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1
1957-, Lane Chei Mi, ed. Anna May Wong: A complete guide to her film, stage, radio, and television work. McFarland, 2004.
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2
Intermountain Research Station (Ogden, Utah), ed. Mann Gulch fire: A race that couldn't be won. U.S. Dept. of Agriculture, Forest Service, Intermountain Research Station, 1993.
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Film stars and their awards: Who won what for movies, theater and television. McFarland, 2008.
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Kahaner, Larry. On the line: How MCI took on AT&T, and won! Warner Books, 1987.
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Yan, Lirui. Hui xiang yu shu ming: "Yi dai zong shi" de dian ying jing yu = Light of sight, shadow of sound : the film-realm of Wong Kar-wai's the grandmaster. Zhejiang da xue chu ban she, 2019.
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Kahaner, Larry. On the line: The men of MCI--who took on AT&T, risked everything, and won! Warner Books, 1986.
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Powers, John, 1951- author, interviewer, ed. WKW: The cinema of Wong Kar Wai. Rizzoli, 2016.
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Lane, Chei Mi, and Philip Leibfried. Anna May Wong: A Complete Guide to Her Film, Stage, Radio and Television Work. McFarland & Company, 2003.
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Lane, Chei Mi, and Philip Leibfried. Anna May Wong: A Complete Guide to Her Film, Stage, Radio and Television Work. McFarland & Company, 2010.
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13
The sensuous cinema of Wong Kar-Wai: Film poetics and the aesthetic of disturbance. Hong Kong University Press, 2015.
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14
Luscombe, Christopher, Kevin Fitzmaurice, Robin Lough, William Shakespeare, and John Wyver. Much ado about nothing, or, Love's labour's won. 2015.
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15
Morris, Rebecca G. How the Camp Fire Girls Won World War II … and other memories. RJ Communications, 2017.
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16
Fisher, Jaimey. A Ghostly Archeology. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037986.003.0001.
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This chapter analyzes the films of Christian Petzold. Over the past twenty years and across eleven feature-length works, Petzold has established himself as the most critically acclaimed director in Germany. Five of his last eight films have won Best Film from the Association of German Film Critics (2001, 2005, 2007, 2008, and 2012). It is not only the critics, however, who admire Petzold's work: his breakthrough The State I Am In (Die innere Sicherheit; 2000) won the Federal Film Prize in Gold, the equivalent of a best-film prize for its year, an unusual recognition for an art-house film. His films consistently explore new and transformational modes of individualities, especially the compromised, even tainted, character of desire in the wake of economic adaptability, accommodation, and mobility. This kind of adaptability, productive desire, and subsequent movement are emphatically historicized in Petzold's cinema, in which history regularly intrudes upon individuals' dreams, fantasies, and desires as well as the spaces they inhabit.
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Fuller, Graham, ed. Loach on Loach. Bloomsbury Publishing Plc, 1998. http://dx.doi.org/10.5040/9780571344086.
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Ken Loach is one of Britain's most distinguished, and respected, film-makers. His career embraces both film and television. His landmark TV production of Cathy Come Home caused such an outcry over the plight of the homeless that Shelter was established in response. His film work is as remarkable as his television work. He makes tough, uncompromising films about a beleaguered working class – but with a poetry (as in Kes) and with a humanity soaked in humour (as in Riff Raff and Raining Stones). His work has been feted, especially on the Continent where Riff Raff received the Felix award (Europe's equivalent of the Oscar). Raining Stones won the Jury Prize at Cannes and the Best British Film of the Year award, and Land and Freedom, his film about the Spanish Civil War, won the International Critics prize at Cannes. Loach on Loach is an exploration of Ken Loach's cinema of social conscience, making much use of interviews and conversations with the man himself.
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Welch, Rosanne, and Peg A. Lamphier. American Women’s History on Film. ABC-CLIO, LLC, 2022. http://dx.doi.org/10.5040/9798216182924.
