Artículos de revistas: "Woman's story"

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Ireland, Susan, Annie Ernaux y Tanya Leslie. "A Woman's Story". World Literature Today 78, n.º 3/4 (2004): 115. http://dx.doi.org/10.2307/40158572.

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Babirye, Sarah. "A Ugandan woman's story". Transformation: An International Journal of Holistic Mission Studies 15, n.º 4 (octubre de 1998): 2–3. http://dx.doi.org/10.1177/026537889801500402.

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Fredricks, Nancy. "Melville and the Woman's Story". Studies in American Fiction 19, n.º 1 (1991): 41–54. http://dx.doi.org/10.1353/saf.1991.0009.

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Renn, Kristen A. "A Woman's Education". About Campus: Enriching the Student Learning Experience 8, n.º 1 (marzo de 2003): 30–32. http://dx.doi.org/10.1177/108648220300800108.

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Price, Catherine, Madonna Swan y Mark St Pierre. "Madonna Swan: A Lakota Woman's Story." Journal of American History 79, n.º 3 (diciembre de 1992): 1223. http://dx.doi.org/10.2307/2080918.

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Gómez García, Heiner Fabián y Erika Natalia Morales Parada. "A Common Traditional Woman's Life Story". Enletawa Journal 14, n.º 1 (1 de julio de 2021): 144–46. http://dx.doi.org/10.19053/2011835x.13094.

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Schulte, Steve y Mark St Pierre. "Madonna Swan: A Lakota Woman's Story". Western Historical Quarterly 26, n.º 1 (1995): 91. http://dx.doi.org/10.2307/971299.

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Blave Gómez, Raquel. "The Blithedale Romance. A Woman's Story". Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá, n.º 31 (16 de diciembre de 2022): 31–49. http://dx.doi.org/10.35869/afial.v0i31.4296.

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Although it does not seem to be particularly groundbreaking in today’s world, I contend in this essay that the story Nathaniel Hawthorne tells in The Blithedale Romance was radically forward-thinking for his contemporary society. Analyzing it from a contemporary perspective, some feminist scholars have argued that the depiction of female characters is misogynist. In addition, the narrator is often considered to be unreliable and, as such, a failure. Drawing mainly on the theory of Foucault, this article argues that Hawthorne uses an unreliable narrator to interrogate patriarchal monologic discourses and to create a narrative space for the voice of Zenobia, the book’s feminist character, to be heard. Gender and genre considerations are particularly intertwined in the text. Thus, while Coverdale’s narrative empowers Zenobia’s voice, Hawthorne’s use of romance challenges established genre conventions. I claim that The Blithedale Romance challenges patriarchal authority by presenting Zenobia as a more reliable and powerful voice than that of the male narrator.

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Ner-David, Haviva. "Reclaiming Our Tumah: One Woman's ?Blood Story?" Bridges: A Jewish Feminist Journal 12, n.º 1 (abril de 2007): 104–13. http://dx.doi.org/10.2979/bri.2007.12.1.104.

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Frost, Ruth. "Graced, Gifted and Gay: One Woman's Story". Dialog: A Journal of Theology 40, n.º 1 (marzo de 2001): 33–39. http://dx.doi.org/10.1111/0012-2033.00053.

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Friedman, Hideko Tamura (Tammy). "One Woman's War Story: An Editorial Response". Social Work 36, n.º 4 (julio de 1991): 367–68. http://dx.doi.org/10.1093/sw/36.4.367-d.

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Sutphin, Christine. "Revising Old Scripts: The Fusion of Independence and Intimacy in Aurora Leigh". Browning Institute Studies 15 (1987): 43–54. http://dx.doi.org/10.1017/s0092472500001814.

