Bibliografías temáticas / Women authors - british - literary criticism

Literatura académica sobre el tema "Women authors - british - literary criticism"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 29 de julio de 2024

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Artículos de revistas sobre el tema "Women authors - british - literary criticism"

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Lehmann, Caitlyn. "Libertine Intrigues: Opera Girls in Eighteenth-Century British Discourse". Dance Research 37, n.º 2 (noviembre de 2019): 239–56. http://dx.doi.org/10.3366/drs.2019.0275.

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Throughout the eighteenth century, scandalous literature perpetuated a strongly male-gendered image of dance spectatorship through its preoccupation with the moral and sexual status of female ballet dancers. The frequency with which authors of scandal sheets, novels, satire and political criticism alluded to liaisons involving elite men and dancers was, in part, a reflection of the period's broader fascination with the status of women on the stage. However, this active preoccupation with the sexuality of dancers was also allied to an interrogation of aristocratic and moral codes in Britain and France, and was used to instantiate a performative ideal of elite masculinity. This article focuses on the recurring figure of the opera girl, whose pursuit by aristocratic libertines aroused the contempt, curiosity and envy of readers. Incorporating a critique of extant dance criticism, the article explores the interpretative dilemmas that the opera girl's sensational sexuality has traditionally posed for dance scholarship on account of the tendency for the opera girl's attributes to be mapped onto representations of real-life dancers. Sampling sources as diverse as fashionable periodicals, works of history, sentimental novels and prostitute narratives, this article introduces the singular typology and rhetorical functions of the opera girl that distinguish her as a literary type. In the process, a more nuanced reading of opera girls is offered, one that stresses how opera girls refract the debates and anxieties of the period.
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2

Zou, Yejun. "Female Solidarity as Hope: A Re-Examination of Socialist Feminism in the Literary Works of Ding Ling and Christa Wolf". British Journal of Chinese Studies 9, n.º 1 (4 de abril de 2019): 85–116. http://dx.doi.org/10.51661/bjocs.v9i1.27.

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Recent scholarship has questioned the validity of Western feminism as a model for feminist movements in contemporary China and highlights a gap in the scholarly understanding of the tradition and trajectory of socialist feminism in China (Song, 2012; Wang, 2017). In this article, I will examine the practicality of socialist feminism as an alternative model for contemporary Chinese feminism by comparing the depiction of women in the literary works of the Chinese writer Ding Ling and the East German author Christa Wolf. In Ding Ling’s novel In the Hospital, she strives for gender equality via collaborative work between men and women, while incorporating this feminist task into the agenda of socialist revolution. Christa Wolf’s novel The Quest for Christa T., in contrast, explores female friendship as a means of overcoming stagnation and cynicism in the GDR. I ask how both authors articulate their concerns and criticism of inadequate gender practices in socialist states through the lens of women’s perspectives. This article thereby offers an insight into the way their writings negotiate women’s concern with the official narrative of life in socialist states and the extent to which these texts illuminate alternative Chinese feminist approaches in a contemporary context. At time of publication, the journal operated under the old name. When quoting please refer to the citation on the left using British Journal of Chinese Studies. The pdf of the article still reflects the old journal name; issue number and page range are consistent.
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Gavristova, Tatiana M., Natalya A. Zakharova y Nadezhda E. Khokholkova. "Bernadine Evaristo: Horizons of Identity". Observatory of Culture 19, n.º 2 (13 de abril de 2022): 202–11. http://dx.doi.org/10.25281/2072-3156-2022-19-2-202-211.