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By exploring a range of films about American women, this book offers readers an opportunity to engage in both history and film in a new way, embracing representation, diversity, and historical context. Throughout film history, stories of women achieving in American history appear few and far between compared to the many epic tales of male achievement. This book focuses largely on films written by women and about women who tackled the humanist issues of their day and mostly won. Films about women are important for all viewers of all genders because they remind us that the American Experience is not just male and white. This book examines 10 films, featuring diverse depictions of women and women's history, and encourages readers to discern how and where these films deviate from historical accuracy. Covering films from the 1950s all the way to the 2010s, this text is invaluable for students and general readers who wish to interrogate the way women's history appears on the big screen.
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Hughes, Emily. Studying Talk to Her. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781906733438.001.0001.
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Talk to Her (2002) is a hugely rich and interesting, though ambiguous, film that met with both popular success and critical acclaim. The film won an Oscar for best original screenplay and has been hailed by some critics as Pedro Almodóvar's masterpiece. Yet like most of Almodóvar's films, little is clear-cut. The characters are complex and our affinity and empathy for them shifts throughout the film. This book provides an in-depth analysis of both the formal elements of the film (its narrative, genre, and auteur study) and the themes and issues it raises, discussing the social context of modern Spain and its old, traditional iconography; shifting attitudes towards gender; and, crucially, the film's uneasy, morally ambiguous depiction of rape and the spectator's reaction to it.
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Lanzara, Joseph. Movie Oscar Database: Every Film That Won or Was Nominated for the Best Picture Academy Award. Independently Published, 2020.
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21
Eller, Jonathan R. Hollywood at Last. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036293.003.0044.
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This chapter examines the new and largely unexpected opportunities that were beginning to open for Ray Bradbury in Hollywood during the 1950s. During the summer and fall of 1952, Bradbury was able to establish his first writing credits in the motion picture industry. The proximity of the studios and the proliferation of affiliated and independent theaters in greater Los Angeles created many opportunities for him. Bradbury was already beginning to forge some lasting connections in Hollywood, thanks in large part to his friendship with cinematographer James Wong Howe and his wife, Sanora Babb. Howe introduced Bradbury to some of the legendary directors he had worked with, including Fritz Lang. This chapter considers some of Bradbury's notable Hollywood projects, including the screen treatments for Universal Studios's It Came From Outer Space, which he complemented with a variation of the story “A Matter of Taste,” and an offer to write a film titled Face of the Deep for Twentieth-Century Fox.
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Grewal, J. S. The Last Year. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199467099.003.0027.
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The unpopularity of Master Tara Singh’s idea of a Sikh homeland was reflected in the elections of 1967 when his candidates won only two seats. Master Tara Singh denounced the United Front ministry of the Akalis for shielding Sant Fateh Singh who was keen on preserving the firepit (havan kund) as a symbol of his willingness to sacrifice his life for the Sikh Panth. By contrast, Master Tara Singh praised the deliberate self-immolation of Bhai Nand Singh as genuine martyrdom. It seems that Master Tara Singh’s own decision to break his fast unto death due to weakness or a mistaken view of his situation remained a heavy burden on his mind. He died on 22 November 1967 with the hope that the lapses of his life would be condoned by his death in firm faith.
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Film installations: Anthony McCall, Paul Sharits, Bill Lundberg, Al Wong : an exhibition mounted by the Emily Davis Gallery at the University of Akron, Akron, Ohio, January 22-March 12, 1987. Emily Davis Gallery, University of Akron, 1988.
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Norpoth, Helmut. GI Partisanship. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190882747.003.0007.
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The generation of Americans who served in the armed forces during World War II helped give the Democratic Party its commanding lead in voter identifications for years to come. This insight comes from an analysis of polls conducted between 1937 and 1953, all but a few by the Gallup Organization. The effects of the Depression and the New Deal notwithstanding, World War II swung an even heavier proportion of young Americans to the Democratic Party and gave it a firm hold on that generation. This was true especially for those in uniform during that war. Their commander in chief, a Democrat, was immensely popular with the troops. In the election of 1944, FDR won their votes, wherever they could cast them, in a landslide. The return to civilian life did nothing to dull the wartime edge of the Democratic Party among World War II veterans. This is an unsung legacy of FDR’s popular appeal that endured long after his death.