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Elizabeth Barrett Browning's Aurora Leigh is an unusual Victorian heroine because she ultimately combines career and marriage. Although Aurora's story has been recognized as an important revision of a traditional woman's story by such famous readers as Virginia Woolf (182–92) and Ellen Moers (60–62), some feminist critics have been disturbed by the ending, even as they describe its compelling feminist vision. Rachel Blau DuPlessis, while acknowledging that the story is a “rescripting,” argues that “being an artist is, at the end, reinterpreted as self-sacrifice for the woman, and thus is aligned with feminine ideology” (87). Sandra Gilbert and Susan Gubar argue that Aurora has to learn “not to be herself,” that is, she must learn sympathy and service (576–77). Deirdre David goes even further in asserting Barrett Browning's conservatism when she argues that Aurora's art does not subvert Romney's authority; instead, feminine art serves “male socialist politics” and “a woman's voice [speaks] patriarchal discourse – boldly, passionately, and without rancor” (134).

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Deck, Alice A. y Elaine Brown. "A Taste of Power: A Black Woman's Story." African American Review 31, n.º 2 (1997): 367. http://dx.doi.org/10.2307/3042496.

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Nimis, Marjorie. "Acute fatty liver of pregnancy: a woman's story". British Journal of Midwifery 16, n.º 4 (abril de 2008): 244. http://dx.doi.org/10.12968/bjom.2008.16.4.29049.

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Holmes, Thomas Alan y Lucinda H. MacKethan. "Daughters of Time: Creating Woman's Voice in Southern Story". South Atlantic Review 57, n.º 1 (enero de 1992): 138. http://dx.doi.org/10.2307/3200353.

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Cheddie, Janice M. "A Note: Yinka Shonibare: Dress Tells the Woman's Story". Fashion Theory 4, n.º 3 (agosto de 2000): 349–57. http://dx.doi.org/10.2752/136270400778995444.

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Scura, Dorothy M. y Lucinda H. MacKethan. "Daughters of Time: Creating Woman's Voice in Southern Story." American Literature 63, n.º 3 (septiembre de 1991): 575. http://dx.doi.org/10.2307/2927273.

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Carpenter, L. "From Hummingbirds to Tropical Forest Restoration: One Woman's Story". Ecological Restoration 24, n.º 1 (1 de marzo de 2006): 5–12. http://dx.doi.org/10.3368/er.24.1.5.

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Koren. "Divorce out of Love: A Sixteenth-Century Woman's Story". Nashim: A Journal of Jewish Women's Studies & Gender Issues, n.º 21 (2011): 7. http://dx.doi.org/10.2979/nashim.21.7.

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Babow, Irving y Robin Rowe. "Suicide Career: A Young Woman's Story in Phenomenological Perspective". OMEGA - Journal of Death and Dying 26, n.º 2 (marzo de 1993): 91–100. http://dx.doi.org/10.2190/1tca-f00c-nlry-lnn1.

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As part of a wider study of young suicide attempters' unmet service needs, a suicidal woman diagnosed as catatonic schizophrenic told her story in a state mental hospital. Her account in this case study revealed much about her life history, suicide career, problems of living, needs for help, and perceptions of relevant systems. The patient's diagnosis and readmissions seemed inappropriate. Regarded as a chronic schizophrenic, she experienced therapeutic nihilism in the hospital and benign neglect in the community. Accepting the expectation of not getting well reinforced helplessness and hopelessness. A proposed model would use parts of the patient's story for preventive intervention regarding suicidal behavior and improving her social competence, social networks, and support systems. A starting point could be her eating disorder, obesity, derogatory self-image, and related substance abuse and psychological problems. Patient perceptions of needs and priorities can help systems involved plan and deliver appropriate services.

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Powell Kennedy, H. "The essence of nurse-midwifery care The woman's story". Journal of Nurse-Midwifery 40, n.º 5 (octubre de 1995): 410–17. http://dx.doi.org/10.1016/0091-2182(95)00046-m.

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Rahayu, Mundi. "The New Image of Indian Girl in Sherman Alexie’s The Search Engine". Journal of Language and Literature 22, n.º 2 (26 de septiembre de 2022): 422–34. http://dx.doi.org/10.24071/joll.v22i2.4323.