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The article is dedicated to the one of the most famous Afro-British writers — Bernardine Evaristo. In 2021, her book “Girl, Woman, Other” was translated and published in the Russian language. Earlier (in 2019), it had become a winner of the Booker Prize. The authors of the article focus on the problems that primarily concern the writer herself. These include feminism and gender equality, professional motivation and the texture of success, crisis and the search for identity, otherness and dissent, cross-cultural dialogue and existence on the verge of tradition, as well as the theme of the House (with a capital letter), within which, ideally, it is quite possible for representatives of different races, ethnicities and cultures to coexist.Bernardine Evaristo tried herself as an actress, screenwriter, director, radio and TV presenter and uses the experience gained in her literary works. Their genre is difficult to define. The novel “Girl, Woman, Other” is a kind of anthology of women’s experience. Foreign criticism defines it as fusion prose (a combination of the incompatible). It contains the authenticity of non-fiction and the miracles of magic, unobtrusive notes of maternal instructions and mesmerizing rhythms of blues poetry. The author avoids capital letters in her text; there are no main or secondary characters in the book. The author gives her protagonists (there are twelve of them as the number of Christian apostles) the opportunity to recognize their selfness, expand the horizons of their own identity. Together with them — her messengers — she tries to comprehend the meaning of her own existence as a woman, as a person, as another.
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Susanto, Dwi. "Pandangan Pengarang terhadap Perempuan dalam Cerpen Tahun 1950-1960-an Karya Pengarang Peranakan Tionghoa-Indonesia". Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 5, n.º 4 (1 de noviembre de 2022): 883–96. http://dx.doi.org/10.30872/diglosia.v5i4.526.

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This paper looks at the views or constructions of Chinese peranakan authors towards women in that era. Issues discussed: (1) how Peranakan authors narrate women in their works; (2) the reasons for the Chinese Peranakan authors in the 1950s-1960s to narrate women. This study uses the point of view of feminist literary criticism. The object of this research is the 1950-1960s short stories and the author's perspective on women. The data of this research is the narrative of short stories that describe the image of women, the author's social construction, and the idea of ​​androcentrism. The data interpretation technique follows the way of feminist literary criticism. The results of the study: (1) women are presented and controlled by men and are controlled by social construction; (2) the idea of ​​morality and the economic context becomes a construction that the author interprets through androcentrism; (3) morality is misinterpreted by male authors and women as victims who are silenced in the name of morality. It has resulted in women being unable to speak up and follow androcentrism in the name of tradition and the sacred concept of morality. Morality is misinterpreted as sexuality and borne by women.
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Du Plessis, J. W. y D. H. Steenberg. "Uit die oogpunt van ’n vrou? Perspektief op feministiese literêre kritiek in die kader van die Airikaanse prosa". Literator 12, n.º 3 (6 de mayo de 1991): 71–88. http://dx.doi.org/10.4102/lit.v12i3.781.

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Feminists feel that in literary criticism not enough consideration is given to feminism as an ideology in the production of texts. According to them, existing literary criticism is strongly man-centred. This is especially true of the practice of South African literary criticism. Although feminism does not have at its disposal a formulated feminist literary criticism, a great deal of research has been done in this direction abroad. This is especially the case in Europe and America. Feminist literary critics apply themselves to the representation of the woman in works by male authors and an analysis of feminine experience in the production of texts by women. This article is an exploration of the Anglo-American and French approaches in feminist literary criticism. An attempt is made to formulate the aims of a possible South African feminist literary criticism in order that not only the general norms, but also the feminist codes in the production of a text, speak towards the final interpretation of a work.
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Ramos Ramos, María Rocío. "W.F. Deacon and his Revision of Romanticism in Warreniana through Literary Parody and Advertising Campaigns to Promote Blacking". Miscelánea: A Journal of English and American Studies 65 (13 de junio de 2022): 105–25. http://dx.doi.org/10.26754/ojs_misc/mj.20226849.

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This study aims to reassess William Frederick Deacon (1799-1845) and his work Warreniana (1824) by demonstrating that although it is a work of textual parody, its apparent triviality conceals a sophisticated exercise in literary criticism, constituting a valuable contemporary commentary on Romanticism. The collection presents a witty and sophisticated exercise in criticism of the literature and style of its period, being composed of texts attributed to a selection of Romantic authors supposedly promoting a very trivial product: Warren’s blacking (shoe polish). Deacon thus acts as another Romantic critic, albeit a more original and unconventional one. Due to space constraints, this paper will focus only on the parody of the poetic style of British romantic authors. The parody of their journal style will be analysed in another article.
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Nikčević-Batrićević, Aleksandra y Miloš D. Đurić. "Coping With Canon/Canons: Women Poets and the Literary Context". Armenian Folia Anglistika 11, n.º 1 (13) (15 de abril de 2015): 135–46. http://dx.doi.org/10.46991/afa/2015.11.1.135.