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Stankard, Martin F. Management Systems and Organizational Performance. Praeger, 2002. http://dx.doi.org/10.5040/9798400681936.
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Organizations can and must be viewed as systems. This may be the only means of achieving or exceeding the crucial ISO9000 standard of performance. Stankard's research proves that there are ways to design management actions that will enable organizations to facilitate goal-oriented performance.^L While evidence suggests that world-class firms continuously improve their products and processes, their techniques vary. This book gives you a framework for understanding how all of the new management techniques (even the fads) fit—or usually do not fit—your own business, and offers insight into avoiding potential business disasters. Identifying an organizational revolution built on cycles of planning, action, learning, and on a humanized scientific method, Stankard shows how firms that have won the Baldrige Award for performance excellence do, in fact, excel in the marketplace and on Wall Street. This is a unique book for middle to upper management, especially in the operations, information systems, human resource, quality assurance, and strategic planning functions, but also for those involved in state quality award programs nationwide. For general managers of small- to medium-size firms or profit centers, Stankard's work will be an especially useful guide to gaining a competitive edge out of ISO9000.
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Thomson, C. Claire, Isak Thorsen, and Pei-Sze Chow, eds. A History of Danish Cinema. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474461122.001.0001.
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The contribution of Denmark to world cinema has been substantial: not just relative to the size of the population, but by any measure. In the silent period, the pioneering work of the company Nordisk Films Kompagni, and the emergence of early film stars such as Asta Nielsen, secured Denmark a place as a leading film nation. The auteur Carl Theodor Dreyer won global renown during his five-decade career. Documentary and educational filmmaking flourished after the Second World War; the late 1980s brought successive Academy Awards for Best Foreign Film; and Dogme 95 aimed to reinvigorate cinema by stripping filmmaking back to basics. The notoriety of arthouse auteur Lars von Trier has been complemented by the emergence of a generation of Danish filmmakers whose work is characterised by compelling stories, high production values and a strong sense of realism. This book covers all these aspects of Danish cinema history, and also encompasses a range of genres, figures and institutions that have received little coverage in English to date, such as children’s films, popular comedies, immigrant filmmakers, women documentarists, and Greenlandic cinema. The contributors situate filmmakers, genres and trends in their cultural and historical context, taking account of the influence of national film institutions and policies. The volume is organised into four parts: i) From the first ‘Golden Age’ to the Occupation; ii) National Genres; iii) Auteurs and Institutions of the New Golden Age; and iv) Decentring and Diversifying Danish Cinema.
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Wharton, Edith. The Age of Innocence.: Novel / won the 1921 Pulitzer Prize./. CreateSpace Independent Publishing Platform, 2018.
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Henry, Lenny. Rising to the Surface. Faber & Faber Ltd, 2022. http://dx.doi.org/10.5040/9780571383146.
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Rising to the Surface traces Lenny Henry’s career through the 80s and 90s. The 16-year-old who won a talent competition, now has to navigate his way through the seas of professional comedy, learning his craft through sheer graft and hard work. We follow him through a period of great creativity – prize-winning tv programmes, summer seasons across Britain, the starring role in a Hollywood film, and stand-up gigs in New York. But with each rise there is a fall, the most traumatic being the death of his mother. But by the end of the book he has been able to rise through a sea of troubles and breaks out to the surface to accept the Golden Rose of Montreaux for his work in television.
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Miller, Giulia. Studying Waltz with Bashir. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325154.001.0001.