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The current paper examines the Native American people's identity, especially the main female character's cultural identity in the short story entitled The Search Engine. Sherman Alexie, the author of the story, is a Native American writer who harnesses the Indian identity as one of the main topics. The identity presented in the main character, Corliss, shows the challenges of the stereotypes of Native American girls. For that reason, the paper aims at exploring the new Indian woman’s cultural identity represented in the main character, Corliss, in the short story The Search Engine. The study applies feminist literary criticism that enables the writers to deeply explore the issue of woman's identity among the American native people. The main character, Corliss, shows the new female image identity, in which she can challenge traditional stereotypes of Native American women. Corliss is represented as a highly literate woman, with a lot of reading on English literary works, and has concern on her Indian-ness, which is often incommensurable to her big family’s views. The main character shows the new female image of an Indian girl evidenced in her excellent literacy and attitude toward Indian and White people. She has new consciousness in seeing the Indian men and women and their relation to White people.

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Buckler, Patricia Prandini. "A Silent Woman Speaks: The Poetry in a Woman's Scrapbook of the 1840s". Prospects 16 (octubre de 1991): 149–69. http://dx.doi.org/10.1017/s0361233300004518.

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In these words, Tillie Olsen dedicated her book, Silences, to the women whose lives for centuries were constricted by sexual role and social custom, yet who struggled nevertheless to express themselves (pp. 42–43). She further urged women who write and women who teach to give voice to these silent women by moving beyond the novel and the published poem to the journals, letters, memoirs, and other personal utterances that “add to the authentic story of human life, human experience” (pp. 45n).

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Cooper, David L., Sylvia Welner y Kevin Welner. "Small Doses of Arsenic: A Bohemian Woman's Story of Survival". Slavic and East European Journal 50, n.º 4 (1 de diciembre de 2006): 720. http://dx.doi.org/10.2307/20459389.

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Hall, Michelle Flaum. "The Psychological Impact of Medical Trauma: One Woman's Childbirth Story". Nursing for Women's Health 17, n.º 4 (agosto de 2013): 271–74. http://dx.doi.org/10.1111/1751-486x.12045.

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Rose, Anna. "Effects of Childhood Sexual Abuse on Childbirth: One Woman's Story". Birth 19, n.º 4 (diciembre de 1992): 214–18. http://dx.doi.org/10.1111/j.1523-536x.1992.tb00405.x.

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Butalia, Urvashi. "Sandip Kaur's Bikhra Painda: a militant woman's story from Punjab". Sikh Formations 13, n.º 1-2 (3 de abril de 2017): 20–29. http://dx.doi.org/10.1080/17448727.2016.1147188.

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Ah NEE-BENHAM, Maenette K. P. y Jacquilyn Dudley. "The story of an African-American teacherscholar: A woman's narrative". International Journal of Qualitative Studies in Education 10, n.º 1 (enero de 1997): 63–83. http://dx.doi.org/10.1080/095183997237421.

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Skemp, Mary L. "READING A WOMAN'S STORY IN MARGUERITE DE NAVARRE'S LA COCHE". Explorations in Renaissance Culture 31, n.º 2 (2 de diciembre de 2005): 279–304. http://dx.doi.org/10.1163/23526963-90000304.

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Ravens, D. A. S. "The Setting of Luke's Account of the Anointing: Luke 7.2–8.3". New Testament Studies 34, n.º 2 (abril de 1988): 282–92. http://dx.doi.org/10.1017/s0028688500020075.

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Luke's account of the anointing of Jesus (Luke 7. 36–50) seems to be one of the gospel stories which critics have examined somewhat in isolation from the context of the surrounding material. One reason for this may be that Luke has told his story almost too well, if that is possible, so that the account of the woman's act of overflowing love and its contrast with the Pharisee's lack of care for his invited guest can easily be read as a self-contained unit. It has certainly provided useful ammunition for those who have sought to denigrate the Pharisaic outlook by comparing it with Christian love; moreover, as Dibelius recognised, the woman's action and Luke's six-fold repetition which emphasises forgiveness would have made the story very valuable for illustrating sermons.

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T, Sinduja. "The male characters of Devi Bharathi short stories are a feminist vision". International Research Journal of Tamil 3, S-1 (19 de junio de 2021): 175–78. http://dx.doi.org/10.34256/irjt21s128.