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The aim of this paper is to revisit literary canon, focusing on some of the most relevant texts and books that have been published within the corpus of Anglo-American studies. Then our attention is shifted to the works of American women authors and their views on the literary canon. Different generations of Montenegrin women poets and their reflections on their status in the literary canon, as well as on the advantages of applying feminist literary theory and criticism in improving their position in the aforementioned literary tradition have also been discussed.
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Rusli, Herman, Maya Safhida, Nira Erdiana y Wildan Wildan. "Indonesian Female Writers’ Perspective Toward Acehnese Women: A Gynocritic Study". Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya 12, n.º 1 (30 de junio de 2022): 148. http://dx.doi.org/10.26714/lensa.12.1.2022.148-165.

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This article is a study of the thoughts of Indonesian female writers towards Acehnese women as reflected in the literary works they produce. The objects used are the novel Perempuan Keumala by Endang Moerdopo (2008) and the novel Seulusoh by D. Kemalawati (2006). These two manuscripts were chosen because the background story used is about Aceh, the characters in the novel are Acehnese women. So far, it is difficult to find female Indonesian writers who highlight the social life of the female Acehnese in their stories. Thus, this study can be used as the basis for literary criticism in the field of Acehnese gynocritic feminism. This study uses a qualitative approach with descriptive text analysis. The theory that is used as the rationale for this study is Showalter's gynocritic literary criticism (1981 and 2000), which is now as a theory of contemporary literary criticism. The results of the analysis reflect the thoughts of Acehnese women writers on the figures of Acehnese women and Acehnese women in the view of women authors outside Aceh. The focus of the analysis includes (1) female biological elements; (2) female psychological elements; (3) female language; and (4) female culture. The results of the study show that Acehnese women in Acehnese women's literary works tend to appear as feminine figures, but are also brave, responsible, and have high social sensitivity. As for Acehnese women, in the eyes of women outside Aceh, they are described as brave, hard, responsible, and have a heroic spirit.
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Arimbi, Diah Ariani. "Finding Feminist Literary Reading: Portrayals Of Women In The 1920s Indonesian Literary Writings". ATAVISME 17, n.º 2 (29 de diciembre de 2014): 148. http://dx.doi.org/10.24257/atavisme.v17i2.5.148-162.

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Abstract: Modern Indonesian literature can be said to be born around 1920s with the publication of modern Indonesian literary works by Balai Pustaka. Amongst the works published by Balai Pustaka in the 1920s ; there are most popular works namely Sitti Nurbaya (1922) ; Azab dan Sengsara(1927) and Salah Asuhan (1928) representing the tone of 1920s literary productions. This paper aims to look at images of women in those three works written by male authors ; using feminist literary criticism. By means of close reading technique; the study uses feminist literary criticism to examine and (re)examine the images of women portrayed in those three works. The finding shows that on one hand some women are still trapped with the shackle of patriarchy, but, on the other hand, some women are not simply passive victims of patriarchy: these women still attempt to escape from the patriarchal chain and cut out the patriarchal oppression. Key Words: modern Indonesian literature; 1920s; Balai Pustaka; women; feminist literary criticism Abstrak: Sastra Indonesia modern dapat dikatakan lahir sekitar tahun1920-an dengan publikasi karya sastra Indonesia modern oleh Balai Pustaka. Di antara karya yang diterbitkan oleh Balai Pustaka pada tahun 1920-an; terdapat karya yang paling populer seperti Sitti Nurbaya (1922); Azab dan Sengsara (1927); dan Salah Asuhan (1928) yang mewakili suara produksi sastra tahun 1920-an. Makalah ini bertujuan untuk melihat potret perempuan dalam tiga karya yang ditulis oleh penulis laki-laki dengan menggunakan pendekatan kritik sastra feminis. Melalui teknik pembacaan yang mendalam (close reading technique); penelitian ini menggunakan kritik sastra feminis untuk menelaah potret perempuan dalam tiga karya tersebut. Temuan dalam tulisan ini menunjukkan bahwa di satu sisi perempuan masih terbelenggu oleh patriarkat; tetapi di sisi lain perempuan bukanlah korban patriarkat yang pasif: perempuan tetap berupaya untuk keluar dari belenggu ini dan memutus rantai penindasan patriarkat melalui kebebasan dan otonomi personal. Kata-Kata Kunci: sastra Indonesia modern; tahun 1920-an; Balai Pustaka; perempuan; kritiksastra feminis
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Berensmeyer, Ingo. "Authors of Slender Means? Female Authorship in Mid-Twentieth-Century British Fiction". Zeitschrift für Anglistik und Amerikanistik 70, n.º 4 (30 de noviembre de 2022): 385–402. http://dx.doi.org/10.1515/zaa-2022-2073.

