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Libros sobre el tema "Women artists – history – 20th century"

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Publicado: 26 de julio de 2024

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1

Uta, Grosenick y Becker Ilka, eds. Women artists in the 20th and 21st century. Köln: Taschen, 2003.

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2

Slatkin, Wendy. Women artists in history: From antiquity to the 20th century. Englewood Cliffs, N.J: Prentice-Hall, 1985.

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3

Slatkin, Wendy. Women artists in history: From antiquity to the 20th century. 2a ed. Englewood Cliffs, N.J: Prentice Hall, 1990.

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4

Slatkin, Wendy. Women artists in history: From antiquity to the 20th century. New Jersey: Prentice Hall, 1985.

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5

1972-, Brown Karen, ed. Women's contributions to visual culture, 1918-1939. Aldershot, Hants, England: Ashgate Pub, 2008.

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6

Gillian, Perry, ed. Difference and excess in contemporary art: The visibility of women's practice. Oxford: Blackwell, 2004.

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7

Lahs-Gonzales, Olivia. Defining eye: Women photographers of the 20th century : selections from the Helen Kornblum collection. St. Louis, MO: Saint Louis Art Museum, 1997.

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8

Blum, Paul Von. Other visions, other voices: Women political artists in greater Los Angeles. Lanham, Md: University Press of America, 1994.

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9

Three artists (three women): Modernism and the art of Hesse, Krasner, and O'Keeffe. Berkeley: University of California Press, 1996.

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10

Perry, Gillian. Women artists and the Parisian avant-garde: Modernism and feminine art, 1900 to the late 1920s. Manchester [England]: Manchester University Press, 1995.

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11

Harriet, Pollack, ed. Having our way: Women rewriting tradition in twentieth-century America. Lewisburg, PA: Bucknell University Press, 1995.

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12

Fort, Ilene Susan. In wonderland: The surrealist adventures of women artists in Mexico and the United States. New York: Prestel Pub., 2012.

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13

Molesworth, Helen Anne. This will have been: Art, love & politics in the 1980s. Chicago, IL: Museum of Contemporary Art Chicago, 2012.

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14

Gómez-Quintero, Raysa Elena Amador. The female body: Perspectives of Latin American artists. Westport, Conn: Greenwood Press, 2002.

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15

Donawerth, Jane. Frankenstein's daughters: Women writing science fiction. Syracuse, N.Y: Syracuse University Press, 1997.

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16

Epstein, Jennifer Cody. The painter from Shanghai. New York: W.W. Norton & Co., 2008.

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17

Epstein, Jennifer Cody. The painter from Shanghai. Waterville, Me: Thorndike Press, 2008.

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18

Penny, Florence, ed. Looking back to the future: Essays on art, life and death. Amsterdam: G+B Arts International, 2001.

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19

Sharon, Bryan, ed. Where we stand: Women poets on literary tradition. New York: W.W. Norton, 1993.

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20

Kordich, Diane D. Images of commitment: 20th century women artists. Tuscon, Ariz: CRIZMAC, 1994.

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21

Richard, Martin. Madame Grès. New York: Metropolitan Museum of Art, 1994.

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22

White, Roberta. A studio of one's own: Fictional women painters and the art of fiction. Madison [N.J.]: Fairleigh Dickinson University Press, 2005.

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23

Jackson, Lesley. Kate Malone: A book of pots. Woodstock, N.Y: Overlook Press, 2003.

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24

Jackson, Lesley. Kate Malone: A book of pots. London: A&C Black, 2003.

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25

Gabriele, Griffin, ed. Difference in view: Women and modernism. London: Taylor & Francis, 1994.

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26

Hrsg.: Sch onfeld, Christiane, ed. Practicing modernity: female creativity in the Weimar Republic. W urzburg: K onigshausen & Neumann GmbH, 2006.

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27

Jennifer, Allen, ed. Maria Roosen: Maria's. Amsterdam: Valiz, 2005.

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28

Hamalian, Leo. D.H. Lawrence and nine women writers. Madison: Fairleigh Dickinson University Press, 1996.

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29

Kahlo, Frida. Frida Kahlo. London: PRC, 2001.

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30

Kahlo, Frida. Frida Kahlo. London: Tate Publishing, 2005.