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The country that enhances the pride of the woman has risen in this earth. In today's age of information technology, women are progressing in various fields on par with men and more than men. They are confident that they can achieve anything in life. But a woman cannot live alone in society. They live on orders in one way or another. In the end, the woman's condition is reduced to a very bad state, no matter what mistakes the woman makes in her life. Women bear more responsibilities. Whether a man makes mistakes or a man makes mistakes, the woman ultimately accepts the consequences. In this way, the problems caused by men to women in devibharathi short story are manifestations of male and female relationship. The article is titled Male Characters A Feminist Vision in Devi Bharathi Short Story, focusing on psychological complexity and the effects of caste discrimination.

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Lee, Dorothy A. "The Faith of the Canaanite Woman (Mt. 15.21-28): Narrative, Theology, Ministry". Journal of Anglican Studies 13, n.º 1 (11 de noviembre de 2014): 12–29. http://dx.doi.org/10.1017/s1740355314000187.

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AbstractMatthew's story of the Canaanite woman is an unusual and disturbing story in the Gospel tradition. Alongside other Gentile stories in Matthew's very Jewish Gospel, it signifies the opening of the doors on the Gentiles and their inclusion in the community of faith. The woman's language and the silence of Jesus speak powerfully to the contemporary context within Anglicanism. The liturgical language she employs teaches us how to speak in worship, while Jesus’ silence addresses our own experience of suffering and the seeming deafness of God. In the end, the narrative, for all its exegetical difficulties, is a powerful story of communion and the ultimately gracious response of God. As Anglicans we need to recover the depths of our own speech, grounded in Scripture and the Book of Common Prayer, as expressions of the grace of an inclusive God who teaches us how to speak and how to wait in faith.

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Jeon, Young A. "An Autobiogrphical Narrative Inquiry on Woman's Experience of Post-Traumatic Disability". Korean Association For Learner-Centered Curriculum And Instruction 23, n.º 16 (31 de agosto de 2023): 581–605. http://dx.doi.org/10.22251/jlcci.2023.23.16.581.

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Objectives The purpose of this study is to understand meaning of my own experience by exploring the experiences of post-traumatic disability experienced in adulthood with autobiographical narrative inquiry. Methods Research puzzle was built what life story do I form when it comes to experiencing post-traumatic disability. Based on data such as my own memories, diaries and memos, I reconstructed the narrative in consideration of the three-dimensional narrative exploration space, “Temporality, Sociality, and Place”. The meaning of the experience was derived according to the narrative exploration procedure of Clandinin and Connelly(2000). Results As a result of the study, First, the story of living as a relational being was reconstructed into six narratives: “A body trapped in a body, a voice that came in an urgent moment, choosing to be a mother rather than a daughter, numerous Samaritans who constantly became my neighbor, reaching out with new invitations, and a family who was with me through a long tunnel.” Second, the story of living in relation to the body was reconstructed into four narratives: “A broken jar, I am not disabled, a flawed pottery is beautiful, and I wake up to the fountain of life, not a jar.” The meaning of the experience is revealed through the exploration of the story lived after the disability in adulthood. First, “the scales are peeled off in my eyes and I see them right away,” second, “invitation to connect to my neighbors and the world beyond me,” and third, “a journey to accept self-acceptance and life as a whole.” Conclusions Through this autobiographical narrative inquairy, I hope that the understanding of the experience of living with disability in adulthood and damaged bodies will extend beyond the understanding of individual humans to the understanding of the lives of the disability in adulthood. And I made a suggestion based on the research results.

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Nelli, Jumni. "MISTERI NAFS AL-WAHIDAH DALAM ALQUR’AN". Marwah: Jurnal Perempuan, Agama dan Jender 9, n.º 1 (2 de junio de 2010): 93. http://dx.doi.org/10.24014/marwah.v9i1.474.