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Abstract This article examines women writers as characters in British novels and stories by women writers from the 1940s to the early 1960s. In works by Muriel Spark, Elizabeth Taylor, Mary Renault, and others, there is a reflection on the social and artistic positions available to female authors. Given the gender segregation of the literary field at mid-century, in which ‘womanly’ writing was associated with the commercial form of romance and ‘manly’ writing with seriousness, the predicament of female authorship is rarely explored in fiction. But when it is, fictional women authors point up the constraints and limits of a ‘feminine’ literary aesthetic in illuminating ways. The article reconstructs how mid-twentieth-century British women authors thought about the act of writing, how they viewed the fields of literary creation and production, and which narrative strategies they used to negotiate this difficult terrain.
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Tesis sobre el tema "Women authors - british - literary criticism"

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Chung, Wing-yu y 鍾詠儒. "British women writers and the city in the early twentieth century". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B2702409X.

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Kaminski, Margot. "Challenging a literary myth, long poems by early Canadian women". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0024/MQ37562.pdf.

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Collins, Margo. "Wayward Women, Virtuous Violence: Feminine Violence in Restoration and Eighteenth-Century British Literature by Women". Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2474/.

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This dissertation examines the role of "acceptable" feminine violence in Restoration and eighteenth-century drama and fiction. Scenes such as Lady Davers's physical assault on Pamela in Samuel Richardson's Pamela (1740) have understandably troubled recent scholars of gender and literature. But critics, for the most part, have been more inclined to discuss women as victims of violence than as agents of violence. I argue that women in the Restoration and eighteenth century often used violence in order to maintain social boundaries, particularly sexual and economic ones, and that writers of the period drew upon this tradition of acceptable feminine violence in order to create the figure of the violent woman as a necessary agent of social control. One such figure is Violenta, the heroine of Delarivier Manley's novella The Wife's Resentment (1720), who murders and dismembers her bigamous husband. At her trial, Violenta is condemned to death "notwithstanding the Pity of the People" and "the Intercession of the Ladies," who believe that although the "unexampled Cruelty [Violenta] committed afterwards on the dead Body" was excessive, the murder itself is not inexcusable given her husband's bigamy. My research draws upon diverse archival materials, such as conduct manuals, criminal biographies, and legal records, in order to provide a contextual grounding for the interpretation of literary works by women. Moving between contemporary accounts of feminine violence and discussions of pertinent literary works by Eliza Haywood, Susanna Centlivre, Delarivier Manley, Aphra Behn, Mary Pix, and Jane Wiseman, the dissertation examines issues of interpersonal violence and communal violence committed by women.
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Hoffman, Megan. "Women writing women : gender and representation in British 'Golden Age' crime fiction". Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/11910.