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On its release in 2008, Ari Folman's animated documentary Waltz with Bashir was heralded as a brilliant and original exploration of trauma, and trauma's impact on memory and the recording of history. But it is surprising that although the film is seen through the eyes of one particular soldier, a viewpoint portrayed using highly experimental forms of animation, this has not prevented Waltz with Bashir from being regarded as both an “autobiographical” and “honest” account of the director's own experiences in the 1982 Lebanon War. In fact, the film won several documentary awards, and even those critics focusing on the representation of trauma suggest that this trauma must be authentic. In this sense, it is the documentary form rather than the animation that has had the most influence upon critics. As this book shows, it is the tension between the two forms that makes the film so complex and interesting, allowing for multiple themes and discourses to coexist, including Israel's role during the Lebanon War and the impact of trauma upon narrative, but also the representation of Holocaust memory and its role in the formation of Israeli identity. In addition to these themes that coexist by virtue of the film's unusual animated documentary format, Waltz with Bashir can also be discussed in relation to a broad range of contexts; for example, the representation of war in film, the history of Israeli Holocaust cinema, and recent trends in experimental animation, such as Richard Linklater's Waking Life (2001) and A Scanner Darkly (2006), as well as Folman's most recent live action/animation work The Congress (2013).
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Child, Doreen Alexander. Charlie Kaufman. ABC-CLIO, LLC, 2010. http://dx.doi.org/10.5040/9798400624797.
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This revealing study looks at the influences and creative impulses that shape one of today’s most progressive, thoughtful filmmakers. Charlie Kaufman got his start in television, but it was his first film, the eccentric Being John Malkovich, that won notice for his unique storytelling style. With the aid of a plethora of contributions from those with whom the writer has worked, Charlie Kaufman: Confessions of an Original Mind presents the intriguing story of that movie and others as it examines one of the most innovative voices in modern film. This exhaustive study of Kaufman’s life and work is organized chronologically to cover his early influences as well as his most-recent ventures. Highlights include explorations of Kaufman’s collaboration with Being John Malkovich director Spike Jonze―who stood him up for their first meeting―and the writer’s conflict with George Clooney (about whom Kaufman says, “I can tell you that George Clooney is my least favorite person”). There are analyses of Human Nature, Adaptation, and the hauntingly beautiful Eternal Sunshine of the Spotless Mind, which led to an Academy Award. The book also studies Kaufman’s sound plays for Theatre of the New Ear and his directorial debut, Synecdoche, New York.
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Causes Won Lost And Forgotten How Hollywood Popular Art Shape What We Know About The Civil War. University of North Carolina Press, 2010.
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Moore, William F., and Jane Ann Moore. Remaining Steadfast to the Right, 1859. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038464.003.0007.
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This chapter examines Abraham Lincoln and Owen Lovejoy's antislavery campaign in 1859. Although he lost in the state legislature in the 1858 elections, Lincoln won the support of legislators representing the majority of voters. This, coupled with Lovejoy's victory, put both men in a position to enhance the Republicans' chances of winning in Illinois in 1860. Lincoln also intensified his political efforts in 1859 by continuing to expose Stephen A. Douglas's distortions of both popular sovereignty and the Declaration of Independence. In a speech in Chicago, he implored the Republicans of Illinois “to keep the faith, to remain steadfast to the right, to stand by your banner...” This chapter first assesses the impact of the 1858 elections on Kansas and the fire-eaters before considering Joseph Lovejoy's betrayal of his brother Owen and the incident involving white abolitionist John Brown. It also discusses the first session of the Thirty-Sixth Congress, where a fierce battle for Speaker of the House erupted, and Lincoln and Lovejoy's preparations for the 1860 elections.
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Shuback, Alan. Hollywood at the Races. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813178295.001.0001.
