour at the two sites, which were refined by a programme of field experimentation. Results indicate a long-term improvement in the technical proficiency of Valley metalworkers, accompanied by an increase in the human effort of copper production. This shift in local ‘metallurgical ethos’ is interpreted as a response to rising regional demand for copper in late prehistory.

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46

Heinz, Renata. "Atmosfera em Amor à flor da pele de Wong Kar Wai: o filme como experiência". Universidade do Vale do Rio dos Sinos, 2013. http://www.repositorio.jesuita.org.br/handle/UNISINOS/4353.

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A pesquisa abrange a atmosfera fílmica enquanto construtora de ambientes, personagens e relações entre os elementos fílmicos de Amor à Flor da Pele (2000), de Wong Kar Wai. Propõe um olhar e sentir atento ao que pode acionar afecções e, dessa forma, disseca sua composição plástica e dramática, concreta e abstrata, articuladas a favor da alteração da sensibilidade e de um entendimento singular da narrativa. Sendo assim, ressalto que ao admitir a articulação das atmosferas plástica, dramática, concreta e abstrata na criação de personagens, estabelecimento de relações e composição de ambientes fílmicos, nos termos propostos, não pretendo decompor e dividir os elementos técnicos a elas relacionados na análise de Amor à Flor da Pele (2000), mas perceber como agem em cada um dos espaços/tempos do filme dentro do conceito de indivisibilidade da atmosfera de um filme. É a partir dessa fusão que, no todo e não somente em partes, a narrativa se transforma em experiência. Consequentemente, enquanto experiência, ainda é preciso considerar a relação desses elementos com o espectador. Nesta pesquisa, portanto, tomo como ponto de partida minhas próprias referências sobre essa vivência.
The research is about the film atmosphere as environment, characters and relations creator among the film elements of In the Mood for Love (2000) by Wong Kar Wai. It proposes and attentive look and feeling at what may start afections and, this way, dissects its plastic and dramatic, concrete and abstract composition articulated in favor of the alteration of the sensibility and of an unique understanding of the narrative. So, while admitting the articulation of the plastic, dramatic, concrete and abstract atmospheres in the characters creation, relations establishment and film environment composition on the proposed terms, I do not intend to decompose and devise the technical elements related to them in the analyses of In the Mood for Love (2000), but notice how they act in each one of the space/time of the film in the concept of invisibility of a film atmosphere. It is from this fusion that, in its whole and not only in parts, the narrative transforms itself in experience. Consequently, as experience, it is also necessary to consider the relation of these elements with the spectator. Therefore, in this research, I take as starting point my own references about this experience.

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47

Wong, Katharina [Verfasser] y Bernd [Akademischer Betreuer] Löwe. "Der Einfluss krankheitsbezogener Faktoren auf die Dauer der unbehandelten Anorexia nervosa / Katharina Wong ; Betreuer: Bernd Löwe". Hamburg : Staats- und Universitätsbibliothek Hamburg, 2017. http://d-nb.info/1141904985/34.

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48

黃倩莊 y Shin-chon Jennifer Wong. "Hong Kong's civil legal aid system: Wong Shin-chon Jennifer.: why, how and to what extent?" Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B41006008.

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49

Lei, Chin Pang. "In the mood for travel : mobility, gender and nostalgia in Wong Kar-wai's cinematic Hong Kong". Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/40942/.

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The director Wong Kar-wai has been widely recognized as a key figure in contemporary Hong Kong cinema. His films have been seen through a number of critical lenses: as auteurist artworks (Brunette, 2005); as creative popular cinema (Bordwell, 2000); as highly political texts responding directly to the 1997 handover (Stokes and Hoover, 1999). Rather than focusing on an aesthetic, technical or political (in a narrow sense) interpretation, this thesis, using the approach of textual and contextual analysis, seeks to bring Wong's films into dialogue with contemporary cultural theories about the nature of space, mobility, gender and nostalgia. In this way I hope both to re-position the films within the cultural context to which and of which they speak, and to show the ways in which they also speak to contemporary cultural concerns which far exceed it. Thus my argument is that these are globally significant films because of the paradigmatic nature of the specific Hong Kong culture which they explore, a culture which embodies in heightened form characteristics seen as typifying modern urban experience. In light of Bhabha's theories of post-colonial culture (1994), Abbas' suggestion of Hong Kong culture as indefinable “postculture” (1997), and Rey Chow's analysis of Hong Kong's post-colonial self-writing (1998), this thesis seeks to show how a marginal culture not only survives, but also creates a speaking position for today's global culture through Wong's cinema. The thesis is structured around three major themes, those of mobility, gender construction and nostalgia, all of which are both regionally specific concerns and global issues. Today, we see the dual trends of nationalism and globalization; the former brings exclusivity and the latter brings homogeneity. Wong's films displays the creativity of Hong Kong's post-colonial culture, whose hybridity and ambivalence defy these conservative trends and shed light on the future of global culture.

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50

Wu, Dai-jean y 吳岱珍. "Understanding Wong Kar-wai's Films". Thesis, 2005. http://ndltd.ncl.edu.tw/handle/55356398684502361270.

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