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In this thesis, I examine representations of women and gender in British ‘Golden Age' crime fiction by writers including Margery Allingham, Christianna Brand, Agatha Christie, Ngaio Marsh, Dorothy L. Sayers, Josephine Tey and Patricia Wentworth. I argue that portrayals of women in these narratives are ambivalent, both advocating a modern, active model of femininity, while also displaying with their resolutions an emphasis on domesticity and on maintaining a heteronormative order, and that this ambivalence provides a means to deal with anxieties about women's place in society. This thesis is divided thematically, beginning with a chapter on historical context which provides an overview of the period's key social tensions. Chapter II explores depictions of women who do not conform to the heteronormative order, such as spinsters, lesbians and ‘fallen' women. Chapter III looks at the ways in which the courtships and marriages of detective couples attempt to negotiate the ideal of companionate marriage and the pressures of a ‘cult of domesticity'. Chapter IV considers the ways in which depictions of women in schools, universities and the workplace are used to explore the tensions between an expanding role in the public sphere and the demand to inhabit traditionally domestic roles. The thesis concludes with a discussion of the image of female victims' and female killers' bodies and the ways in which such depictions can be seen to expose issues of gender, class and identity. Through its examination of a wide variety of texts and writers in the period 1920 to the late 1940s, this thesis investigates the ambivalent nature of modes of femininity depicted in Golden Age crime fiction written by women, and argues that seemingly conservative resolutions are often attempts to provide a ‘modern-yet-safe' solution to the conflicts raised in the texts.
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Pickard, Claire. "Literary Jacobitism : the writing of Jane Barker, Mary Caesar and Anne Finch". Thesis, University of Oxford, 2006. http://ora.ox.ac.uk/objects/uuid:85514fc9-6f0c-4992-ae8c-2666dc1f7ede.

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This thesis argues that much of the gender based criticism that has led to the "rediscovery" of neglected early modern women writers has, paradoxically, also served to limit our understanding of such writers by distracting attention from other aspects of their writing, such as their political commitments. The three authors considered, Jane Barker (1652-1732), Mary Caesar (1677-1741) and Anne Finch (1661-1720), have been selected precisely because Jacobitism is central to their writing. However, it will be argued that a focus upon gender politics in the texts of these writers has led to a failure to comprehend the party political boldness of their work. The thesis examines the writing of each author in turn and explores the implications of Barker's, Caesar's and Finch's Jacobite allegiances for their respective views of human history as played out in political affairs. It also considers the ways in which each author attempts to reconcile a cause that is supposedly supported by God with apparent political failure. The quest of Barker, Caesar and Finch to investigate these issues and to comprehend how Jacobitism forms part of their own authorial identities is central to what is meant here by "literary Jacobitism" in relation to these writers. The thesis demonstrates that Jacobitism is enabling for each of these three women as it enhances their ability to conceive of themselves as authors by allowing their sense of political identity to overcome their scruples about their position as women who write. However, it also illustrates that Jacobitism functions differently in the writing of each of the selected authors. It thus argues that an undifferentiated labelling of the work of these three women as "Jacobite" is as restrictive as their previous categorisation as "women writers".
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Hawkins, Judith Bernadette. "A difference in women's and men's academic prose". CSUSB ScholarWorks, 1994. https://scholarworks.lib.csusb.edu/etd-project/854.

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Compion, Marlette. "'n Ondersoek na Scheherazade as moontlike voorganger in 'n vroulike verteltradisie in enkele Afrikaanse literêre tekste". Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/2024.

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Thesis (MA (Afrikaans and Dutch))—University of Stellenbosch, 2005.
The aim of this study is to investigate the position that has been allocated to women authors by literary theorists. Some literary theorists are of the opinion that the action of writing can be compared to fatherhood, ownership and being a creator, all of which are male dominated images. Women writers have historically been marginalized by literary theorists, since there is a perception that women cannot write because they are not male. Harold Bloom has postulated that a male writer looks to a precursor in order to write and find his own voice. Before the writer can claim his own, original voice, he must enter into an Oedipal battle with the precusor, and, figuratively speaking, ‘kill’ him in his writing. According to Gilbert & Gubar, who serve here as representatives of the feminist literary theorists, women writers make use of monsterlike figures which serve as metaphors for the inner battle they have to endure to put pen to paper. The problem, however, is that women writers have no (female) precursors to look to. Elaine Showalter postulates 4 models that women writers may use in search of a female precursor or female body of writing, but she does not offer a clear solution. I am of the opinion that women writers can identity with a female figure or role model. The figure that I propose is Scheherazade, a storytelling character from the Thousand and One Nights, who told stories for a thousand and one nights in order for escape death. I identify a few texts from international literature that make use of this figure, whether as a character in the text, a metaphor for the female character who tells stories or as a metaphor for the author herself. This study focuses on texts from 3 genres in Afrikaans literature, namely children’s stories, short stories and a novel. It appears from the analysis of the texts that women writers have successfully made use of the Scheherazade character, to address issues concerning the social role and position allocated to women by a patriarchial society. Along with this women writers’ search and longing for a voice of their own and their own identity gets highlighted with the use of a Scheherazade-like female character who tells stories. Lastly it became clear that this figure is also being used by women writers to contemplate the dynamics of writing and to contextualise the role that self-doubt and self-actualisation play in telling and writing stories. Scheherazade thus becomes a vehicle for finding a voice as well as agency.
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Slagle, Judith Bailey. "Literary Activism: James Montgomery, Joanna Baillie, and the Plight of Britain’s Chimney Sweeps". Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/720.