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31

Kahlo, Frida. Frida Kahlo: Un homenaje. México, D.F: Artes de México, 2004.

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32

Kahlo, Frida. Frida Kahlo: 1907-2007. México, D.F: Instituto Nacional de Bellas Artes, 2007.

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33

Kahlo, Frida. Frida Kahlo: Helsingin kaupungin taidemuseo, 28.1.-24.4.1997. Editado por Hentinen Arja, Karjalainen Tuula 1942-, Tanninen-Mattila Maija y Helsingin kaupungin taidemuseo. [Helsinki]: Helsingin kaupungin taidemuseo, 1997.

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34

Instituto Nacional de Bellas Artes (Mexico) y Museo del Palacio de Bellas Artes (Mexico), eds. Frida Kahlo: 1907.2007. México, D.F: Instituto Nacional de Bellas Artes, 2008.

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35

Kahlo, Frida. Frida Kahlo. México, D.F: [Instituto Nacional de Bellas Artes, 2004.

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36

Kahlo, Frida. Frida Kahlo: 1907.2007. México, D.F: Instituto Nacional de Bellas Artes, 2008.

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37

Kahlo, Frida. Frida Kahlo: Das Gesamtwerk. Frankfurt am Main: Verlag Neue Kritik, 1988.

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38

Wells, Judy. The calling: 20th century women artists and other poems. Berkeley, Calif: Mother's Hen, 1994.

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39

Karl, Ruhrberg y Walther Ingo F, eds. Art of the 20th century. Köln: Taschen, 1998.

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40

Grosenick, Uta. Women Artists. Taschen America, LLC, 2001.

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41

Slatkin, Wendy. Women Artists in History: From Antiquity to the 20th Century. Pearson Education, Limited, 2008.

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42

(Editor), Uta Grosenick y Ilka Becker (Editor), eds. Women Artists in the 20th and 21st Century (Taschen Specials). Taschen, 2001.

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43

Fine, Elsa Honig. Women and Art: A History of Women Painters and Sculptors from the Renaissance to the 20th Century. Westview P.,U.S., 1991.

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44

Farris, Phoebe. Women Artists of Color. Greenwood, 1999. http://dx.doi.org/10.5040/9798216036920.

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Critical essays on 20th-century female artists of color focus on how these distinguished artists achieved success, what makes their work important both to the art world and to their specific communities, and what influences their work is likely to have in the future. The artists are representative of four ethnic groups: African American, Asian Pacific American, Latin American, and Native American. Parallels drawn explore the similarities and differences among the artists. The early feminist art movement of the 1970's concentrated on gender with less consideration given to race or class, yet to many artists of color, ethnicity factors significantly into the shaping of their identities and to the content of their art. Women artists of color have expanded the scope of protest art, fusing the past and current history with gender and race and deconstructing stereotypical mainstream representations of their gender and ethnic identities. This presentation of artists balances older and deceased artists with the younger, emerging artists. The artistic mediums span the gamut from traditional painting and sculpture to newer forms such as video, conceptual, and performance art. These essays will appeal to a wide audience of scholars and artists interested in women's studies, art history, cultural studies, multicultural art, and art criticism. Grouped by ethnicity, artists are presented in alphabetical order. Entries include biographical information and a listing of each artist's exhibitions. Numerous photographs enhance the text.
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45

Krauss, Rosalind. Bachelors (October Books). The MIT Press, 2000.

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46

Peterson, Lucy Merello. Women Who Inspired London Art: The Avico Sisters and Other Models of the Early 20th Century. Pen & Sword Books Limited, 2018.

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47

Peterson, Lucy Merello. Women Who Inspired London Art: The Avico Sisters and Other Models of the Early 20th Century. Pen & Sword Books Limited, 2018.

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48

Marsh, Jan. The Legend of Elizabeth Siddal: 19th and 20th Century Constructions of Women's Biography. Universal Sales & Marketing, 1993.

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49

Peterson, Lucy Merello. The Women Who Inspired London Art: The Avico Sisters and Other Models of the Early 20th Century. Pen and Sword History, 2019.

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50

Rosen, Randy, Calvin Tomkins, Ellen Landau, McEvilley y Catherine Coleman Brawer. Making Their Mark: Women Artists Move into the Mainstream, 1970-85. Abbeville Press, 1991.

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