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This paper discusses the creation of woman in the Quran that can be identified by clear principles of the Quran about woman. In the Quran it is not found the verses in detail to tell the origins of woman's events. The only paragraph that suggests the origin of the woman's event is Surat an-Nisa (4:1) . The mufassirs still have different opinion, who exactly is meant by "a single self" (nafs al-wahidah) in that verse. There is a difficulty in understanding the story of the origins of human creation in the Quran as there is stepping or something missing link in these stories. The Quran does not explain in sequence from A to Z, but the jump from A to X and Z. What happens between A and X or Z is not explained. Muhammad Rashid Rida in Tafseer al-Mannar opinion that women were created from Adam's rib .is influenced by the Book of the Old Testament or also known as Israiliyat news

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HEARNS, MAUREEN C. "A Journey Through Ashes: One Woman's Story of Surviving Domestic Violence". Anthropology of Consciousness 20, n.º 2 (septiembre de 2009): 111–29. http://dx.doi.org/10.1111/j.1556-3537.2009.01014.x.

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DuBois, E. C. "Untidy Origins: A Story of Woman's Rights in Antebellum New York". Journal of American History 92, n.º 4 (1 de marzo de 2006): 1432–33. http://dx.doi.org/10.2307/4485932.

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Young, Brad H. "‘Save the Adulteress!’ Ancient JewishResponsain the Gospels?" New Testament Studies 41, n.º 1 (enero de 1995): 59–70. http://dx.doi.org/10.1017/s0028688500022943.

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The gospel story of the Woman Caught in Adultery (John 7.53–8.11), has captured the hearts of many listeners because it stirs up strong feelings of compassion for a human being in a vulnerable situation, even someone who has betrayed his or her marriage vow and committed a serious wrong. The love, acceptance and forgiveness of Jesus as well as his profound wisdom as a respected teacher come out of the narrated scene. Jesus answers a question that solves a very severe problem. These elements of the dramatic episode from the life of Jesus are clear. The Jewish people in the story, however, are viewed as antagonists. The Pharisees threaten the woman's life and seek to accuse Jesus. Silhouetted against the passion, this accusation might even be viewed by some readers as a charge to bring about the death of Jesus. Is this the only possible interpretation of the Pharisees' role in the gospel story?

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T, Vasuki. "A Green Bird with a Red Neck – Issues in Women's Life in the Short Stories". International Research Journal of Tamil 4, S-7 (30 de julio de 2022): 279–84. http://dx.doi.org/10.34256/irjt22s744.

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Literature in the form of short stories captures the social issues and events of the day. Tamil short story writers use their writing to reflect on the Tamil culture and way of life. Feminist author Ambai has demonstrated how female characters can successfully handle issues in their lives. In Ambai's short stories, a girl who has been terrified for a very long time and unable to run by herself can be seen strolling as an innovator. Her short story, "A Green Bird with a Red Neck," explores a woman's life struggles and her love for her father. The collection of short stories "Payanam 21" demonstrates how determined women who wish to be married again must be to overcome obstacles at home and in society. The short story "The City that Rises from the Ashes" helps the reader to understand the sorrow of women who work despite age and retirement restrictions. Next, in the short story 'A Green Bird with a Red Neck', the author reveals that women abandoned by their husbands are determined to raise their children on their own. The short story "Veethal" depicts the suffering endured by mothers whose children live abroad. Another short story, 'Poikai' reveals that men cannot live a woman's life, even for a single day. Apart from these, the lives of economically backward women and the hardships faced by women in other countries can be seen in the short stories. Ambai's collection of short stories, "A Green Bird with a Red Neck," demonstrates how female characters bravely handle a variety of life issues. It has received the Best Book Award in Tamil for 2021. The purpose of this article is to explore the lives and problems of diverse women that are told in the thirteen short stories in this book.

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Vučković, Mirjana. "Education as the way to "A Woman's Liberation": One of Ursula Le Guin's four ways to forgiveness". Reci Beograd 14, n.º 15 (2022): 67–81. http://dx.doi.org/10.5937/reci2215067v.