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Excerpt: On 6 February 1824, Joanna Baillie Notified Her Friend Walter Scott that Scottish poet James Montgomery, then living in Sherrield, England, had written to ask her for a poem on the plight on chimney sweeps, also known as climbing boys.
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Muus, Elaine Janice. "Articulate bodies, or, Encore, en corps, sense-ing the body as (re)presentation of women's subjectivities". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ26934.pdf.

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Compion, Marlette. "'n Ondersoek na Scheherazade as moontlike voorganger in 'n vroulike verteltradisie in enkele Afrikaanse literêre tekste /". Link to the online version, 2005. http://hdl.handle.net/10019/998.

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Libros sobre el tema "Women authors - british - literary criticism"

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1954-, Waters Mary A., ed. British women writers of the Romantic period: An anthology of their literary criticism. New York: Palgrave Macmillan, 2009.

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P, Werlock Abby H., ed. British women writing fiction. Tuscaloosa: University of Alabama Press, 2000.

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Lawrence, Karen. Penelope voyages: Women and travel in the British literary tradition. Ithaca, N.Y: Cornell University Press, 1994.

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1951-, Lau Beth, ed. Fellow romantics: Male and female British writers, 1790-1835. Aldershot, Hants, England: Ashgate Pub., 2009.

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Ferguson, Moira. Subject to others: British women writers and colonial slavery, 1670-1834. New York: Routledge, 1992.

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Kinsley, Zoë. Women writing the home tour, 1682-1812. Aldershot, Hants, England: Ashgate, 2008.

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Wollstonecraft, Mary. A vindication of the rights of woman: An authoritative text, backgrounds, the Wollstonecraft debate, criticism. 2a ed. New York: Norton, 1987.

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Wollstonecraft, Mary. A vindication of the rights of woman: An authoritative text, backgrounds, the Wollstonecraft debate, criticism. 2a ed. New York: Norton, 1988.

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1970-, Richardson Angelique y Willis Chris 1960-, eds. The new woman in fiction and fact: Fin-de-siècle feminisms. Houndmills, Basingstoke, Hampshire: Palgrave, 2002.

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Jane, Austen. Mansfield Park: Authoritative text, contexts, criticism. New York: W.W. Norton, 1998.

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Capítulos de libros sobre el tema "Women authors - british - literary criticism"

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Waters, Mary A. "The British Common Reader: Critical Prefaces by Anna Letitia Barbauld". En British Women Writers and the Profession of Literary Criticism, 1789–1832, 28–56. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230514515_2.

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Waters, Mary A. "The Next Generation: Harriet Martineau’s Literary Reviews for the Monthly Repository". En British Women Writers and the Profession of Literary Criticism, 1789–1832, 151–77. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230514515_6.

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Waters, Mary A. "Introduction". En British Women Writers and the Profession of Literary Criticism, 1789–1832, 1–23. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230514515_1.

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Waters, Mary A. "Renouncing the Forms: The Case of Elizabeth Inchbald". En British Women Writers and the Profession of Literary Criticism, 1789–1832, 57–81. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230514515_3.