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An examination of the symbiotic relationship that existed between the Hollywood film community and horse racing, primarily between 1930 and 1960, Hollywood at the Races explores the extraordinary participation of producers, directors, and actors in the sport of kings. All three of Southern California’s major racetracks were founded in part or in whole by Hollywood luminaries: Hal Roach was cofounder of SantaAnita; Bing Crosby founded Del Mar with help from Pat O’Brien; and the Warner brother founded Hollywood Park with assistance from dozens of people in the film community. Moreover, people like Crosby, Betty Grable, Mervyn LeRoy, and Don Ameche owned racehorses, while MGM’s chief of production, Louis B. Mayer, was one of the nation’s leading owner-breeders. Racing also had an interest in Hollywood, as evidenced by the exploits of breeder-owner Jock Whitney, who helped finance David O. Selznick’s productions of GonewiththeWind and Rebecca. A horse owned by Rita Hayworth (aka the Princess Aly Khan) nearly won Europe’smost important race, the Prix de l’Arc de Triomphe, and screenwriter- producer Gene Markey became the co-owner of Calumet Farm when he married his fourth wife.During this period, Hollywood produced at least 120 racing-themed films, among them A Day at the Races, National Velvet, and Thoroughbreds Don’t Cry. Thelast two starred Mickey Rooney, an inveterate horseplayer who, like Chico Marx and Jimmy Durante, lost a fortune at the track.The book concludes with an analysis of the twin declines of racing and cinema in America in recent decades.
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Beiriger, Eugene Edward. World War I. ABC-CLIO, LLC, 2018. http://dx.doi.org/10.5040/9798216039273.
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Focusing on the war on the Western and Southern fronts and inclusive of material from all sides of the conflict, this book explores the novels and poems of significant soldier-writers alongside important contemporary historical documents. The literary works of the First World War are one of the richest sources we have for understanding one of the twentieth century's most significant conflicts. Not only do many of them have historical merit, but some were critically acclaimed by both contemporaries and subsequent scholars. For example, Henri Barbusse's Under Fire, one of the earliest novels of the war, won accolades in France and the respect of war poets Siegfried Sassoon and Wilfred Owen as well as novelists Erich Maria Remarque and Ernest Hemingway. This book examines these works and those of war poets Rupert Brooke and John McCrae and others, providing context as well as opportunities to explore thematic elements with primary source documents, such as diaries, letters, memoirs, newspaper and journal articles, speeches, and government publications. It is unique in its use of literary and historical sources as mediums by which to both better understand the literature of the war and use literature to better understand the war itself.
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Bates, Gerri. Alice Walker. Greenwood Publishing Group, Inc., 2005. http://dx.doi.org/10.5040/9798400609237.
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Alice Walker, born in Eatonton, Georgia in 1944, overcame a disadvantaged sharecropping background, blindness in one eye, and the tense times of the Civil Rights Movement to become one of the world’s most respected African American writers. While attending both Spelman and Sarah Lawrence Colleges, Walker began to draw on both her personal tragedies and those of her community to write poetry, essays, short stories, and novels that would tell the virtually untold stories of oppressed African and African American women, providing readers with hope and inspiring activisim. Perhaps best known for her novel The Color Purple (1982), which won the Pulitzer Prize in 1983 and became a controversial film three years later, Walker has introduced and developed womanist theory, criticism and practice, and continues to champion the causes of women of color by encouraging their strength and liberation in her life and her writings. Literary works analyzed in this volume: The Third Life of Grange Copeland, Meridian, The Color Purple, The Temple of My Familiar, Possessing the Secret of Joy, By the Light of My Father’s Smile, The Way Forward Is With a Broken Heart, Now is the Time to Open Your Heart.
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Greenwood, Willard P. Reading Cormac McCarthy. ABC-CLIO, LLC, 2009. http://dx.doi.org/10.5040/9798216005308.
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One of today's most important novelists, Cormac McCarthy is at the peak of a long and productive career. The film adaptation of his No Country for Old Men is a major motion picture, and his fiction is widely read in book clubs. This volume looks at his works, characters, themes, and contexts and relates his writings to current events and popular culture. Chapters include sidebars of interesting information, along with questions to stimulate book club discussions and student research. One of today's most important novelists, Cormac McCarthy is at the peak of a long and productive career. He won the Pulitzer Prize for The Road in 2007 and the National Book Award for All the Pretty Horses in 1992. This book is a guide to his works and their relevance. The volume begins with a look at his life and his use of the novel as a means of expressing his ideas. The book then looks at his works, themes, characters, and contexts. It then discusses his exploration of current events and the presence of his fiction in popular culture. Chapters include sidebars of interesting information and provide questions to stimulate book club discussion and student research.