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In this paper we discussed Ursula Le Guin's story "A Woman's Liberation. In this science fiction story the author chronicles a slave society on a far-away planet in distant future. She describes the relationships between slaves and owners but also the position of women in such an unjust society in which female slaves are inferior to everyone, including male slaves. Since the aim of science fiction is to make us think about our present, the author draws parallels between this fictional slave society from the future and slavery on our planet from not so distant past. Le Guin deals with the ways one social class percieves the other and how their perceptions are similar to ours, as well as with the position of a woman in such a cruel society. The story ends with a union between two main characters, and the author concludes that the personal relationship between two people is at the core of change in the world around us. She teaches us that, in order to improve the society we live in, we should change the way we look at things, and the best way to achieve this is through learning, through education.

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Isaksson, Gunilla y Maria Prellwitz. "One woman's story about her everyday life after a spinal cord injury". Disability and Rehabilitation 32, n.º 16 (enero de 2010): 1376–86. http://dx.doi.org/10.3109/09638280903514762.

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IMHOLTE, J. "A girl and her chew: one woman's story of spit tobacco use". Tobacco Control 8, n.º 2 (1 de junio de 1999): 217–18. http://dx.doi.org/10.1136/tc.8.2.217.

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Brown, Sharon May. "The Voice That Remembers: A Tibetan Woman's Inspiring Story of Survival (review)". Manoa 12, n.º 2 (2000): 178–80. http://dx.doi.org/10.1353/man.2000.0045.

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Gordon, Sarah. "Daughters of Time: Creating Woman's Voice in Southern Story (review)". Southern Cultures 1, n.º 2 (1995): 256–58. http://dx.doi.org/10.1353/scu.1995.0079.

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Белова, А. В. ""PERSONAL" ELEMENT IN THE TEXT OF ALEXANDER CHEKHOV'S STORY "THE WOMAN'S SORRY"". Актуальные вопросы современной филологии и журналистики, n.º 4(47) (13 de febrero de 2024): 64–68. http://dx.doi.org/10.36622/aqmpj.2022.37.38.010.

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Costlow, Jane T. "Speaking the Sorrow of Women: Turgenev's “Neschastnaia” and Evgeniia Tur's “Antonina”". Slavic Review 50, n.º 2 (1991): 328–35. http://dx.doi.org/10.2307/2500208.

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In a letter of 1868 to Pavel Annenkov, Ivan Turgenev spoke of "Neschastnaia," the story that he had just finished writing, as "moia posledniaia dochka."' Authorship and paternity are conflated in this phrase, as are story and heroine: The melancholy Russian has given birth to a daughter.Turgenev's statement of affiliation both hints at and obscures the genealogical truths of a story that takes familial complexity and silence as its explicit topic. "Neschastnaia" is a story which is about the silence surrounding a young woman's true place in a patriarchal household; its heroine is at once bound by and excluded from filial relationship. Beyond such explicit thematics, however, there lies another genealogical story in which Turgenev himself takes part. This second story concerns the legitimacy of Turgenev himself as much as that of his heroine; it touches on the genesis of Turgenev's own art and his relationship to women writers of the 184Qs. It is a story suggested by the thematics of paternity and legitimacy and also by the very structure of Turgenev's narrative.

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Borain, Bernice. "The Black Female Messiah in Nnedi Okorafor's The Book of Phoenix". Image & Text, n.º 37 (1 de noviembre de 2023): 1–19. http://dx.doi.org/10.17159/2617-3255/2023/n37a32.

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The Africanfuturist novel The Book of Phoenix by Nnedi Okorafor (2015) centres on a paradoxical black female messiah, whose story embodies the contemporary woman's ofo (a sacred Igbo symbol of worship and conjuration that establishes her cause as just). In this prequel to the award-winning Who Fears Death (2010), Phoenix is the redemptive creator-destroyer who leaves the page blank for a womanist rewriting in the sequel. Phoenix, who precipitates the apocalyptic event, is represented as a beacon and a purifying fire. Through Phoenix's recording, The Book of Phoenix is transcribed and becomes the Great Book. Applying African/Afrofuturist and womanist theory as an etic observer, I establish how the text performs the work of recovering an occluded history by creatively re-visioning theological frameworks.