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Waters, Mary A. "“The first of a new genus —”: Mary Wollstonecraft, Mary Hays, and The Analytical Review". En British Women Writers and the Profession of Literary Criticism, 1789–1832, 86–120. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230514515_4.

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Waters, Mary A. "Periodicals and Middle-Class Dissent: Anna Letitia Barbauld and Elizabeth Moody at the Monthly Review". En British Women Writers and the Profession of Literary Criticism, 1789–1832, 121–50. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230514515_5.

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Banerjee, Argha Kumar. "Authors". En The Edinburgh Companion to First World War Periodicals, 115–29. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474494717.003.0008.

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During the years of the First World War, most of the British dailies and periodicals served as a creative forum for contemporary literary writers to negotiate with the unprecedented impact of the ongoing hostilities. The contributors to these periodicals ranged from established writers like Thomas Hardy and Rudyard Kipling on the one hand to several younger combatant poets and women writers on the other. Besides playing an important role in influencing public opinion through reputed authors, periodicals were significant in shaping the literary reputations of younger British writers as well. Notwithstanding the brevity of their existence, magazines and dailies often managed to provide a major outlet for wider cultural expressions of the British society during the war years. Closely examining the wide range of such a colossal input, this analysis examines the crucial significance of British periodicals in the writings of the First World War. The chapter argues that such a diverse miscellany, enmeshed in a matrix of conflicting political ideologues, meticulously and faithfully chronicles the British literary landscape of the Great War.
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Fein, Susanna. "Literary Scribes". En Insular Books. British Academy, 2015. http://dx.doi.org/10.5871/bacad/9780197265833.003.0004.

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In the study of medieval manuscripts, an individual scribe’s patterns of change may emerge as knowable, analysable features that display creative involvement. If, added to this circumstance, a single scrivener possesses a sizeable amount of surviving output, opportunities to know that scribe as an specific ‘author’ in the process of cumulative composition expand greatly. The study of vernacular literary manuscripts has now reached a point where many scribes with large and interesting oeuvres have been identified. By designating a new category, ‘literary scribe’, we can differentiate these special scribes from the many other unknowable copyists, and allow their oeuvres to be analysed in ways analogous to the criticism applied to authors. Case studies are provided for two important literary scribes: the Ludlow scribe who created British Library, MS Harley 2253, fols 49–140, and Robert Thornton of Yorkshire, who created Lincoln, Cathedral Library MS 91 and British Library, MS Additional 31042.
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Huenemann, Karyn. "Flora Annie Steel : A Voice for Indian Women?" En Faces of the Feminine in Ancient, Medieval, and Modern India, 234–50. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195122299.003.0016.

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Abstract One of the more interesting trends in literary criticism today is the application of discourse analysis and feminist critical theory to the investigation of colonial literatures. By considering the literary representations of women’s history in light of these two approaches, some recent feminist critics attempt to unravel the complexities of women’s involvement in British imperial history. Implicit in this attempt is the comparison of Western literary (mis)representation of the Orient with male literary (mis)representation of women, a comparison complicated by some Victorian women’s concomitant involvement in both British imperialism and the feminist political battles of the late 1800s.
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Casal, Rodrigo Cacho. "Writing in the New World". En The Places of Early Modern Criticism, 125–42. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198834687.003.0009.

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Over the turn of the sixteenth and seventeenth centuries, Spanish American poetry and poetic theory experience a crucial moment of affirmation. Literary networks strengthen their circle of influence, and several authors, both creole and settlers, are able to promote their careers, further facilitated by the printing press. Books such as Miscelánea austral (Lima, 1602/1603) by Diego Dávalos y Figueroa, Grandeza mexicana (Mexico City, 1604) by Bernardo de Balbuena, and Parnaso antártico (Seville, 1608) by Diego Mexía contain a number of texts which lay the foundations for a new American poetics. They constitute a canon of New World authors who fashion themselves at the centre of a transatlantic exchange, both as followers and innovators of the peninsular literary tradition of the Renaissance. Framed within the rhetorical genre of “defences of poetry” and “defences of women”, these poets put forward an engaging critical representation of their own poetic identity.
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