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Block, Marcelline, and Jennifer Kirby, eds. ReFocus: The Films of Michel Gondry. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474456012.001.0001.
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The acclaimed French auteur behind the mind-bending modern classic Eternal Sunshine of the Spotless Mind (2004), for which he won an Academy Award for Best Original Screenplay, Michel Gondry has directed innovative, ground-breaking films and documentaries, episodes of the acclaimed television show Kidding and some of the most influential music videos in the history of the medium. In this book, a range of international scholars offers a comprehensive study of this significant and influential figure, covering his French and English-language films and videos, and framing Gondry as a transnational and transcultural auteur whose work provides insight into both French/European and American cinematic and cultural identity. With detailed case studies of films such as Eternal Sunshine of the Spotless Mind (2004), Dave Chappelle’s Block Party (2005), The Science of Sleep (2006), Be Kind Rewind (2008), Mood Indigo (2013) and Microbe & Gasoline (2015), the book examines significant themes throughout Gondry’s filmography including surrealism, adaptation, memory, dreams, play and African-American identity. The book compares Gondry to other filmmakers including Wes Anderson and Jean Vigo, allowing for an understanding of how Gondry’s films might compare with both his global contemporaries and his predecessors in French and international cinema. Furthermore, the book demonstrates how Gondry’s work in narrative film, documentary and music video represents significant innovation in narrative, visual aesthetic, and genre.
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Mordden, Ethan. All That Jazz. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190651794.001.0001.
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In 1975, the Broadway musical Chicago brought together a host of memes and myths, the gleefully subversive character of American musical comedy, the reckless glamor of the big-city newspaper, the mad decade of the 1920s, the work of Bob Fosse and Gwen Verdon—two of the greatest talents in the musical’s history—and the Wild West gangsterville that was the city of Chicago itself. The tale of a young woman who murders her departing lover and then tricks the jury into letting her off, Chicago seemed too blunt and cynical at first. Everyone agreed it was show biz at its brilliant best, yet the public still preferred A Chorus Line, with its cast of innocents and sentimental feeling. Nevertheless, the 1996 Chicago revival is now the longest-running American musical in history, and the movie version won the Best Picture Oscar. As this text looks back at Chicago’s various moving parts, including the original 1926 play that started it all, a sexy silent film directed by Cecil B. DeMille, a talkie remake with Ginger Rogers, the musical itself, and at last the movie of the musical, we see how the American theatre serves as a kind of alternative news medium, a town crier warning the public about the racy, devious interior contradictions of American society.
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Temkin, Sefton D. Creating American Reform Judaism. Liverpool University Press, 1998. http://dx.doi.org/10.3828/liverpool/9781874774457.001.0001.
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Isaac Mayer Wise (1819–1900), founder of the major institutions of Reform Judaism in America, was a man of his time — a pioneer in a pioneer’s world. When he came to America from his childhood Bohemia in 1846, he found fewer than 50,000 Jews and only two ordained rabbis. With his sense of mission and tireless energy, he set himself to tailoring the vehicle of Reform Judaism to meet the needs of the growing Jewish community. Wise strove for unity among American Jews, and for a college to train rabbis to serve them. The establishment of Hebrew Union College (1875) was the crowning achievement of his life. His quest for unity also led him to draw up an American Jewish prayer-book, Minhag America, to found the Central Conference of American Rabbis, and to edit two weeklies; their editorials, breathing fire and energy, were no less important in his quest for leadership. Here as elsewhere, it was his persistence that won him the war where his impetuosity lost him many battles. This book captures the vigour of Wise’s personality and the politics and concerns of contemporary Jewish life and leadership in America. The biography is a lively portrait of a rabbi whose singular efforts in many fields made him a pivotal figure in the naturalization of the Jew and Judaism in the New World.