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Kristyowati, Dyah. "STORY FORMULA AND FEMINIST IDEOLOGY IN EAT PRAY LOVE NOVEL". Journal Albion : Journal of English Literature, Language, and Culture 3, n.º 1 (28 de abril de 2021): 05–08. http://dx.doi.org/10.33751/albion.v3i1.3342.

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Eat Pray Love novel by Elizabeth Gilberth tells the story of a woman's journey to herself in three countries over a period of one year. There are also countries visited are Italy, India and Indonesia. Her visit to the three countries was in order to find a balance in her life. This is evident from the interaction between the characters and the conflicts contained in the novel. The journey to the Italian state to explore the arts of fun, deepen the art of meditation and devotion in the country of India and balance the two in Bali Indonesia. Feminist ideology is seen in the main character of the novel as well as some other female figures mentioned in Elizabeth's novel taking the greatest step in her life to end her marriage and find her own life and happiness as a woman. In this novel also told a figure Indian girl named Tulsi who chose to continue his education in the middle of an environment that opposed women to have high education. Keywords: story formula; feminist ideology.

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Ali, Kamran Asdar. "GAIL MINAULT, Secluded Scholars: Women's Education and Muslim Social Reform in Colonial India (Delhi: Oxford University Press, 1998). Pp. 373. $35.00 cloth, $14.95 paper." International Journal of Middle East Studies 34, n.º 1 (febrero de 2002): 168–70. http://dx.doi.org/10.1017/s0020743802391062.

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The Urdu novelist and short story writer Intizar Hussayn, in his story “Ihsan Manzil,” describes the anxiety produced in a northern Indian Muslim community when a magazine arrives addressed to the daughter of a respectable household. Set in the early part of the 20th century, the story depicts how the Muslim woman's name on the envelope, exposed as it was to the whole world, became a metaphor for modernity, the public, and the outside penetrating Muslim moral boundaries and domestic ethos. Similar to Hussayn's incisive depiction of changes within Indian Muslim households, Gail Minault gives us a sense of how religious reform, expanding opportunities for education for both genders, and colonial modernization in the first half of the 20th century undermined and challenged traditional aspects of middle-class Muslim life in northern India.

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Robingun Suyud El Syam, Siti Muamanah, Salis Irvan Fuadi, M. Yusuf AN y Darul Muntaha. "PENDIDIKAN ISLAM TENTANG FIGUR WANITA DALAM AL-QUR’AN". Khatulistiwa: Jurnal Pendidikan dan Sosial Humaniora 1, n.º 3 (20 de septiembre de 2021): 01–18. http://dx.doi.org/10.55606/khatulistiwa.v1i3.532.

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The discussion about the female figure has always been an interesting issue and invites pros and cons, especially when it is related to the issue of gender equality. Through the story method, it can be concluded that the stories of women in the Qur'an emphasize an ideal concept of gender equality. The story emphasizes that an achievement in the field of spiritual and professional career does not have to be dominated by one gender only. Women have equal opportunities and abilities with men in achieving, in the political, social, economic fields to education and professional careers. By presenting and re-exploring the moral values of this inspiring woman's story, it is hoped that the women of the millennial era will be able to present a new spirit in building a nation of character.

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HOLMES, SARAH C. "A Forgotten Writer: Alice Beal Parsons and “Cross Purposes”". Resources for American Literary Study 37 (1 de enero de 2014): 209–52. http://dx.doi.org/10.5325/resoamerlitestud.37.2014.0209.

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Abstract This essay recovers a socialist and feminist writer previously overlooked by literary scholars. An author of five novels and numerous short stories, Alice Beal Parsons published for both mainstream and progressive audiences. Of particular note is her membership in the Communist Labor Party and her renunciation of a bourgeois identity. The archival discovery “Cross Purposes” is a good representation of her commitment to radicalism. Most likely composed in the 1920s or 1930s, the short story is a unique examination of a wealthy woman's role in the oppression of the women who work for her. Included with a full transcription of the story is a bibliography of Parsons's major work.

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